"Ulysses" is a poem by the Victorian poet Alfred, Lord Tennyson, written in 1833 and published in 1842 in Tennyson's well-received second volume of poems. An oft-quoted poem, it is popularly used to illustrate the dramatic monologue poetic form. Ulysses describes, to an unspecified audience, his discontent and restlessness upon returning to his kingdom, Ithaca, after his far-ranging travels. Facing old age, Ulysses yearns to explore again, despite his reunion with his wife Penelope and son Telemachus. The character Ulysses (Greek: Odysseus) has been explored widely in literature. The adventures of Odysseus were first recorded in Homer'sIliad and Odyssey (c. 800–600 BC), and Tennyson draws on Homer's narrative in the poem. Most critics, however, find that Tennyson's Ulysses recalls the character Ulisse in Dante'sInferno (c. 1320). For most of the poem's history, readers viewed Ulysses as resolute and heroic, admiring him for his determination "To strive, to seek, to find, and not to yield". The view that Tennyson intended a heroic character is supported by his statements about the poem, and by the events in his life—the death of his closest friend—that prompted him to write it. In the twentieth century, scholars began to offer interpretations of "Ulysses" that highlight potential ironies in the poem. (more...)
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Princess Ida is a comic opera with music by Arthur Sullivan and a libretto by W. S. Gilbert. It was Gilbert and Sullivan's eighth operatic collaboration, preceding The Mikado. Princess Ida opened at the Savoy Theatre in 1884 and ran for 246 performances. Based on the narrative poem The Princess by Alfred, Lord Tennyson, the opera concerns a princess who founds a women's university and teaches that women are superior to men and should rule in their stead. Prince Hilarion, to whom she had been betrothed, sneaks into the university, and a war erupts between the two sexes. Princess Ida satirizes feminism, women's education and Darwinian evolution, controversial topics in conservative Victorian England. Princess Ida was only a modest success, and after its initial run, it was not revived in London until 1919. Nevertheless, the piece is performed regularly today by both professional and amateur companies. This watercolour-and-pencil-on-card image by C. Wilhelm shows his costume design for the characters of Arac, Guron and Scynthius in the 1884 production of Princess Ida.
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