User talk:DanCherek/Archive 12

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Archive 12

August music

Thank you for fixing the image licenses! Would you have time for lilypond of BWV 101:7? - turning 300 tomorrow Gerda Arendt (talk) 13:33, 3 August 2024 (UTC)

No problem. Not sure if I can get to it tonight, maybe tomorrow. DanCherek (talk) 20:16, 3 August 2024 (UTC)

BWV 101:7

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \key d \minor \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'()} soprano = \relative c'' { \global \partial 4 a4 | a f g a | f e d\fermata a' | a g c a | f g a\fermata a | c d8 e f4 e | d cis d\fermata d | e d c b | a b a\fermata d | c b c a | a g f\fermata a | bes a8 g f4 g | f e d\fermata \bar "|." } alto = \relative c' { \global \partial 4 f4 | e d d d | d cis a f' | f g8 f e4 f | d d cis d | e g a g | f8 g a4 a g | g fis8 gis a4 e | e8 a a gis e4 d | e f g f | f e c d | d cis d e | cis8 d4 cis8 a4 } tenor = \relative c' { \global \partial 4 d4 | a a bes a | bes e, f d' | c c c c | bes d, e f | a bes c bes8 c | d4 e f b, | c8 b a4 d d | c d c g | g d' c c | d g, a a | g8 f e4 bes'2 ~ | bes8 a g a fis4 } bass = \relative c { \global \partial 4 d4 | cis d bes' f | g a d, d8 e | f4 e a f | bes bes, a d | a' g f g8 a | bes4 a d, g | c, d8 e fis4 gis | a e a, b | c d e f | bes, c f, fis | g a bes a8 g | a4 a d } \score { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" } << \new Voice = "soprano" { \voiceOne \soprano } \new Voice = "alto" { \voiceTwo \alto } >> \new Lyrics \lyricsto "soprano" { Leit uns mit dei -- ner rech -- ten Hand und seg -- ne uns -- er Stadt und Land; gib uns all -- _ zeit dein heil -- ges Wort, be -- hüt für's Teu -- fels List und Mord; ver -- leih ein sel -- ges Stün -- de -- lein, auf dass wir _ e -- wig bei dir sein. } \new Staff \with { midiInstrument = "choir aahs" } << \clef bass \new Voice = "tenor" { \voiceOne \tenor } \new Voice = "bass" { \voiceTwo \bass } >> >> \layout { } \midi { \tempo 4=70 } }$

Lovely, taken, will nominate for GA! --Gerda Arendt (talk) 07:05, 4 August 2024 (UTC)

Today I have two "musicians" on the Main page, one is also the topic of my story, watch and listen! --Gerda Arendt (talk) 14:18, 7 August 2024 (UTC)

... and a third, like 22 July but with interview and the music to be played today --Gerda Arendt (talk) 14:19, 8 August 2024 (UTC)

A bit late: the hymn for this Sunday ;) --Gerda Arendt (talk) 08:33, 11 August 2024 (UTC)

On 13 August, Bach's cantata was 300 years old, and the image one. It's nice to have not only a recent death, but also this "birthday" on the Main page. And a rainbow in my places. --Gerda Arendt (talk) 13:50, 13 August 2024 (UTC)

Sunday story about another of Bach's chorale cantatas, listen, as I listened to two impressive very different choral concerts, - music by 16 composers. In the latest cloudy pictures: a hidden deer, a cat and a blaze of a sunset. - A Lilypnd version of the closing chorale would be nice, of course, link under Dahn in the article. --Gerda Arendt (talk) 14:06, 25 August 2024 (UTC)

BWV 33:6

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \key a \minor \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'()} soprano = \relative c'' { \global \repeat volta 2 { \partial 4 c4 | g a8 b c d e4 | d c2 b4 | c2.\fermata e4 | d c b8 a g4 | a b8 c d4 c8 b | c4 b a\fermata } e' | f8 e d4 e8 d c4 | d e a,\fermata e' | f8 e d4 e8 d c4 | d e a,\fermata c | b a g a | f8 e f4 e\fermata a | g c2 b4 | c\fermata g a b | c8 d e4 d c | b b a\fermata \bar "|." } alto = \relative c' { \global \partial 4 e4 | e8 d c d e f g4 | g4. fis8 g4 g | g2. g4 | g8 f e4 e2 ~ | e8 fis gis a b4 a ~ | a gis e a | a a gis e | a g! f e | a a8 g g4 g | a b e, g | g8 fis e4 ~ e8 g f e | d cis d4 cis c | d g8 f e4 d | e e fis gis | a e a2 ~ | a4 gis e } tenor = \relative c' { \global \partial 4 a8 b | c b a4 g g8 a | b a16 b c8 d e4 d | e2. c4 b4. a8 g a b4 | c d8 e f e e4 | f8 d b c16 d c4 c | c b8 a b4 c8 b | a4 a d b | c d c c | c b c e | d e b cis | a a a a | b8 a g2 g4 | g e' d d | e8 d c b a b c d16 e | f4 e8 d cis4 } bass = \relative c' { \global \partial 4 a4 | e f e8 d c4 | g' a g g | c,2. c4 | g' a e4. d8 | c c' b a gis4 a | d, e a, a' | d,8 e f4 e a8 g | f e d cis d4 gis | a b c e, | fis gis a e8 fis | g!4 cis,8 dis e4 a, | d!8 f e d a'4 f ~ | f e8 d e f g4 | c, c' c8 d c b | a b a g f4. e8 | d4 e a, } \score { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" \consists Merge_rests_engraver } << \new Voice = "soprano" { \voiceOne \soprano } \new Voice = "alto" { \voiceTwo \alto } >> \new Lyrics \lyricsto "soprano" { << { Ehr sei Gott _ in _ dem höch -- _ sten Thron, dem Va -- ter al -- _ _ _ _ _ _ ler _ Gü -- _ te, } \new Lyrics { \set associatedVoice = "soprano" { und Je -- su _ Christ, _ seinm lieb -- _ sten Sohn, der uns all -- zeit _ _ _ _ _ _ be -- _ hü -- _ te, } } >> und Gott _ dem hei -- _ li -- gen Gei -- ste, der uns _ sein Hilf _ all -- zeit lei -- ste, da -- mit wir ihm ge -- fä -- _ lig sein, hier in die -- ser Zeit und fol -- gends in _ der E -- _ _ wig -- keit. } \new Staff \with { midiInstrument = "choir aahs" \consists Merge_rests_engraver } << \clef bass \new Voice = "tenor" { \voiceOne \tenor } \new Voice = "bass" { \voiceTwo \bass } >> >> \layout { } \midi { \tempo 4 = 72 } }$

taken with pleasure! - Help? My story today is about a woman, nominated for RD but needing support as I write this. A composer died whose article is long and mostly unreferenced. And some articles open for review, always. --Gerda Arendt (talk) 10:43, 27 August 2024 (UTC)

I logged on too late to react to this, but luckily it looks like it made it! DanCherek (talk) 01:18, 28 August 2024 (UTC)

Question from Auberydude (08:01, 27 August 2024)

Hi Dan - I only just noticed you had been assigned my mentor. Thanks for the note! I am more of technological guru (in the video space) but in my spare time i like to write film scripts.

Mark. --Auberydude (talk) 08:01, 27 August 2024 (UTC)

Hey Mark, nice to meet you! Interesting stuff. Feel free to stop by here any time you have any questions about editing Wikipedia. DanCherek (talk) 01:19, 28 August 2024 (UTC)

Question from Dr.Decapod (23:17, 31 August 2024)

Hello! I have question, I put hours of time and resources into fixing an old article up and someone keeps changing it based on their personal opinion and beliefs. I cite info and they remove it. What is the correct way to deal with this? --Dr.Decapod (talk) 23:17, 31 August 2024 (UTC)

Hi there. Wikipedia:Dispute resolution has more information about the best ways to deal with a situation like this. Essentially, discussing it with the other editor on the talk page of the article is best, and trying to reach a consensus that way. If there continues to be disagreements, then there are more ways to resolve content disputes (such as requesting a third opinion or trying the dispute resolution noticeboard), but these will typically require that a discussion has taken place on the talk page first. DanCherek (talk) 23:42, 31 August 2024 (UTC)

Administrators' newsletter – September 2024

News and updates for administrators from the past month (August 2024).

Administrator changes

Pppery

Interface administrator changes

Pppery

Oversighter changes

Wugapodes

CheckUser changes

Guideline and policy news

Following an RfC, there is a new criterion for speedy deletion: C4, which applies to unused maintenance categories, such as empty dated maintenance categories for dates in the past.
A request for comment is open to discuss whether Notability (species) should be adopted as a subject-specific notability guideline.

Arbitration

Following a motion, remedies 5.1 and 5.2 of World War II and the history of Jews in Poland (the topic and interaction bans on My very best wishes, respectively) were repealed.
Remedy 3C of the German war effort case ("Cinderella157 German history topic ban") was suspended for a period of six months.
The arbitration case Historical Elections is currently open. Proposed decision is expected by 3 September 2024 for this case.

Miscellaneous

Editors can now enter into good article review circles, an alternative for informal quid pro quo arrangements, to have a GAN reviewed in return for reviewing a different editor's nomination.
A New Pages Patrol backlog drive is happening in September 2024 to reduce the number of unreviewed articles and redirects in the new pages feed. Currently, there is a backlog of over 13,900 articles and 26,200 redirects awaiting review. Sign up here to participate!

