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Romania
Location of Romania
LocationAt the confluence of Central, Eastern and Southeastern Europe

Romania is a country located at the crossroads of Central, Eastern and Southeast Europe. It borders Ukraine to the north and east, Hungary to the west, Serbia to the southwest, Bulgaria to the south, Moldova to the east, and the Black Sea to the southeast. It has a mainly continental climate, and an area of 238,397 km2 (92,046 sq mi) with a population of 19 million people. Romania is the twelfth-largest country in Europe and the sixth-most populous member state of the European Union. Europe's second-longest river, the Danube, empties into the Danube Delta in the southeast of the country. The Carpathian Mountains cross Romania from the north to the southwest and include Moldoveanu Peak, at an altitude of 2,544 m (8,346 ft). Bucharest is the country's largest urban area and economic center. Other major urban centers include Cluj-Napoca, Timișoara, Iași, Constanța and Brașov.

Romania is a developing country with a high-income economy, classified as a middle power in international relations. It is a unitary republic with a multi-party system and a semi-presidential representative democracy. It is home to 11 UNESCO World Heritage Sites and has become an increasingly popular tourist destination, attracting 14 million foreign visitors in 2024. Romania is a net exporter of automotive and vehicle parts worldwide and has established a growing reputation as a technology center, with some of the fastest internet speeds globally. Romania is a member of several international organizations, including the European Union, NATO, and the BSEC. (Full article...)

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  • Image 1 The Count of the Székelys (Hungarian: székelyispán, Latin: comes Sicolorum) was the leader of the Hungarian-speaking Székelys in Transylvania, in the medieval Kingdom of Hungary. First mentioned in royal charters of the 13th century, the counts were the highest-ranking royal officials in Székely Land. From around 1320 to the second half of the 15th century, the counts' jurisdiction included four Transylvanian Saxon districts, in addition to the seven Székely seats (or administrative units). The counts also held important castles outside the territories under their administration, including their seat at Görgény (now Gurghiu in Romania). They were the supreme commanders of the Székely troops; their military campaigns against Bulgaria and the Golden Horde were mentioned in royal charters and medieval chronicles. The counts presided over the general assemblies of both the individual Székely seats and the entire Székely community. They also heard appeals of the decisions of the supreme court of Székely Land. (Full article...)
    The Count of the Székelys (Hungarian: székelyispán, Latin: comes Sicolorum) was the leader of the Hungarian-speaking Székelys in Transylvania, in the medieval Kingdom of Hungary. First mentioned in royal charters of the 13th century, the counts were the highest-ranking royal officials in Székely Land. From around 1320 to the second half of the 15th century, the counts' jurisdiction included four Transylvanian Saxon districts, in addition to the seven Székely seats (or administrative units).

    The counts also held important castles outside the territories under their administration, including their seat at Görgény (now Gurghiu in Romania). They were the supreme commanders of the Székely troops; their military campaigns against Bulgaria and the Golden Horde were mentioned in royal charters and medieval chronicles. The counts presided over the general assemblies of both the individual Székely seats and the entire Székely community. They also heard appeals of the decisions of the supreme court of Székely Land. (Full article...)
  • Image 2 Tătărescu in 1939 Gheorghe I. Tătărescu (also known as Guță Tătărescu, with a slightly antiquated pet form of his given name; 2 November 1886 – 28 March 1957) was a Romanian politician who served twice as Prime Minister of Romania (1934–1937; 1939–1940), three times as Minister of Foreign Affairs (interim in 1934 and 1938, appointed to the office in 1945-1947) and once as Minister of War (1934). Representing the "young liberals" faction inside the National Liberal Party (PNL), Tătărescu began his political career as a collaborator of Ion G. Duca, becoming noted for his anticommunism and, in time, for his conflicts with the PNL's leader Dinu Brătianu and the Foreign Minister Nicolae Titulescu. During his first time in office, he moved closer to King Carol II and led an ambivalent policy toward the fascist Iron Guard and ultimately becoming instrumental in establishing the authoritarian and corporatist regime around the National Renaissance Front. In 1940, he accepted the cession of Bessarabia and Northern Bukovina to the Soviet Union and had to resign. After the start of World War II, Gheorghe Tătărescu initiated a move to rally political forces in opposition to Ion Antonescu's dictatorship, and sought an alliance with the Romanian Communist Party (PCR). He was twice expelled from the PNL, in 1938 and 1944, creating instead his own group, the National Liberal Party-Tătărescu, and representing it inside the communist-endorsed Petru Groza cabinet. In 1946-1947, he was also the President of the Romanian Delegation to the Peace Conference in Paris. Then, relations between Tătărescu and the PCR began to sour, and he was replaced from the leadership of both his own party and the Foreign Ministry when his name was implicated in the Tămădău Affair. Following the Communist takeover, he was arrested and held as a political prisoner while being called to testify in the trial of Lucrețiu Pătrășcanu. He died soon after his release from prison. (Full article...)

