From Wikipedia, the free encyclopedia
This is a list of pages in the scope of Wikipedia:WikiProject Color along with pageviews.
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Period: 2024-06-01 to 2024-06-30
Total views: 3,777,256
Updated: 23:03, 5 July 2024 (UTC)
Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Technicolor
|
83,001
|
2,766
|
C
|
Low
|
2
|
Eye color
|
70,987
|
2,366
|
C
|
Mid
|
3
|
Johann Wolfgang von Goethe
|
68,231
|
2,274
|
B
|
Mid
|
4
|
List of colors: A–F
|
67,941
|
2,264
|
List
|
High
|
5
|
Shades of green
|
42,599
|
1,419
|
List
|
Mid
|
6
|
Red
|
41,299
|
1,376
|
B
|
Top
|
7
|
Color blindness
|
41,247
|
1,374
|
B
|
Top
|
8
|
Red hair
|
40,431
|
1,347
|
C
|
Low
|
9
|
Web colors
|
35,634
|
1,187
|
C
|
Mid
|
10
|
Purple
|
33,590
|
1,119
|
C
|
High
|
11
|
Human skin color
|
32,491
|
1,083
|
B
|
High
|
12
|
Primary color
|
32,110
|
1,070
|
B
|
Top
|
13
|
Blue
|
32,040
|
1,068
|
B
|
Top
|
14
|
ROYGBIV
|
31,937
|
1,064
|
Start
|
Mid
|
15
|
Indigo
|
31,569
|
1,052
|
Start
|
Mid
|
16
|
Shades of blue
|
31,508
|
1,050
|
List
|
Mid
|
17
|
PAL
|
29,500
|
983
|
C
|
Low
|
18
|
Shades of purple
|
29,077
|
969
|
List
|
Mid
|
19
|
Shades of pink
|
28,762
|
958
|
List
|
Mid
|
20
|
Blond
|
27,414
|
913
|
C
|
Low
|
21
|
Shades of red
|
27,287
|
909
|
List
|
Mid
|
22
|
White
|
27,238
|
907
|
C
|
Top
|
23
|
RGB color model
|
26,877
|
895
|
B
|
High
|
24
|
Fitzpatrick scale
|
26,463
|
882
|
Start
|
Low
|
25
|
Black
|
25,904
|
863
|
C
|
Top
|
26
|
Tyrian purple
|
25,362
|
845
|
B
|
Mid
|
27
|
Color
|
25,318
|
843
|
C
|
Top
|
28
|
Magenta
|
25,088
|
836
|
Start
|
High
|
29
|
HSL and HSV
|
24,511
|
817
|
B
|
High
|
30
|
CMYK color model
|
24,432
|
814
|
Start
|
High
|
31
|
Visible spectrum
|
24,389
|
812
|
B
|
Top
|
32
|
Shades of brown
|
24,064
|
802
|
List
|
Mid
|
33
|
Prussian blue
|
23,823
|
794
|
B
|
Mid
|
34
|
Shades of gray
|
23,471
|
782
|
List
|
Mid
|
35
|
Vermilion
|
23,362
|
778
|
C
|
Mid
|
36
|
Violet (color)
|
21,851
|
728
|
B
|
High
|
37
|
Terracotta
|
21,589
|
719
|
Start
|
Low
|
38
|
Green
|
21,346
|
711
|
B
|
Top
|
39
|
Pink
|
21,212
|
707
|
C
|
High
|
40
|
List of Crayola crayon colors
|
21,096
|
703
|
List
|
Mid
|
41
|
Color wheel
|
20,990
|
699
|
C
|
High
|
42
|
Cyan
|
20,820
|
694
|
C
|
High
|
43
|
Vantablack
|
19,818
|
660
|
C
|
Low
|
44
|
Lists of colors
|
19,770
|
659
|
List
|
Mid
|
45
|
Human hair color
|
19,697
|
656
|
Start
|
Mid
|
46
|
Light skin
|
19,551
|
651
|
B
|
High
|
47
|
Color theory
|
19,240
|
641
|
C
|
Top
|
48
|
Ochre
|
18,704
|
623
|
C
|
Mid
|
49
|
Dark skin
|
18,578
|
619
|
B
|
High
|
50
|
Complementary colors
|
18,105
|
603
|
Start
|
High
|
51
|
Color television
|
17,764
|
592
|
B
|
Mid
|
52
|
CIE 1931 color space
|
17,447
|
581
|
B
|
High
|
53
|
Yellow
|
17,121
|
570
|
C
|
Top
|
54
|
Chromesthesia
|
16,658
|
555
|
Start
|
Low
|
55
|
Shades of yellow
|
15,962
|
532
|
List
|
Mid
|
56
|
CIELAB color space
|
15,896
|
529
|
C
|
High
|
57
|
NTSC
|
15,771
|
525
|
C
|
Low
|
58
|
Fuchsia (color)
|
15,604
|
520
|
Start
|
Mid
|
59
|
Ultra-high-definition television
|
15,402
|
513
|
C
|
Low
|
60
|
Shades of white
|
15,299
|
509
|
List
|
Mid
|
61
|
Black body
|
15,145
|
504
|
B
|
Mid
|
62
|
Orange (colour)
|
15,100
|
503
|
C
|
High
|
63
|
Pantone
|
14,915
|
497
|
Start
|
High
|
64
|
Sky blue
|
14,547
|
484
|
Start
|
High
|
65
|
Impossible color
|
14,539
|
484
|
Start
|
Mid
|
66
|
Teal
|
14,479
|
482
|
C
|
High
|
67
|
List of colors (alphabetical)
|
13,967
|
465
|
List
|
Low
|
68
|
Grey
|
13,944
|
464
|
C
|
Top
|
69
|
Brown hair
|
13,238
|
441
|
C
|
Low
|
70
|
Political colour
|
13,204
|
440
|
B
|
Low
|
71
|
Ultramarine
|
13,199
|
439
|
C
|
Mid
|
72
|
Chartreuse (color)
|
13,132
|
437
|
Start
|
Mid
|
73
|
Shades of orange
|
13,063
|
435
|
List
|
Mid
|
74
|
Shades of cyan
|
13,054
|
435
|
List
|
Mid
|
75
|
Khaki
|
13,013
|
433
|
Start
|
Mid
|
76
|
SRGB
|
12,837
|
427
|
C
|
High
|
77
|
Brilliant blue FCF
|
12,817
|
427
|
Start
|
Mid
|
78
|
Azure (color)
|
12,795
|
426
|
Start
|
Mid
|
79
|
Color temperature
|
12,640
|
421
|
B
|
High
|
80
|
Tetrachromacy
|
12,637
|
421
|
C
|
High
|
81
|
List of colors: N–Z
|
12,573
|
419
|
List
|
High
|
82
|
Periwinkle (color)
|
12,385
|
412
|
Stub
|
Mid
|
83
|
Color photography
|
12,382
|
412
|
C
|
Low
|
84
|
Iridescence
|
12,146
|
404
|
Start
|
Mid
|
85
|
Skin whitening
|
12,097
|
403
|
B
|
Low
|
86
|
Ishihara test
|
12,076
|
402
|
C
|
Mid
|
87
|
Burgundy (color)
|
11,956
|
398
|
Start
|
Low
|
88
|
International Klein Blue
|
11,898
|
396
|
C
|
Low
|
89
|
List of colors by shade
|
11,894
|
396
|
List
|
Low
|
90
|
Chromatic aberration
|
11,883
|
396
|
B
|
Mid
|
91
|
Turquoise (color)
|
11,711
|
390
|
C
|
Mid
|
92
|
Cerulean
|
11,691
|
389
|
Start
|
Low
|
93
|
Freckle
|
11,678
|
389
|
Start
|
Low
|
94
|
Color depth
|
11,401
|
380
|
C
|
Mid
|
95
|
Brown
|
11,227
|
374
|
Start
|
High
|
96
|
Paint
|
11,128
|
370
|
C
|
High
|
97
|
Pigment
|
11,113
|
370
|
B
|
Top
|
98
|
Pastel (color)
|
11,038
|
367
|
Stub
|
Mid
|
99
|
Shades of black
|
10,996
|
366
|
List
|
Mid
|
100
|
Beige
|
10,963
|
365
|
C
|
Mid
|
101
|
List of colors: G–M
|
10,688
|
356
|
List
|
High
|
102
|
X11 color names
|
10,684
|
356
|
Start
|
Mid
|
103
|
Tiffany Blue
|
10,575
|
352
|
Start
|
Low
|
104
|
Visual perception
