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Original "Bondi Blue" iMac
Original "Bondi Blue" iMac

The iMac G3, originally released as the iMac, is a series of personal computers sold by Apple Computer from 1998 to 2003. Following Steve Jobs's return to the financially troubled company that he co-founded, he aggressively restructured its offerings. The iMac was envisioned as Apple's new inexpensive and consumer-friendly desktop product, focused on easy connection to the Internet. Apple's head of design Jony Ive and his team created a striking teardrop-shaped all-in-one design based around a cathode-ray tube display, shrouded in translucent colored plastic. The iMac eschewed legacy technologies like serial ports and floppy-disk drives in favor of CD-ROMs and USB ports. Selling more than six million units, the iMac was a commercial success for Apple, helping to save it from bankruptcy whilst influencing the look of future computers and consumer products. The original model was revised several times and was succeeded by the iMac G4 and eMac. (Full article...)

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Amy Sawyer
Amy Sawyer

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Srettha Thavisin in 2023
Srettha Thavisin

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August 15: Independence Day in India (1947); National Liberation Day of Korea (1945)

Peter, King of Hungary
Peter, King of Hungary
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Wood carving of the death of Mary from the Kefermarkt altarpiece

The Kefermarkt altarpiece is a richly decorated wooden altarpiece in the Late Gothic style in the parish church of Kefermarkt in Upper Austria. Commissioned by the knight Christoph von Zelking, it was completed around 1497. Saints Peter, Wolfgang and Christopher are depicted in the central section. The wing panels depict scenes from the life of Mary, and the altarpiece also has an intricate superstructure and two side figures of Saints George and Florian. The identity of its maker, known by the notname Master of the Kefermarkt Altarpiece, is unknown, but at least two skilled sculptors appear to have created the main statuary. Throughout the centuries, it has been altered and lost its original paint and gilding; a major restoration was undertaken in the 19th century under the direction of Adalbert Stifter. The altarpiece has been described as "one of the greatest achievements in late-medieval sculpture in the German-speaking area". This image shows the lower-left wing panel of the Kefermarkt altarpiece, depicting the death of Mary. She lies peacefully in her deathbed, while a diminutive angel holds the curtain apart so that the viewer can see Mary better. The twelve apostles are all present, each one depicted with individual traits. Above the head of Saint Peter, Christ appears in a cloud, receiving the soul of his mother in the form of a small figure.

Sculpture credit: Master of the Kefermarkt Altarpiece; photographed by Uoaei1

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