    Tătărescu in 1939

    Gheorghe I. Tătărescu (also known as Guță Tătărescu, with a slightly antiquated pet form of his given name; 2 November 1886 – 28 March 1957) was a Romanian politician who served twice as Prime Minister of Romania (1934–1937; 1939–1940), three times as Minister of Foreign Affairs (interim in 1934 and 1938, appointed to the office in 1945-1947) and once as Minister of War (1934). Representing the "young liberals" faction inside the National Liberal Party (PNL), Tătărescu began his political career as a collaborator of Ion G. Duca, becoming noted for his anticommunism and, in time, for his conflicts with the PNL's leader Dinu Brătianu and the Foreign Minister Nicolae Titulescu. During his first time in office, he moved closer to King Carol II and led an ambivalent policy toward the fascist Iron Guard and ultimately becoming instrumental in establishing the authoritarian and corporatist regime around the National Renaissance Front. In 1940, he accepted the cession of Bessarabia and Northern Bukovina to the Soviet Union and had to resign.

    After the start of World War II, Gheorghe Tătărescu initiated a move to rally political forces in opposition to Ion Antonescu's dictatorship, and sought an alliance with the Romanian Communist Party (PCR). He was twice expelled from the PNL, in 1938 and 1944, creating instead his own group, the National Liberal Party-Tătărescu, and representing it inside the communist-endorsed Petru Groza cabinet. In 1946-1947, he was also the President of the Romanian Delegation to the Peace Conference in Paris. Then, relations between Tătărescu and the PCR began to sour, and he was replaced from the leadership of both his own party and the Foreign Ministry when his name was implicated in the Tămădău Affair. Following the Communist takeover, he was arrested and held as a political prisoner while being called to testify in the trial of Lucrețiu Pătrășcanu. He died soon after his release from prison. (Full article...)
  • Image 3 Mateiu Ion Caragiale (Romanian: [maˈtej iˈon karaˈdʒjale]; 25 March [O.S. 12 March] 1885 – 17 January 1936), also credited as Matei or Matheiu, or in the antiquated version Mateiŭ, was a Romanian poet and prose writer, best known for his novel Craii de Curtea-Veche, which portrays the milieu of boyar descendants before and after World War I. Caragiale's style, associated with Symbolism, the Decadent movement of the fin de siècle, and early modernism, was an original element in the Romanian literature of the interwar period. In other late contributions, Caragiale pioneered detective fiction locally, but there is disagreement over whether his work in the field produced a complete narrative or just fragments. The scarcity of writings he left is contrasted by their critical acclaim and a large, mostly posthumous, following, commonly known as mateists. Also known as an amateur heraldist and graphic artist, the young Caragiale published his works sporadically, seeking instead to impose himself in politics and pursuing a career in the civil service. He was associated with the Conservative-Democratic Party, and then the People's League, and ultimately raised controversy by supporting the Central Powers during their occupation of Romania. He afterwards focused on literature, and, during the late 1920s and early 1930s, published most of his prose texts in the magazine Gândirea. (Full article...)