|
10,536
|
351
|
C
|
Mid
|
105
|
Crimson
|
10,420
|
347
|
Start
|
Mid
|
106
|
Lavender (color)
|
10,354
|
345
|
C
|
Mid
|
107
|
Color space
|
10,354
|
345
|
C
|
High
|
108
|
Black hair
|
10,086
|
336
|
Start
|
Low
|
109
|
Secondary color
|
10,006
|
333
|
C
|
High
|
110
|
Hue
|
9,991
|
333
|
Start
|
High
|
111
|
Color symbolism
|
9,981
|
332
|
Start
|
Mid
|
112
|
Black-and-white
|
9,952
|
331
|
Start
|
Mid
|
113
|
Stroop effect
|
9,792
|
326
|
B
|
Mid
|
114
|
Cobalt blue
|
9,758
|
325
|
Stub
|
Mid
|
115
|
Maroon
|
9,744
|
324
|
C
|
Mid
|
116
|
Color vision
|
9,537
|
317
|
C
|
Top
|
117
|
Auburn hair
|
9,530
|
317
|
Start
|
Low
|
118
|
Navy blue
|
9,522
|
317
|
C
|
Mid
|
119
|
Dye
|
9,321
|
310
|
C
|
High
|
120
|
Grayscale
|
9,182
|
306
|
Start
|
High
|
121
|
Color psychology
|
9,171
|
305
|
C
|
High
|
122
|
Gold (color)
|
9,041
|
301
|
Start
|
Mid
|
123
|
Pan-Arab colors
|
9,013
|
300
|
Start
|
Low
|
124
|
Haint blue
|
9,002
|
300
|
Start
|
Low
|
125
|
High-dynamic-range television
|
8,992
|
299
|
C
|
Mid
|
126
|
Spectrophotometry
|
8,986
|
299
|
C
|
High
|
127
|
Chroma subsampling
|
8,958
|
298
|
C
|
Low
|
128
|
DCI-P3
|
8,942
|
298
|
C
|
Low
|
129
|
Royal blue
|
8,903
|
296
|
Start
|
Mid
|
130
|
YCbCr
|
8,869
|
295
|
Start
|
High
|
131
|
Y′UV
|
8,671
|
289
|
C
|
Low
|
132
|
Hair coloring
|
8,662
|
288
|
Start
|
Low
|
133
|
Cone cell
|
8,578
|
285
|
C
|
Mid
|
134
|
Mauve
|
8,526
|
284
|
Start
|
Unknown
|
135
|
Verdigris
|
8,419
|
280
|
Start
|
Low
|
136
|
Scarlet (color)
|
8,284
|
276
|
C
|
Mid
|
137
|
Olive (color)
|
8,205
|
273
|
Start
|
High
|
138
|
Monochrome
|
8,026
|
267
|
C
|
High
|
139
|
Food coloring
|
7,985
|
266
|
C
|
Mid
|
140
|
British racing green
|
7,864
|
262
|
Start
|
Low
|
141
|
Shades of violet
|
7,835
|
261
|
List
|
Mid
|
142
|
Rec. 709
|
7,809
|
260
|
C
|
Low
|
143
|
Pan-African colours
|
7,692
|
256
|
Start
|
Low
|
144
|
Tincture (heraldry)
|
7,587
|
252
|
B
|
Mid
|
145
|
Munsell color system
|
7,584
|
252
|
B
|
High
|
146
|
Blue–green distinction in language
|
7,451
|
248
|
Start
|
Mid
|
147
|
List of flags containing the color purple
|
7,435
|
247
|
List
|
Low
|
148
|
Flame test
|
7,294
|
243
|
Start
|
Low
|
149
|
Color difference
|
7,279
|
242
|
B
|
High
|
150
|
Amber (color)
|
7,081
|
236
|
Start
|
Mid
|
151
|
Bayer filter
|
7,044
|
234
|
C
|
Mid
|
152
|
Color motion picture film
|
7,043
|
234
|
B
|
Low
|
153
|
Color of water
|
7,006
|
233
|
C
|
Low
|
154
|
Sepia (color)
|
6,967
|
232
|
Stub
|
Mid
|
155
|
Pan-Slavic colors
|
6,942
|
231
|
Start
|
Low
|
156
|
Shades of magenta
|
6,902
|
230
|
List
|
Mid
|
157
|
Electronic color code
|
6,829
|
227
|
Start
|
Low
|
158
|
CIELUV
|
6,802
|
226
|
Start
|
Mid
|
159
|
Color in Chinese culture
|
6,794
|
226
|
Start
|
Mid
|
160
|
Color mixing
|
6,787
|
226
|
C
|
High
|
161
|
Pantone 448 C
|
6,742
|
224
|
Stub
|
Low
|
162
|
Photoreceptor cell
|
6,721
|
224
|
C
|
Mid
|
163
|
Taupe
|
6,696
|
223
|
Start
|
Low
|
164
|
Puce
|
6,685
|
222
|
Stub
|
Mid
|
165
|
Prism (optics)
|
6,681
|
222
|
Start
|
Mid
|
166
|
List of redheads
|
6,663
|
222
|
List
|
Low
|
167
|
Eigengrau
|
6,590
|
219
|
Start
|
Low
|
168
|
Tint, shade and tone
|
6,552
|
218
|
Start
|
High
|
169
|
Rec. 2020
|
6,534
|
217
|
C
|
Low
|
170
|
Hermann von Helmholtz
|
6,529
|
217
|
C
|
Mid
|
171
|
Saffron (color)
|
6,487
|
216
|
Start
|
High
|
172
|
Knowledge argument
|
6,441
|
214
|
C
|
Low
|
173
|
Halftone
|
6,426
|
214
|
C
|
Mid
|
174
|
Chromophore
|
6,416
|
213
|
Start
|
Mid
|
175
|
Anaglyph 3D
|
6,408
|
213
|
C
|
Low
|
176
|
Blue-green
|
6,408
|
213
|
Start
|
Mid
|
177
|
Thomas Young (scientist)
|
6,246
|
208
|
C
|
Mid
|
178
|
RGBA color model
|
6,156
|
205
|
Start
|
Mid
|
179
|
SECAM
|
6,126
|
204
|
C
|
Mid
|
180
|
Gamut
|
6,110
|
203
|
C
|
High
|
181
|
Standard illuminant
|
6,094
|
203
|
B
|
High
|
182
|
RAL colour standard
|
6,029
|
200
|
Start
|
Mid
|
183
|
List of video game console palettes
|
5,972
|
199
|
List
|
Low
|
184
|
Whitewash
|
5,954
|
198
|
Start
|
High
|
185
|
Cosmic latte
|
5,940
|
198
|
Start
|
Low
|
186
|
Afterimage
|
5,838
|
194
|
C
|
High
|
187
|
Egyptian blue
|
5,833
|
194
|
C
|
Mid
|
188
|
Carmine (color)
|
5,760
|
192
|
Stub
|
Low
|
189
|
Baker–Miller pink
|
5,759
|
191
|
Start
|
Low
|
190
|
False color
|
5,599
|
186
|
Start
|
Mid
|
191
|
Autochrome Lumière
|
5,596
|
186
|
C
|
Low
|
192
|
List of monochrome and RGB color formats
|
5,522
|
184
|
List
|
Mid
|
193
|
Natural dye
|
5,480
|
182
|
GA
|
Mid
|
194
|
Color rendering index
|
5,468
|
182
|
C
|
Mid
|
195
|
Color term
|
5,432
|
181
|
Start
|
High
|
196
|
Lilac (color)
|
5,392
|
179
|
Stub
|
Low
|
197
|
Spectral color
|
5,352
|
178
|
Start
|
High
|
198
|
Grapheme–color synesthesia
|
5,326
|
177
|
C
|
Low
|
199
|
Colorfulness
|
5,306
|
176
|
Start
|
High
|
200
|
Savoy blue
|
5,259
|
175
|
C
|
Low
|
201
|
YInMn Blue
|
5,183
|
172
|
B
|
Low
|
202
|
Ecru
|
5,178
|
172
|
Stub
|
Mid
|
203
|
Equine coat color
|
5,161
|
172
|
Start
|
Low
|
204
|
Go Away Green
|
5,158
|
171
|
Start
|
Low
|
205
|
Sienna
|
5,122
|
170
|
Start
|
Mid
|
206
|
Theory of Colours
|
5,068
|
168
|
B
|
High
|
207
|
Color scheme
|
5,061
|
168
|
Start
|
Mid
|
208
|
Colour trade mark
|
5,044
|
168
|
Start
|
High
|
209
|
List of international auto racing colours
|
5,043
|
168
|
Start