Sent by MediaWiki message delivery (talk) 18:43, 2 September 2024 (UTC)

Copyright violation

Hi Dan. [1] at article International Cultic Studies Association is a violation from this website [2]. I wondered if you could rev/del please. Knitsey (talk) 16:00, 2 September 2024 (UTC)

Yes, done. Thanks! DanCherek (talk) 22:49, 2 September 2024 (UTC)

Hi Dan, sorry to bother you again but another user has added the information again [3] copied from [4] Knitsey (talk) 15:25, 5 September 2024 (UTC)

Drmies (talk · contribs) has caught it. Sorry to have bothered you. Knitsey (talk) 15:28, 5 September 2024 (UTC)

That'll be five bucks. Drmies (talk) 15:31, 5 September 2024 (UTC)

Wikibucks? Or shillbucks? Knitsey (talk) 15:33, 5 September 2024 (UTC)

RFA2024 update: Discussion-only period now open for review

Hi there! The trial of the RfA discussion-only period passed at WP:RFA2024 has concluded, and after open discussion, the RfC is now considering whether to retain, modify, or discontinue it. You are invited to participate at Wikipedia:Requests for adminship/2024 review/Phase II/Discussion-only period. Cheers, and happy editing! MediaWiki message delivery (talk) 09:38, 27 September 2024 (UTC)

Hello @DanCherek! I am experiencing an issue on Queen of Sheba page. I have invested significant time and effort in improving the article, providing substantial citations and engaging in respectful discussions. One editor keeps reverting changes based on their personal opinion, without offering valid reasons or engaging in constructive dialogue. They are private messaging me threats, which is unacceptable behavior on Wikipedia.

I believe my edits are in line with Wikipedia's guidelines and contribute to overall quality of the article. I am open to discussing different perspectives and finding common ground, but I am concerned that this editor is unwilling to engage in a productive conversation. What is the correct way to deal with this?

Afrodiplomacy (talk) 11:20, 27 September 2024 (UTC)

Women in Red October 2024

Women in Red | October 2024, Volume 10, Issue 10, Numbers 293, 294, 318, 319, 320

Online events:

New: Women in STEM | Geofocus: Islands I-P | Women in archaeology

Continuing: #1day1woman | Education (year-long initiative)

Announcements from other communities

October is Women in Green's "Around the World in 31 Days" Good Article Edit-a-thon

Tip of the month:

Unsure how to expand a stub article? Take a look at this guidance

Other ways to participate:

Become a member. You can always opt-out of notifications.
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Help us plan future events and add any general ideas on developing the project.
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--Lajmmoore (talk 08:04, 29 September 2024 (UTC) via MassMessaging

September music

What do you think of my short version of the life of Alexander Goehr? Our DYK team would probably want to mention that he worked in a training kibbutz, while I was happy to include a link to an article by Brian Boulton, - we sang the Monteverdi Vespers on 1 September 2019. -- Gerda Arendt (talk) 15:31, 2 September 2024 (UTC)

ps: next cantata Jesu, der du meine Seele, BWV 78, last movement, I trust that you'll find it. --Gerda Arendt (talk) 15:33, 2 September 2024 (UTC)

BWV 78.7

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \key g \minor \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'()} soprano = \relative c'' { \global d4 d a bes | c bes8 a a4 g\fermata | bes bes a g | fis g a2\fermata | d4 d a bes | c bes8 a a4 g\fermata | bes bes a g | fis g a2\fermata | a4 bes c a | bes a8 g g4 f\fermata | bes c d d | ees d8 c c4 bes\fermata | d d c d | bes c d2\fermata | d4 d c bes | a a g2\fermata \bar "|." } alto = \relative c'' { \global g4 g a g | g g fis d | d ees ees8 d d c | c4 d d2 | d4 g fis g | g g fis d | d ees ees8 d d c | c4 d d2 | fis4 g g f | f f e c | f g8 a bes4 bes | bes bes a f | f f f8 ees d4 | d g fis2 | g4 g a g | g fis d2 } tenor = \relative c' { \global bes8 c d4 d d | c8 d ees4 d8 c bes4 | g g g8 fis g4 | a bes fis2 | bes8 c d4 d d | c8 d ees4 d8 c bes4 | g g g8 fis g4 | a bes fis2 | d'4 d c c | bes8 c d4 c8 bes a4 | bes ees f f | es8 f g4 f8 ees d4 | bes bes a a | g8 bes a g a2 | bes8 c d4 ees d | ees d8 c b2 } bass = \relative c' { \global g8 a bes4 fis g | ees c d g, | g'8 f ees d c d ees4 | a, g d'2 | g,8 a bes c d4 g8 f | ees d c4 d g, | g'8 f ees d c d ees4 | a, g d'2 | d4 g8 f ees4 f | d bes c f | d c bes bes'8 a | g f ees4 f bes, | bes8 c d ees f4 fis | g8 f! ees4 d2 | g8 a bes4 fis g | c, d g,2 } \score { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" } << \new Voice = "soprano" { \voiceOne \soprano } \new Voice = "alto" { \voiceTwo \alto } >> \new Lyrics \lyricsto "soprano" { Herr, ich glau -- be, hilf mir _ Schwa -- chen, lass mich ja ver -- za -- gen nicht; du, du kannst mich stär -- ker _ ma -- chen, wenn mich Sünd und Tod an -- flicht. Dei -- ner Gü -- te will ich _ trau -- en, bis ich fröh -- lich wer de _ schau -- en dich, Herr Je -- su, nach dem Streit in der sü -- ßen E -- wig -- keit. } \new Staff \with { midiInstrument = "choir aahs" } << \clef bass \new Voice = "tenor" { \voiceOne \tenor } \new Voice = "bass" { \voiceTwo \bass } >> >> \layout { } \midi { \tempo 4=82 } }$

Getting better at finding it! Happy September. DanCherek (talk) 23:19, 2 September 2024 (UTC)

Thank you so much! It's always the same site, you need the BWV no. (4 digits, leading zeros) and the movement number (and for most it should by now be among the external links. I corrected the German in the penultimate word, "ß".--Gerda Arendt (talk) 10:03, 3 September 2024 (UTC)

Yes I just look for it in the external links

DanCherek (talk) 23:40, 3 September 2024 (UTC)

Thank you! - Today's story has 3 composers, I couldn't decide for the one on the Main page or the one who didn't make it on his bicentenary, so took both, and the pic has a third. Listen if you have a bit of time. The music, played by the Kyiv Symphony Orchestra in Germany in April 2022 impressed me. --Gerda Arendt (talk) 14:32, 4 September 2024 (UTC)

Recommended reading today: Frye Fire, by sadly missed Vami_IV. Next chorale from Was Gott tut, das ist wohlgetan, BWV 99. It's already a ref ;) --Gerda Arendt (talk) 21:02, 6 September 2024 (UTC)

Happy because my story today is about a Czech mezzo soprano who is mentioned on the Main page on her birthday. --Gerda Arendt (talk)

Happier about Bach's cantata on the Main page on its 300th birthday (per calendar), my story (again)! ... with you Lilypond, also in the new article about the hymn ;) --Gerda Arendt (talk) 19:27, 10 September 2024 (UTC)

Yay! Will get to BWV 99 when I can (maybe tomorrow). DanCherek (talk) 02:52, 11 September 2024 (UTC)

Great! If you have time for only one until Sunday, I'd prefer BWV 8, - the other can wait until Tuesday, calendar date of it's first performance - while Bach and I go by liturgy ;) - always 9 days off this anniversary year --Gerda Arendt (talk) 06:56, 11 September 2024 (UTC)

Three stories related to today in memory, 11 September, 20 July and 20 June, the latter piece of art also pictured on the Main page. --Gerda Arendt (talk) 20:07, 11 September 2024 (UTC)

Hmm, the separate lyric lines for the different voices might be tricky... DanCherek (talk) 01:07, 12 September 2024 (UTC)

I can't tell if the little notes are supposed to be regular notes (bass, measure 4?), grace notes (soprano, measure 12?), or ossia (bass, measure 5?) DanCherek (talk) 01:26, 12 September 2024 (UTC)

Also what is going on with the little note in the bass part in the first measure? DanCherek (talk) 01:39, 12 September 2024 (UTC)

Lilypond for BWV 99.6 since I'm stuck on the other one. DanCherek (talk) 03:09, 12 September 2024 (UTC)

