Wikipedia:Main Page history/2019 December 28b
From today's featured articleThe Beaune Altarpiece is a large polyptych altarpiece by the Early Netherlandish artist Rogier van der Weyden. It was commissioned in 1443 for the Hospices de Beaune by Nicolas Rolin, Chancellor of the Duchy of Burgundy, and his wife Guigone de Salins, who was buried in front of the altarpiece. The polyptych consists of fifteen paintings spread across nine panels, of which six are painted on both sides. The inner panels contain scenes from the Last Judgement, with a central image that shows Christ seated in judgement, and the Archangel Michael holding scales as he weighs souls. The panel on Christ's far right depicts the gates of Heaven, that to his far left the entrance to Hell; souls are shown moving towards each after being judged. The altarpiece is in poor condition, having suffered from extensive paint loss, darkening of its colours and accumulations of dirt. (Full article...)
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On this dayDecember 28: Proclamation Day in South Australia (1836)
Wang Zongbi (d. 925) · Arthur Hunter Palmer (b. 1819) · Barbara Judge (b. 1946)
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Today's featured picture
Alfonso XII (1857–1885) was King of Spain from 1874 to 1885. Coming to the throne at an early age and being of a benevolent and sympathetic disposition, Alfonso won the affection of his people by fearlessly visiting districts ravaged by cholera or devastated by earthquakes. He had been suffering from tuberculosis, but the immediate cause of his death was dysentery, and he died at the Royal Palace of El Pardo on 25 November 1885, aged 27. He was succeeded by his unborn son, who became Alfonso XIII at his birth the following year. This picture shows Alfonso's funeral procession on its way from El Pardo to Madrid, engraved by Auguste Tilly for the French newspaper L'Illustration. The French text under the engraving reads 'The death of Alfonso XII – Translation of the king's body to Madrid' and 'After the sketches of Mr Campuzano, correspondent for L'Illustration'. Engraving credit: Auguste Tilly, after M. Campuzano; restored by Adam Cuerden
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