|
Low
|
210
|
Spring green
|
5,023
|
167
|
C
|
Low
|
211
|
International orange
|
5,020
|
167
|
Stub
|
Low
|
212
|
Ermine (heraldry)
|
4,981
|
166
|
Stub
|
Low
|
213
|
Color grading
|
4,879
|
162
|
Start
|
Mid
|
214
|
Phthalocyanine Green G
|
4,863
|
162
|
Start
|
Low
|
215
|
Buff (colour)
|
4,850
|
161
|
Start
|
Low
|
216
|
Brightness
|
4,791
|
159
|
Start
|
Mid
|
217
|
National colours
|
4,784
|
159
|
Start
|
Mid
|
218
|
Contrast (vision)
|
4,739
|
157
|
Start
|
High
|
219
|
Persian blue
|
4,683
|
156
|
Stub
|
Low
|
220
|
Mummy brown
|
4,640
|
154
|
Start
|
Mid
|
221
|
Marker pen
|
4,604
|
153
|
Start
|
Low
|
222
|
RYB color model
|
4,585
|
152
|
C
|
Mid
|
223
|
Viridian
|
4,578
|
152
|
Start
|
Low
|
224
|
Light-on-dark color scheme
|
4,569
|
152
|
Start
|
Low
|
225
|
Robin egg blue
|
4,533
|
151
|
Stub
|
Low
|
226
|
8-bit color
|
4,511
|
150
|
Start
|
Low
|
227
|
Lake pigment
|
4,455
|
148
|
Start
|
Low
|
228
|
Subtractive color
|
4,429
|
147
|
Start
|
High
|
229
|
List of colors
|
4,331
|
144
|
NA
|
High
|
230
|
Tan (color)
|
4,329
|
144
|
Start
|
Mid
|
231
|
ICC profile
|
4,310
|
143
|
C
|
Low
|
232
|
Cornflower blue
|
4,250
|
141
|
Stub
|
Low
|
233
|
YPbPr
|
4,190
|
139
|
Start
|
Mid
|
234
|
Gules
|
4,122
|
137
|
Start
|
Low
|
235
|
Coral (color)
|
4,113
|
137
|
Stub
|
Low
|
236
|
Structural coloration
|
4,109
|
136
|
GA
|
Mid
|
237
|
Rose (color)
|
4,078
|
135
|
C
|
Low
|
238
|
Von Luschan's chromatic scale
|
4,066
|
135
|
Start
|
Low
|
239
|
Ivory (color)
|
4,050
|
135
|
Stub
|
Low
|
240
|
Feldgrau
|
4,036
|
134
|
Start
|
Low
|
241
|
Traditional colors of Japan
|
4,020
|
134
|
Start
|
Mid
|
242
|
Color of chemicals
|
4,010
|
133
|
C
|
High
|
243
|
Film colorization
|
3,966
|
132
|
C
|
Low
|
244
|
Umber
|
3,934
|
131
|
Start
|
Low
|
245
|
Lime (color)
|
3,868
|
128
|
Start
|
Mid
|
246
|
Amaranth (color)
|
3,779
|
125
|
Start
|
Low
|
247
|
Congenital red–green color blindness
|
3,763
|
125
|
C
|
Mid
|
248
|
List of color palettes
|
3,734
|
124
|
List
|
Mid
|
249
|
List of color spaces and their uses
|
3,721
|
124
|
Start
|
High
|
250
|
Anti-flash white
|
3,684
|
122
|
Start
|
Mid
|
251
|
Silver (color)
|
3,676
|
122
|
Start
|
Mid
|
252
|
Copper (color)
|
3,644
|
121
|
Stub
|
Low
|
253
|
Polychrome
|
3,620
|
120
|
C
|
Mid
|
254
|
School colors
|
3,596
|
119
|
Start
|
Mid
|
255
|
Electric blue (color)
|
3,580
|
119
|
Start
|
Low
|
256
|
Argent
|
3,547
|
118
|
Start
|
Low
|
257
|
Alvy Ray Smith
|
3,495
|
116
|
Start
|
Low
|
258
|
Kumkuma
|
3,427
|
114
|
Start
|
Mid
|
259
|
Dichromacy
|
3,394
|
113
|
Start
|
Mid
|
260
|
Shades of chartreuse
|
3,388
|
112
|
List
|
Mid
|
261
|
Color constancy
|
3,380
|
112
|
Start
|
Mid
|
262
|
Color analysis
|
3,378
|
112
|
Start
|
Mid
|
263
|
Shades of rose
|
3,346
|
111
|
List
|
Mid
|
264
|
Additive color
|
3,337
|
111
|
Start
|
High
|
265
|
RGB color spaces
|
3,327
|
110
|
Start
|
Mid
|
266
|
Cerise (color)
|
3,263
|
108
|
Stub
|
Low
|
267
|
Alice blue
|
3,251
|
108
|
Stub
|
Low
|
268
|
Chromaticity
|
3,241
|
108
|
Start
|
High
|
269
|
Midnight blue
|
3,230
|
107
|
Start
|
Low
|
270
|
Color balance
|
3,227
|
107
|
Start
|
High
|
271
|
Earth tone
|
3,214
|
107
|
Stub
|
Low
|
272
|
25-pair color code
|
3,202
|
106
|
Start
|
Low
|
273
|
Lincoln green
|
3,197
|
106
|
C
|
Unknown
|
274
|
Mountbatten pink
|
3,193
|
106
|
GA
|
Low
|
275
|
Trichromacy
|
3,191
|
106
|
C
|
High
|
276
|
Chromotherapy
|
3,190
|
106
|
C
|
Low
|
277
|
Thermochromism
|
3,111
|
103
|
Start
|
Low
|
278
|
Hypercolor
|
3,085
|
102
|
C
|
Low
|
279
|
Aqua (color)
|
3,085
|
102
|
Stub
|
Mid
|
280
|
Gendered associations of pink and blue
|
3,070
|
102
|
C
|
Mid
|
281
|
Color model
|
3,061
|
102
|
B
|
High
|
282
|
Wine (color)
|
3,052
|
101
|
Stub
|
Low
|
283
|
Monochromacy
|
3,021
|
100
|
C
|
Mid
|
284
|
Autumn leaf color
|
3,018
|
100
|
C
|
Mid
|
285
|
Opponent process
|
3,005
|
100
|
Start
|
High
|
286
|
National colours of Australia
|
3,004
|
100
|
Start
|
Low
|
287
|
Aquamarine (color)
|
2,991
|
99
|
Stub
|
Low
|
288
|
Chromostereopsis
|
2,969
|
98
|
C
|
Mid
|
289
|
Newton disc
|
2,942
|
98
|
C
|
Mid
|
290
|
Peach (color)
|
2,917
|
97
|
Stub
|
Low
|
291
|
Blue-gray
|
2,893
|
96
|
C
|
Low
|
292
|
Diffuse sky radiation
|
2,886
|
96
|
C
|
Mid
|
293
|
Metamerism (color)
|
2,874
|
95
|
Start
|
High
|
294
|
Falu red
|
2,826
|
94
|
Start
|
Low
|
295
|
Demosaicing
|
2,809
|
93
|
Start
|
Low
|
296
|
Rose madder
|
2,729
|
90
|
Start
|
Low
|
297
|
Light blue
|
2,711
|
90
|
Stub
|
Low
|
298
|
Sunset (color)
|
2,694
|
89
|
Start
|
Low
|
299
|
Salmon (color)
|
2,683
|
89
|
Start
|
Low
|
300
|
Animal coloration
|
2,676
|
89
|
GA
|
Mid
|
301
|
Champagne (color)
|
2,670
|
89
|
Stub
|
Low
|
302
|
Red pigments
|
2,608
|
86
|
Unknown
|
Unknown
|
303
|
Han purple and Han blue
|
2,606
|
86
|
B
|
Mid
|
304
|
Linguistic relativity and the color naming debate
|
2,603
|
86
|
Start
|
Mid
|
305
|
Lemon (color)
|
2,598
|
86
|
Stub
|
Low
|
306
|
Mysore Paints and Varnish
|
2,598
|
86
|
Start
|
Low
|
307
|
Wine color
|
2,594
|
86
|
Start
|
Low
|
308
|
Azure (heraldry)
|
2,544
|
84
|
Start
|
Low
|
309
|
Colors of the day in Thailand
|
2,522
|
84
|
Stub
|
Low
|
310
|
Color gradient
|
2,492
|
83
|
Start
|
Low
|
311
|
Lightness
|
2,487
|
82
|
Start
|
High
|
312
|
Mustard (color)