BWV 99.6

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \key g \major \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'()} soprano = \relative c' { \global \tempo 4=72 \repeat volta 2 { \partial 4 d4 | g a b c | d4. c8 \tempo 4=30 b4\fermata \tempo 4=72 e | d c b8 a b4 | a2 \tempo 4=30 g4\fermata } \tempo 4=72 d' | e e \tempo 4=30 a,\fermata \tempo 4=72 a | d d \tempo 4=30 g,\fermata \tempo 4=72 b | a g fis8 e fis4 | e2 \tempo 4=30 d4\fermata \tempo 4=72 d' | c! b a b8 c | a2 \tempo 4=30 g4\fermata \bar "|." } alto = \relative c' { \global \partial 4 b8 c | d4 d g g | g fis g g | fis e d g | g fis d g | g a8 g fis4 fis | fis fis e e | e e e d | d cis a fis' | g8 a d, e fis4 g | g8 fis16 e fis4 d } tenor = \relative c' { \global \partial 4 g8 a | b4 a e' e | d8 c16 b a8 d d4 c8 b | a4 g8 a b c d4 | d8 c16 b c8 a b4 b | c8 d e4 d cis | cis8 ais b4 b g | a8 b cis4 a b | b a8 g fis4 b | b8 a b c d4 d | d8 a16 b c4 b } bass = \relative c { \global \partial 4 g4 | g' fis e d8 c | b c d4 g, c | d e8 fis g4 b,8 c | d2 g,4 g' | c, cis d fis | b,8 cis d b e4 e8 d | cis4 b8 a d cis b a | g4 a d b | e8 fis g4 d8 c b g | d'2 g,4 } \score { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" } << \new Voice = "soprano" { \voiceOne \soprano } \new Voice = "alto" { \voiceTwo \alto } >> \new Lyrics \lyricsto "soprano" { << { Was Gott tut, das ist wohl -- ge -- tan, da -- bei will ich _ ver -- blei -- ben } \new Lyrics { \set associatedVoice = "soprano" { es mag mich auf die rau -- he Bahn Not, Tod und E -- _ lend trei -- ben, } } >> so wird Gott mich ganz vä -- ter -- lich in sei -- nen Ar -- _ men hal -- ten; drum lass ich ihn nur _ wal -- ten. } \new Staff \with { midiInstrument = "choir aahs" } << \clef bass \new Voice = "tenor" { \voiceOne \tenor } \new Voice = "bass" { \voiceTwo \bass } >> >> \layout { } \midi { } }$

Thank you! I added a bit speed. Can the last note somehow sound a bit longer? - I'll move, prepare some food and be back for the other. One thing upfront: have text only for the soprano. --Gerda Arendt (talk) 16:47, 12 September 2024 (UTC)

Try this: Special:Diff/1245435164. DanCherek (talk) 00:07, 13 September 2024 (UTC)

(Adjusted the tempos to simulate the fermatas, feel free to adjust further as you like.) DanCherek (talk) 00:07, 13 September 2024 (UTC)

I looked at that score. I was prepared by reading some of the article for a new kind of melody, in a setting that Bach took from some Mr. Vetter. I haven't listened, so don't know if the small notes in the bass are perhaps instrumental music of interludes. I'd ignore them. The little soprano thingy looks like a grace not, - take if not too complicated. IMSLP has a (19th-century) score that could be consulted. The article has a manuscript of what Bach took it from, File:Daniel Vetter Liebster Gott 91-92 1713.jpeg, but Bach changed, I read. No little notes in the bass. The soprano is different. --Gerda Arendt (talk) 18:56, 12 September 2024 (UTC)

How's this? DanCherek (talk) 00:29, 13 September 2024 (UTC)

BWV 8.6

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \key e \major \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'()} \score { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" \consists Merge_rests_engraver } << \new Voice = "soprano" { \voiceOne \relative c'' { \global \tempo 4=72 \repeat volta 2 { r4 b8 b e4 b | cis b a4. b16 a | gis4 fis r b8 a | gis4 cis8 b ais fis b4 ~ | b ais b2 } | r4 fis8 gis a!4 gis | cis4. dis8 \grace { cis } bis2 | r4 cis8 b! ais4 b | b ais b fis8 fis | b4. a8 gis4 cis | bis cis2 bis4 | cis2 r4 e8 b | cis4 gis8 a b4. a8 | gis4 fis8 e dis4 e ~ | e dis \tempo 4=50 e2\fermata \bar "|." } } \new Voice = "alto" { \voiceTwo \relative c'' { \global r2 r4 gis8 gis | a4 a8 gis gis fis16 e fis8 fis | e4 dis r2 | r4 gis8 gis fis fis fis4 | fis fis fis2 | r4 dis8 e fis4 e8 fis | gis fis gis a gis2 | r4 gis8 gis fis4 fis | fis fis fis r | r fis2 e4 | fis8 gis ais ais gis2 | gis4 gis8 dis e2 ~ | e4 e dis8 e fis4 ~| fis8 e dis e b4 cis | b2 b } } >> \new Lyrics \lyricsto "soprano" { << { Herr -- scher ü -- ber Tod und Le -- _ _ _ ben mach ein -- mal mein _ En -- _ _ de gut, } \new Lyrics { \set associatedVoice = "soprano" { Leh -- re mich den Geist auf -- ge -- _ _ _ ben mit recht wohl -- ge -- _ fass -- _ _ tem Mut. } } >> Hilf, dass ich ein ehr -- lich Grab ne -- ben from -- men Chris -- ten hab und auch end -- lich in der Er -- _ _ de nim -- mer -- mehr zu -- _ schan -- _ _ den _ wer -- _ _ de. } \new Staff \with { midiInstrument = "choir aahs" \consists Merge_rests_engraver } << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global r2 r4 e8 e | e4 e cis b | b b r2 | r4 e8 dis cis4 dis | cis cis dis2 | r2 r4 e8 dis | cis a' gis fis \grace { e } dis2 | r4 e8 dis cis4 dis | cis8 b cis4 dis r | r dis8 dis b4 cis | dis e dis2 | e4 e8 bis cis4. d8 | cis2 b ~ | b4 c fis, g | fis8 e fis4 gis!2 } } \new Voice = "bass" { \voiceTwo \relative c, { \global r2 r4 e'8 e | a4 e fis dis | e b r2 | r4 e ~ e8 dis cis b | fis' e fis4 b,2 | r2 r4 cis8 dis | e dis e fis gis,4 gis'8 fis | e2. dis8 e | fis4 fis, b r | r b8 b e dis cis b | a gis fisis4 gis2 | cis2 r4 cis'8 gis | a b cis4 gis dis | e a,2 ais4 | b2 e, } } >> >> \layout { } } \score { \unfoldRepeats { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" \consists Merge_rests_engraver } << \new Voice = "soprano" { \voiceOne \relative c'' { \global \tempo 4=72 \repeat volta 2 { r4 b8 b e4 b | cis b a4. b16 a | gis4 fis r b8 a | gis4 cis8 b ais fis b4 ~ | b ais b2 } | r4 fis8 gis a!4 gis | cis4. dis8 cis4 bis4 | r4 cis8 b! ais4 b | b ais b fis8 fis | b4. a8 gis4 cis | bis cis2 bis4 | cis2 r4 e8 b | cis4 gis8 a b4. a8 | gis4 fis8 e dis4 e ~ | e dis \tempo 4=50 e2\fermata \bar "|." } } \new Voice = "alto" { \voiceTwo \relative c'' { \global \repeat volta 2 { r2 r4 gis8 gis | a4 a8 gis gis fis16 e fis8 fis | e4 dis r2 | r4 gis8 gis fis fis fis4 | fis fis fis2 } | r4 dis8 e fis4 e8 fis | gis fis gis a gis2 | r4 gis8 gis fis4 fis | fis fis fis r | r fis2 e4 | fis8 gis ais ais gis2 | gis4 gis8 dis e2 ~ | e4 e dis8 e fis4 ~| fis8 e dis e b4 cis | b2 b } } >> \new Lyrics \lyricsto "soprano" { << { Herr -- scher ü -- ber Tod und Le -- _ _ _ ben mach ein -- mal mein _ En -- _ _ de gut, } \new Lyrics { \set associatedVoice = "soprano" { Leh -- re mich den Geist auf -- ge -- _ _ _ ben mit recht wohl -- ge -- _ fass -- _ _ tem Mut. } } >> Hilf, dass ich ein ehr -- lich Grab ne -- ben from -- men Chris -- ten hab und auch end -- lich in der Er -- _ _ de nim -- mer -- mehr zu -- _ schan -- _ _ den _ wer -- _ _ de. } \new Staff \with { midiInstrument = "choir aahs" \consists Merge_rests_engraver } << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \repeat volta 2 { r2 r4 e8 e | e4 e cis b | b b r2 | r4 e8 dis cis4 dis | cis cis dis2 } | r2 r4 e8 dis | cis a' gis fis e4 dis4 | r4 e8 dis cis4 dis | cis8 b cis4 dis r | r dis8 dis b4 cis | dis e dis2 | e4 e8 bis cis4. d8 | cis2 b ~ | b4 c fis, g | fis8 e fis4 gis!2 } } \new Voice = "bass" { \voiceTwo \relative c, { \global \repeat volta 2 { r2 r4 e'8 e | a4 e fis dis | e b r2 | r4 e ~ e8 dis cis b | fis' e fis4 b,2 } | r2 r4 cis8 dis | e dis e fis gis,4 gis'8 fis | e2. dis8 e | fis4 fis, b r | r b8 b e dis cis b | a gis fisis4 gis2 | cis2 r4 cis'8 gis | a b cis4 gis dis | e a,2 ais4 | b2 e, } } >> >> } \midi { } }$

Oh how lovely and different! Is there a way od making that grace note a long one (half the length of the note it precedes), as usual in Baroque and Classic? --Gerda Arendt (talk) 08:59, 13 September 2024 (UTC)

Yes, by creating separate scores for the layout and for the MIDI playback. See the new version above. (This is also how we could tell it to actually play back the repeated part, let me know if you want that.) DanCherek (talk) 23:20, 13 September 2024 (UTC)

