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I was always under the impression that Palomine had a better reception from critics and consumers. Allmusicguide says:
Much of the band's reputation rested on its 1992 debut, Palomine, and even though critical opinion of their subsequent work was divided, they continued to maintain a cult audience through the decade.
...
Palomine received enthusiastic reviews, and the singles "Tom Boy" and "Kid's Allright" landed substantial airplay on college radio, making Bettie Serveert extremely popular on the campus circuit. They launched an extensive supporting tour of America, and became genuine stars in their home country; they also helped establish Matador as America's emerging indie label of choice, along with seminal artists like Pavement and Liz Phair.
In the wake of Palomine, Bettie Serveert spent around three years on the road, playing with artists like Belly, Dinosaur Jr., Superchunk, Buffalo Tom. When it finally came time to record the follow-up to Palomine, the band was still scrambling to craft more material; although Lamprey was generally well-reviewed upon its release in 1995 and sold decently among the group's college fan base, it proved a more erratic collection than its predecessor.
In addition, the only song I remember hearing on US radio by them was "Kids Alright".
