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Portal:Traditional African religions

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Welcome to the Traditional African religions portal

Introduction

Local ceremony in Benin featuring a zangbeto

The beliefs and practices of African people are highly diverse, including various ethnic religions. Generally, these traditions are oral rather than scriptural and are passed down from one generation to another through folk tales, songs, and festivals, and include beliefs in spirits and higher and lower gods, sometimes including a supreme being, as well as the veneration of the dead, and use of magic and traditional African medicine. Most religions can be described as animistic with various polytheistic and pantheistic aspects. The role of humanity is generally seen as one of harmonizing nature with the supernatural. (Full article...)

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African art describes the modern and historical paintings, sculptures, installations, and other visual culture from native or indigenous Africans and the African continent. The definition may also include the art of the native African, African diasporas, such as African American, Caribbean and other American art. Despite this diversity, there are some unifying artistic themes when considering the totality of the visual culture from the continent of Africa.

Traditional African religions have been extremely influential on African art forms across the continent. African art often stems from the themes of religious symbolism, functionalism and utilitarianism, and many pieces of art are created for spiritual rather than purely creative purposes. Many African cultures emphasize the importance of ancestors as intermediaries between the living, the gods, and the supreme creator, and art is seen as a way to contact these spirits of ancestors. Art may also be used to depict gods, and is valued for its functional purposes.

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Festivals

There are several religious festivals found in the various Traditional African religions. Some of these are listed below next to their corresponding religion :

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A modern balafon. The balafon plays an important role in the Epic of Sundiata. The magical balafon belonging to Soumaoro Kanté was stolen by Sundiata Keita's griot - Balla Fasséké and taken to Mandinka country.
Sundiata Keita was a puissant prince and founder of the Mali Empire. The famous Malian ruler Mansa Musa, who made a pilgrimage to Mecca, was his great-nephew.

Written sources augment the Mande oral histories, with the Moroccan traveller Muhammad ibn Battúta (1304–1368) and the Tunisian historian Abu Zayd 'Abd al-Rahman ibn Muhammad ibn Khaldun al-Hadrami (1332–1406) both having travelled to Mali in the century after Sundiata’s death, and providing independent verification of his existence. The semi-historical but legendary Epic of Sundiata by the Malinké/Maninka people centers on his life. The epic poem is primarily known through oral tradition, transmitted by generations of Maninka griots.

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Ram Swarup quoted in Koenraad Elst (2002)

Source: Swarup, Ram [in] Elst, Koenraad, Who is a Hindu? : Hindu Revivalist Views of Animism, Buddhism, Sikhism, and Other Offshoots of Hinduism, Voice of India (2002), p. 72, ISBN 9788185990743

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