Talk:Gustav Holst/Archive 1
This is an archive of past discussions about Gustav Holst. Do not edit the contents of this page. If you wish to start a new discussion or revive an old one, please do so on the current talk page. |
Archive 1 | Archive 2 |
Linking to the Military Band recording
According to Wikipedia:Copyrights#Linking to copyrighted works so long as (as is likely) their own recording is legitimate, this shouldn't be a problem. (Offsite linking to images causes a bandwidth issue and overusing the link to the wind band suites may eventually do the same, but that's a separate question.) Thanks for finding a compromise approach. Schissel : bowl listen 16:43, July 28, 2005 (UTC)
Thanks for the info and input. I'm a huge Holst fan, and I thought the link might help people curious about or interested in his music. I figured that the link-ees wouldnt mind because I linked to a page about the album, which included things like purchase information, instead of deep-inking the files. I didn't replace the links elsewhere in the article, even though they were broken, because another format was specified and because this was my first edit and I decided to take a minimalist approach. :)
Pictures
Does the article really need two pictures of the Royal College of Music. We get it, he went to the RCM. It just seems a bit superfluous. Gruesome Pet
"von Holst"
Why was he called "von Holst" and feared of being identificated as a German if he didn't have German roots (at least none of those are mentioned)? 129.13.186.4
- Because the name sounds German, and the anti-German hysteria of the First World War was particularly stupid. Septentrionalis 21:21, 28 April 2006 (UTC)
Cats
Is there a source for Holst actually practising astrology? Without one, the astrology cats should probably go. Septentrionalis 21:23, 28 April 2006 (UTC)
English-Germans?
Does Holst really belong in Category:English-Germans? The article states that his family was Swedish, via Russia and Latvia. Any German connection was then presumably some way back (despite the "von" which was originally in his name). David Underdown 14:15, 22 January 2007 (UTC)
That is correct. "Von" and "de" are both common nobiliary particles throughout Europe and does not per se mean German/French ancestry. // Oskar
Early life links?
I have fixed some of the links in the "early life" section but I don't know who "Doyle" is so I can't fix that one. Suggestions? --Wspencer11 (talk to me...) 12:47, 13 September 2006 (UTC)
- Just what I was wondering. ("Holst grew up in the world of Oscar Wilde, H. G. Wells, George Bernard Shaw, Doyle, Gauguin, Monet, Wagner, Tchaikovsky, and Puccini.") Probably Arthur Conan Doyle? There is plenty of choice at Doyle but I don't know any Doyle conventionally referred to only by surname. Anyone got any other suggestions or shall we just do it? Flapdragon 15:00, 24 January 2007 (UTC)
State of the article
This page needs a serious rewrite/cleanup. --Wspencer11 (talk to me...) 12:55, 13 September 2006 (UTC)
- It seems to be based on a single essay which combines biography and musicology in such a way that expanding any particular topic is almost impossible. If I get a chance I'll try and help unpack it, but it's quite a big job.Myopic Bookworm 13:45, 13
September 2006 (UTC)
- Somebody vandalized it and I'm not sure anyone noticed it. Where did he actually go to school?--68.193.120.221 02:04, 12 May 2007 (UTC)
- I am especially unhappy about the section on The Planets. First, since there's already a page devoted to the suite, shouldn't much of this be there? Second, there's this stuff like the quoted "most ferocious piece of music in existence." This is complete guff. Uncited, blatantly POV and simply incorrect (ditto the stuff on the meters used). What makes it more ferocious than the Sacrificial Dance or the Second or Third Prokofiev symphonies or any number of other pieces I could mention? Come on, folks. I plan to move/delete a lot of this unless cogent objections appear. --Wspencer11 (talk to me...) 15:01, 12 July 2007 (UTC)
- I agree: go ahead. I guess someone just tipped in their work from a music analysis class. Myopic Bookworm 17:51, 12 July 2007 (UTC)
- I am especially unhappy about the section on The Planets. First, since there's already a page devoted to the suite, shouldn't much of this be there? Second, there's this stuff like the quoted "most ferocious piece of music in existence." This is complete guff. Uncited, blatantly POV and simply incorrect (ditto the stuff on the meters used). What makes it more ferocious than the Sacrificial Dance or the Second or Third Prokofiev symphonies or any number of other pieces I could mention? Come on, folks. I plan to move/delete a lot of this unless cogent objections appear. --Wspencer11 (talk to me...) 15:01, 12 July 2007 (UTC)
Comments
Is Holtz really an alternative name for Holst? Isn't it just a somewhat naive misspelling? --Camembert
- I checked the Grove Dictionary today (the standard multi-volume music reference work), and it does not give "Holtz" as an alternative. Grove almost always gives alternative names, even if they are hardly ever used, so I removed this one from here. I think it's just a misspelling, as I said. --Camembert
I reordered the Other Works by year of completion. I suspect this section is going to get pretty long if the movements are all added in. Choral Hymns from the Rig Veda are in four sections with movements, each, for example. -- Marty
"Other Works" -- works other than what? Several are mentioned in the main section which are also listed here. Maybe this should just be a list of all works? Aaronrp 01:20, 6 May 2005 (UTC)
Web Master: Can the following sentence be corrected? -- The play follows his early dismay at his lack of composing success, to the creation of The Planets suite, with the play's seven tiers follow the structure of The Planets. Gofreddo63 (talk) 08:02, 9 December 2008 (UTC)
- There is no webmaster here. I fixed the verb tense, but you could have done that yourself -- Foetusized (talk) 12:33, 9 December 2008 (UTC)
Composer project review
I've reviewed this article as part of the Composers project review of its B-class articles. This article is a weak B -- some personal details are missing (when he got married, when his daughter was born), and the musicology (style, criticism, popular appreciation, and legacy) is weak. My full review is on the comments page; questions and comments should be left here or on my talk page. Magic♪piano 14:30, 23 January 2009 (UTC)
Period?
