Wikipedia:Main Page history/2019 November 27
From today's featured articleCaroline Brady (1905–1980) was an American philologist whose scholarship focused on Old English and Old Norse. Her works included the 1943 book The Legends of Ermanaric, based on her doctoral dissertation, and three influential papers on the Anglo-Saxon poem Beowulf. She was born an American citizen in Tientsin, China, and studied in the University of California system, receiving her Doctor of Philosophy degree in 1935. The Legends of Ermanaric discussed two competing traditions about the Gothic king Ermanaric, who ruled in the fourth century AD. Ostrogothic lore viewed him as a good king, whereas a second tradition, promulgated by those subjugated by him, saw him as evil. Brady was known as an investigator of the intractable problems of Germanic myth, and the convoluted nature of the related scholarship. In 1952–53 she was the Marion Talbot Fellow of the American Association of University Women. (Full article...)
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Françoise d'Aubigné, Marquise de Maintenon (b. 1635) · William Bliss Baker (b. 1859) · May Gibbs (d. 1969)
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Neo-Impressionism is a term coined by French art critic Félix Fénéon in 1886 to describe an art movement founded by Georges Seurat, whose most renowned masterpiece, A Sunday Afternoon on the Island of La Grande Jatte, marked the beginning of this movement when it was first exhibited in Paris. Around this time, the peak of France's modern era emerged and many painters were in search of new methods. Followers of Neo-Impressionism, in particular, were drawn to modern urban scenes as well as landscapes and seashores. Science-based interpretation of lines and colors influenced Neo-Impressionists' characterization of their own contemporary art. The Pointillist and Divisionist techniques are often mentioned in this context, because it was the dominant technique in the beginning of the Neo-impressionist movement. This picture is a oil-on-canvas portrait of Félix Fénéon in the Neo-Impressionist style by French painter Paul Signac, dated 1890. The painting is now in the collection of the Museum of Modern Art in New York City. Painting credit: Paul Signac
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