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A biography, or simply bio, is a detailed description of a person's life. It involves more than just basic facts like education, work, relationships, and death; it portrays a person's experience of these life events. Unlike a profile or curriculum vitae (résumé), a biography presents a subject's life story, highlighting various aspects of their life, including intimate details of experience, and may include an analysis of the subject's personality. (Full article...)


Featured biographies

  • Image 1 Chaplin in 1921 Sir Charles Spencer Chaplin (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from his childhood in the Victorian era until a year before his death in 1977, and encompassed both accolade and controversy. Chaplin's childhood in London was one of poverty and hardship. His father was absent and his mother struggled financially – he was sent to a workhouse twice before age nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the Fred Karno company, which took him to the United States. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon introduced and adopted the Tramp as his screen persona. He directed his own films and continued to hone his craft as he moved to Essanay Studios, where the Tramp persona was developed emotionally in The Tramp (1915). He then attracted a large fanbase and demanded more money as he moved to Mutual and First National corporations. By 1918, he was one of the world's best-paid and best-known figures. (Full article...)

    Chaplin in 1921

    Sir Charles Spencer Chaplin (16 April 1889 – 25 December 1977) was an English comic actor, filmmaker, and composer who rose to fame in the era of silent film. He became a worldwide icon through his screen persona, the Tramp, and is considered one of the film industry's most important figures. His career spanned more than 75 years, from his childhood in the Victorian era until a year before his death in 1977, and encompassed both accolade and controversy.

    Chaplin's childhood in London was one of poverty and hardship. His father was absent and his mother struggled financially – he was sent to a workhouse twice before age nine. When he was 14, his mother was committed to a mental asylum. Chaplin began performing at an early age, touring music halls and later working as a stage actor and comedian. At 19, he was signed to the Fred Karno company, which took him to the United States. He was scouted for the film industry and began appearing in 1914 for Keystone Studios. He soon introduced and adopted the Tramp as his screen persona. He directed his own films and continued to hone his craft as he moved to Essanay Studios, where the Tramp persona was developed emotionally in The Tramp (1915). He then attracted a large fanbase and demanded more money as he moved to Mutual and First National corporations. By 1918, he was one of the world's best-paid and best-known figures. (Full article...)
  • Image 2 Portrait by John Sartain, 1890 Ormond Beatty (August 13, 1815 – June 24, 1890) was an American educator and academic administrator. He was the seventh president of Centre College in Danville, Kentucky. An 1835 graduate of Centre, Beatty became a professor the following year and taught chemistry, natural philosophy, mathematics, metaphysics, biblical history, and church history over the course of his career. He was selected to fill the position of president pro tempore following the resignation of William L. Breckinridge in 1868 and was unanimously elected president by the board of trustees in 1870. He was Centre's first president who was not a Christian minister, and he led the school until his resignation in 1888, at which point he taught for two additional years before his death in 1890. Beatty also involved himself in religious affairs, serving as a ruling elder in the First and Second Presbyterian Churches in Danville, as a commissioner to three Presbyterian Church General Assemblies, and as a trustee of the Danville Theological Seminary. (Full article...)

    Portrait by John Sartain, 1890

    Ormond Beatty (August 13, 1815 – June 24, 1890) was an American educator and academic administrator. He was the seventh president of Centre College in Danville, Kentucky. An 1835 graduate of Centre, Beatty became a professor the following year and taught chemistry, natural philosophy, mathematics, metaphysics, biblical history, and church history over the course of his career. He was selected to fill the position of president pro tempore following the resignation of William L. Breckinridge in 1868 and was unanimously elected president by the board of trustees in 1870. He was Centre's first president who was not a Christian minister, and he led the school until his resignation in 1888, at which point he taught for two additional years before his death in 1890. Beatty also involved himself in religious affairs, serving as a ruling elder in the First and Second Presbyterian Churches in Danville, as a commissioner to three Presbyterian Church General Assemblies, and as a trustee of the Danville Theological Seminary. (Full article...)
  • Image 3 Tool performing in 2022 Tool is an American rock band formed in Los Angeles in 1990. It consists of vocalist Maynard James Keenan, guitarist Adam Jones, drummer Danny Carey and bassist Justin Chancellor, who replaced founding member Paul D'Amour in 1995. Tool has won four Grammy Awards, performed worldwide tours, and produced albums topping charts in several countries. The band has released five studio albums, one EP and one box set. They emerged with a heavy metal sound on their first studio album, Undertow (1993), and became a dominant act in the alternative metal movement with the release of their follow-up album Ænima in 1996. The group's efforts to combine musical experimentation, visual arts, and a message of personal evolution continued with Lateralus (2001) and 10,000 Days (2006), gaining critical acclaim and international commercial success. Their fifth studio album Fear Inoculum was released on August 30, 2019, to widespread critical acclaim. Prior to its release, the band had sold more than 13 million albums in the US alone. (Full article...)

