It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.
Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greekdramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.
The Green Child is the only completed novel by the English anarchist poet and critic Herbert Read. Written in 1934 and first published by Heinemann in 1935, the story is based on the 12th-century legend of two green children who mysteriously appeared in the English village of Woolpit, speaking an apparently unknown language. Read described the legend in his English Prose Style, published in 1931, as "the norm to which all types of fantasy should conform".
Each of the novel's three parts ends with the apparent death of the story's protagonist, President Olivero, dictator of the fictional South American Republic of Roncador. In each case Olivero's death is an allegory for his translation to a "more profound level of existence", reflecting the book's overall theme of a search for the meaning of life. Read's interest in psychoanalytic theory is evident throughout the novel, which is constructed as a "philosophic myth ... in the tradition of Plato". (Full article...)
Remember that Jules Verne was a sort of Shakespeare of science fiction, and we would feel derelict if we did not give his stories in our columns.
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—T. O'Conor Sloane (1851–1940), "Discussions" Amazing Stories (January 1927). This quote is notable for being the first "modern use" of the term science fiction.[1]
Gran calavera eléctrica ("Grand electric skull", 1900–13) by José Guadalupe Posada, which depicts a large skeletonhypnotizing a group of calaveras, with an electric street car, with skeletons as passengers, in the background. Skulls are a common symbol of the Day of the Dead, a Mexican holiday where people remember friends and family members who have died. (POTD)
In 802,701, The Time Traveller encounters a garden world and sees Humanity has divided into the meek Eloi on the surface and the subdwelling, cannibalistic Morlocks.
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