Good to know! Yes please for repeat. - I am happy to have brought a choral conductor to DYK! Good video about his work for La Juive on my talk, - best announcemen: "Everybody as soft as possible". It's so nice to see the singers actually look at him (or the camera). That's what we should do tonight in concert ;) --Gerda Arendt (talk) 07:13, 14 September 2024 (UTC)

Done, above. DanCherek (talk) 03:57, 15 September 2024 (UTC)

Today is Schoenberg's 150th birthday! On display, portrayed by Egon Schiele, with music from Moses und Aron, and with two DYK hooks, one from 2010 and another from 2014; the latter, about his 40th birthday, appeared on his 140th birthday, which made me happy then and now again. - See places for a stunning sunrise, on the day Bruckner's 200th birthday was celebrated (just a few days late). --Gerda Arendt (talk) 12:37, 13 September 2024 (UTC)

My story today is about a man who played jazz when it was banned by the Nazis, - you can listen to how they played it later. --Gerda Arendt (talk) 21:32, 17 September 2024 (UTC)

Ach, lieben Christen, seid getrost, BWV 114, is one of the pieces in my topic of this year. This time it's movement 7. And if you have more time: Herr Gott, dich loben alle wir, BWV 130 is coming next. --Gerda Arendt (talk) 19:08, 22 September 2024 (UTC)

My story today features a pic I took from my position in the choir, I can also offer varied delightful music, some from Venice, also with pics I took, - note the rose in the clarinet ;) --Gerda Arendt (talk) 13:58, 25 September 2024 (UTC)

BWV 114.7

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \key g \minor \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'()} \score { \new ChoirStaff << \new Staff << \new Voice = "soprano" { \voiceOne \relative c'' { \global \repeat volta 2 { \partial 4 bes4 | bes4 g8 a bes c d4 | c c bes\fermata bes | a g8 a bes4 c8 bes | a2 g4\fermata } c | d d a8 bes c4 | bes bes a\fermata bes | c g8 a bes4 a | g g f\fermata bes | a g8 a bes4 c8 bes | a2 g4\fermata \bar "|." } } \new Voice = "alto" { \voiceTwo \relative c'' { \global \partial 4 g4 | f ees d d | ees ees16 d ees8 d4 d | d8 c' bes a g4 g8 f | ees4 d8 c bes4 f' | f f c4. a'8 | a g16 fis g4 fis g | g8 f! ees4 d8 e f4 | f e c d | c8 d e fis! g4 g | g fis d } } >> \new Lyrics \lyricsto "soprano" { << { Wir wa -- chen _ o -- _ der schla -- fen ein, so sind wir _ doch des _ Her -- ren; } \new Lyrics { \set associatedVoice = "soprano" { auf Chri -- stum _ wir _ ge -- tau -- fet sein, der kann dem _ Sa -- tan _ weh -- ren. } } >> Durch A -- dam auf _ uns kömmt der Tod, Chri -- stus hilft _ uns aus al -- ler Not. Drum lo -- ben _ wir den _ Her -- ren. } \new Staff << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \partial 4 d4 | d8 c bes4 bes f | g a f g | fis8 ees'!d c bes a g4 | g fis g f | bes bes f' fis8 a, | bes c d4 d d | g, c bes c ~ | c8 g c bes a4 f8 g | a bes c4 d c8 d | ees a, d c b4 } } \new Voice = "bass" { \voiceTwo \relative c' { \global \partial 4 g4 | d ees8 f g a bes4 | ees, f bes, g | d' e8 fis g f ees d | c4 d g, a | bes8 c d ees f g a fis | g a bes c d4 g,8 f! | ees d c4 g a8 bes | c bes c4 f, d'8 e | f4 c g'8 f! ees! d | c4 d g } } >> >> \layout { } } \score { \unfoldRepeats { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" } << \new Voice = "soprano" { \voiceOne \relative c'' { \global \repeat volta 2 { \tempo 4=72 \partial 4 bes4 | bes4 g8 a bes c d4 | c c \tempo 4=32 bes8..\fermata r32 \tempo 4=72 bes4 | a g8 a bes4 c8 bes | a2 \tempo 4=32 g8..\fermata r32 } \tempo 4=72 c4 | d d a8 bes c4 | bes bes \tempo 4=32 a8..\fermata r32 \tempo 4=72 bes4 | c g8 a bes4 a | g g \tempo 4=32 f8..\fermata r32 \tempo 4=72 bes4 | a g8 a bes4 c8 bes | a2 \tempo 4=32 g4\fermata \bar "|." r4 } } \new Voice = "alto" { \voiceTwo \relative c'' { \global \repeat volta 2 { \partial 4 g4 | f ees d d | ees ees16 d ees8 d8.. r32 d4 | d8 c' bes a g4 g8 f | ees4 d8 c bes8.. r32 } f'4 | f f c4. a'8 | a g16 fis g4 fis8.. r32 g4 | g8 f! ees4 d8 e f4 | f e c8.. r32 d4 | c8 d e fis! g4 g | g fis d r4 } } >> \new Staff \with { midiInstrument = "choir aahs" } << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \repeat volta 2 { \partial 4 d4 | d8 c bes4 bes f | g a f8.. r32 g4 | fis8 ees'!d c bes a g4 | g fis g8.. r32 } f4 | bes bes f' fis8 a, | bes c d4 d8.. r32 d4 | g, c bes c ~ | c8 g c bes a8.. r32 f8 g | a bes c4 d c8 d | ees a, d c b4 r4 } } \new Voice = "bass" { \voiceTwo \relative c' { \global \repeat volta 2 { \partial 4 g4 | d ees8 f g a bes4 | ees, f bes,8.. r32 g4 | d' e8 fis g f ees d | c4 d g,8.. r32 } a4 | bes8 c d ees f g a fis | g a bes c d8.. r32 g,8 f! | ees d c4 g a8 bes | c bes c4 f,8.. r32 d'8 e | f4 c g'8 f! ees! d | c4 d g r4 } } >> >> } \midi { } }$

Thank you, taken! --Gerda Arendt (talk) 07:46, 26 September 2024 (UTC)

Cantata for St. Michael's, Sunday this year, is Herr Gott, dich loben alle wir, BWV 130. --Gerda Arendt (talk) 07:51, 26 September 2024 (UTC)

