Portal:Speculative fiction
Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts. It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction. Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty. In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre. Jump to a specific section belowSelected profile
Vernor Steffen Vinge (/ˈvɜːrnər ˈvɪndʒiː/ ; October 2, 1944 – March 20, 2024) was an American science fiction author and professor. He taught mathematics and computer science at San Diego State University. He was the first wide-scale popularizer of the technological singularity concept and among the first authors to present a fictional "cyberspace". He won the Hugo Award for his novels A Fire Upon the Deep (1992), A Deepness in the Sky (1999), and Rainbows End (2006), and novellas Fast Times at Fairmont High (2001) and The Cookie Monster (2004). (Full article...)
Selected workMercy Point is an American science fiction medical drama, created by Trey Callaway, David Simkins, and Milo Frank, which originally aired for one season on United Paramount Network (UPN) from October 6, 1998, to July 15, 1999. With an ensemble cast led by Joe Morton, Maria del Mar, Alexandra Wilson, Brian McNamara, Salli Richardson, Julia Pennington, Gay Thomas, Jordan Lund, and Joe Spano, the series focuses on the doctors and nurses in a 23rd-century hospital space station located in deep space. The executive producers were Trey Callaway, Michael Katleman, Lee David Zlotoff, Joe Voci, and Scott Sanders.
Callaway adapted Mercy Point from his original screenplay, "Nightingale One". It was picked up by Mandalay Television, and the concept was eventually revised as a television project and renamed Mercy Point; production on the film project had ended due to the poor commercial performance of the 1997 film Starship Troopers. The television show was part of a three-million-dollar deal between Mandalay and Columbia TriStar Television to produce 200 hours of material. It was filmed in Vancouver to reduce production costs, the hospital sets being constructed on a series of sound stages. Director Joe Napolitano has praised the show for its use of a complete set to allow for more intricate directing. Despite Callaway envisioning Mercy Point as a companion to Star Trek: Voyager, it was paired with Moesha and Clueless as its lead-in on Tuesday nights. Initially focused on ethical and medical cases, the show's storylines gradually shifted toward relating the characters' personal relationships, to better fit UPN's primarily teen viewership. (Full article...) Selected quote
—David Brin (b.1950), Interview, Locus (March 1997).[1] Selected picture Illustration by Édouard Manet for a French translation by Stéphane Mallarmé of Edgar Allan Poe's "The Raven". Part 4 of 4 full page plates. Did you know...
Upcoming conventionsJune:
July:
Dates can usually be found on the article page. See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction. Selected articleNew Worlds was a British science fiction magazine that began in 1936 as a fanzine called Novae Terrae. John Carnell, who became Novae Terrae's editor in 1939, renamed it New Worlds that year. He was instrumental in turning it into a professional publication in 1946 and was the first editor of the new incarnation. It became the leading UK science fiction magazine; the period to 1960 has been described by science fiction historian Mike Ashley as the magazine's "Golden Age".
Carnell joined the British Army in 1940 following the outbreak of the Second World War and returned to civilian life in 1946. He negotiated a publishing agreement for the magazine with Pendulum Publications, but only three issues of New Worlds were produced before Pendulum's bankruptcy in late 1947. A group of science fiction fans formed a company called Nova Publications to revive the magazine; the first issue under their management appeared in mid-1949. New Worlds continued to appear on a regular basis until issue 20, published in early 1953, following which a change of printers led to a hiatus in publication. In early 1954, when Maclaren & Sons acquired control of Nova Publications, the magazine returned to a stable monthly schedule. (Full article...)
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