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Speculative fiction is an umbrella phrase encompassing the more fantastical fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history in literature as well as related static, motion, and virtual arts.

It has been around since humans began to speak. The earliest forms of speculative fiction were likely mythological tales told around the campfire. Speculative fiction deals with the "What if?" scenarios imagined by dreamers and thinkers worldwide. Journeys to other worlds through the vast reaches of distant space; magical quests to free worlds enslaved by terrible beings; malevolent supernatural powers seeking to increase their spheres of influence across multiple dimensions and times; all of these fall into the realm of speculative fiction.

Speculative fiction as a category ranges from ancient works to cutting edge, paradigm-changing, and neotraditional works of the 21st century. It can be recognized in works whose authors' intentions or the social contexts of the versions of stories they portrayed is now known. For example, Ancient Greek dramatists such as Euripides, whose play Medea (play) seemed to have offended Athenian audiences when he fictionally speculated that shamaness Medea killed her own children instead of their being killed by other Corinthians after her departure. The play Hippolytus, narratively introduced by Aphrodite, is suspected to have displeased contemporary audiences of the day because it portrayed Phaedra as too lusty.

In historiography, what is now called speculative fiction has previously been termed "historical invention", "historical fiction," and other similar names. It is extensively noted in the literary criticism of the works of William Shakespeare when he co-locates Athenian Duke Theseus and Amazonian Queen Hippolyta, English fairy Puck, and Roman god Cupid all together in the fairyland of its Merovingian Germanic sovereign Oberon in A Midsummer Night's Dream. In mythography it has been termed "mythopoesis" or mythopoeia, "fictional speculation", the creative design and generation of lore, regarding such works as J. R. R. Tolkien's The Lord of the Rings. Such supernatural, alternate history, and sexuality themes continue in works produced within the modern speculative fiction genre.

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Selected profile

Gunn in 2005

James Edwin Gunn (July 12, 1923 – December 23, 2020) was an American science fiction writer, editor, scholar, and anthologist. His work as an editor of anthologies includes the six-volume Road to Science Fiction series. He won the Hugo Award for "Best Related Work" in 1983 and he won or was nominated for several other awards for his non-fiction works in the field of science fiction studies. The Science Fiction and Fantasy Writers of America made him its 24th Grand Master in 2007, and he was inducted by the Science Fiction and Fantasy Hall of Fame in 2015. His novel The Immortals was adapted into a 1970–71 TV series starring Christopher George.

Gunn was a professor emeritus of English and the founding director of the Center for the Study of Science Fiction, both at the University of Kansas. (Full article...)

Selected work

Star Trek: Enterprise, originally titled simply Enterprise for its first two seasons, is an American science fiction television series created by Rick Berman and Brannon Braga. It originally aired from September 26, 2001 to May 13, 2005 on UPN. The sixth series in the Star Trek franchise, it is a prequel to Star Trek: The Original Series. Set in the 22nd century, a hundred years before the events of The Original Series, it follows the adventures of the Enterprise, Earth's first starship capable of traveling at warp five, as it explores the galaxy and encounters various alien species.

Following the culmination of Star Trek: Deep Space Nine and with Star Trek: Voyager scheduled to end, Paramount asked Braga and Berman to create a new series to continue the franchise. Rather than setting it in the 24th century alongside Deep Space Nine and Voyager, they decided to set it in an earlier period, allowing them to explore new parts of the Star Trek fictional universe. Wanting a more basic, relatable, character-driven series, Berman and Braga concentrated on a core trio: Captain Jonathan Archer (played by Scott Bakula), Commander Trip Tucker (Connor Trinneer), and Sub-commander T'Pol (Jolene Blalock). (Full article...)

Selected quote


Brian Aldiss (b.1925), Billion Year Spree: The True History of Science Fiction (1973).
More quotes from Wikiquote: science fiction, fantasy, alternate history

Selected picture

Stained glass window from the synagogue in Enschede, depicting a griffin. Text is a shortened version of "Blessed are those who listen to me; watching daily at my doors; waiting at my doorway." (Proverbs 8:34)
Stained glass window from the synagogue in Enschede, depicting a griffin. Text is a shortened version of "Blessed are those who listen to me; watching daily at my doors; waiting at my doorway." (Proverbs 8:34)
Credit: Kleuske (photo, description), stained glass artist unknown

Stained glass window from the synagogue in Enschede, depicting a griffin. Text is a shortened version of "Blessed are those who listen to me; watching daily at my doors; waiting at my doorway." (Proverbs 8:34)

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Nancy Cartwright

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See also these convention lists: anime, comic book, furry, gaming, multigenre, and science fiction.

Selected article

Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18. The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom went on to be popular writers, but within a year, the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger, and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue to list Wright as editor was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks, it prospered over the next 15 years. Under Wright's control, the magazine lived up to its subtitle, "The Unique Magazine", and published a wide range of unusual fiction.

Lovecraft's Cthulhu mythos stories first appeared in Weird Tales, starting with "The Call of Cthulhu" in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. Robert E. Howard was a regular contributor, and published several of his Conan the Barbarian stories in the magazine, and Seabury Quinn's series of stories about Jules de Grandin, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included Nictzin Dyalhis, E. Hoffmann Price, Robert Bloch, and H. Warner Munn. Wright published some science fiction, along with the fantasy and horror, partly because when Weird Tales was launched, no magazines were specializing in science fiction, but he continued this policy even after the launch of magazines such as Amazing Stories in 1926. Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years, he used the magazine for his more fantastic stories, and submitted his space operas elsewhere. (Full article...)

On this day...

November 27:

Film releases


Possible futures

Possible events in the future as suggested by science fiction:

  • The Terran Confederation, following five years of raids against their shipping by the Kilrathi, officially declare war against them on July 5, 2634.
  • The Star Kingdom of Manticore is established on August 1, 3573.

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History: Films · Golden Age · New Wave · Scientific romance
Related genres: Fantasy (Science fantasy· Mystery · Horror · Slipstream · Speculative (Weird) · Superhero
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