    Tool performing in 2022

    Tool is an American rock band formed in Los Angeles in 1990. It consists of vocalist Maynard James Keenan, guitarist Adam Jones, drummer Danny Carey and bassist Justin Chancellor, who replaced founding member Paul D'Amour in 1995. Tool has won four Grammy Awards, performed worldwide tours, and produced albums topping charts in several countries.

    The band has released five studio albums, one EP and one box set. They emerged with a heavy metal sound on their first studio album, Undertow (1993), and became a dominant act in the alternative metal movement with the release of their follow-up album Ænima in 1996. The group's efforts to combine musical experimentation, visual arts, and a message of personal evolution continued with Lateralus (2001) and 10,000 Days (2006), gaining critical acclaim and international commercial success. Their fifth studio album Fear Inoculum was released on August 30, 2019, to widespread critical acclaim. Prior to its release, the band had sold more than 13 million albums in the US alone. (Full article...)
  • Image 4 Possible portrait by Justus Engelhardt Kühn, c. 1700–1720 Charles Carroll (1661 – 1720), sometimes called Charles Carroll the Settler to differentiate him from his son and grandson, was an Irish-born planter and lawyer who spent most of his life in the English Province of Maryland. Carroll, a Catholic, is best known for his efforts to hold office in the Protestant-dominated colony which eventually resulted in the disfranchisement of Maryland's Catholics. The second son of Irish Catholic parents, Carroll was educated in France as a lawyer before returning to England, where he pursued the first steps in a legal career. Before that career developed, he secured a position as Attorney General of the young colony of Maryland. Its founder George Calvert, 1st Baron Baltimore and his descendants intended it as a refuge for persecuted Catholics. Carroll supported Charles Calvert, 3rd Baron Baltimore, the colony's Catholic proprietor, in an unsuccessful effort to prevent the Protestant majority from gaining political control over Maryland. Following the overthrow of the Calvert proprietorship and the subsequent exclusion of Catholics from colonial government, Carroll turned his attention to owning slave plantations, law, business, and various offices in the proprietor's remnant organization. He was the wealthiest man in the colony by the time of his death. In the last years of his life, Carroll attempted to regain some vestige of political power for Catholics in the colony, but the Protestant colonial assembly and Governor John Hart disfranchised them. His son, Charles Carroll of Annapolis, became a wealthy planter and his grandson, Charles Carroll of Carrollton, also wealthy, was the only Catholic signer of the United States Declaration of Independence. (Full article...)

    Possible portrait by Justus Engelhardt Kühn, c. 1700–1720

    Charles Carroll (1661 – 1720), sometimes called Charles Carroll the Settler to differentiate him from his son and grandson, was an Irish-born planter and lawyer who spent most of his life in the English Province of Maryland. Carroll, a Catholic, is best known for his efforts to hold office in the Protestant-dominated colony which eventually resulted in the disfranchisement of Maryland's Catholics. The second son of Irish Catholic parents, Carroll was educated in France as a lawyer before returning to England, where he pursued the first steps in a legal career. Before that career developed, he secured a position as Attorney General of the young colony of Maryland. Its founder George Calvert, 1st Baron Baltimore and his descendants intended it as a refuge for persecuted Catholics.