Just wondering... to which period of the classical music does he belong to? Late Romantic, Modern?...--Fluence (talk) 06:17, 10 April 2009 (UTC)
- That's a tricky one. I've seen cases for late romantic, modern, and neo-romantic. The truth is, he's all three! If you have to pick a defined category, I'd say late romantic in the early years (pre Planets), and modernist in the late years (post Planets). Justin Tokke (talk) 06:56, 10 April 2009 (UTC)
Holst and Ravel
The suggestion that Holst's 'early' work was influenced by Ravel seems to me misleading. The earliest he could have been influenced by Ravel was surely via Vaughan Williams, who went to study with Ravel in 1907 (Holst by then was 33 years old); even then there's no evidence in his music of Ravel's influence until the Rig Veda Hymn settings (specifically the Second Group, composed in 1909). I would suggest that since Holst had already composed two major operas, Sita (completed 1906 and v influenced by Wagner, a composer whose wide-ranging influence on Holst's early work is scarcely acknowledged) and Savitri (1908-09) it won't do to suggest that Ravel played a part until Holst's first mature works. I will try to rewrite the article accordingly. Alfietucker (talk) 11:59, 3 May 2009 (UTC)
Bannershell broken?
Someone please fix it: The first section (comments) starts as #5 and no toc is generated automatically...--Oneiros (talk) 17:55, 24 August 2009 (UTC)
Snippets
On a record sleeve recording of "The Planets" where the orchestra was conducted by Sir Malcolm Sargent, he describes Holst as;
"My friend and one of those 'fey' people....he used to use the india rubber to remove notes which didn't satisfy him".
On one of his astronomy VHS recordings the late Isaac Asimov also describes Holst as "a dedicated astrology buff"
As planet Pluto was discovered in 1930 and Holst died in 1934 is there any known reason why he didn't write an orchestral piece for Pluto? — Preceding unsigned comment added by AT Kunene (talk • contribs) 09:47, 29 December 2010 (UTC) ______
He didn't want to write another section to The Planets some 20 years after the original work was composed .... and Pluto is now not considered to be a proper planet anyway, so it is just as well. Look it up. 68.71.8.88 (talk) `68.71.8.88 (talk)
Snippets
On the packet of a 1960s LP recording of "The Planets" where the orchestra was conducted by Sir Malcolm Sargent, he describes Holst as, "My friend and one of those 'fey'people... he regularly used the india rubber to erase uneccessary notes".
Also on one of his astronomy VHS recordings, the late Isaac describes Holst as "a dedicated astrology buff".