BWV 130.6

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \key c \major \numericTimeSignature \time 3/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'()} su = \once { \stemUp \omit Beam \override NoteColumn.ignore-collision = ##t } sd = \once { \stemDown \override NoteColumn.ignore-collision = ##t } \score { << \new Staff \with { \consists Merge_rests_engraver \magnifyStaff #5/7 } << \new Voice = "trumpet1" { \voiceOne \mark \markup \tiny "Three trumpets" \relative c'' { \global \partial 4 r4 | R1*3/4 | r4 r c8 d | e f g a b4 | \sd c2\fermata r4 | R1*3/4 | r4 r c,8 b | c d e f g a | \sd b2\fermata r4 | R1*3/4 | r4 r c,8 d | e f g a g f | \sd e2\fermata r4 | R1*3/4 | r4 r c8 d | e f g a b4 | \sd c2\fermata } } \new Voice = "trumpet2" { \voiceTwo \relative c'' { \global \partial 4 r4 | R1*3/4 | r4 r \sd g | \sd c \override Stem #'length = #10.0 \sd e \revert Stem #'length \sd d | \sd e2 r4 | R1*3/4 | r4 r e | f \su c8 \su d \su e \su f | g2 r4 | R1*3/4 | r4 r \omit Beam c,8 b | \su c \su d \su e \su f \su e \su d | c2 r4 | R1*3/4 | r4 r c ~ | c d g | g2 } } \new Voice = "trumpet3" { \voiceThree \relative c' { \global \partial 4 r4 | R1*3/4 | r4 r \sd e | \sd e \sd c \sd g' | \sd g2 r4 | R1*3/4 | r4 r \sd e | \sd c' \sd c, \sd c'| \sd d2 r4 | R1*3/4 | r4 r \sd e,8 \sd g | \sd c4 c,4\rest \sd g' | \sd g2 r4 | R1*3/4 | r4 r \sd c, | \sd g' \sd g \sd d' | \sd e2 } } >> \new ChoirStaff << \new Staff << \new Voice = "soprano" { \voiceOne \relative c'' { \global \partial 4 c4 | c2 b4 | a2 g4 | c2 d4 | e2\fermata e4 | e2 e4 | d2 c4 | f2 e4 | d2\fermata c4 | d2 e4 | d2 c4 | a b2 | c2\fermata g'4 | e4. d8 c4 | d4. e8 f4 | e d2 | c\fermata \bar "|." } } \new Voice = "alto" { \voiceTwo \relative c'' { \global \partial 4 g4 | g2 g8 f | e4. f8 g4 | e c' b | g2 g4 | g2 g4 | f e e | a g8 f c'4 | b2 e,8 fis | g2 g4 | gis2 a4 | a g!8 f g4 | g2 g4 | g4. f8 g4 | a g c | c b8 a g4 | g2 } } >> \new Lyrics \lyricsto "soprano" { Da -- rum wir bil -- lig lo -- ben dich und dan -- ken dir, Gott, e -- wig lich, wie auch der lie -- ben En -- gel Schar dich prei -- _ sen heut _ und im -- mer -- dar. } \new Lyrics \lyricsto "soprano" { Und bit -- ten dich, wollst al -- le -- zeit die -- sel -- ben hei -- ßen sein be -- reit, zu schü -- tzen dei -- ne klei -- ne Herd, so hält _ dein gött -- _ lichs Wort in Werth. } \new Staff << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \partial 4 e4 | e2 d4 | c2 c4 | c g g' | e2 c4 | c2 b8 a | b2 c4 | c4. b8 g'4 | g2 c,4 | b2 c4 | b2 c4 | c4 b8 c d4 | e2 d4 | c g c | c b a | g g'4. f8 | e2 } } \new Voice = "bass" { \voiceTwo \relative c { \global \partial 4 c4 | c8 d e f g4 | a,8 b c d e4 | a e g | c,2 c4 | c8 d e f g4 | gis8 fis gis e a g | f4 e8 d c4 | g'2 a4 | g8 f e d c d | e d c b a4 | f' d g | c,2 b4 | c8 b c d e c | f e f g a b | c4 g2 | c,2 } } >> >> \new Staff \with { \magnifyStaff #5/7 } << \clef bass { \relative c { \global \mark \markup \tiny "Timpani" \partial 4 r4 | R1*3/4 | r4 r c4 | c c g | c2 r4 | R1*3/4 | r4 r c | c c c | g2 r4 | R1*3/4 | r4 r c | c r g | c2 r4 | R1*3/4 | r4 r c | c g g | c2 } } >> >> \layout { \context { \Score \remove "Mark_engraver" \remove "Staff_collecting_engraver" } \context { \Staff \consists "Mark_engraver" \consists "Staff_collecting_engraver" } } } \score { << \new Staff \with { midiInstrument = "trumpet" \consists Merge_rests_engraver } << \new Voice = "trumpet1" { \voiceOne \relative c'' { \global \partial 4 r4 | R1*3/4 | r4 r c8 d | e f g a b4 | \sd c4..\fermata r16 r4 | R1*3/4 | r4 r c,8 b | c d e f g a | \sd b4..\fermata r16 r4 | R1*3/4 | r4 r c,8 d | e f g a g f | \sd e4..\fermata r16 r4 | R1*3/4 | r4 r c8 d | e f g a b4 | \sd c2\fermata r4 } } \new Voice = "trumpet2" { \voiceTwo \relative c'' { \global \partial 4 r4 | R1*3/4 | r4 r \sd g | \sd c \override Stem #'length = #10.0 \sd e \revert Stem #'length \sd d | \sd e4.. r16 r4 | R1*3/4 | r4 r e | f \su c8 \su d \su e \su f | g4.. r16 r4 | R1*3/4 | r4 r \omit Beam c,8 b | \su c \su d \su e \su f \su e \su d | c4.. r16 r4 | R1*3/4 | r4 r c ~ | c d g | g2 r4 } } \new Voice = "trumpet3" { \voiceThree \relative c' { \global \partial 4 r4 | R1*3/4 | r4 r \sd e | \sd e \sd c \sd g' | \sd g4.. r16 r4 | R1*3/4 | r4 r \sd e | \sd c' \sd c, \sd c'| \sd d2 r4 | R1*3/4 | r4 r \sd e,8 \sd g | \sd c4 c,4\rest \sd g' | \sd g2 r4 | R1*3/4 | r4 r \sd c, | \sd g' \sd g \sd d' | \sd e2 r4 } } >> \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" } << \new Voice = "soprano" { \voiceOne \relative c'' { \global \tempo 4=96 \partial 4 c4 | c2 b4 | a2 g4 | c2 d4 | \tempo 4=72 e4..\fermata r16 \tempo 4=96 e4 | e2 e4 | d2 c4 | f2 e4 | \tempo 4=72 d4..\fermata r16 \tempo 4=96 c4 | d2 e4 | d2 c4 | a b2 | \tempo 4=72 c4..\fermata r16 \tempo 4=96 g'4 | e4. d8 c4 | d4. e8 \tempo 4=92 f4 | \tempo 4=88 e \tempo 4=72 d2 | \tempo 4=60 c\fermata \bar "|." r4 } } \new Voice = "alto" { \voiceTwo \relative c'' { \global \partial 4 g4 | g2 g8 f | e4. f8 g4 | e c' b | g4.. r16 g4 | g2 g4 | f e e | a g8 f c'4 | b4.. r16 e,8 fis | g2 g4 | gis2 a4 | a g!8 f g4 | g4.. r16 g4 | g4. f8 g4 | a g c | c b8 a g4 | g2 r4 } } >> \new Staff \with { midiInstrument = "choir aahs" } << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \partial 4 e4 | e2 d4 | c2 c4 | c g g' | e4.. r16 c4 | c2 b8 a | b2 c4 | c4. b8 g'4 | g4.. r16 c,4 | b2 c4 | b2 c4 | c4 b8 c d4 | e4.. r16 d4 | c g c | c b a | g g'4. f8 | e2 r4 } } \new Voice = "bass" { \voiceTwo \relative c { \global \partial 4 c4 | c8 d e f g4 | a,8 b c d e4 | a e g | c,4.. r16 c4 | c8 d e f g4 | gis8 fis gis e a g | f4 e8 d c4 | g'4.. r16 a4 | g8 f e d c d | e d c b a4 | f' d g | c,4.. r16 b4 | c8 b c d e c | f e f g a b | c4 g2 | c,2 r4 } } >> >> \new Staff \with { midiInstrument = "timpani" } << \clef bass { \relative c { \global \partial 4 r4 | R1*3/4 | r4 r c4 | c c g | c4.. r16 r4 | R1*3/4 | r4 r c | c c c | g4.. r16 r4 | R1*3/4 | r4 r c | c r g | c4.. r16 r4 | R1*3/4 | r4 r c | c g g | c2 r4 } } >> >> \midi { } }$

Thank you - need to jump! later ... - did he even set the second verse? --Gerda Arendt (talk) 06:05, 28 September 2024 (UTC)

What do you mean? DanCherek (talk) 12:07, 28 September 2024 (UTC)

Oh nevermind, just saw that part in the article! :) DanCherek (talk) 12:08, 28 September 2024 (UTC)

he struck verse 12 from the score --Gerda Arendt (talk) 15:25, 30 September 2024 (UTC)

Should we remove it from the lilypond? DanCherek (talk) 00:45, 1 October 2024 (UTC)

I did that. Special thanks for doing the instruments! Whenever you are up to one more: Gelobet seist du, Jesu Christ, BWV 91, for Christmas, and also seems to have instrumental parts, for horns. --Gerda Arendt (talk) 09:01, 2 October 2024 (UTC)

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October music

You may remember Maryvonne Le Dizès, my story today as on 28 August. Some September music was unusual: last compositions and eternal light, with Ligeti mentioned in story and music. --Gerda Arendt (talk) 12:24, 3 October 2024 (UTC)

Here's BWV 91.6. DanCherek (talk) 23:52, 4 October 2024 (UTC)