    Carroll supported Charles Calvert, 3rd Baron Baltimore, the colony's Catholic proprietor, in an unsuccessful effort to prevent the Protestant majority from gaining political control over Maryland. Following the overthrow of the Calvert proprietorship and the subsequent exclusion of Catholics from colonial government, Carroll turned his attention to owning slave plantations, law, business, and various offices in the proprietor's remnant organization. He was the wealthiest man in the colony by the time of his death. In the last years of his life, Carroll attempted to regain some vestige of political power for Catholics in the colony, but the Protestant colonial assembly and Governor John Hart disfranchised them. His son, Charles Carroll of Annapolis, became a wealthy planter and his grandson, Charles Carroll of Carrollton, also wealthy, was the only Catholic signer of the United States Declaration of Independence. (Full article...)
  • Image 5 Jaojoby outside Le Bus nightclub in Antananarivo, 1999 Eusèbe Jaojoby (born 29 July 1955), commonly known by his surname Jaojoby [ˈdzodzubʲ], is a Malagasy composer and singer of salegy, a musical style of northwestern Madagascar. Critics consider him to be one of the originators of the modern salegy style that emerged in the 1970s, and credit him with transforming the genre from an obscure regional musical tradition into one of national and international popularity. Jaojoby also contributed to the creation of two salegy subgenres, malessa and baoenjy. Jaojoby has been called the most popular singer in Madagascar and the Indian Ocean islands, and is widely referred to as the "King of Salegy". His success has earned him such honors as Artist of the Year in Madagascar for two consecutive years (1998–1999) and the role of Goodwill Ambassador for the United Nations Population Fund in 1999. In 1970 Jaojoby began singing in the northern coastal town of Diego-Suarez. He performed with bands that were experimentally blending American soul and funk with the Malagasy musical traditions of the region. The artist gained popularity and toured regionally, producing four singles with The Players before the band broke up in 1979. After a short break in the 1980s to pursue a career in journalism, Jaojoby resumed his musical career and rose to national prominence with his 1988 hit "Samy Mandeha Samy Mitady". He then reoriented his career toward music, recording his first full-length album in 1992 and becoming a full-time professional musician the following year. He has since released eight full-length albums and has toured extensively in Madagascar and abroad accompanied by his wife and adult children, who perform in the band with him. (Full article...)

    Jaojoby outside Le Bus nightclub in Antananarivo, 1999

    Eusèbe Jaojoby (born 29 July 1955), commonly known by his surname Jaojoby [ˈdzodzubʲ], is a Malagasy composer and singer of salegy, a musical style of northwestern Madagascar. Critics consider him to be one of the originators of the modern salegy style that emerged in the 1970s, and credit him with transforming the genre from an obscure regional musical tradition into one of national and international popularity. Jaojoby also contributed to the creation of two salegy subgenres, malessa and baoenjy. Jaojoby has been called the most popular singer in Madagascar and the Indian Ocean islands, and is widely referred to as the "King of Salegy". His success has earned him such honors as Artist of the Year in Madagascar for two consecutive years (1998–1999) and the role of Goodwill Ambassador for the United Nations Population Fund in 1999.

    In 1970 Jaojoby began singing in the northern coastal town of Diego-Suarez. He performed with bands that were experimentally blending American soul and funk with the Malagasy musical traditions of the region. The artist gained popularity and toured regionally, producing four singles with The Players before the band broke up in 1979. After a short break in the 1980s to pursue a career in journalism, Jaojoby resumed his musical career and rose to national prominence with his 1988 hit "Samy Mandeha Samy Mitady". He then reoriented his career toward music, recording his first full-length album in 1992 and becoming a full-time professional musician the following year. He has since released eight full-length albums and has toured extensively in Madagascar and abroad accompanied by his wife and adult children, who perform in the band with him. (Full article...)
  • Image 6 Klemperer c. 1920 Otto Nossan Klemperer (German: [ˌɔto ˈklɛmʁpəʁɐ] ⓘ; 14 May 1885 – 6 July 1973) was a German conductor and composer, originally based in Germany, and then the United States, Hungary and finally, Great Britain. He began his career as an opera conductor, but he was later better known as a conductor of symphonic music. A protégé of the composer and conductor Gustav Mahler, from 1907 Klemperer was appointed to a succession of increasingly senior conductorships in opera houses in and around Germany. Between 1929 and 1931 he was director of the Kroll Opera in Berlin, where he presented new works and avant-garde productions of classics. He was from a Jewish family, and the rise of the Nazis caused him to leave Germany in 1933. Shortly afterwards he was appointed chief conductor of the Los Angeles Philharmonic, and guest-conducted other American orchestras, including the San Francisco Symphony, the New York Philharmonic and later the Pittsburgh Symphony, which he reorganised as a permanent ensemble. (Full article...)