|
2,486
|
82
|
Stub
|
Low
|
313
|
Green in Islam
|
2,450
|
81
|
Stub
|
Low
|
314
|
Sable (heraldry)
|
2,440
|
81
|
Stub
|
Low
|
315
|
List of inorganic pigments
|
2,436
|
81
|
List
|
Low
|
316
|
Bleu de France (colour)
|
2,432
|
81
|
Start
|
Low
|
317
|
Sapphire (color)
|
2,431
|
81
|
Stub
|
Low
|
318
|
Photographic print toning
|
2,429
|
80
|
Start
|
Mid
|
319
|
Natural Color System
|
2,417
|
80
|
Start
|
High
|
320
|
Sage (color)
|
2,397
|
79
|
Stub
|
Low
|
321
|
Colorimetry
|
2,377
|
79
|
Start
|
High
|
322
|
Adobe RGB color space
|
2,373
|
79
|
Start
|
Mid
|
323
|
Bronze (color)
|
2,371
|
79
|
Start
|
Mid
|
324
|
Relative luminance
|
2,368
|
78
|
Start
|
Mid
|
325
|
Colour banding
|
2,367
|
78
|
Stub
|
Low
|
326
|
Chestnut (color)
|
2,367
|
78
|
Stub
|
Low
|
327
|
ColorChecker
|
2,367
|
78
|
Start
|
Mid
|
328
|
Color chart
|
2,351
|
78
|
Start
|
Mid
|
329
|
Chromophobia
|
2,329
|
77
|
Start
|
Mid
|
330
|
Glaucous
|
2,323
|
77
|
Stub
|
Low
|
331
|
Coquelicot
|
2,320
|
77
|
Start
|
Low
|
332
|
Colored pencil
|
2,308
|
76
|
C
|
High
|
333
|
Air Force blue
|
2,293
|
76
|
Start
|
Low
|
334
|
Color vision test
|
2,290
|
76
|
B
|
High
|
335
|
Solarized
|
2,267
|
75
|
Start
|
Low
|
336
|
Wilhelm Ostwald
|
2,256
|
75
|
C
|
Mid
|
337
|
Black-and-white dualism
|
2,253
|
75
|
Start
|
Low
|
338
|
Rec. 2100
|
2,253
|
75
|
Start
|
Low
|
339
|
Glare (vision)
|
2,250
|
75
|
Start
|
Low
|
340
|
History of Crayola crayons
|
2,244
|
74
|
C
|
Low
|
341
|
Color code
|
2,231
|
74
|
Start
|
Mid
|
342
|
Plum (color)
|
2,230
|
74
|
Start
|
Mid
|
343
|
Or (heraldry)
|
2,229
|
74
|
Stub
|
Low
|
344
|
Color management
|
2,161
|
72
|
Start
|
Mid
|
345
|
Shades of azure
|
2,130
|
71
|
NA
|
NA
|
346
|
St. Patrick's blue
|
2,121
|
70
|
Start
|
Low
|
347
|
Planckian locus
|
2,120
|
70
|
C
|
Mid
|
348
|
Tawny (color)
|
2,116
|
70
|
Start
|
Low
|
349
|
Fawn (colour)
|
2,089
|
69
|
Stub
|
Low
|
350
|
Color-blocking
|
2,089
|
69
|
Start
|
Low
|
351
|
Blood red
|
2,086
|
69
|
Stub
|
Low
|
352
|
Ruby (color)
|
2,057
|
68
|
Start
|
Mid
|
353
|
Safety orange
|
2,055
|
68
|
Start
|
Low
|
354
|
Rosso corsa
|
2,053
|
68
|
Start
|
Low
|
355
|
Russet (color)
|
2,049
|
68
|
Stub
|
Low
|
356
|
Analogous colors
|
2,043
|
68
|
Stub
|
Mid
|
357
|
School bus yellow
|
2,036
|
67
|
Start
|
Low
|
358
|
Red-violet
|
2,028
|
67
|
Stub
|
Low
|
359
|
Color science
|
2,027
|
67
|
Stub
|
Top
|
360
|
Optical brightener
|
2,005
|
66
|
Start
|
Mid
|
361
|
Lightfastness
|
1,998
|
66
|
Start
|
Mid
|
362
|
Blue in culture
|
1,997
|
66
|
B
|
High
|
363
|
Carolina blue
|
1,992
|
66
|
Start
|
Mid
|
364
|
Basic Color Terms
|
1,986
|
66
|
Start
|
Mid
|
365
|
Spectral power distribution
|
1,954
|
65
|
Start
|
High
|
366
|
Young–Helmholtz theory
|
1,947
|
64
|
Stub
|
High
|
367
|
Cream (colour)
|
1,945
|
64
|
Stub
|
Low
|
368
|
Maya blue
|
1,938
|
64
|
C
|
Low
|
369
|
High color
|
1,924
|
64
|
Start
|
Low
|
370
|
List of dyes
|
1,914
|
63
|
List
|
Mid
|
371
|
Johannes Itten
|
1,908
|
63
|
Start
|
Mid
|
372
|
Complexion
|
1,859
|
61
|
Start
|
Low
|
373
|
Color correction
|
1,857
|
61
|
Start
|
Mid
|
374
|
Cambridge Blue (colour)
|
1,844
|
61
|
Start
|
Low
|
375
|
Hand-colouring of photographs
|
1,837
|
61
|
C
|
Mid
|
376
|
Color filter array
|
1,837
|
61
|
C
|
Low
|
377
|
Chrominance
|
1,834
|
61
|
Start
|
Mid
|
378
|
New riddle of induction
|
1,827
|
60
|
Start
|
Low
|
379
|
Color blind glasses
|
1,824
|
60
|
B
|
Mid
|
380
|
Columbia blue
|
1,823
|
60
|
Stub
|
Low
|
381
|
Palette (computing)
|
1,816
|
60
|
C
|
Mid
|
382
|
Gamboge
|
1,802
|
60
|
Start
|
Low
|
383
|
Dracula (color scheme)
|
1,802
|
60
|
C
|
Low
|
384
|
Color printing
|
1,796
|
59
|
C
|
High
|
385
|
Soil color
|
1,785
|
59
|
Start
|
Low
|
386
|
Slate gray
|
1,776
|
59
|
Stub
|
Low
|
387
|
Image gradient
|
1,760
|
58
|
Stub
|
Mid
|
388
|
Dodger blue
|
1,759
|
58
|
Start
|
Low
|
389
|
Rust (color)
|
1,754
|
58
|
Stub
|
Low
|
390
|
Super black
|
1,753
|
58
|
Start
|
Mid
|
391
|
Lüscher color test
|
1,747
|
58
|
Start
|
Low
|
392
|
Cadet grey
|
1,728
|
57
|
Start
|
Low
|
393
|
Baby blue
|
1,716
|
57
|
Stub
|
Low
|
394
|
LED strip light
|
1,714
|
57
|
C
|
Low
|
395
|
Heliotrope (color)
|
1,710
|
57
|
Stub
|
Low
|
396
|
List of historical sources for pink and blue as gender signifiers
|
1,710
|
57
|
List
|
Low
|
397
|
LMS color space
|
1,690
|
56
|
Start
|
Mid
|
398
|
Desert sand (color)
|
1,687
|
56
|
Start
|
Low
|
399
|
Contrast effect
|
1,639
|
54
|
C
|
Mid
|
400
|
Mars surface color
|
1,629
|
54
|
B
|
Low
|
401
|
List of people with color blindness
|
1,629
|
54
|
List
|
Low
|
402
|
Indexed color
|
1,608
|
53
|
C
|
High
|
403
|
International Commission on Illumination
|
1,605
|
53
|
Start
|
High
|
404
|
Tertiary color
|
1,600
|
53
|
NA
|
High
|
405
|
Inverted spectrum
|
1,586
|
52
|
B
|
Low
|
406
|
HCL color space
|
1,575
|
52
|
Start
|
Mid
|
407
|
Majorelle Blue
|
1,570
|
52
|
Stub
|
Low
|
408
|
Rufous
|
1,558
|
51
|
Start
|
Low
|
409
|
Color appearance model
|
1,558
|
51
|
Start
|
Mid
|
410
|
Mahogany (color)
|
1,555
|
51
|
Stub
|
Low
|
411
|
Color quantization
|
1,549
|
51
|
C
|
High
|
412
|
Alcian blue stain
|
1,548
|
51
|
C
|
Low
|
413
|
Payne's grey
|
1,535
|
51
|
Stub
|
Mid
|
414
|
List of 16-bit computer color palettes
|
1,535
|
51
|
List
|
