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Lysippos (/lˈsɪpɒs/; ‹See Tfd›Greek: Λύσιππος)[1] was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle,[2] but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic and Roman periods.[3] The Victorious Youth or Getty bronze, which resurfaced around 1972, has been associated with him.

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Biography

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Born at Sicyon around 390 BC, Lysippos was a worker in bronze in his youth. He taught himself the art of sculpture, later becoming head of the school of Argos and Sicyon. According to Pliny, he produced more than 1,500 works, all of them in bronze.[4] Commentators noted his grace and elegance, and the symmetria, or coherent balance, of his figures, which were leaner than the ideal represented by Polykleitos and with proportionately smaller heads, giving them the impression of greater height.[citation needed] He was famous for his attention to the details of eyelids and toenails.[citation needed]

His pupil, Chares of Lindos, constructed the Colossus of Rhodes, one of the Seven Wonders of the Ancient World. As this statue does not exist today, debate continues as to whether its sections were cast in bronze or hammered of sheer bronze.

Marble nude statue of Agias of Pharsala, possibly by Lysippos.
Statue of Agias of Pharsala, possibly by Lysippos or his son Euthykrates, part of the dedication of Daochos

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  1. ^ Latinized Lysippus (/lˈsɪpəs/) is less used today, even in English.
  2. ^ His son Euthyktates worked in his style, according to Pliny, and, in the next generation, Tysikrates produced sculpture scarcely to be distinguished from his. (Natural History xxxiv. 61-67).
  3. ^ The rediscovered Agias, dedicated by Daochos at Delphi, was a contemporary marble copy of a bronze. The original was at Farsala in Thessaly.
  4. ^ Pliny, Natural History 34.17.4–5