If planet Pluto was discovered in 1930 and Holst died in 1934 is there any reason why he never wrote a Pluto piece to complete the whole suite?212.138.47.16 (talk) 09:56, 29 December 2010 (UTC)
Spelling of Names
Although he was originally named "Gustavus Theodor" by his parents, he clearly adopted the name Gustav during his lifetime, and I think this name should be given explicitly in the entry, as well as the title of the article. Myopic Bookworm 16:52, 24 April 2006 (UTC)
Should it not be made clear whether or not he assumed the name Gustav Theodore (as opposed to Gustavus Theodor) at the same time as dropping the 'von'? I would change it but I'm not sure is this is true... FlannyBabes (talk) 14:47, 8 February 2011 (UTC)
German origins
According to BBC4 program , Holst: In the Bleak Midwinter, and aired on Sunday 24 April 2011 at 21.30 [1], the commentary and interviews from relatives place his family distinctly of German extraction. Politis (talk) 20:54, 24 April 2011 (UTC)
- Hm. I came here on exactly the same errand, checking my 1941 (3rd edition) Percy Scholes beforehand; "his paternal great-grandfather, of Swedish descent, was born at Riga" [...] "There was a 'von' to the name, but it was, at the present writer's suggestion, gladly dropped during the War in deference to the feelings of the British soldier." The War in question is, of course, WWI. Hm. Haploidavey (talk) 23:09, 24 April 2011 (UTC)
The BBC4 program says he dropped the Von before going to entertain the troops during in the Balkan front including Bulgaria and Constantinople. Politis (talk) 22:06, 25 April 2011 (UTC)
Tony Palmer documentary
I think editors would be well advised to be a little more wary of treating the Tony Palmer BBC documentary as authoritative. There are several instances where TP passes off dubious facts by having them narrated as voice-overs by an actress who sounds almost but not quite like the composer's daughter, Imogen Holst (e.g. that he "lived in a street of brothels in Algiers"). Plus there are a lot of clearly improvised remarks by many of the experts consulted (did the Socialist Worker paper, allegedly distributed by the composer, actually exist in Holst's life?). I will go through the article rewording the post TP revisions accordingly. Alfietucker (talk) 20:03, 27 April 2011 (UTC)
Socialist text in lead
Two people, the last with a revert, have placed this text in the lead:
- "He makes the point that Holst was far removed from establishment-loving patriotic fervor, but was in fact an ardent left-winger who devoted his life to bringing music to the working classes and campaigning for socialism. This did not stop him from taking a job at an exclusive private school for girls for 25 years, but Palmer claims that in the early years of the 1900s, an academic school for girls was sufficiently revolutionary to enable him to square his conscience."
To my eye, whether true or not, this is overly detailed and too strong a political POV for the lead section of the article. What do others think? Antandrus (talk) 16:48, 1 July 2011 (UTC)
- It may well belong in the body of the article somewhere, but as it stands, it jumps off the page as inappropriate to the lead section. (In fact, I read it first and only came here to the Talk page to see if there were any comments about this bizarre passage.) For that matter, why is this section peppered with footnotes? I thought the purpose of a lead section was to summarize the article. If the various footnoted claims in the lead are already referenced in the main text, this is unnecessary duplication; if they are not even mentioned elsewhere, then do they have any place at all in the lead?—Jerome Kohl (talk) 17:11, 1 July 2011 (UTC)
- I agree that that's opinion that shouldn't go in the lede. --SarekOfVulcan (talk) 17:16, 1 July 2011 (UTC)
- I don't think there's any question Holst was a socialist -- though the term wasn't quite as loaded, or was loaded in a very different way, in England a hundred years ago -- maybe we need to find a better way to work this in, just not in the lead. To my eye it was a gopher hole no reader should need to step in. Terms like "left-winger" snap at you like mad dogs, especially in the lead, and we should strive to avoid them unless they are direct quotations. Anyhow Palmer is not mentioned until later. Has anyone seen the show? (I have not). Antandrus (talk) 17:28, 1 July 2011 (UTC)
It is very relevant text to the lead of one of England's most important composers, and one highlighted by a recent documentary, for example on BBC4. What is bizarre is the above comments. His beliefs controlled what he composed, and removal of the lead undermines the credibility of the article. Peterlewis (talk) 18:38, 1 July 2011 (UTC)
- Did you actually read the text that you are now responsible for adding twice? Who does the initial word "He" refer to? Was Holst notable as a Socialist or as a composer? If he was notable principally as a composer, what is the purpose of this aside about a "left-winger"? Antandrus (talk) 19:06, 1 July 2011 (UTC)
- Of course I did, and and I also saw the Tony Palmer programme. Have you seen it? His socialism was central to his beliefs and composing, such as his brass band compositions, much beloved by working men in the north of England. Peterlewis (talk) 19:10, 1 July 2011 (UTC)
- Turns out it was a copyright violation from this website -- a straight-up copy paste. Please do not restore this text, thank you. It's by Keith Clarke, and there's a clear copyright notice at the bottom of the page.