Low
|
415
|
YIQ
|
1,530
|
51
|
Start
|
Low
|
416
|
Gene therapy for color blindness
|
1,509
|
50
|
C
|
Low
|
417
|
Hyaline
|
1,489
|
49
|
Stub
|
Low
|
418
|
Alizarin crimson (color)
|
1,474
|
49
|
Stub
|
Mid
|
419
|
Photochromism
|
1,473
|
49
|
C
|
Low
|
420
|
Gray card
|
1,467
|
48
|
Start
|
Low
|
421
|
Byzantium (color)
|
1,464
|
48
|
Start
|
Low
|
422
|
ProPhoto RGB color space
|
1,458
|
48
|
Start
|
Low
|
423
|
Oxblood
|
1,455
|
48
|
Start
|
Low
|
424
|
Powder blue
|
1,438
|
47
|
Stub
|
Low
|
425
|
Apricot (color)
|
1,435
|
47
|
Stub
|
Low
|
426
|
Colour fastness
|
1,432
|
47
|
Start
|
Low
|
427
|
List of animals that can change color
|
1,418
|
47
|
List
|
Low
|
428
|
Color histogram
|
1,416
|
47
|
Start
|
Mid
|
429
|
ISCC–NBS system
|
1,415
|
47
|
Start
|
High
|
430
|
Old gold
|
1,413
|
47
|
Start
|
Low
|
431
|
Dinosaur coloration
|
1,410
|
47
|
C
|
Mid
|
432
|
Channel (digital image)
|
1,395
|
46
|
C
|
Mid
|
433
|
Xanthochromism
|
1,384
|
46
|
Stub
|
Low
|
434
|
Iron oxide red
|
1,382
|
46
|
Stub
|
Low
|
435
|
Forest green
|
1,374
|
45
|
Stub
|
Low
|
436
|
Raspberry (color)
|
1,372
|
45
|
Start
|
Low
|
437
|
Domain coloring
|
1,345
|
44
|
C
|
Low
|
438
|
Iris (color)
|
1,337
|
44
|
Stub
|
Low
|
439
|
APHA color
|
1,324
|
44
|
Start
|
Low
|
440
|
Color of the day (police)
|
1,321
|
44
|
Start
|
Low
|
441
|
Sepia tone
|
1,306
|
43
|
NA
|
Mid
|
442
|
Eggplant (color)
|
1,296
|
43
|
Stub
|
Low
|
443
|
Coyote brown
|
1,290
|
43
|
Stub
|
Mid
|
444
|
Orchid (color)
|
1,281
|
42
|
Stub
|
Low
|
445
|
Platinum (color)
|
1,268
|
42
|
Stub
|
Low
|
446
|
Citrine (colour)
|
1,263
|
42
|
Stub
|
Low
|
447
|
Color preferences
|
1,256
|
41
|
Stub
|
Mid
|
448
|
Chrome yellow
|
1,249
|
41
|
Start
|
Mid
|
449
|
List of color film systems
|
1,248
|
41
|
List
|
Low
|
450
|
Steel blue
|
1,243
|
41
|
Stub
|
Low
|
451
|
Harmony (color)
|
1,241
|
41
|
C
|
High
|
452
|
Liver (color)
|
1,236
|
41
|
Stub
|
Low
|
453
|
White point
|
1,235
|
41
|
Start
|
High
|
454
|
CIECAM02
|
1,222
|
40
|
B
|
High
|
455
|
Colour Index International
|
1,206
|
40
|
Start
|
Mid
|
456
|
Fire engine red
|
1,205
|
40
|
Stub
|
Low
|
457
|
CMY color model
|
1,201
|
40
|
NA
|
High
|
458
|
Tricolour
|
1,199
|
39
|
NA
|
NA
|
459
|
EnChroma
|
1,198
|
39
|
Start
|
Mid
|
460
|
Metallic color
|
1,183
|
39
|
Start
|
Mid
|
461
|
Color picker
|
1,182
|
39
|
Start
|
Low
|
462
|
History of red
|
1,180
|
39
|
Unknown
|
Unknown
|
463
|
Day-Glo Color Corp.
|
1,175
|
39
|
Start
|
Mid
|
464
|
Calcein
|
1,172
|
39
|
Start
|
Low
|
465
|
Electrochromism
|
1,155
|
38
|
C
|
Low
|
466
|
Xanthochromia
|
1,154
|
38
|
Start
|
Low
|
467
|
Rifle green
|
1,152
|
38
|
NA
|
Low
|
468
|
Gray
|
1,147
|
38
|
NA
|
NA
|
469
|
Farnsworth–Munsell 100 hue test
|
1,145
|
38
|
C
|
Low
|
470
|
Non-photo blue
|
1,140
|
38
|
Start
|
Low
|
471
|
Jonquil (color)
|
1,134
|
37
|
Stub
|
Low
|
472
|
Duotone
|
1,133
|
37
|
Start
|
Low
|
473
|
Bistre
|
1,121
|
37
|
Start
|
Mid
|
474
|
Federal Standard 595
|
1,119
|
37
|
Stub
|
Low
|
475
|
Vair
|
1,118
|
37
|
Stub
|
Low
|
476
|
Flax (color)
|
1,115
|
37
|
Stub
|
Low
|
477
|
Chocolate (color)
|
1,113
|
37
|
Start
|
Low
|
478
|
Cordovan (color)
|
1,100
|
36
|
Stub
|
Low
|
479
|
History of spectroscopy
|
1,086
|
36
|
C
|
Mid
|
480
|
Budgerigar colour genetics
|
1,084
|
36
|
Start
|
Low
|
481
|
X-Rite
|
1,081
|
36
|
Start
|
Low
|
482
|
Standard-dynamic-range video
|
1,073
|
35
|
C
|
Mid
|
483
|
High Capacity Color Barcode
|
1,067
|
35
|
C
|
Low
|
484
|
Orcein
|
1,065
|
35
|
Start
|
Mid
|
485
|
Cardinal (color)
|
1,061
|
35
|
Stub
|
Low
|
486
|
Eton blue
|
1,059
|
35
|
Stub
|
Low
|
487
|
Spectral sensitivity
|
1,053
|
35
|
Start
|
Mid
|
488
|
Color solid
|
1,052
|
35
|
Start
|
High
|
489
|
Fulvous
|
1,047
|
34
|
Start
|
Low
|
490
|
Visual processing
|
1,046
|
34
|
C
|
Low
|
491
|
Purpure
|
1,039
|
34
|
Start
|
Low
|
492
|
Drab (color)
|
1,039
|
34
|
Stub
|
Low
|
493
|
Illuminant D65
|
1,038
|
34
|
NA
|
Mid
|
494
|
Bleu celeste
|
1,037
|
34
|
Start
|
Low
|
495
|
PAL-M
|
1,037
|
34
|
Start
|
Low
|
496
|
Solvatochromism
|
1,031
|
34
|
Start
|
Low
|
497
|
Unique hues
|
1,024
|
34
|
C
|
Mid
|
498
|
List of chicken colours
|
1,016
|
33
|
List
|
Unknown
|
499
|
Caput mortuum (pigment)
|
1,012
|
33
|
Start
|
Low
|
500
|
Spot color
|
1,010
|
33
|
Start
|
High
|
501
|
Printing registration
|
1,007
|
33
|
C
|
Low
|
502
|
Van Dyke brown
|
1,005
|
33
|
Stub
|
Low
|
503
|
Palatinate (colour)
|
1,003
|
33
|
Start
|
Low
|
504
|
Wide-gamut RGB color space
|
1,001
|
33
|
Start
|
Mid
|
505
|
Colorist
|
996
|
33
|
C
|
Low
|
506
|
Correlated color temperature
|
993
|
33
|
C
|
Low
|
507
|
Venetian red
|
968
|
32
|
Stub
|
Low
|
508
|
Selective yellow
|
958
|
31
|
C
|
Low
|
509
|
Mexican pink
|
953
|
31
|
Start
|
Low
|
510
|
MacAdam ellipse
|
948
|
31
|
C
|
High
|
511
|
Coffee (color)
|
947
|
31
|
Start
|
Low
|
512
|
Evolution of color vision in primates
|
944
|
31
|
C
|
Mid
|
513
|
Color calibration
|
938
|
31
|
Start
|
Mid
|
514
|
Aureolin
|
933
|
31
|
Stub
|
Low
|
515
|
Color war
|
930
|
31
|
Stub
|
Low
|
516
|
Color gel
|
926
|
30
|
Start
|
Low
|
517
|
Line of purples
|
923
|
30
|
Start
|
Mid
|
518
|
Eggshell (color)
|
922
|
30
|
Stub
|
Low
|
519
|
RG color models
|
916
|
30
|
C
|
Mid
|
520
|
Marian blue
|
902
|
30
|
