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Portal:Rock music

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Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock is centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4
time signature
using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a few distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, Southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, heavy metal, which emphasized an aggressive thick sound, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

The following are images from various rock music-related articles on Wikipedia.

Selected article

2012 line-up of The Smashing Pumpkins.
The Smashing Pumpkins (also simply known as Smashing Pumpkins) is an American alternative rock band from Chicago. Formed in 1988 by frontman and guitarist Billy Corgan, guitarist James Iha, bassist D'arcy Wretzky and drummer Jimmy Chamberlin, the band has undergone several line-up changes since their reunion in 2006, with Corgan being the primary songwriter and sole constant member since its inception. The current lineup consists of Corgan, Chamberlin, and Iha. The band has a diverse, densely layered sound, which evolved throughout their career and has contained elements of gothic rock, heavy metal, grunge, psychedelic rock, progressive rock, shoegaze, dream pop, and electronica.

The band's first album, Gish (1991), became an underground success. In the advent of alternative rock's mainstream breakthrough, their second album Siamese Dream (1993) established the band's popularity. Despite a tumultuous recording process, the album received acclaim and has been lauded as one of the best albums in the genre. Their third album, Mellon Collie and the Infinite Sadness (1995) furthered the band's popularity; it debuted atop the Billboard 200, received diamond certification by the Recording Industry Association of America (RIAA), and received various critical plaudits. After the release of Adore (1998) and a two-part project in 2000—Machina and Machina II—the group disbanded due to internal conflicts, drug use, and diminishing sales by the end of the 1990s. With 30 million albums sold worldwide, the Smashing Pumpkins were among the most critically and commercially successful bands of the 1990s, often cited as a cultural touchstone of Generation X and an important act in the popularization of alternative rock.

In 2006, Corgan and Chamberlin reconvened to record the band's seventh album, Zeitgeist. After touring throughout 2007 and 2008 with a lineup including new guitarist Jeff Schroeder, Chamberlin left the band in early 2009. Later that year, Corgan began a new recording series with a rotating lineup of musicians entitled Teargarden by Kaleidyscope, which encompassed stand-alone singles, EP releases, and two full albums that also fell under the project's scope—Oceania in 2012 and Monuments to an Elegy in 2014. Chamberlin became a touring member in 2015, before officially rejoining with Iha in 2018. The reunited lineup then released the albums Shiny and Oh So Bright, Vol. 1 / LP: No Past. No Future. No Sun. (2018) and Cyr (2020), in addition to Atum: A Rock Opera in Three Acts across three increments between 2022 and 2023. Schroeder departed from the band in October 2023. Following Schroeder's departure, the band's remaining members released Aghori Mhori Mei (2024). (Full article...)

Selected biography

Roger Waters performing live at the London O2 Arena on 18 May 2008.
George Roger Waters (born 6 September 1943) is an English musician and singer-songwriter. In 1965, he co-founded the rock band Pink Floyd as the bassist. Following the departure of the songwriter, Syd Barrett, in 1968, Waters became Pink Floyd's lyricist, co-lead vocalist and conceptual leader until his departure in 1985.

Pink Floyd achieved international success with the concept albums The Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979), and The Final Cut (1983). By the early 1980s, they had become one of the most acclaimed and commercially successful groups in popular music. Amid creative differences, Waters left in 1985 and began a legal dispute over the use of the band's name and material. They settled out of court in 1987. Waters's solo work includes the studio albums The Pros and Cons of Hitch Hiking (1984), Radio K.A.O.S. (1987), Amused to Death (1992), and Is This the Life We Really Want? (2017). In 2005, he released Ça Ira, an opera translated from Étienne and Nadine Roda-Gils' libretto about the French Revolution.

In 1990, Waters staged one of the largest rock concerts in history, The Wall – Live in Berlin, with an attendance of 450,000. As a member of Pink Floyd, he was inducted into the US Rock and Roll Hall of Fame in 1996 and the UK Music Hall of Fame in 2005. Later in 2005, he reunited with Pink Floyd for the Live 8 global awareness event, their only appearance with Waters since 1981. He has toured extensively as a solo act since 1999. He performed The Dark Side of the Moon for his world tour of 2006–2008, and The Wall Live, his tour of 2010–2013, was the highest-grossing tour by a solo artist at the time.

Waters incorporates political themes in his work and is a prominent supporter of Palestine in the Israeli–Palestinian conflict. He has called for the removal of the Israeli West Bank Barrier, supports the Boycott, Divestment and Sanctions movement against Israel, and describes Israel's treatment of Palestinians as apartheid. Some of his comments, such as his likening of Israel to Nazi Germany, and elements of his live shows, drew accusations of antisemitism, which Waters dismissed as a conflation of antisemitism with anti-Zionism. (Full article...)

Selected album

The Hunting Party is the sixth studio album by American rock band Linkin Park. The album, produced by band members Mike Shinoda and Brad Delson, was released by Warner Bros. Records and Machine Shop on June 17, 2014. It is the first album since Meteora (2003) not to be produced with Rick Rubin, who produced the band's previous three studio albums. The album's title is a contextual metaphor: Linkin Park is the party that is hunting to bring back the energy and soul of rock.

