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Kwan Man-ching
Kwan Man-ching
  • Source: Chung, Stephanie (2022). "From Silent Films to Talkies: Rediscovering Moon Kwan Man-ching". Exploring Hong Kong Films of the 1930s and 1940s: Part 1: Era and Film History (PDF). Translated by Chin, Roberta. Hong Kong: Hong Kong Film Archive. pp. 32–49. ISBN 978-962-8050-77-2. Archived from the original (PDF) on 15 March 2023. Retrieved 7 November 2024. "Later, Kwan would reminisce that his choice to commit to the film industry in his youth was not only a way of survival, but also because of his wish to revitalise China’s industry. He also chose film because of its ability to subtly influence, making it a good tool to educate the people. Another reason was because he was very attracted to actress Mary Pickford, and had hoped for an opportunity to get close to her in the film studio." Number of films is listed at "關文清 Moon Kwan / Kwan Man Ching (1896-1995)". 香港電影導演大全, 1914-1978 [The Ultimate Guide to Hong Kong Film Directors, 1914-1978] (in Chinese). Hong Kong: Hong Kong Film Directors Guild. 2018. ISBN 978-988-12666-0-6. (I count more than sixty).
  • ALT1: ... that Kwan Man-ching (pictured) advised D. W. Griffith to forego queues with Broken Blossoms? Source: Lester, Jason (2023). Experiments with China in American Modernity (Thesis). University of Oregon – via ProQuest. "Whereas Kwan positioned himself in relation to signifiers of classical Chinese tradition in his endeavors within poetry and fine art, he went to great lengths in Griffith’s production to advocate for the modernity of the Chinese people. He persuaded Griffith against the Chinese protagonist of the film wearing a queue, arguing it would be woefully anachronistic for a narrative taking place in the current day."
  • Reviewed: Template:Did you know nominations/Rei Nakashima
Created by Crisco 1492 (talk). Number of QPQs required: 1. Nominator has 704 past nominations.

 — Chris Woodrich (talk) 00:14, 8 November 2024 (UTC).[reply]


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