    Klemperer c. 1920

    Otto Nossan Klemperer (German: [ˌɔto ˈklɛmʁpəʁɐ] ⓘ; 14 May 1885 – 6 July 1973) was a German conductor and composer, originally based in Germany, and then the United States, Hungary and finally, Great Britain. He began his career as an opera conductor, but he was later better known as a conductor of symphonic music.

    A protégé of the composer and conductor Gustav Mahler, from 1907 Klemperer was appointed to a succession of increasingly senior conductorships in opera houses in and around Germany. Between 1929 and 1931 he was director of the Kroll Opera in Berlin, where he presented new works and avant-garde productions of classics. He was from a Jewish family, and the rise of the Nazis caused him to leave Germany in 1933. Shortly afterwards he was appointed chief conductor of the Los Angeles Philharmonic, and guest-conducted other American orchestras, including the San Francisco Symphony, the New York Philharmonic and later the Pittsburgh Symphony, which he reorganised as a permanent ensemble. (Full article...)
  • Image 7 Manon with Netherlands in 2014 Gabriëlla Maria "Manon" Melis (Dutch pronunciation: [ɣaːbriˈjɛlaː maːˈrijaː maːˈnɔ ˈmeːlɪs]; born 31 August 1986) is a Dutch manager of women's football development at Feyenoord and a former professional footballer who played as a forward. She spent most of her professional career playing in the Swedish league Damallsvenskan, which she won three times with her club LdB FC Malmö, in 2010, 2011, and 2013. Melis also won the Swedish Supercup with Malmö in 2011, and was briefly with the Swedish teams Linköping and Göteborg. She was the Damallsvenskan top scorer three times, in 2008, 2010, and 2011. In 2016, she moved to the National Women's Soccer League (NWSL) in the US, playing for Seattle Reign for one season, before retiring from professional football. At age 17, Melis made her debut for the Netherlands national team in 2004. Her scoring helped the Dutch qualify for their first major tournament, the UEFA Women's Euro 2009, where they reached the semi-finals. In the tournament, she scored a crucial goal in the final group game against Denmark to send her team into the knockout stage. At Euro 2013 in Sweden and the 2015 FIFA Women's World Cup in Canada, she played all seven combined matches for her country but did not score. When she retired from playing international football in 2016, she had earned 136 caps and scored 59 goals. She was the all-time top goal scorer for the Netherlands national team from 2010 to 2019. (Full article...)

    Manon with Netherlands in 2014

    Gabriëlla Maria "Manon" Melis (Dutch pronunciation: [ɣaːbriˈjɛlaː maːˈrijaː maːˈnɔ ˈmeːlɪs]; born 31 August 1986) is a Dutch manager of women's football development at Feyenoord and a former professional footballer who played as a forward. She spent most of her professional career playing in the Swedish league Damallsvenskan, which she won three times with her club LdB FC Malmö, in 2010, 2011, and 2013. Melis also won the Swedish Supercup with Malmö in 2011, and was briefly with the Swedish teams Linköping and Göteborg. She was the Damallsvenskan top scorer three times, in 2008, 2010, and 2011. In 2016, she moved to the National Women's Soccer League (NWSL) in the US, playing for Seattle Reign for one season, before retiring from professional football.