Stylistically, The Hunting Party is a departure from the electronic rock and experimental sound of the band's previous two studio albums, A Thousand Suns (2010) and Living Things (2012) and marks a return to the band’s nu metal sound. The album, described by Shinoda as simply "a rock record", serves as a statement by the band against contemporary mainstream and active rock bands, accused by him as "trying to be other bands and playing it safe". Packaged by an artwork by Brandon Parvini based on an original drawing by James Jean, the album took under a year to record and produce, with material being improvisationally written by the band. The album also features guest appearances from Helmet's Page Hamilton, System of a Down's Daron Malakian, Rage Against the Machine's Tom Morello, and Rakim, marking the first time Linkin Park has collaborated with other artists on a studio album.

The album was promoted by the band and Warner Bros, with multiple promotional teasers and interviews produced and published in the lead-up to the album's release and listening parties of the album being held worldwide on multiple dates. The band embarked on the Carnivores Tour, a double-headline tour with Thirty Seconds to Mars, as well as The Hunting Party Tour, in support of the album. Five singles from The Hunting Party have been released; "Guilty All the Same" in March 2014, "Until It's Gone" in May 2014, and "Wastelands", "Rebellion" and "Final Masquerade" in June 2014.

The album received generally positive reviews from critics, who praised its return to the heavier rock sound of their older albums. It debuted at number three on the US Billboard 200, and has placed at number four on Revolver's list of "The 20 Best Albums of 2014". The album was certified Platinum in United States for the sales of one million copies. (Full article...)

Selected song

"I Can Only Imagine" is a song by Christian rock band MercyMe. Written and composed by lead singer Bart Millard, it was originally recorded for the band's 1999 independent album The Worship Project before being included on their 2001 major-label debut album Almost There. The song was the last to be written for The Worship Project; in writing it, Millard drew upon his thoughts about his father's death. Lyrically, it imagines what it would be like to be in front of God in heaven; it opens with just a piano before building to include guitar and drums.

After being released on October 12, 2001, as the second single from Almost There, "I Can Only Imagine" became a major success on Christian radio; it spent two weeks at No. 1 on the Radio & Records Christian AC chart and became the most-played Christian single of 2002. It became an unexpected mainstream hit in 2003, peaking at No. 71 on the Billboard Hot 100 and No. 5 on the Billboard Adult Contemporary chart while also hitting top 40, adult top 40, and country radio charts. The song returned to the charts after its story was adapted into a 2018 film of the same name, peaking at No. 1 on the Billboard Christian Songs chart and No. 10 on the Billboard Digital Songs chart.

"I Can Only Imagine" received positive reviews from critics. Particular praise was given to its lyrics, and some critics called it the best song on Almost There. It received the Dove Awards for Song of the Year and Pop/Contemporary Recorded Song of the Year at the 33rd GMA Dove Awards, also garnering Millard the award for Songwriter of the Year; he also won the Songwriter of the Year award at the 25th American Society of Composers, Authors and Publishers (ASCAP) Christian Music Awards. In 2004, CCM Magazine ranked it as the fourth-best song in Christian music

It is the most-played song in the history of Christian radio as well as the best-selling Christian song of all time. It has been certified five-times platinum by the Recording Industry Association of America (RIAA), and as of April 2018, it has sold over 2.5 million copies. (Full article...)

Selected picture

Credit: Rowland Scherman

Joan Baez and Bob Dylan at a civil rights march on Washington, D.C., 28 August 1963.

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Selected genre

Glam metal (also known as hair metal or pop metal) is a subgenre of heavy metal that features pop-influenced hooks and guitar riffs, upbeat rock anthems, and slow power ballads. It borrows heavily from the fashion and image of 1970s glam rock.

Early glam metal evolved directly from the glam rock movement of the 1970s, as visual elements taken from acts such as T. Rex, the New York Dolls, and David Bowie (and to a lesser extent, the punk and new wave movements taking place concurrently in New York City) were fused with the decidedly more heavy metal leaning and theatrical acts such as Alice Cooper and Kiss. The first examples of this fusion began appearing in the late 1970s and early 1980s in the United States, particularly on the Los Angeles Sunset Strip music scene. Early glam metal bands include Mötley Crüe, Hanoi Rocks, Ratt, Quiet Riot, Twisted Sister, Bon Jovi, and Dokken. Glam metal achieved significant commercial success from approximately 1982 to 1991, bringing to prominence bands such as Poison, Skid Row, Cinderella and Warrant. From a strictly visual perspective, glam metal is defined by flashy and tight-fitting clothing, makeup, and an overall androgynous aesthetic in which the traditional "denim & leather" aspect of heavy metal culture is replaced by spandex, lace, and usually heavy use of bright colours. (Full article...)

Selected audio


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"This Charming Man" is a song by the English rock band the Smiths, written by guitarist Johnny Marr and singer Morrissey. Released as the group's second single in October 1983 on the independent record label Rough Trade, it is defined by Marr's jangle pop guitar riff and Morrissey's characteristically morose lyrics, which revolve around the recurrent Smiths themes of sexual ambiguity and lust. A different version, from the John Peel Show on BBC Radio 1, was included on the compilation album Hatful of Hollow in 1984.

Feeling detached from the early 1980s mainstream gay culture, Morrissey wrote "This Charming Man" to evoke an older, more coded and self-aware underground scene. The singer said of the song's lyrics: "I really like the idea of the male voice being quite vulnerable, of it being taken and slightly manipulated, rather than there being always this heavy machismo thing that just bores everybody." (Full article...)

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