- That said, I don't mind a mention of Holst being a socialist in the lead, since he obviously was one (we can even cite Grove, which mentions his early enthusiasm for the philosophy of William Morris). Any ideas how best to do it? Does anyone have any reliable sources that relate Holst's compositional work to his political ideas? Antandrus (talk) 21:48, 1 July 2011 (UTC)
There is nothing that I am aware of in Holst's musical life that says "here is a socialist" except the obvious points that he took an active interest in music-making for "ordinary" people – as witness his unpaid work at Morley College and the composition of one work for brass band. The main text states clearly that he was a lifelong socialist. He was definitely not a Marxist, Leninist or Trotskyite (or anything like them) but rather a follower of William Morris and G. B. S. I suspect he voted Labour (but I don't know that). We must take care not to misrepresent himWillowmusic (talk) 12:59, 2 July 2011 (UTC)
Works for wind band
I have removed part of a recent posting that attempted to give details of Holst's wind-band works, because it was incomplete and confusing. It failed to mention several pieces, such as the arrangement of Bach's Fugue a la Gigue, and yet listed one work – The Praise of King Olaf – that I can find no authority for. Imogen Holst does not include it in her catalogue, neither did her father in his (incomplete) list. If a comprehensive list of authenticated compositions is desirable, I can attempt one, but it will take time. If, on the other hand, we need only mention the major works, then the major wind-band works are there now.Willowmusic (talk) 04:06, 9 August 2011 (UTC)
Revert
I reverted some IP edits which appeared to remove text. Please feel to re-revert if I got it wrong. Rich Farmbrough, 03:13, 6 May 2012 (UTC).(Using some automation)
Evelyn Thorley
'she gave birth to two further sons, Matthias Ralph and Evelyn Thorley'. Apologies if I am mistaken, but is Evelyn not a daughter? 81.105.53.134 (talk) 05:53, 28 January 2011 (UTC)
- A son. Evelyn is (or certainly was) used for male and female. Evelyn Thorley Holst's genealogical summary here. Haploidavey (talk) 20:28, 24 April 2011 (UTC)
and it is Eve-uh-lynn. Long E___. Not the usual North American version of Ehv-a-lynn. short e^...
Famous author of *Brideshead Revisited" Evelyn Waugh was a man, and he wasn't called Eh- va- lynn.
68.71.8.88 (talk) —Preceding undated comment added 04:46, 15 June 2012 (UTC)
Orphaned references in Gustav Holst
I check pages listed in Category:Pages with incorrect ref formatting to try to fix reference errors. One of the things I do is look for content for orphaned references in wikilinked articles. I have found content for some of Gustav Holst's orphans, the problem is that I found more than one version. I can't determine which (if any) is correct for this article, so I am asking for a sentient editor to look it over and copy the correct ref content into this article.
Reference named "ODNB":
- From William Denis Browne: Davies, Rhian (2004). "Browne, William Charles Denis (1888–1915)" (subscription required). Oxford Dictionary of National Biography. Oxford University Press. doi:10.1093/ref:odnb/56650. Retrieved 2007-11-09.
- From Edward Clark (conductor): Jennifer Doctor, 'Clark, (Thomas) Edward (1888–1962)', Oxford Dictionary of National Biography, Oxford University Press, 2004, accessed 31 Jan 2013
- From Cecil Sharp: Heaney, Michael (2004). "Sharp, Cecil James". Oxford Dictionary of National Biography. Oxford University Press.
- From Kathleen Ferrier: Harewood, Earl of (2004). "Ferrier, Kathleen Mary". Oxford Dictionary of National Biography online. Retrieved 25 May 2011.
{{cite web}}
: Italic or bold markup not allowed in:|publisher=
(help) (subscription required)
I apologize if any of the above are effectively identical; I am just a simple computer program, so I can't determine whether minor differences are significant or not. AnomieBOT⚡ 12:37, 20 April 2013 (UTC)
Astrology
On one of his videos, Isaac Assimov describes Holst as an "astrology buff".AT Kunene (talk) 16:16, 26 April 2013 (UTC)
- Thank you for that. I think we have the point properly taken on board in the article. Tim riley (talk) 21:53, 26 April 2013 (UTC)
Public Domain status of works?
Holst died in 1934. If we take into account current copyright law in the U.S. and the EU, wherein counting starts from the next year of a person's death +70 years, then his works must have entered the Public Domain in 2005.
I'd like more input on this topic. -Mardus (talk) 03:03, 7 September 2013 (UTC)
- I assume the copyright laws apply to GH in exactly the way they apply to everyone. This is a tricky area, I think, as copyright here used to be year of death + 50 years (thus Gustav Mahler (1860–1911) and W.S. Gilbert (1836–1911) came into the public domain on 1 January 1962) – the latter with much fanfare in the UK. But when the change was made from 50 to 70 years I don't know. If it was after 1984 Holst (and Elgar and Delius) would, I imagine, have come into the public domain in January 1985, but whether that's true, and whether, if so, they came out of copyright and stayed out or went in again and re-emerged in 2005 I do not know and cannot guess. We don't, as far as I recall, mention the date of expiry of copyright in other composers' articles, and it isn't plain to me what value there would be in making an exception in this case (quite apart from the fact that the matter isn't covered in any of the souces I have access to.) Sorry to be so dim, but better safe than sorry, I'd say. Tim riley (talk) 09:25, 7 September 2013 (UTC)
Nina
It's absurd not to include her in the family tree, which contains several less relevant names. — Preceding unsigned comment added by 92.2.218.180 (talk) 19:21, 12 April 2014 (UTC)
Some idiosyncratic terminology
The latest edit to the article has drawn my attention to what has been written about A Choral Fantasia in the "Music" section. I'm afraid A.E.F. Dickinson's very idiosyncratic use of such terms as "chorale" has tripped up whoever wrote this part of the article, resulting in the vague and potentially misleading statement "chorale-type themes are interspersed with choruses". I will rewrite that section for now, basing it on Imogen Holst's more easily summarised commentary in The Music of Gustav Holst. At some point soon I will go through the entire "Music" section more carefully. Alfietucker (talk) 02:28, 18 August 2014 (UTC)
Wording issue
Holst's works were played frequently in the early years of the 20th century, but it was not until the international success of The Planets in the years immediately after the First World War that he became a well-known figure.