    At age 17, Melis made her debut for the Netherlands national team in 2004. Her scoring helped the Dutch qualify for their first major tournament, the UEFA Women's Euro 2009, where they reached the semi-finals. In the tournament, she scored a crucial goal in the final group game against Denmark to send her team into the knockout stage. At Euro 2013 in Sweden and the 2015 FIFA Women's World Cup in Canada, she played all seven combined matches for her country but did not score. When she retired from playing international football in 2016, she had earned 136 caps and scored 59 goals. She was the all-time top goal scorer for the Netherlands national team from 2010 to 2019. (Full article...)
  • Image 8 Photo by Tee Corinne, 1983 Ann Weldy (born September 15, 1932), better known by her pen name Ann Bannon, is an American author who, from 1957 to 1962, wrote six lesbian pulp fiction novels known as The Beebo Brinker Chronicles. The books' enduring popularity and impact on lesbian identity has earned her the title "Queen of Lesbian Pulp Fiction". Bannon was a young housewife trying to address her own issues of sexuality when she was inspired to write her first novel. Her subsequent books featured four characters who reappeared throughout the series, including her eponymous heroine, Beebo Brinker, who came to embody the archetype of a butch lesbian. The majority of her characters mirrored people she knew, but their stories reflected a life she did not feel she was able to live. Despite her traditional upbringing and role in married life, her novels defied conventions for romance stories and depictions of lesbians by addressing complex homosexual relationships. Her books shaped lesbian identity for lesbians and heterosexuals alike, but Bannon was mostly unaware of their impact. She stopped writing in 1962. Later, she earned a doctorate in linguistics and became an academic. She endured a difficult marriage for 27 years and, as she separated from her husband in the 1980s, her books were republished; she was stunned to learn of their influence on society. They were released again between 2001 and 2003 and were adapted as an award-winning Off-Broadway production. They are taught in women's and LGBT studies courses, and Bannon has received numerous awards for pioneering lesbian and gay literature. She has been described as "the premier fictional representation of US lesbian life in the fifties and sixties", and it has been said that her books "rest on the bookshelf of nearly every even faintly literate Lesbian". (Full article...)

    Photo by Tee Corinne, 1983

    Ann Weldy (born September 15, 1932), better known by her pen name Ann Bannon, is an American author who, from 1957 to 1962, wrote six lesbian pulp fiction novels known as The Beebo Brinker Chronicles. The books' enduring popularity and impact on lesbian identity has earned her the title "Queen of Lesbian Pulp Fiction". Bannon was a young housewife trying to address her own issues of sexuality when she was inspired to write her first novel. Her subsequent books featured four characters who reappeared throughout the series, including her eponymous heroine, Beebo Brinker, who came to embody the archetype of a butch lesbian. The majority of her characters mirrored people she knew, but their stories reflected a life she did not feel she was able to live. Despite her traditional upbringing and role in married life, her novels defied conventions for romance stories and depictions of lesbians by addressing complex homosexual relationships.

    Her books shaped lesbian identity for lesbians and heterosexuals alike, but Bannon was mostly unaware of their impact. She stopped writing in 1962. Later, she earned a doctorate in linguistics and became an academic. She endured a difficult marriage for 27 years and, as she separated from her husband in the 1980s, her books were republished; she was stunned to learn of their influence on society. They were released again between 2001 and 2003 and were adapted as an award-winning Off-Broadway production. They are taught in women's and LGBT studies courses, and Bannon has received numerous awards for pioneering lesbian and gay literature. She has been described as "the premier fictional representation of US lesbian life in the fifties and sixties", and it has been said that her books "rest on the bookshelf of nearly every even faintly literate Lesbian". (Full article...)
  • Image 9 Portrait from 1846 Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (which includes his "Wedding March"), the Italian and Scottish Symphonies, the oratorios St. Paul and Elijah, the Hebrides Overture, the mature Violin Concerto, the String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's Songs Without Words are his most famous solo piano compositions. Mendelssohn's grandfather was the Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion until he was baptised aged seven into the Reformed Christian church. He was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother's name and her Easter Sonata was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s. (Full article...)

    Portrait from 1846

    Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night's Dream (which includes his "Wedding March"), the Italian and Scottish Symphonies, the oratorios St. Paul and Elijah, the Hebrides Overture, the mature Violin Concerto, the String Octet, and the melody used in the Christmas carol "Hark! The Herald Angels Sing". Mendelssohn's Songs Without Words are his most famous solo piano compositions.