Start
|
Low
|
521
|
Yale Blue
|
893
|
29
|
Start
|
Low
|
522
|
Marengo (color)
|
879
|
29
|
Start
|
Low
|
523
|
Vanilla (color)
|
864
|
28
|
Start
|
Mid
|
524
|
Dominant wavelength
|
859
|
28
|
Start
|
High
|
525
|
Candy apple red
|
857
|
28
|
Start
|
Low
|
526
|
Camel (color)
|
852
|
28
|
Start
|
Low
|
527
|
Marigold (color)
|
850
|
28
|
Stub
|
Low
|
528
|
ICtCp
|
850
|
28
|
C
|
Mid
|
529
|
Vert (heraldry)
|
849
|
28
|
Start
|
Low
|
530
|
Chromatic adaptation
|
840
|
28
|
Start
|
Mid
|
531
|
Colourant
|
838
|
27
|
Stub
|
High
|
532
|
Cerebral achromatopsia
|
826
|
27
|
C
|
Low
|
533
|
Vision science
|
824
|
27
|
Start
|
Mid
|
534
|
Goldenrod (color)
|
823
|
27
|
Start
|
Low
|
535
|
Tooth discoloration
|
814
|
27
|
C
|
Low
|
536
|
Olive drab
|
813
|
27
|
NA
|
NA
|
537
|
Colorburst
|
812
|
27
|
Start
|
Low
|
538
|
Color triangle
|
811
|
27
|
Start
|
High
|
539
|
Evolution of color vision
|
801
|
26
|
Start
|
Mid
|
540
|
Utility location
|
775
|
25
|
Start
|
Mid
|
541
|
Mulberry (color)
|
763
|
25
|
Stub
|
Low
|
542
|
Mars Black (pigment)
|
752
|
25
|
Stub
|
Low
|
543
|
Floral color change
|
748
|
24
|
C
|
Low
|
544
|
Sinopia
|
744
|
24
|
Start
|
Low
|
545
|
Magnolia (color)
|
743
|
24
|
Stub
|
Low
|
546
|
ScRGB
|
735
|
24
|
Start
|
Mid
|
547
|
Pearl (color)
|
735
|
24
|
Stub
|
Low
|
548
|
On Vision and Colours
|
723
|
24
|
Start
|
Low
|
549
|
Tenné
|
722
|
24
|
B
|
Low
|
550
|
Oren–Nayar reflectance model
|
714
|
23
|
C
|
Low
|
551
|
Capri (color)
|
712
|
23
|
Stub
|
Low
|
552
|
Citron (color)
|
704
|
23
|
Stub
|
Low
|
553
|
Jungle green
|
695
|
23
|
C
|
Low
|
554
|
Sakura Color Products Corporation
|
693
|
23
|
Stub
|
Low
|
555
|
Philosophy of color
|
692
|
23
|
Start
|
High
|
556
|
Android green
|
691
|
23
|
Stub
|
Low
|
557
|
Albert Henry Munsell
|
689
|
22
|
Start
|
Mid
|
558
|
Arylide yellow
|
682
|
22
|
Stub
|
Low
|
559
|
Index of color-related articles
|
680
|
22
|
Start
|
Mid
|
560
|
Dark purple
|
678
|
22
|
NA
|
Low
|
561
|
Lion (color)
|
676
|
22
|
Stub
|
Low
|
562
|
Zaffre
|
662
|
22
|
Stub
|
Mid
|
563
|
Murrey
|
661
|
22
|
Stub
|
Low
|
564
|
Colored smoke
|
650
|
21
|
Stub
|
Mid
|
565
|
Synthetic colorant
|
648
|
21
|
C
|
Low
|
566
|
Fechner color
|
644
|
21
|
Start
|
Low
|
567
|
Composite artifact colors
|
643
|
21
|
C
|
Low
|
568
|
Abney effect
|
639
|
21
|
B
|
Mid
|
569
|
Double cone (biology)
|
637
|
21
|
Start
|
Low
|
570
|
HSV color space
|
631
|
21
|
NA
|
High
|
571
|
Maize (color)
|
627
|
20
|
Stub
|
Low
|
572
|
Standard Reference Method
|
625
|
20
|
C
|
Low
|
573
|
Cinereous
|
623
|
20
|
Stub
|
Low
|
574
|
Grassmann's laws (color science)
|
609
|
20
|
Start
|
Mid
|
575
|
Straw (colour)
|
608
|
20
|
Stub
|
Low
|
576
|
Kruithof curve
|
604
|
20
|
C
|
Mid
|
577
|
Color organ
|
602
|
20
|
C
|
Low
|
578
|
PALplus
|
601
|
20
|
C
|
Low
|
579
|
Red in culture
|
592
|
19
|
C
|
High
|
580
|
Navajo white
|
572
|
19
|
Stub
|
Low
|
581
|
Dichroic filter
|
571
|
19
|
NA
|
NA
|
582
|
Blush (color)
|
566
|
18
|
Stub
|
Low
|
583
|
Image color transfer
|
561
|
18
|
Start
|
Low
|
584
|
Acid green
|
560
|
18
|
Stub
|
Low
|
585
|
Field-sequential color system
|
556
|
18
|
C
|
Low
|
586
|
Tristimulus colorimeter
|
555
|
18
|
Stub
|
Low
|
587
|
Color print film
|
554
|
18
|
Start
|
Low
|
588
|
Color coding in data visualization
|
553
|
18
|
B
|
High
|
589
|
Hexachrome
|
549
|
18
|
Start
|
Low
|
590
|
Erin (color)
|
544
|
18
|
Stub
|
Low
|
591
|
Persian red
|
541
|
18
|
Stub
|
Low
|
592
|
Map coloring
|
540
|
18
|
Start
|
Low
|
593
|
Tangerine (color)
|
539
|
17
|
Stub
|
Low
|
594
|
Jasmine (color)
|
533
|
17
|
Stub
|
Low
|
595
|
Beta movement
|
528
|
17
|
C
|
Low
|
596
|
Duke blue
|
526
|
17
|
Stub
|
Low
|
597
|
Eyeborg
|
526
|
17
|
Start
|
Low
|
598
|
XvYCC
|
519
|
17
|
Start
|
Low
|
599
|
Carnelian (color)
|
513
|
17
|
Stub
|
Low
|
600
|
Mired
|
508
|
16
|
Start
|
Mid
|
601
|
Cyanometer
|
487
|
16
|
Stub
|
Low
|
602
|
Jacob Christoph Le Blon
|
482
|
16
|
Start
|
Low
|
603
|
Colour recovery
|
480
|
16
|
C
|
Low
|
604
|
Chromism
|
473
|
15
|
C
|
Low
|
605
|
Zinc white
|
473
|
15
|
C
|
Mid
|
606
|
MERDC camouflage
|
473
|
15
|
Stub
|
Low
|
607
|
ColorADD
|
472
|
15
|
Start
|
Low
|
608
|
Color cycling
|
468
|
15
|
Start
|
Low
|
609
|
CcMmYK color model
|
464
|
15
|
Stub
|
Low
|
610
|
Bastard color
|
463
|
15
|
Stub
|
Low
|
611
|
Lava (color)
|
460
|
15
|
Stub
|
Low
|
612
|
Ostwald color system
|
455
|
15
|
C
|
High
|
613
|
Werner's Nomenclature of Colours
|
452
|
15
|
Stub
|
Low
|
614
|
Azurite (pigment)
|
452
|
15
|
Stub
|
Low
|
615
|
Blue Wool Scale
|
449
|
14
|
Stub
|
Low
|
616
|
Gardner color scale
|
442
|
14
|
Stub
|
Mid
|
617
|
Abnormal urine color
|
439
|
14
|
Start
|
Low
|
618
|
Reseda green
|
432
|
14
|
Stub
|
Low
|
619
|
Local color (visual art)
|
430
|
14
|
Stub
|
Low
|
620
|
Colour cast
|
417
|
13
|
Start
|
Mid
|
621
|
Bice
|
407
|
13
|
Stub
|
Low
|
622
|
International Color Consortium
|
405
|
13
|
Start
|
Mid
|
623
|
Carnation (heraldry)
|
393
|
13
|
Stub
|
Low
|
624
|
Bezold–Brücke shift
|
392
|
13
|
Stub
|
Low
|
625
|
Wheat (color)
|
391
|
13
|
Stub
|
Low
|
626
|
Seashell (color)
|
391
|
13
|
Stub
|
Low
|
627
|
On Colors
|
389
|
12
|
Start
|
Low
|
628
|
Sanguine (heraldry)
|
387
|
12
|
Stub
|
Low
|
629
|
CIE 1960 color space
|
385
|