or
Holst's works were played frequently in the early years of the 20th century, and after the international success of The Planets in the years immediately after the First World War he became a well-known figure.
I prefer to avoid "but it was not until" (5 words) and use "and after" (2 words) as I think it conveys exactly the same information in fewer words. --John (talk) 20:50, 5 September 2014 (UTC)
- The shortest distance between two points may be a straight line, but it is not always the most effective way to communicate. The point here, surely, is that Holst was only moderately known by the public before the post-war success of The Planets, and this emphasis is lost with omission of the words "but it was not until".—Jerome Kohl (talk) 21:03, 5 September 2014 (UTC)
- I agree with Jerome. To my mind the suggested change alters and dilutes the intended nuance of meaning. "I was cold but it was not until my toes fell off that I went indoors" is not the same as "I was cold and after my toes fell off I went indoors". The latter is shorter, but misses the contrast and conditionality (if that's the word I want) between the earlier and later states of affairs, and the same is true, I think, of the Holst extract. Parenthetically, apropos of the above heading, here is Gowers on "issue": "This word has a very wide range of proper meanings as a noun, and should not be made to do any more work – the work, for instance of subject, topic, consideration and dispute." Verbum sap. Tim riley talk 21:07, 5 September 2014 (UTC)
- I think the shorter version carries exactly the right weight of meaning. Generally on an encyclopedia article the shorter wording is the better. I find the longer version to be a rather jarring bit of bad writing in a Featured Article. Are there other such constructions in the article? Prose is one of the criteria, you know. --John (talk) 21:17, 5 September 2014 (UTC)
- Sorry John, but I think you are wrong on both counts. While the sentence as it now stands in the article is clearly expressed and good writing, your preferred version is not good writing (rather limp and imprecise, to be honest); nor does it "carry exactly the right weight of meaning" – do you seriously think it conveys what Jerome has explained is the crucial nuance of the sentence (i.e. that notwithstanding the frequency of performance of Holst's works before the War, he was not a "well-known figure" until after the public success of The Planets) as it stood before your edit? Alfietucker (talk) 21:25, 5 September 2014 (UTC)
- I must agree with Alfie on this. John cares about good writing, and I am forever grateful to him for leading me to kick the "however" habit, but I think he's plain wrong on this one. Tim riley talk 21:38, 5 September 2014 (UTC)
- You know, on reflection I think I agree with you both. I take it the sources back this emphasis up? --John (talk) 22:19, 6 September 2014 (UTC)
- Indeed so. The Times remarked on his post-Planets fame (29 August 1923, p. 12), and his daughter tells us how he disliked this new celebrity (pp. 54–55). Concert notices in The Times between 1903 and the end of 1917 list fifty Holst premieres etc, most of them from 1910 onwards: not at all bad for a rising young composer, but the post-war success of The Planets was something else. Tim riley talk 08:22, 7 September 2014 (UTC)
- You know, on reflection I think I agree with you both. I take it the sources back this emphasis up? --John (talk) 22:19, 6 September 2014 (UTC)
- I must agree with Alfie on this. John cares about good writing, and I am forever grateful to him for leading me to kick the "however" habit, but I think he's plain wrong on this one. Tim riley talk 21:38, 5 September 2014 (UTC)
- Sorry John, but I think you are wrong on both counts. While the sentence as it now stands in the article is clearly expressed and good writing, your preferred version is not good writing (rather limp and imprecise, to be honest); nor does it "carry exactly the right weight of meaning" – do you seriously think it conveys what Jerome has explained is the crucial nuance of the sentence (i.e. that notwithstanding the frequency of performance of Holst's works before the War, he was not a "well-known figure" until after the public success of The Planets) as it stood before your edit? Alfietucker (talk) 21:25, 5 September 2014 (UTC)
- I think the shorter version carries exactly the right weight of meaning. Generally on an encyclopedia article the shorter wording is the better. I find the longer version to be a rather jarring bit of bad writing in a Featured Article. Are there other such constructions in the article? Prose is one of the criteria, you know. --John (talk) 21:17, 5 September 2014 (UTC)
- I agree with Jerome. To my mind the suggested change alters and dilutes the intended nuance of meaning. "I was cold but it was not until my toes fell off that I went indoors" is not the same as "I was cold and after my toes fell off I went indoors". The latter is shorter, but misses the contrast and conditionality (if that's the word I want) between the earlier and later states of affairs, and the same is true, I think, of the Holst extract. Parenthetically, apropos of the above heading, here is Gowers on "issue": "This word has a very wide range of proper meanings as a noun, and should not be made to do any more work – the work, for instance of subject, topic, consideration and dispute." Verbum sap. Tim riley talk 21:07, 5 September 2014 (UTC)