    Mendelssohn's grandfather was the Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion until he was baptised aged seven into the Reformed Christian church. He was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother's name and her Easter Sonata was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s. (Full article...)
  • Image 10 Lê Quang Vinh (c. 1923 – 13 July 1956), popularly known as Ba Cụt (Vietnamese: [ɓāː kût]), was a Vietnamese military commander of the Hòa Hảo religious sect, which operated from the Mekong Delta and controlled various parts of southern Vietnam during the 1940s and early 1950s. Ba Cụt and his forces fought the Vietnamese National Army (VNA), the Việt Minh, and the Cao Đài religious movement from 1943 until his capture in 1956. Known for his idiosyncrasies, he was regarded as an erratic and cruel leader who fought with little ideological purpose. His sobriquet came from the self-amputation of his left index finger (although it was erroneously reported that it was his middle or "third cut finger"). He later swore not to cut his hair until the communist Việt Minh were defeated. Ba Cụt frequently made alliances with various Vietnamese factions and the French. He invariably accepted the material support offered in return for his cooperation, and then broke the agreement—nevertheless, the French made deals with him on five occasions. The French position was weak because their military forces had been depleted by World War II, and they had great difficulty in re-establishing control over French Indochina, which had been left with a power vacuum after the defeat of Japan. (Full article...)

    Lê Quang Vinh (c. 1923 – 13 July 1956), popularly known as Ba Cụt (Vietnamese: [ɓāː kût]), was a Vietnamese military commander of the Hòa Hảo religious sect, which operated from the Mekong Delta and controlled various parts of southern Vietnam during the 1940s and early 1950s.

    Ba Cụt and his forces fought the Vietnamese National Army (VNA), the Việt Minh, and the Cao Đài religious movement from 1943 until his capture in 1956. Known for his idiosyncrasies, he was regarded as an erratic and cruel leader who fought with little ideological purpose. His sobriquet came from the self-amputation of his left index finger (although it was erroneously reported that it was his middle or "third cut finger"). He later swore not to cut his hair until the communist Việt Minh were defeated. Ba Cụt frequently made alliances with various Vietnamese factions and the French. He invariably accepted the material support offered in return for his cooperation, and then broke the agreement—nevertheless, the French made deals with him on five occasions. The French position was weak because their military forces had been depleted by World War II, and they had great difficulty in re-establishing control over French Indochina, which had been left with a power vacuum after the defeat of Japan. (Full article...)
  • Image 11 Giovanni Antonio Grassi SJ (anglicized as John Anthony Grassi; 10 September 1775 – 12 December 1849) was an Italian Catholic priest and Jesuit who led many academic and religious institutions in Europe and the United States, including Georgetown College in Washington, D.C., and the Pontificio Collegio Urbano de Propaganda Fide in Rome. Born in the Republic of Venice, Grassi was a promising student of mathematics and the natural sciences, especially astronomy. He completed his studies at the Jesuit College in Polotsk, in the Russian Empire, in 1804 and was appointed rector of the Institute for Nobles. The following year, he was ordered to replace the last remaining Jesuit missionary in China; this began a five-year journey across Europe in which he was ultimately unable to secure passage to the distant country. He instead began teaching at Stonyhurst College in England. (Full article...)

    Giovanni Antonio Grassi SJ (anglicized as John Anthony Grassi; 10 September 1775 – 12 December 1849) was an Italian Catholic priest and Jesuit who led many academic and religious institutions in Europe and the United States, including Georgetown College in Washington, D.C., and the Pontificio Collegio Urbano de Propaganda Fide in Rome.

    Born in the Republic of Venice, Grassi was a promising student of mathematics and the natural sciences, especially astronomy. He completed his studies at the Jesuit College in Polotsk, in the Russian Empire, in 1804 and was appointed rector of the Institute for Nobles. The following year, he was ordered to replace the last remaining Jesuit missionary in China; this began a five-year journey across Europe in which he was ultimately unable to secure passage to the distant country. He instead began teaching at Stonyhurst College in England. (Full article...)
  • Image 12 Rossini as a young man, c. 1810–1815 Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity. Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works, including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Tancredi, Otello and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell. (Full article...)
    oil painting of head and torso of young white man with medium length dark hair
    Rossini as a young man, c. 1810–1815


    Gioachino Antonio Rossini (29 February 1792 – 13 November 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.