BWV 91.6

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \key g \major \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'() } \score { << \new Staff \with { \magnifyStaff #5/7 } << \new Voice = "horn1" { \voiceOne \mark \markup \tiny "Two Horns" \relative c'' { \global \partial 4 g4 | g g a g | c d c2\fermata | b8 c d4 e d8 c | b4 a g\fermata g | c b8 c d4 a | b8 cis16 d cis4 d\fermata d | a a a b | c8 b a4 g8 a b4 | a2\fermata b8 c d c16 d | e d c d e fis e fis g4\fermata } } \new Voice = "horn2" { \voiceTwo \relative c' { \global \partial 4 b4 | g b d b8 d | g4 g g2 | g8 a b4 c8 b a4 | g d b d8 d | d d d d d d d d | g a16 b a4 a a | d, g d g | a8 g4 d8 b d g4 | d2 g8 a b a16 b | c8 g g16 a g a b4 } } >> \new ChoirStaff << \new Staff << \new Voice = "soprano" { \voiceOne \relative c'' { \global \partial 4 g4 | g g a g | c d c2\fermata | b8 c d4 e d8 c | b4 a g\fermata g | c b8 c d4 a | g8 fis e4 d\fermata d | a' a a b | c8 b a4 g8 a b4 | a2\fermata g4 g | g2 g4\fermata \bar "|." } } \new Voice = "alto" { \voiceTwo \relative c' { \global \partial 4 d4 | e d8 e fis4 e | g g8 f e2 g8 a b4 c8 b a4 | g fis d d8 e | fis4 g g fis8 e | d b cis4 a a | d cis fis g | a8 g4 fis8 e a g4 | fis2 d8 e f4 | e e d } } >> \new Lyrics \lyricsto "soprano" { Das hat er al -- les uns ge -- tan, sein _ gross Lieb zu _ zei -- gen an; des freu sich _ al -- le Chri -- _ sten -- heit und dank ihm des in E -- _ wig -- keit _ _ _ Ky -- ri -- e -- leis! } \new Staff << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \partial 4 b4 | c b a8 d b4 | e8 c b4 g2 | e'4 f g d | d d8 c b4 g | a d8 c b g d'4 | d a8 g fis4 fis8 g | a b cis e d4 d | e8 d e d d c b c | d2 d4 b | g c b } } \new Voice = "bass" { \voiceTwo \relative c' { \global \partial 4 g8 fis | e fis g4 d e8 d | c4 g c2 | e4 d c fis, | g8 b d4 g, b | a g8 a b c d c | b g a4 d d8 e | fis g a cis, d c b4 |a8 b c d e fis g4 | d2 b8 a g4 | c8 e16 d c8 c, g'4 } } >> >> \new Staff \with { \magnifyStaff #5/7 } << \clef bass { \relative c { \global \mark \markup \tiny "Timpani" \partial 4 g4 | g g d' r | r2 r4\fermata r | r2 r4 d | d d g,\fermata r | r g g d' | d r r\fermata r | r2 r4 d | d8 g, d'4 g,8 d' g,4 | d'2\fermata g,4 g | g8 g16 g g8 g g4\fermata } } >> >> \layout { \context { \Score \remove "Mark_engraver" \remove "Staff_collecting_engraver" } \context { \Staff \consists "Mark_engraver" \consists "Staff_collecting_engraver" } } } \score { << \new Staff \with { midiInstrument = "french horn" midiMinimumVolume = #0.7 midiMaximuumVolume = #0.8 } << \new Voice = "horn1" { \voiceOne \relative c'' { \global \partial 4 g8.. r32 | g8.. r32 g8.. r32 a8.. r32 g8.. r32 | c8.. r32 d8.. r32 c4. r8 | b c d8.. r32 e8.. r32 d8 c | b8.. r32 a8.. r32 g8. r16 g8.. r32 | c8.. r32 b8 c d8.. r32 a8.. r32 | b8 cis16 d cis4 d8. r16 d8.. r32 | a8.. r32 a8.. r32 a8.. r32 b8.. r32 | c8 b a8.. r32 g8 a b8.. r32 | a4. r8 b c d c16 d | \tempo 4=68 e d c d \tempo 4=53 e fis e \tempo 4=23 fis g4 r } } \new Voice = "horn2" { \voiceTwo \relative c' { \global \partial 4 b8.. r32 | g8.. r32 b8.. r32 d8.. r32 b8 d | g8.. r32 g8.. r32 g4. r8 | g a b8.. r32 c8 b a8.. r32 | g8.. r32 d8.. r32 b8. r16 d8 d | d d d d d d d d | g a16 b a8.. r32 a8. r16 a8.. r32 | d,8.. r32 g8.. r32 d8.. r32 g8.. r32 | a8 g8.. r32 d8 b d g8.. r32 | d4. r8 g8 a b a16 b | c8 g g16 a g a b4 r } } >> \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" midiMinimumVolume = #0.7 midiMaximuumVolume = #0.8 } << \new Voice = "soprano" { \voiceOne \relative c'' { \global \tempo 4=78 \partial 4 g8.. r32 | g8.. r32 g8.. r32 a8.. r32 g8.. r32 | \tempo 4=73 c8.. r32 \tempo 4=68 d8.. r32 \tempo 4=56 c4. r8 | \tempo 4=78 b c d8.. r32 e8.. r32 d8 c | \tempo 4=68 b8.. r32 \tempo 4=58 a8.. r32 \tempo 4=28 g8. r16 \tempo 4=78 g8.. r32 | c8.. r32 b8 c d8.. r32 a8.. r32 | \tempo 4=68 g8 \tempo 4=63 fis \tempo 4=58 e8.. r32 \tempo 4=28 d8. r16 \tempo 4=78 d8.. r32 | a'8.. r32 a8.. r32 a8.. r32 b8.. r32 | c8 b a8.. r32 \tempo 4=68 g8 a b8.. r32 | \tempo 4=56 a4. r8 \tempo 4=78 g8.. r32 g8.. r32 | g4.. r16 \tempo 4=20 g4 r } } \new Voice = "alto" { \voiceTwo \relative c' { \global \partial 4 d8.. r32 | e8.. r32 d8 e fis8.. r32 e8.. r32 | g8.. r32 g8 f e4. r8 | g a b8.. r32 c8 b a8.. r32 | g8.. r32 fis8.. r32 d8. r16 d8 e | fis8.. r32 g8.. r32 g8.. r32 fis8 e | d b cis8.. r32 a8. r16 a8.. r32 | d8.. r32 cis8.. r32 fis8.. r32 g8.. r32 | a8 g8.. r32 fis8 e a g8.. r32 | fis4. r8 d8 e f8.. r32 | e8.. r32 e8.. r32 d r } } >> \new Staff \with { midiInstrument = "choir aahs" midiMinimumVolume = #0.7 midiMaximuumVolume = #0.8 } << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \partial 4 b8.. r32 | c8.. r32 b8.. r32 a8 d b8.. r32 | e8 c b8.. r32 g4. r8 | e'8.. r32 f8.. r32 g8.. r32 d8.. r32 | d8.. r32 d8 c b8. r16 g8.. r32 | a8.. r32 d8 c b g d'8.. r32 | d8.. r32 a8 g fis8. r16 fis8 g | a b cis e d8.. r32 d8.. r32 | e8 d e d d c b c | d4. r8 d8.. r32 b8.. r32 | g8.. r32 c8.. r32 b r } } \new Voice = "bass" { \voiceTwo \relative c' { \global \partial 4 g8 fis | e fis g8.. r32 d8.. r32 e8 d | c8.. r32 g8.. r32 c4. r8 | e8.. r32 d8.. r32 c8.. r32 fis,8.. r32 | g8 b d8. r16 g,8. r16 b8.. r32 | a8.. r32 g8 a b c d c | b g a8.. r32 d8. r16 d8 e | fis g a cis, d c b8.. r32 | a8 b c d e fis g8.. r32 | d4. r8 b8 a g8.. r32 | c8 e16 d c8 c, g'4 r } } >> >> \new Staff \with { midiInstrument = "timpani" midiMinimumVolume = #0.8 midiMaximuumVolume = #0.9 } << \clef bass { \relative c { \global \partial 4 g4 | g g d' r | r2 r4 r | r2 r4 d | d d g, r | r g g d' | d r r r | r2 r4 d | d8 g, d'4 g,8 d' g,4 | d'2 g,4 g | g8 g16 g g8 g g4 r } } >> >> \midi { } }$

Feels like a Christmas gift! --Gerda Arendt (talk) 20:03, 5 October 2024 (UTC)

next Wo soll ich fliehen hin, BWV 5 - today Rohan de Saram - unbelievable story --Gerda Arendt (talk) 22:29, 7 October 2024 (UTC)

Today is the birthday of Tabea Zimmermann, and you can listen to the exact concert I mentioned last year ;) --Gerda Arendt (talk) 21:40, 8 October 2024 (UTC)

BWV 5.7. DanCherek (talk) 02:48, 10 October 2024 (UTC)

BWV 5.7

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \transposition b \key g \minor \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'() } \score { \new ChoirStaff << \new Staff << \new Voice = "soprano" { \voiceOne \relative c'' { \global \transposition b' \partial 4 g4 | g a bes c | d2.\fermata d4 | d c bes c | a2.\fermata a4 | bes c d d | c2 d4\fermata d | bes c d d | c2 bes4\fermata d | f d d d | c2 c4\fermata c | d c bes c | a2 g4\fermata \bar "|." } } \new Voice = "alto" { \voiceTwo \relative c' { \global \transposition b' \partial 4 d4 | ees e8 fis g4 g | fis2. fis4 | g g8 fis g4 a | fis2. fis4 | g a bes bes | bes a8 g a4 fis | d c f g | g f8 ees d4 f | f f8 g a4 g | g8 f g e f4 f8 ees | d4 e8 fis g4 g | g fis d } } >> \new Lyrics \lyricsto "soprano" { Führ auch mein Herz und Sinn durch dein -- en Geist da -- hin, dass ich mög al -- les mei -- den, was mich und dich kann schei -- den, und ich an dei -- nem Lei -- be ein Glied -- maß e -- wig blei -- be. } \new Staff << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \transposition b' \partial 4 bes4 | c c d ees | a,2. a4 | bes c d ees | d2. d4 | d ees f f | g f8 ees d4 a | bes f'8 ees d c bes4 | bes a f bes | c d d8 c bes4 | bes8 a bes g a4 a | bes a g8 bes ees4 | d8 c16 bes c4 b } } \new Voice = "bass" { \voiceTwo \relative c' { \global \transposition b \partial 4 g4 | c8 bes a4 g8 f ees4 | d2. c4 | bes a g c | d2. d4 | g f8 ees d c bes4 | ees f fis d | g a bes8 a g f | ees4 f bes, bes' | a bes fis g8 f | e4 c f f | bes, c8 d ees4 d8 c | d2 g,4 } } >> >> \layout { } } \score { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" } << \new Voice = "soprano" { \voiceOne \relative c'' { \global \tempo 4=72 \partial 4 g4 | g a bes c | \tempo 4=64 d2 ~ d8.. r32 \tempo4=72 d4 | d c bes c | \tempo 4=64 a2 ~ a16 r8. \tempo4=72 a4 | bes c d d | c2 \tempo 4=56 d8. r16 \tempo 4=72 d4 | bes c d d | c2 \tempo 4=56 bes8. r16 \tempo 4=72 d4 | f d d d | c2 \tempo 4=56 c8.. r32 \tempo 4=72 c4 | d c bes c | \tempo 4=40 a2\> \tempo 4=24 g4\mp r } } \new Voice = "alto" { \voiceTwo \relative c' { \global \partial 4 d4 | ees e8 fis g4 g | fis2 ~ fis8.. r32 fis4 | g g8 fis g4 a | fis2 ~ fis16 r8. fis4 | g a bes bes | bes a8 g a8. r16 fis4 | d c f g | g f8 ees d8. r16 f4 | f f8 g a4 g | g8 f g e f8.. r32 f8 ees | d4 e8 fis g4 g | g\> \tempo 4=32 fis d\mp r } } >> \new Staff \with { midiInstrument = "choir aahs" } << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \partial 4 bes4 | c c d ees | a,2 ~ a8.. r32 a4 | bes c d ees | d2 ~ d16 r8. d4 | d ees f f | g f8 ees d8. r16 a4 | bes f'8 ees d c bes4 | bes a f8. r16 bes4 | c d d8 c bes4 | bes8 a bes g a8.. r32 a4 | bes a g8 bes ees4 | d8\> c16 bes c4 b\mp r } } \new Voice = "bass" { \voiceTwo \relative c' { \global \partial 4 g4 | c8 bes a4 g8 f ees4 | d2 ~ d8.. r32 c4 | bes a g c | d2 ~ d16 r8. d4 | g f8 ees d c bes4 | ees f fis8. r16 d4 | g a bes8 a g f | ees4 f bes,8. r16 bes'4 | a bes fis g8 f | e4 c f8.. r32 f4 | bes, c8 d ees4 d8 c | d2\> g,4\mp r } } >> >> \midi { } }$