12
|
Start
|
Low
|
630
|
Colorpuncture
|
384
|
12
|
C
|
Low
|
631
|
Dandelion (crayon color)
|
383
|
12
|
Start
|
Unknown
|
632
|
National colours of Portugal
|
380
|
12
|
Start
|
Low
|
633
|
Rose pink
|
375
|
12
|
Stub
|
Low
|
634
|
Color of clothing
|
371
|
12
|
Start
|
Mid
|
635
|
Ewald Hering
|
369
|
12
|
Start
|
Mid
|
636
|
Rg chromaticity
|
368
|
12
|
Stub
|
Low
|
637
|
Tuscan red
|
365
|
12
|
Start
|
Low
|
638
|
Cream (color)
|
363
|
12
|
NA
|
Low
|
639
|
Coventry blue
|
362
|
12
|
Stub
|
Unknown
|
640
|
HWB color model
|
359
|
11
|
Stub
|
Low
|
641
|
The Secret Lives of Colour
|
353
|
11
|
C
|
Low
|
642
|
Margaret Hayden Rorke
|
343
|
11
|
C
|
Low
|
643
|
Cyclamen (color)
|
341
|
11
|
NA
|
Low
|
644
|
International Colour Day
|
335
|
11
|
Start
|
Mid
|
645
|
Polka-dot paint
|
335
|
11
|
Start
|
Low
|
646
|
Color reproduction
|
331
|
11
|
Stub
|
High
|
647
|
HKS (colour system)
|
330
|
11
|
Stub
|
Low
|
648
|
Seal brown
|
327
|
10
|
Stub
|
Low
|
649
|
Harvest gold
|
326
|
10
|
Stub
|
Low
|
650
|
Brunswick green
|
323
|
10
|
NA
|
Low
|
651
|
Fallow (color)
|
323
|
10
|
Stub
|
Low
|
652
|
Spring bud
|
317
|
10
|
C
|
Low
|
653
|
Color Association of the United States
|
314
|
10
|
Start
|
Mid
|
654
|
Cynthia Brewer
|
310
|
10
|
Start
|
Low
|
655
|
Cerulean blue
|
308
|
10
|
NA
|
NA
|
656
|
Bole (color)
|
308
|
10
|
Start
|
Low
|
657
|
Marrs green
|
308
|
10
|
Stub
|
Low
|
658
|
Pompeian red
|
301
|
10
|
B
|
Unknown
|
659
|
CIE 1964 color space
|
298
|
9
|
Stub
|
Low
|
660
|
Color phi phenomenon
|
297
|
9
|
Start
|
Low
|
661
|
Bipack color
|
294
|
9
|
C
|
Low
|
662
|
French gray
|
293
|
9
|
Stub
|
Low
|
663
|
Color rendering
|
288
|
9
|
Start
|
Mid
|
664
|
Hunter Lab
|
288
|
9
|
Start
|
Low
|
665
|
American Association of Textile Chemists and Colorists
|
286
|
9
|
Stub
|
Mid
|
666
|
Memory color effect
|
285
|
9
|
C
|
Mid
|
667
|
PAL-S
|
280
|
9
|
Start
|
Low
|
668
|
Halochromism
|
272
|
9
|
Start
|
Low
|
669
|
TSL color space
|
268
|
8
|
Stub
|
Low
|
670
|
Titanium yellow
|
267
|
8
|
Stub
|
Low
|
671
|
Spring green (color)
|
267
|
8
|
NA
|
NA
|
672
|
Oil droplet
|
259
|
8
|
Start
|
Low
|
673
|
Standard Color Reference of America
|
256
|
8
|
Start
|
Low
|
674
|
ASC CDL
|
254
|
8
|
Start
|
Low
|
675
|
Dark blue (color)
|
251
|
8
|
NA
|
Low
|
676
|
Pterobilin
|
249
|
8
|
Start
|
Low
|
677
|
Continuous tone
|
243
|
8
|
Stub
|
Unknown
|
678
|
Specifications for Web Offset Publications
|
241
|
8
|
Start
|
Low
|
679
|
Colors (Ken Nordine album)
|
236
|
7
|
Start
|
Low
|
680
|
YDbDr
|
234
|
7
|
Start
|
Low
|
681
|
Orange (heraldry)
|
230
|
7
|
Stub
|
Low
|
682
|
Color normalization
|
230
|
7
|
Start
|
Mid
|
683
|
IT8
|
229
|
7
|
Start
|
Low
|
684
|
Burnt sienna
|
228
|
7
|
NA
|
Mid
|
685
|
Color suite
|
228
|
7
|
Start
|
Low
|
686
|
Teal (color)
|
228
|
7
|
NA
|
NA
|
687
|
Absolute color space
|
222
|
7
|
NA
|
Mid
|
688
|
Hunt effect (color)
|
216
|
7
|
Stub
|
Low
|
689
|
Ao (color)
|
214
|
7
|
NA
|
Low
|
690
|
Icterine
|
212
|
7
|
Stub
|
Low
|
691
|
Color Naming System
|
209
|
6
|
Start
|
Low
|
692
|
Cendrée
|
205
|
6
|
Stub
|
Low
|
693
|
ColorZilla
|
205
|
6
|
Stub
|
Low
|
694
|
Color task
|
205
|
6
|
B
|
Mid
|
695
|
Amethyst (color)
|
203
|
6
|
NA
|
NA
|
696
|
Whiteness (colorimetry)
|
201
|
6
|
Start
|
Low
|
697
|
Grey component replacement
|
201
|
6
|
Stub
|
Low
|
698
|
Burnt umber
|
198
|
6
|
NA
|
Mid
|
699
|
Jade (color)
|
196
|
6
|
NA
|
Low
|
700
|
Moses Harris
|
196
|
6
|
Start
|
Mid
|
701
|
Coloured Book protocols
|
190
|
6
|
C
|
Low
|
702
|
Ruddy
|
187
|
6
|
NA
|
NA
|
703
|
Mikado yellow
|
185
|
6
|
Stub
|
Low
|
704
|
Rose (heraldic tincture)
|
176
|
5
|
Start
|
Low
|
705
|
Principle of univariance
|
173
|
5
|
Stub
|
Low
|
706
|
Coloroid
|
172
|
5
|
Stub
|
Low
|
707
|
ColorCode 3-D
|
169
|
5
|
Start
|
Low
|
708
|
Practical Color Coordinate System
|
168
|
5
|
Stub
|
Low
|
709
|
Multi-primary color display
|
168
|
5
|
Stub
|
Low
|
710
|
Alumina effect pigment
|
163
|
5
|
Start
|
Low
|
711
|
Harlequin (color)
|
161
|
5
|
NA
|
NA
|
712
|
OSA-UCS
|
159
|
5
|
Stub
|
Low
|
713
|
Bondi blue
|
151
|
5
|
NA
|
NA
|
714
|
Moss green
|
149
|
4
|
NA
|
Low
|
715
|
Society of Dyers and Colourists
|
148
|
4
|
Stub
|
Mid
|
716
|
Coloured hat
|
144
|
4
|
Start
|
Low
|
717
|
British Colour Council
|
141
|
4
|
Start
|
Mid
|
718
|
Color Marketing Group
|
140
|
4
|
Stub
|
Low
|
719
|
Color reaction
|
140
|
4
|
Stub
|
Mid
|
720
|
Rail Blue
|
138
|
4
|
NA
|
NA
|
721
|
Liquid color
|
134
|
4
|
C
|
Low
|
722
|
Postage stamp color
|
133
|
4
|
C
|
Low
|
723
|
Golden ochre
|
131
|
4
|
C
|
Low
|
724
|
Sinople
|
129
|
4
|
NA
|
NA
|
725
|
Burned (image)
|
129
|
4
|
Start
|
Mid
|
726
|
Zinzolin
|
129
|
4
|
B
|
Low
|
727
|
Attic ochre
|
128
|
4
|
C
|
Low
|
728
|
Lemon chiffon
|
126
|
4
|
NA
|
Low
|
729
|
Windows Color System
|
124
|
4
|
Start
|
Mid
|
730
|
Raisin black
|
124
|
4
|
Stub
|
Low
|
731
|
International Colour Association
|
119
|
3
|
C
|
Mid
|
732
|
Carnation pink
|
118
|
3
|
NA
|
Low
|
733
|
Von Kries coefficient law
|
115
|
3
|
C
|
Low
|
734
|
Army green
|
108
|
3
|
NA
|
NA
|
735
|
Bernice Kentner
|
108
|
3
|
Start
|
Low
|
736
|
Leaf Color Chart
|
106
|
3
|
Stub
|
Low
|
737
|
International Colour Authority
|
105
|
3
|
Stub
|
Low
|
738
|
Splash of color
|
105
|