    Born in Pesaro to parents who were both musicians (his father a trumpeter, his mother a singer), Rossini began to compose by the age of twelve and was educated at music school in Bologna. His first opera was performed in Venice in 1810 when he was 18 years old. In 1815 he was engaged to write operas and manage theatres in Naples. In the period 1810–1823, he wrote 34 operas for the Italian stage that were performed in Venice, Milan, Ferrara, Naples and elsewhere; this productivity necessitated an almost formulaic approach for some components (such as overtures) and a certain amount of self-borrowing. During this period he produced his most popular works, including the comic operas L'italiana in Algeri, Il barbiere di Siviglia (known in English as The Barber of Seville) and La Cenerentola, which brought to a peak the opera buffa tradition he inherited from masters such as Domenico Cimarosa and Giovanni Paisiello. He also composed opera seria works such as Tancredi, Otello and Semiramide. All of these attracted admiration for their innovation in melody, harmonic and instrumental colour, and dramatic form. In 1824 he was contracted by the Opéra in Paris, for which he produced an opera to celebrate the coronation of Charles X, Il viaggio a Reims (later cannibalised for his first opera in French, Le comte Ory), revisions of two of his Italian operas, Le siège de Corinthe and Moïse, and in 1829 his last opera, Guillaume Tell. (Full article...)
  • Image 13 Ernest Joyce (right), pictured with other expedition members Ernest Edward Mills Joyce AM (c. 1875 – 2 May 1940) was a Royal Naval seaman and explorer who participated in four Antarctic expeditions during the Heroic Age of Antarctic Exploration, in the early 20th century. He served under both Robert Falcon Scott and Ernest Shackleton. As a member of the Ross Sea party in Shackleton's Imperial Trans-Antarctic Expedition, Joyce earned an Albert Medal for his actions in bringing the stricken party to safety, after a traumatic journey on the Great Ice Barrier. He was awarded the Polar Medal with four bars, one of only two men to be so honoured, the other being his contemporary, Frank Wild. Joyce came from a humble seafaring background and began his naval career as a boy seaman in 1891. His Antarctic experiences began 10 years later, when he joined Scott's Discovery Expedition as an Able Seaman. In 1907 Shackleton recruited Joyce to take charge of dogs and sledges on the Nimrod Expedition. Subsequently, Joyce was engaged in a similar capacity for Douglas Mawson's Australasian Antarctic Expedition in 1911, but left the expedition before it departed for the Antarctic. In 1914 Shackleton recruited Joyce for the Ross Sea party; despite his heroics this expedition marked the end of Joyce's association with the Antarctic, and of his exploring career, although he made repeated attempts to join other expeditions. (Full article...)
    Three men in well-worn clothing stand on the deck of a ship. Man on right is thickset, bearded, with cigarette in mouth. Man in centre is hooded; man on left, also bearded and with receding hair, is shown right profile.
    Ernest Joyce (right), pictured with other expedition members


    Ernest Edward Mills Joyce AM (c. 1875 – 2 May 1940) was a Royal Naval seaman and explorer who participated in four Antarctic expeditions during the Heroic Age of Antarctic Exploration, in the early 20th century. He served under both Robert Falcon Scott and Ernest Shackleton. As a member of the Ross Sea party in Shackleton's Imperial Trans-Antarctic Expedition, Joyce earned an Albert Medal for his actions in bringing the stricken party to safety, after a traumatic journey on the Great Ice Barrier. He was awarded the Polar Medal with four bars, one of only two men to be so honoured, the other being his contemporary, Frank Wild.