The Star Wars Connection
I'm kind of surprised that the page, and this talk page, make no mention of the years of controversy of how much of the Planets seems to have been lifted by John Williams for the Star Wars score and others. Was it mentioned here and deleted, or have we just not found a reasonable source talking about it? Spawn777 (talk) 12:57, 21 September 2014 (UTC)
von Holst
The wording "He appropriated the aristocratic prefix "von" and added it without authority to the family name" is unclear; there is no "authority" required for a change of name the UK; anyone may, legally, use any name they please. Unless this refers to something else (in which case that should be explained), the words "without authority" are redundant and should be removed. Andy Mabbett (Pigsonthewing); Talk to Andy; Andy's edits 16:16, 21 September 2014 (UTC)
- I don't feel all that strongly about the matter. The point I was trying to get across was that this ancestor was trying to pose as a grand continental aristo when he was no such thing. Perfectly true that a Briton can call himself what he likes, but I think the wording makes the substantive point clear. There was no quibble at PR or FAC, but for my part I'd be quite happy to change if there's now a consensus to the contrary, Tim riley talk 17:22, 21 September 2014 (UTC)
- Given that he was a German immigrant in the Victorian era, when familiarity with such German customs was greater than it is today (not to mention the German custom itself being still one of legal status at the time), it seems plain that the authority in question was German law, not English, and so the criticism stands and should be retained. Besides, it is verified by a citation from the composer's daughter.—Jerome Kohl (talk) 18:23, 21 September 2014 (UTC)
- In that case, the meaning should be clarified, since it is not at all apparent to a reader without knowledge of German customs of the Victorian era. Andy Mabbett (Pigsonthewing); Talk to Andy; Andy's edits 21:20, 21 September 2014 (UTC)
- Good point. What might you suggest as an appropriate explanation? Obviously, this is not an important enough issue for this article to add more than one short sentence. Would a link to the article German nobility suffice, or perhaps more specifically, to the section on nobiliary particles?—Jerome Kohl (talk) 23:52, 21 September 2014 (UTC)
- Not an especially good point, me judice. I think rather than make a production number of this with a pointless link to another article it would be preferable to remove the words "without authority". I should like to know what other editors think about this. Tim riley talk 00:01, 22 September 2014 (UTC)
- I'd just remove the "without authority": the rest all is well and good as it stands. - SchroCat (talk) 08:09, 22 September 2014 (UTC)
- Can we all sign up to that? Happy to do the honours if so. Tim riley talk 16:44, 22 September 2014 (UTC)
- If Andy is happy with this, I certainly have no objection.—Jerome Kohl (talk) 16:54, 22 September 2014 (UTC)
- I am. Done. Andy Mabbett (Pigsonthewing); Talk to Andy; Andy's edits 18:45, 23 September 2014 (UTC)
- Thanks to Andy/Pigs. 23:16, 23 September 2014 (UTC)
- I am. Done. Andy Mabbett (Pigsonthewing); Talk to Andy; Andy's edits 18:45, 23 September 2014 (UTC)
- If Andy is happy with this, I certainly have no objection.—Jerome Kohl (talk) 16:54, 22 September 2014 (UTC)
- Can we all sign up to that? Happy to do the honours if so. Tim riley talk 16:44, 22 September 2014 (UTC)
- I'd just remove the "without authority": the rest all is well and good as it stands. - SchroCat (talk) 08:09, 22 September 2014 (UTC)
- Not an especially good point, me judice. I think rather than make a production number of this with a pointless link to another article it would be preferable to remove the words "without authority". I should like to know what other editors think about this. Tim riley talk 00:01, 22 September 2014 (UTC)
- Given that he was a German immigrant in the Victorian era, when familiarity with such German customs was greater than it is today (not to mention the German custom itself being still one of legal status at the time), it seems plain that the authority in question was German law, not English, and so the criticism stands and should be retained. Besides, it is verified by a citation from the composer's daughter.—Jerome Kohl (talk) 18:23, 21 September 2014 (UTC)
Sharp's collected tunes in Somerset Rhapsody
DBaK, I too spotted that change from three to four tunes, and, like you, raised an eyebrow. What say you to leaving out the number altogether, and saying "made use of tunes that Sharp had noted down"? I don't think the total will be missed by readers. Tim riley talk 19:06, 4 July 2015 (UTC)
- Yes. Sounds reasonable. If we can find a reliable source then I suppose it could go back in, but I haven't; as you say it is hardly the most crucial piece of leading-edge musical information the whole encyclopaedia. I'd be fine with that edit. Thanks and best wishes DBaK (talk) 21:06, 4 July 2015 (UTC)
Assessment comment
The comment(s) below were originally left at Talk:Gustav Holst/Comments, and are posted here for posterity. Following several discussions in past years, these subpages are now deprecated. The comments may be irrelevant or outdated; if so, please feel free to remove this section.