thank you, beautiful text and music! will nominate for GA now! --Gerda Arendt (talk) 09:21, 10 October 2024 (UTC)

Today I remember an organist who was pictured on the Main page on his birthday ten years ago, and I found two recent organ concerts to match, - see top of my talk - Next cantata BWV 180 ;) --Gerda Arendt (talk) 19:50, 11 October 2024 (UTC)

Today brought a timely promotion of Helmut Bauer to the Main page on the day when pieces from Mozart's Requiem were performed for him. - The cantata is for tomorrow. --Gerda Arendt (talk) 18:09, 12 October 2024 (UTC)

I made Leif Segerstam my big story today. - The cantata was for last Sunday ;) -Gerda Arendt (talk) 09:02, 16 October 2024 (UTC)

BWV 180.7

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \transposition b \key f \major \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'() } \score { \new ChoirStaff << \new Staff << \new Voice = "soprano" { \voiceOne \relative c'' { \global \repeat volta 2 { a4 g f g | a8 bes c4 bes2 | a\fermata c4 a | bes a8 g f g a4 | g2 f2 } | c'4 d8 e f4 f | e8 d c d d2 | c2\fermata c4 d8 e | f4 f e8 d c d | d2 c2\fermata | g4 a bes bes | a8 c bes a g4 g\fermata | c a bes a8 g | f8 g a4 g2 | f1\fermata \bar "|." } } \new Voice = "alto" { \voiceTwo \relative c' { \global f4 e d c | c f f e | f2 g4 f | f f8 e d e f4 | f e c2 | a'4 g f8 g a4 | a e a g8 f | e2 f4 f8 g | a4 a g g8 a | g8 f16 e f4 e2 | e4 f e8 f g4 | f8 a g f e4 e | e f f8 e f e | d e f4 f e | c1 } } >> \new Lyrics \lyricsto "soprano" { << { Je -- su, wah -- res Brot _ des Le -- bens, hilf, dass ich doch _ nicht _ ver -- ge -- bens } \new Lyrics { \set associatedVoice = "soprano" { o -- der mir viel -- leicht _ zum Scha -- den sei zu dei -- nem _ Tisch _ ge -- la -- den. } } >> Lass mich _ durch dies See -- _ len -- _ es -- sen dei -- ne _ Lie -- be recht _ er -- _ mes -- sen, dass ich auch, wie jetzt _ auf _ Er -- den, mög ein Gast im _ Him -- _ mel wer -- den. } \new Staff << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global c4 c8 bes a4 g | f8 g a4 g8 f g4 | f2 c'4 c | d c d c | c8 bes16 a bes4 a2 | f'4 b,8 cis d4 d | c!8 b c4 c b | c2 a4 bes! | c8 b c d e f g c, | c4 b c2 | c4 c bes8 a g4 | c d e8 d c4 | c c bes c | d c c8 bes16 a bes4 | a1 } } \new Voice = "bass" { \voiceTwo \relative c { \global f4 c d e | f a,8 bes c2 | f, e'4 f | d8 e f4 bes, a8 bes | c2 f, | f'4 e d8 e f g | a4. g8 f4 g | c,2 f4 bes, | a8 g a b c d e f | g4 g, c2 | c'4 bes!8 a g4 f8 e | f4 bes, c c | a d g, a | bes a8 bes c2 | f,1 } } >> >> \layout { } } \score { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" } << \new Voice = "soprano" { \voiceOne \relative c'' { \global \tempo 4=84 a4 g8 r8 f4 g | \tempo4=90 a8 bes c4 bes2 | \tempo 4=64 a4. r8 \tempo 4=90 c4 a | bes a8 g f g a4 | g2 \tempo 4=64 f4. r8 | \tempo 4=90 a4 g f g | a8 bes c4 bes2 | \tempo 4=64 a4. r8 \tempo 4=90 c4 a | bes a8 g f g a4 | g2 \tempo 4=56 f4. r8 | \tempo 4=90 c'4 d8 e f4 f | e8 d c d d2 | \tempo 4=70 c4. r8 \tempo 4=90 c4 d8 e | f4 f e8 d c d | d2 \tempo 4=56 c4. r8 | \tempo 4=90 g4 a bes8 \tempo 4=84 r8 \tempo 4=90 bes4 | a8 c bes a g4 \tempo 4=40 g8 r | \tempo 4=84 c4 a bes a8 g | f8 g a4 \tempo 4=60 g2 | \tempo 4=72 f1 | r4 } } \new Voice = "alto" { \voiceTwo \relative c' { \global f4 e8 r8 d4 c | c f f e | f4. r8 g4 f | f f8 e d e f4 | f e c4. r8 | f4 e d c | c f f e | f4. r8 g4 f | f f8 e d e f4 | f e c4. r8 | a'4 g f8 g a4 | a e a g8 f | e4. r8 f4 f8 g | a4 a g g8 a | g8 f16 e f4 e4. r8 | e4 f e8 f16 r16 g4 | f8 a g f e4 e8 r | e4 f f8 e f e | d e f4 f \tempo 4=40 e | c1 | r4 } } >> \new Staff \with { midiInstrument = "choir aahs" } << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global c4 c8 bes16 r16 a4 g | f8 g a4 g8 f g4 | f4. r8 c'4 c | d c d c | c8 bes16 a bes4 a4. r8 | c4 c8 bes a4 g | f8 g a4 g8 f g4 | f4. r8 c'4 c | d c d c | c8 bes16 a bes4 a4. r8 | f'4 b,8 cis d4 d | c!8 b c4 c b | c4. r8 a4 bes! | c8 b c d e f g c, | c4 b c4. r8 | c4 c bes8 a16 r16 g4 | c d e8 d c8 r | c4 c bes c | d c c8 bes16 a bes4 | a1 | r4 } } \new Voice = "bass" { \voiceTwo \relative c { \global f4 c8 r8 d4 e | f a,8 bes c2 | f,4. r8 e'4 f | d8 e f4 bes, a8 bes | c2 f,4. r8 | f'4 c d e | f a,8 bes c2 | f,4. r8 e'4 f | d8 e f4 bes, a8 bes | c2 f,4. r8 | f'4 e d8 e f g | a4. g8 f4 g | c,4. r8 f4 bes, | a8 g a b c d e f | g4 g, c4. r8 | c'4 bes!8 a g8 r f e | f4 bes, c c8 r | a4 d g, a | bes a8 bes c2 | f,1 | r4 } } >> >> \midi { } }$

Thank you so much. Cantata for tomorrow Aus tiefer Not schrei ich zu dir, BWV 38 : 6. --Gerda Arendt (talk) 21:40, 19 October 2024 (UTC)

