User:ShubhanTelang/Course 2

< User:ShubhanTelang/In the World of Tabla (Tabla course)

After you have read the course Introduction carefully, it will be easy for you to do these courses. In this section, we are going to learn all about Teental and its material like Kismas, Kaydas, Tukadas, Mukadas, Chakradhar, Tripalis, Tihais, Parans, Laggis, Paribhashas (definitions), etc. For each tala there are different bols and different Kismas, Kaydas, Tukadas, Mukadas, Chakradhar, Tripalis, Tihais, Parans, Laggis. But the definations for all these materials for all talas are the same. Note that Tala Dadra doesn't have Kaydas, Relas, Tukadas, Mukadas but it just has Laggis.

Tal Dadra is a Hindustani classical tala (rhythmic cycle), consisting of six beats in two equal divisions of three. The most commonly accepted theka or basic pattern for this tala is dha dhi na, dha tu na. There is a higher emphasis laid on the first swar in comparison the following two, that is, dha - higher emphasis following dhi na and again a higher emphasis on dha following tu na. Note that Tala Dadra doesn't have Kaydas, Relas, Tukadas, Mukadas but it just has Laggis.

Information about tal Dadra

Tal Dadra is a Hindustani classical tala (rhythmic cycle), consisting of six beats in two equal divisions of three. The most commonly accepted theka or basic pattern for this tala is dha dhi na, dha tu na. There is a higher emphasis laid on the first swar in comparison the following two, that is, dha - higher emphasis following dhi na and again a higher emphasis on dha following tu na. Note that Tala Dadra doesn't have Kaydas, Relas, Tukadas, Mukadas but it just has Laggis.

Uses

In this context dadra is a light classical vocal form in Hindustani classical music, mostly performed in Agra and in Bundelkhand region. It was originally accompanied by dadra tala (from where the term for the genre was borrowed), but later dadra compositions are often found in other light talas (such as keherwa). Note that Tala Dadra doesn't have Kaydas, Relas, Tukadas, Mukadas but it just has Laggis.

The peculiarity of Dadra genre is that the Sthayi is in Braj Bhasha while the Antara is sometimes in Urdu. It is one of the illustrations of how cultures have amalgamated and coexisted in Indian classical music.

Theka

मात्रा भाग : 3-3.
धा धिं ना - धा तीं ना
It has a characteristic pattern of bols (theka).

The Theka for Tintal
dha	dhin	na		\|	dha	tin	na		\|
^x					⁰

This can also be shown using the following figure

Taal signs	X			0
Maatra	1	2	3	4	5	6
Bols	dha	dhin	na	dha	tin	na

Course 2

This was the information about Tala Dadra. Once you now how to play Tala Dadra at a constant speed, may be it slow , very slow , fast or very fast, then we now will be learning the materials all related to Dadra. But for that you need to know the concepts and definitions which were there in the Course Introduction and you should be able to know Dadra for this course. Once you satisfy these conditions then you have strengthened your base of Tabla and Tala Teental. Now you are officially and classically allowed now to enter In the World of Tabla !!......

Note that Tala Dadra doesn't have Kaydas, Relas, Tukadas, Mukadas but it just has Laggis but just Kismas (variations).