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==Composers Project Assessment of Gustav Holst: 2009-01-23==
This is an assessment of article Gustav Holst by a member of the Composers project, according to its assessment criteria. This review was done by Magicpiano. If an article is well-cited, the reviewer is assuming that the article reflects reasonably current scholarship, and deficiencies in the historical record that are documented in a particular area will be appropriately scored. If insufficient inline citations are present, the reviewer will assume that deficiencies in that area may be cured, and that area may be scored down. Adherence to overall Wikipedia standards (WP:MOS, WP:WIAGA, WP:WIAFA) are the reviewer's opinion, and are not a substitute for the Wikipedia's processes for awarding Good Article or Featured Article status. ===Origins/family background/studies=== Does the article reflect what is known about the composer's background and childhood? If s/he received musical training as a child, who from, is the experience and nature of the early teachers' influences described?
===Early career=== Does the article indicate when s/he started composing, discuss early style, success/failure? Are other pedagogic and personal influences from this time on his/her music discussed?
===Mature career=== Does the article discuss his/her adult life and composition history? Are other pedagogic and personal influences from this time on his/her music discussed?
===List(s) of works=== Are lists of the composer's works in WP, linked from this article? If there are special catalogs (e.g. Köchel for Mozart, Hoboken for Haydn), are they used? If the composer has written more than 20-30 works, any exhaustive listing should be placed in a separate article.
===Critical appreciation=== Does the article discuss his/her style, reception by critics and the public (both during his/her life, and over time)?
===Illustrations and sound clips=== Does the article contain images of its subject, birthplace, gravesite or other memorials, important residences, manuscript pages, museums, etc? Does it contain samples of the composer's work (as composer and/or performer, if appropriate)? (Note that since many 20th-century works are copyrighted, it may not be possible to acquire more than brief fair use samples of those works, but efforts should be made to do so.) If an article is of high enough quality, do its images and media comply with image use policy and non-free content policy? (Adherence to these is needed for Good Article or Featured Article consideration, and is apparently a common reason for nominations being quick-failed.)
===References, sources and bibliography=== Does the article contain a suitable number of references? Does it contain sufficient inline citations? (For an article to pass Good Article nomination, every paragraph possibly excepting those in the lead, and every direct quotation, should have at least one footnote.) If appropriate, does it include Further Reading or Bibliography beyond the cited references?
===Structure and compliance with WP:MOS=== Does the article comply with Wikipedia style and layout guidelines, especially WP:MOS, WP:LEAD, WP:LAYOUT, and possibly WP:SIZE? (Article length is not generally significant, although Featured Articles Candidates may be questioned for excessive length.)
===Things that may be necessary to pass a Good Article review===
===Summary=== This is a decent musical and professional biography. It would benefit from some additional personal details, such has when he met his wife, married, when his daughter was born. It could also use a more musicological look at his music as a whole. I note that the primary references are to another encyclopedia. If Britannica starts deciding Wikipedia is also reliable, we'll come full circle. There are biographies of him available that should be consulted (although editors referencing his daughter's biography of him should be aware of the Alma problem). The article's lead consists of several single-sentence paragraphs that read almost like a trivia section; it should be rewritten per WP:LEAD. Article is a weak B-class; there is room to improve. Magic♪piano 14:24, 23 January 2009 (UTC) |
Last edited at 14:24, 23 January 2009 (UTC). Substituted at 16:51, 29 April 2016 (UTC)
Something new
The following discussion is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.
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Cassianto said: "nothing new has been discovered on either side of the argument". Here's one I haven't seen mentioned; straight out of the Law of Unintended Consequences:
As a user with declining vision, I enlarge the text for increased readability. As the infobox's text enlarges, its width also increases, detracting from readability instead. Some articles hold up, under these circumstances, better than others, some are crowed rather badly, (15% text / 85% Ibox), and some have no text left of the IB at all, or it splits at the first word longer than the text field will allow.