BWV 38.6

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \transposition b \key e \phrygian \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'() } \score { \new ChoirStaff << \new Staff << \new Voice = "soprano" { \voiceOne \relative c'' { \global \repeat volta 2 { b2 e,4 b' | c b8 a g4 a | b2\fermata b | c4 d c8 b a4 | g f e2\fermata } | a g4 c | b a d8 c b4 | a2\fermata c | b4 c d g, | b a g2\fermata | g c4 b | a e g f | e1\fermata \bar "|." } } \new Voice = "alto" { \voiceTwo \relative c' { \global e2 e4 gis | a g!8 fis e4 fis | gis2 gis | a4 b c f, | e d8 c b2 | e d4 e8 fis | g4 a b8 a gis4 | e2 a | g!4 g g8 f e4 | d c b2 | e e4 e8 d | c4 c d2 ~ | d4 c b2\fermata } } >> \new Lyrics \lyricsto "soprano" { << { Ob bei uns ist der _ Sün -- den viel, bei Gott ist viel _ mehr Gna -- _ de, } \new Lyrics { \set associatedVoice = "soprano" { sein Hand zu hel -- fen _ hat kein Ziel, wie groß auch sei _ der Scha -- _ de. } } >> Er ist al -- lein der gu -- _ te Hirt, der I -- sra -- el er -- lö -- sen wird aus sei -- nen Sün -- den al -- _ len. } \new Lyrics \lyricsto "alto" { \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 \skip 1 al -- _ len. } \new Staff << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global gis2 a4 d | e d e8 d c4 | b2 e | e4 f g c, | c8 b a4 gis2 | a b4 c | d d8 e f4 b, | c2 e | e4 e d c | fis,8 g4 fis8 g2 | g a4 gis | a g! g a | b! a gis2 } } \new Voice = "bass" { \voiceTwo \relative c { \global d2 c4 b | a b c8 b a4 | e'2 e | a4 g8 f e4 f | c d e2 | c' b4 a | g f8 e d4 e | a,2 a' | e4 d8 c b4 c | d d g,2 | c a4 e' | f c bes a | gis a e'2 } } >> >> \layout { } } \score { \unfoldRepeats { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" } << \new Voice = "soprano" { \voiceOne \relative c'' { \global \repeat volta 2 { \tempo 4=88 b4.\mf r8 e,8.. r32 b'8.. r32 | c8.. r32 b8 a g8.. r32 a8.. r32 | \tempo 4=68 b4 r \tempo 4=88 b4..\f r16 | c8.. r32 d8.. r32 c8 b a8.. r32 | g8.. r32 f8.. r32 \tempo 4=68 e4 r } | \tempo 4=88 a4.. r16 g8.. r32 c8.. r32 | b8.. r32 a8.. r32 d8 c b8.. r32 | \tempo 4=68 a4 r \tempo 4=88 c4.. r16 | b8.. r32 c8.. r32 d8.. r32 g,8.. r32 | b8.. r32 a8.. r32 \tempo 4=68 g4 r | \tempo 4=88 g4.. r16 c8.. r32 b8.. r32 | a8.. r32 \mf e8.. r32 \mp g8.. r32 \tempo 4=80 f8.. r32 | \tempo 4=66 e1 | r4 } } \new Voice = "alto" { \voiceTwo \relative c' { \global \repeat volta 2 { e4.\mp r8 e8.. r32 gis8.. r32 | a8.. r32 g8 fis e8.. r32 fis8.. r32 | gis4 r gis4..\mf r16 | a8.. r32 b8.. r32 c8.. r32 f,8.. r32 | e8.. r32 d8 c b4 r } | e4.. r16 d8.. r32 e8 fis | g8.. r32 a8.. r32 b8 a gis8.. r32 | e4 r a4.. r16 | g8.. r32 g8.. r32 g8 f e8.. r32 | d8.. r32 c8.. r32 b4 r | e4.. r16 e8.. r32 e8 d | c8.. r32 \mp c8.. r32 d2 ~ | d8.. r32 \tempo 4=46 c8.. r32 b2 | r4 } } >> \new Staff \with { midiInstrument = "choir aahs" } << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \repeat volta 2 { gis4.\mp r8 a8.. r32 d8.. r32 | e8.. r32 d8.. r32 e8 d c8.. r32 | b4 r e4..\mf r16 | e8.. r32 f8.. r32 g8.. r32 c,8.. r32 | c8 b a8.. r32 gis4 r } | a4.. r16 b8.. r32 c8.. r32 | d8.. r32 d8 e f8.. r32 b,8.. r32 | c4 r e4.. r16 | e8.. r32 e8.. r32 d8.. r32 c8.. r32 | fis,8 g8.. r32 fis8 g4 r | g4.. r16 a8.. r32 gis8.. r32 | a8.. r32 g8.. r32 g8.. r32 a8..\fff r32 | b8.. r32 a8.. r32 gis2\mf | r4 } } \new Voice = "bass" { \voiceTwo \relative c { \global \repeat volta 2 { d4.\mp r8 c8.. r32 b8.. r32 | a8.. r32 b8.. r32 c8 b a8.. r32 | e'4 r e4..\mf r16 | a8.. r32 g8 f e8.. r32 f8.. r32 | c8.. r32 d8.. r32 e4 r } | c'4.. r16 b8.. r32 a8.. r32 | g8.. r32 f8 e d8.. r32 e8.. r32 | a,4 r a'4.. r16 | e8.. r32 d8 c b8.. r32 c8.. r32 | d8.. r32 d8.. r32 g,4 r | c4.. r16 a8.. r32 e'8.. r32 | f8.. r32 c8.. r32 \mp bes8.. r32 a8.. r32 | gis8.. r32 a8.. r32 e'2 | r4 } } >> >> } \midi { } }$

Thank you! It's my story today. Will look at BWV 115 next. --Gerda Arendt (talk) 07:22, 20 October 2024 (UTC)

$\header { tagline = " " } \layout { indent = 0 \context { \Score \remove "Bar_number_engraver" } } global = { \transposition b \key g \major \numericTimeSignature \time 4/4 \set Score.tempoHideNote = ##t \set Timing.beamExceptions = #'() } \score { \new ChoirStaff << \new Staff << \new Voice = "soprano" { \voiceOne \relative c'' { \global \repeat volta 2 { b4 c d d | g, a b2\fermata | e4 fis g b, | a2 g\fermata } | d'4 a b2\fermata | e4. d8 cis2\fermata | d4 a b8 cis d4 | d cis d2\fermata | e4 fis g b, | a2 g\fermata \bar "|." } } \new Voice = "alto" { \voiceTwo \relative c'' { \global g4 g a8 g fis4 | g g8 fis g2 | g4 a g8 fis g4 | g fis d2 | a'8 g fis a g2 | e4 e e2 | a4 a a8 g fis4 | e2 fis | a4 a g g | g fis d2 } } >> \new Lyrics \lyricsto "soprano" { << { Drum so lasst uns im -- mer -- dar wa -- chen, fle -- hen be -- ten, } \new Lyrics { \set associatedVoice = "soprano" { weil die Angst, Not und Ge -- fahr im -- mer nä -- her tre -- ten; } } >> denn die Zeit ist nicht weit, da uns Gott _ wird rich -- _ ten und die Welt ver -- nich -- ten. } \new Staff << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global d4 e a, b | b e8 d d2 | c4 c d d | e d8 c b2 | d4 d d2 | b8 a gis b a2 | d8 e fis4 ~ fis8 e d cis | b4 a a2 | c4 d d d | e8 d16 c d8 a b2 } } \new Voice = "bass" { \voiceTwo \relative c' { \global g8 fis e g fis e d fis | e d c d g,2 | c8 b a c b a g b | c a d4 g,2 | fis'8 e d fis g2 | gis8 fis e gis a2 | fis8 e d fis g a b a | g e a4 d,2 | a8 b c a b c d b | c a d4 g,2 } } >> >> \layout { } } \score { \unfoldRepeats { \new ChoirStaff << \new Staff \with { midiInstrument = "choir aahs" } << \new Voice = "soprano" { \voiceOne \relative c'' { \global \repeat volta 2 { \tempo 4=78 b4 c d d | g, a \tempo 4=68 b4.. r16 | \tempo 4=78 e4 fis g b, | a2 \tempo 4=78 g4.. r16 } | d'4 a \tempo 4=73 b4.. r16 | \tempo 4=78 e4. d8 \tempo 4=73 cis4.. r16 | \tempo 4=78 d4 a b8 cis d4 | d cis \tempo 4=68 d4.. r16 | \tempo 4=78 e4 fis g b, | a2 g | r4 } } \new Voice = "alto" { \voiceTwo \relative c'' { \global \repeat volta 2 { g4 g a8 g fis4 | g g8 fis g4.. r16 | g4 a g8 fis g4 | g fis d4.. r16 } | a'8 g fis a g4.. r16 | e4 e e4.. r16 | a4 a a8 g fis4 | e2 fis4.. r16 | a4 a g g | g fis d2 | r4 } } >> \new Staff \with { midiInstrument = "choir aahs" } << \clef bass \new Voice = "tenor" { \voiceOne \relative c' { \global \repeat volta 2 { d4 e a, b | b e8 d d4.. r16 | c4 c d d | e d8 c b4.. r16 } | d4 d d4.. r16 | b8 a gis b a4.. r16 | d8 e fis4 ~ fis8 e d cis | b4 a a4.. r16 | c4 d d \tempo 4=68 d | \tempo 4=64 e8 \tempo 4=60 d16 \tempo 4=56 c \tempo 4=48 d8 \tempo 4=28 a \tempo 4=48 b2 | r4 } } \new Voice = "bass" { \voiceTwo \relative c' { \global \repeat volta 2 { g8 fis e g fis e d fis | e d c d g,4.. r16 | c8 b a c b a g b | c a d4 g,4.. r16 } | fis'8 e d fis g4.. r16 | gis8 fis e gis a4.. r16 | fis8 e d fis g a b a | g e a4 d,4.. r16 | a8 b c a b c d b | c a d4 g,2 | r4 } } >> >> } \midi { } }$

Thank you, taken with one added letter for the German. - My story is about a composer and choir conductor, listen to his Lamento. - My story on 13 October was about a Bach cantata. As this place works, it's on the Main page now because of the date (but Bach wrote it for the 20th Sunday, not the Tuesday after the 21st Sunday after Trinity). I sort of like it because today is the birth date of my grandfather who loved and grew dahlias like those pictured. ----Gerda Arendt (talk) 14:01, 22 October 2024 (UTC)

Last wish this month: Ein feste Burg ist unser Gott, BWV 80, [5]. I neglected it because it was not composed in 1724, but it still fits the topic ;) --Gerda Arendt (talk) 06:46, 31 October 2024 (UTC)

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