Wikipedia:Main Page history/2019 May 25
From today's featured articleThe Crawford expedition was a campaign on the western front of the American Revolutionary War, and one of the final operations of the conflict. Led by Colonel William Crawford (pictured), the campaign began May 25, 1782. Its goal was to destroy American Indian towns along the Sandusky River in the Ohio Country, with the hope of ending attacks on American settlers. The expedition was one in a long series of raids that both sides had conducted against enemy settlements throughout the war. Crawford led about 500 volunteer militiamen, mostly from Pennsylvania. The Indians and their British allies from Detroit gathered a force and surrounded the Americans. Seventy were killed, including Crawford, who was tortured and executed, probably in retaliation for the Gnadenhutten massacre two months earlier. Indian and British losses were minimal, and the rest of the Americans escaped and found their way back to Pennsylvania. (Full article...)
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On this dayMay 25: Africa Day (1963); First National Government in Argentina (1810); Independence Day in Jordan (1946); Geek Pride Day
Mary Magdalene de' Pazzi (d. 1607) · Günther Lütjens (b. 1889) · Ian McKellen (b. 1939) |
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Mr and Mrs Andrews is an oil-on-canvas painting by English artist Thomas Gainsborough, painted around 1750. It is a conversation piece, a genre of art in which a group of subjects are shown with other elements and activities. The subjects of the picture are Robert Andrews, a member of the landed gentry from the town of Bulmer in Essex, depicted in a loose hunting coat, as well as his wife, Frances Andrews (née Carter), a woman from the same parish, depicted in an informal summer suit with a straw hat. The couple are shown in a landscape near their estate, Auberies, in Bulmer Tye. The work is unusual for an outdoor conversation piece, in that the background setting is agricultural, rather than the gardens of the subjects' own houses. This may have been motivated by Gainsborough's love of landscape painting, as well as the couple's desire to make a more prominent display than was normal in a portrait of the country estate that had formed part of Mrs Andrews's dowry. The painting remained in the Andrews family until 1960 and was very little known before it appeared in an exhibition in Ipswich in 1927, after which it was regularly requested for other exhibitions in Britain and abroad, while also praised by critics for its charm and freshness. It now hangs in the National Gallery in London. Painting credit: Thomas Gainsborough
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