- I don't particularly like reading prose in a very narrow column and think it should be considered; perhaps corrected.--John Cline (talk) 16:32, 13 August 2016 (UTC)
This is important and a v. useful contribution, but I truly think it doesn't belong here in this discussion about Holst's article. I'm not at all expert in the forums in which WP policies are set, and would be grateful if someone (pro- or con-box) would be kind enough to suggest where the matter ought to be raised in the context of en.WP as a whole. Tim riley talk 17:13, 13 August 2016 (UTC)
RfC on removal of hidden comment
Rfc closed 10 September 2016
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There are two constituencies with somewhat different priorities. One group is primarily concerned that there should not be an infobox. The other is primarily concerned that hidden messages should not exert WP:OWNERSHIP. Although WP:HIDDEN is not yet a mature guideline, following it would satisfy both local consensa on this page. Rather than saying "please do not add an infobox" it could say "please do not add an infobox before seeking consensus on the talk page" and link to the most relevant prior discussion. If there was no other discussion, then linking to this RfC will do. No one in the course of the RfC has suggested an infobox should actually be added. Rhoark (talk) 19:12, 10 September 2016 (UTC)
Should the hidden html comment, Help:Hidden text gives examples of where hidden text is appropriate, and where it is not. One of the examples of inappropriate use is:
The policy relating to the use of infoboxes is at WP:INFOBOXUSE:
In the case of this article, there is no previous discussion about infoboxes and no existing consensus. --RexxS (talk) 20:21, 30 July 2016 (UTC) Support removal
Comment: My initial thought about the hidden message was that since WP policy required article-by-article consensus for the inclusion of an infobox, a note advising editors to seek such a consensus when contemplating adding a box was sensible. That still seems to me a reasonable position; however, I can also see that the note is capable of being misunderstood as a policy in itself, rather than a request to follow policy, and is as likely to provoke dissent as to avoid it. Another concern I have is that the note links to a decision of the Classical Music Project that is now more than six years old. Many of the editors who participated in that debate have retired or are now inactive, and at least one has performed a complete U-turn! (of course it's not a crime to change your mind). In short, I am not sure that the presence of the message, however well-intentioned, will help to achieve a detente between the factions, which is the only way whereby we will ever move on from this interminable debate. Brianboulton (talk) 18:54, 15 August 2016 (UTC) Oppose removal
And the attempt to alter that previous "quiet consensus" -- by a classical music editor -- got so nasty so fast that it was what gave rise to the ArbCom case. Montanabw(talk) 23:42, 6 August 2016 (UTC)
DiscussionWho cares? Its an invalid notice anyway and can be safely ignored. Anyone who actually wants to put in an infobox will do so. Only in death does duty end (talk) 20:41, 30 July 2016 (UTC)
Point of order, but this hidden comment removal occurred on several pages and now the issue is being litigated across multiple talk pages. We should centralize the discussion somewhere so people can comment in one place. That being said, these types of notices are quite useful to content editors who spend their time building and maintaining pages. I've seen them on plenty of music articles advising people not to add/remove genres, on the Elvis article instructing people not to keep adding infobox fields that don't have consensus, etc. This type of disruption almost always occurs in infoboxes because every know-all wants to roll by and add tidbits of information whether it's sourced and in the article or not. So we save ourselves a bit of time by saying "Look here before you do this." I fail to see the problem. --Laser brain (talk) 21:16, 30 July 2016 (UTC)
Just remove the damn things where they are a generic hidden notice, and no new wording. Further "please do not add an infobox" is contrary to what ArbCom flat-out ordered us all to do -- fight it out article by article by article. (Which none of us particularly like--that much, at least probably unites the pro- and anti- infobox factions) To the extent that individual articles, post-ArbCom, have endured an infobox war, a consensus was, however grudgingly, granted, and both sides have beaten the issue to a standstill, perhaps in those limited cases a hidden note with the permalink to the "consensus" could be included with a caution to the editor that they should consult before adding or removing. Montanabw(talk) 03:48, 31 July 2016 (UTC)
IMHO, whoever it was in here somewhere suggested an FAQ here on the talk page that showed a link to the last debate and the consensus reached, that IS how they handle the pages with actual controversies, such as, for example Talk:Barack Obama. No need to clutter the edit box at all. Montanabw(talk) 22:50, 31 July 2016 (UTC)
The discussion above is closed. Please do not modify it. Subsequent comments should be made on the appropriate discussion page. No further edits should be made to this discussion.
ForgeryThere is no way that this was not intentional [2] — it happened a full 12 hours after any accidental edit which would exonerate such behavior. As for the comment by Cassianto [3] — I will report any further unwarranted incivility to AN/I. Carl Fredrik 💌 📧 07:19, 11 August 2016 (UTC)
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