    Joyce came from a humble seafaring background and began his naval career as a boy seaman in 1891. His Antarctic experiences began 10 years later, when he joined Scott's Discovery Expedition as an Able Seaman. In 1907 Shackleton recruited Joyce to take charge of dogs and sledges on the Nimrod Expedition. Subsequently, Joyce was engaged in a similar capacity for Douglas Mawson's Australasian Antarctic Expedition in 1911, but left the expedition before it departed for the Antarctic. In 1914 Shackleton recruited Joyce for the Ross Sea party; despite his heroics this expedition marked the end of Joyce's association with the Antarctic, and of his exploring career, although he made repeated attempts to join other expeditions. (Full article...)
  • Image 14 Beiderbecke c. 1924 Leon Bismark "Bix" Beiderbecke (/ˈbaɪdərbɛk/ BY-dər-bek; March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell”. His solos on seminal recordings such as "Singin' the Blues" and "I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of his piano compositions were published by Robbins Music during his lifetime. (Full article...)

    Beiderbecke c. 1924

    Leon Bismark "Bix" Beiderbecke (/ˈbaɪdərbɛk/ BY-dər-bek; March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer. Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like "shooting bullets at a bell”.

    His solos on seminal recordings such as "Singin' the Blues" and "I'm Coming, Virginia" (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. "In a Mist" (1927) is the best known of Beiderbecke's published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of his piano compositions were published by Robbins Music during his lifetime. (Full article...)
  • Image 15 Stefani in 2016 Gwen Renée Stefani Shelton (/stəˈfɑːni/ stə-FAH-nee; born October 3, 1969) is an American singer-songwriter and fashion designer. She is a member and lead vocalist of the band No Doubt, whose singles include "Just a Girl", "Spiderwebs", and "Don't Speak", from their 1995 breakthrough studio album Tragic Kingdom, as well as "Hey Baby" and "It's My Life" from later albums. During the band's hiatus, Stefani embarked on a solo pop career in 2004 by releasing her debut studio album Love. Angel. Music. Baby. Inspired by pop music from the 1980s, the album was a critical and commercial success. It spawned six singles, including "What You Waiting For?", "Rich Girl", "Hollaback Girl", and "Cool". "Hollaback Girl" reached number one on the Billboard Hot 100 chart while also becoming the first US download to sell one million copies. In 2006, Stefani released her second studio album, The Sweet Escape. Among the singles were its title track and "Wind It Up", the former of which was number three on the Billboard Hot 100 year-end chart of 2007. Her third solo album, This Is What the Truth Feels Like (2016), was her first solo album to reach number one on the Billboard 200 chart. Her fourth solo album and first full-length Christmas album, You Make It Feel Like Christmas, was released in 2017 and charted 19 tracks on Billboard's Holiday Digital Song Sales component chart in the United States. Stefani has released several singles with husband Blake Shelton, including "Nobody but You" (2020), which reached number 18 in the US. In 2024, she released her fifth studio album Bouquet. (Full article...)

    Stefani in 2016

    Gwen Renée Stefani Shelton (/stəˈfɑːni/ stə-FAH-nee; born October 3, 1969) is an American singer-songwriter and fashion designer. She is a member and lead vocalist of the band No Doubt, whose singles include "Just a Girl", "Spiderwebs", and "Don't Speak", from their 1995 breakthrough studio album Tragic Kingdom, as well as "Hey Baby" and "It's My Life" from later albums.

    During the band's hiatus, Stefani embarked on a solo pop career in 2004 by releasing her debut studio album Love. Angel. Music. Baby. Inspired by pop music from the 1980s, the album was a critical and commercial success. It spawned six singles, including "What You Waiting For?", "Rich Girl", "Hollaback Girl", and "Cool". "Hollaback Girl" reached number one on the Billboard Hot 100 chart while also becoming the first US download to sell one million copies. In 2006, Stefani released her second studio album, The Sweet Escape. Among the singles were its title track and "Wind It Up", the former of which was number three on the Billboard Hot 100 year-end chart of 2007. Her third solo album, This Is What the Truth Feels Like (2016), was her first solo album to reach number one on the Billboard 200 chart. Her fourth solo album and first full-length Christmas album, You Make It Feel Like Christmas, was released in 2017 and charted 19 tracks on Billboard's Holiday Digital Song Sales component chart in the United States. Stefani has released several singles with husband Blake Shelton, including "Nobody but You" (2020), which reached number 18 in the US. In 2024, she released her fifth studio album Bouquet. (Full article...)

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