3
|
Stub
|
Low
|
739
|
Colorimeter
|
104
|
3
|
NA
|
High
|
740
|
Emerald (color)
|
104
|
3
|
NA
|
Low
|
741
|
Sea green
|
99
|
3
|
NA
|
Low
|
742
|
Historic paint analysis
|
99
|
3
|
C
|
Low
|
743
|
Colorway
|
99
|
3
|
NA
|
Low
|
744
|
Color Light Output
|
99
|
3
|
Start
|
Low
|
745
|
True Blue (color)
|
98
|
3
|
NA
|
Low
|
746
|
David MacAdam
|
96
|
3
|
Start
|
Mid
|
747
|
Color wheel (optics)
|
94
|
3
|
Stub
|
Low
|
748
|
Lusty gallant
|
94
|
3
|
Stub
|
Low
|
749
|
The Color Association of the United States
|
89
|
2
|
NA
|
Mid
|
750
|
Munsell Color Company
|
86
|
2
|
Stub
|
Mid
|
751
|
Deane B. Judd
|
86
|
2
|
Start
|
Low
|
752
|
Adams chromatic valence color space
|
84
|
2
|
Start
|
Mid
|
753
|
Battleship grey
|
83
|
2
|
NA
|
NA
|
754
|
Hansa yellow
|
82
|
2
|
NA
|
Low
|
755
|
Peach black
|
82
|
2
|
Stub
|
Low
|
756
|
Color quality scale
|
81
|
2
|
Stub
|
Mid
|
757
|
UCLA Blue
|
73
|
2
|
NA
|
Low
|
758
|
Klaer Lightende Spiegel der Verfkonst
|
70
|
2
|
Stub
|
Low
|
759
|
Colour look-up table
|
68
|
2
|
NA
|
Low
|
760
|
Cycolor
|
68
|
2
|
Stub
|
Low
|
761
|
Forensic colorimetry
|
68
|
2
|
Start
|
Low
|
762
|
Pumpkin (color)
|
66
|
2
|
NA
|
NA
|
763
|
Charcoal (color)
|
64
|
2
|
NA
|
NA
|
764
|
Pinchin Johnson & Associates
|
62
|
2
|
Start
|
Low
|
765
|
Charles Albert Keeley
|
62
|
2
|
Start
|
Low
|
766
|
Two-color system
|
61
|
2
|
Stub
|
Low
|
767
|
Tristimulus value
|
61
|
2
|
NA
|
Mid
|
768
|
Hooker's green
|
61
|
2
|
NA
|
NA
|
769
|
ICAM (color appearance model)
|
59
|
1
|
Start
|
Low
|
770
|
Differential phase
|
59
|
1
|
Start
|
Low
|
771
|
Green-yellow
|
58
|
1
|
NA
|
Mid
|
772
|
Monochromatic colors
|
56
|
1
|
NA
|
Mid
|
773
|
Inter-Society Color Council
|
56
|
1
|
Start
|
Low
|
774
|
EciRGB
|
55
|
1
|
Stub
|
Low
|
775
|
Registration black
|
53
|
1
|
NA
|
Mid
|
776
|
Corn (color)
|
52
|
1
|
NA
|
Low
|
777
|
Myrtle (color)
|
52
|
1
|
NA
|
Low
|
778
|
Robert Birmelin
|
52
|
1
|
C
|
Low
|
779
|
European Color Initiative
|
49
|
1
|
Start
|
Low
|
780
|
Neugebauer equations
|
48
|
1
|
Stub
|
Mid
|
781
|
Ada Aline Urban
|
48
|
1
|
C
|
Low
|
782
|
Brandeis blue
|
46
|
1
|
NA
|
NA
|
783
|
Upsdell red
|
45
|
1
|
Stub
|
Low
|
784
|
Tufts Blue
|
45
|
1
|
NA
|
Low
|
785
|
Under color addition
|
44
|
1
|
Stub
|
Low
|
786
|
Pine green
|
43
|
1
|
NA
|
Low
|
787
|
Vantage theory
|
43
|
1
|
Unknown
|
Low
|
788
|
Sap green
|
41
|
1
|
NA
|
Low
|
789
|
Flame (color)
|
41
|
1
|
NA
|
NA
|
790
|
Jorrit Tornquist
|
41
|
1
|
Stub
|
Low
|
791
|
Descriptive Color Names Dictionary
|
40
|
1
|
Stub
|
Low
|
792
|
Ghost white
|
37
|
1
|
NA
|
NA
|
793
|
Nardo gray
|
37
|
1
|
NA
|
Low
|
794
|
Autotype (printing)
|
36
|
1
|
NA
|
NA
|
795
|
Salmon pink
|
34
|
1
|
NA
|
Low
|
796
|
Tekhelet in Judaism
|
34
|
1
|
NA
|
Low
|
797
|
Bright green
|
33
|
1
|
NA
|
NA
|
798
|
Gray-asparagus
|
33
|
1
|
NA
|
Low
|
799
|
Wenge (colour)
|
32
|
1
|
NA
|
Low
|
800
|
Augusto Garau
|
32
|
1
|
Start
|
Low
|
801
|
Redwood (color)
|
31
|
1
|
NA
|
NA
|
802
|
The Colour Group
|
31
|
1
|
Unknown
|
Low
|
803
|
Davy's grey
|
30
|
1
|
NA
|
Low
|
804
|
Rendering intent
|
28
|
0
|
NA
|
Mid
|
805
|
Lavender blush
|
27
|
0
|
NA
|
NA
|
806
|
Deep sky blue
|
27
|
0
|
NA
|
Low
|
807
|
Amber shift
|
27
|
0
|
Stub
|
Low
|
808
|
Papaya whip
|
26
|
0
|
NA
|
Low
|
809
|
Color engraving
|
24
|
0
|
Stub
|
Low
|
810
|
Magic Pink
|
23
|
0
|
NA
|
Low
|
811
|
Peach-yellow
|
23
|
0
|
NA
|
Low
|
812
|
George Palmer (colour theorist)
|
23
|
0
|
C
|
Low
|
813
|
Hermann Alfred Tanner
|
23
|
0
|
GA
|
Low
|
814
|
Old lace (color)
|
22
|
0
|
NA
|
Low
|
815
|
Spray booth
|
22
|
0
|
NA
|
NA
|
816
|
Alexis Spectral Data
|
21
|
0
|
Stub
|
Low
|
817
|
Mint cream
|
20
|
0
|
NA
|
NA
|
818
|
Pastel green
|
19
|
0
|
NA
|
Low
|
819
|
Fern green
|
19
|
0
|
NA
|
Low
|
820
|
Hal Glicksman
|
19
|
0
|
Start
|
Low
|
821
|
Saffron in Hinduism
|
19
|
0
|
NA
|
Low
|
822
|
Tea green
|
18
|
0
|
NA
|
Low
|
823
|
Fluorescence intensity decay shape microscopy
|
18
|
0
|
Start
|
Low
|
824
|
Pear (color)
|
17
|
0
|
NA
|
Low
|
825
|
Color in Informatics and Media Technology
|
15
|
0
|
Unknown
|
Unknown
|
826
|
Variations of gray
|
15
|
0
|
NA
|
NA
|
827
|
Henry Hemmendinger
|
14
|
0
|
Start
|
Mid
|
828
|
Sandy brown
|
13
|
0
|
NA
|
NA
|
829
|
Truecolor
|
12
|
0
|
NA
|
Mid
|
830
|
(255, 0, 0)
|
12
|
0
|
NA
|
NA
|
831
|
Ash grey
|
11
|
0
|
NA
|
Low
|
832
|
Process blue
|
11
|
0
|
NA
|
NA
|
833
|
Asparagus (color)
|
9
|
0
|
NA
|
NA
|
834
|
Value (colorimetry)
|
9
|
0
|
NA
|
Mid
|
835
|
Cool grey
|
9
|
0
|
NA
|
NA
|
836
|
CG Red
|
8
|
0
|
NA
|
NA
|
837
|
Dark-on-light color scheme
|
7
|
0
|
NA
|
Low
|
838
|
Persian orange
|
7
|
0
|
NA
|
NA
|
839
|
Boysenberry (color)
|
7
|
0
|
NA
|
NA
|
840
|
Geru
|
6
|
0
|
NA
|
Low
|
841
|
Visible frequency
|
6
|
0
|
NA
|
NA
|
842
|
Color volume
|
6
|
0
|
NA
|
NA
|
843
|
Ford Blue
|
6
|
0
|
NA
|
NA
|
844
|
Pale brown
|
5
|
0
|
NA
|
Low
|
845
|
Raw umber (color)
|
5
|
0
|
NA
|
Low
|
846
|
Camouflage green
|
4
|
0
|
NA
|
NA
|
847
|
Peach-orange
|
3
|
0
|
NA
|
Low
|
848
|
Wisteria (colour)
|
3
|
0
|
NA
|
NA
|
849
|
LED ribbon
|
2
|
0
|
NA
|
Low
|
850
|
Blaze Orange
|
0
|
0
|
NA
|
Mid
|
851
|
Color Matching Method
|
0
|
0
|
NA
|
Low
|
852
|
Alice-Blue (color)
|
0
|
0
|
NA
|
Low
|
853
|
Non-spectral color
|
0
|
0
|
NA
|
NA
|