    Mateiu Ion Caragiale (Romanian: [maˈtej iˈon karaˈdʒjale]; 25 March [O.S. 12 March] 1885 – 17 January 1936), also credited as Matei or Matheiu, or in the antiquated version Mateiŭ, was a Romanian poet and prose writer, best known for his novel Craii de Curtea-Veche, which portrays the milieu of boyar descendants before and after World War I. Caragiale's style, associated with Symbolism, the Decadent movement of the fin de siècle, and early modernism, was an original element in the Romanian literature of the interwar period. In other late contributions, Caragiale pioneered detective fiction locally, but there is disagreement over whether his work in the field produced a complete narrative or just fragments. The scarcity of writings he left is contrasted by their critical acclaim and a large, mostly posthumous, following, commonly known as mateists.

    Also known as an amateur heraldist and graphic artist, the young Caragiale published his works sporadically, seeking instead to impose himself in politics and pursuing a career in the civil service. He was associated with the Conservative-Democratic Party, and then the People's League, and ultimately raised controversy by supporting the Central Powers during their occupation of Romania. He afterwards focused on literature, and, during the late 1920s and early 1930s, published most of his prose texts in the magazine Gândirea. (Full article...)
  • Image 4 The Edict of Torda (Hungarian: tordai ediktum, Romanian: Edictul de la Turda, German: Edikt von Torda) was a decree that authorized local communities to freely elect their preachers in the Eastern Hungarian Kingdom of John Sigismund Zápolya. The delegates of the Three Nations of Transylvania – the Hungarian nobles, Transylvanian Saxons, and Székelys – adopted it at the request of the monarch's Antitrinitarian court preacher, Ferenc Dávid, in Torda (Romanian: Turda, German: Thorenburg) on 28 January 1568. Though it did not acknowledge an individual's right to religious freedom, in sanctioning the existence of a radical Christian religion in a European state, the decree was an unprecedented act of religious tolerance. The Catholic and Eastern Orthodox churches had coexisted in the southern and eastern territories of the medieval Kingdom of Hungary for centuries. However, ideas that the Catholic Church regarded as heresy were not tolerated: the Hungarian Hussites were expelled from the country in the 1430s and the 1523 Diet of Hungary passed a decree that ordered the persecution of Lutherans. The latter decree was in practice ignored during the civil war that followed the Ottoman victory against the Hungarian army in the Battle of Mohács in 1526. After the Ottomans occupied the central regions of the medieval kingdom in 1541, they allowed the infant John Sigismund to rule the lands to the east of the river Tisza under the regency of his mother, Isabella Jagiellon. In the early 1540s the Diets acknowledged the right of the Three Nations to freely regulate their internal affairs. The Saxons regarded religion as an internal affair and ordered the introduction of the Lutheran Reformation in their settlements in 1544–1545. The Diet sanctioned the coexistence of the Catholic and Lutheran denominations only in 1557. (Full article...)
    The Edict of Torda (Hungarian: tordai ediktum, Romanian: Edictul de la Turda, German: Edikt von Torda) was a decree that authorized local communities to freely elect their preachers in the Eastern Hungarian Kingdom of John Sigismund Zápolya. The delegates of the Three Nations of Transylvania – the Hungarian nobles, Transylvanian Saxons, and Székelys – adopted it at the request of the monarch's Antitrinitarian court preacher, Ferenc Dávid, in Torda (Romanian: Turda, German: Thorenburg) on 28 January 1568. Though it did not acknowledge an individual's right to religious freedom, in sanctioning the existence of a radical Christian religion in a European state, the decree was an unprecedented act of religious tolerance.

    The Catholic and Eastern Orthodox churches had coexisted in the southern and eastern territories of the medieval Kingdom of Hungary for centuries. However, ideas that the Catholic Church regarded as heresy were not tolerated: the Hungarian Hussites were expelled from the country in the 1430s and the 1523 Diet of Hungary passed a decree that ordered the persecution of Lutherans. The latter decree was in practice ignored during the civil war that followed the Ottoman victory against the Hungarian army in the Battle of Mohács in 1526. After the Ottomans occupied the central regions of the medieval kingdom in 1541, they allowed the infant John Sigismund to rule the lands to the east of the river Tisza under the regency of his mother, Isabella Jagiellon. In the early 1540s the Diets acknowledged the right of the Three Nations to freely regulate their internal affairs. The Saxons regarded religion as an internal affair and ordered the introduction of the Lutheran Reformation in their settlements in 1544–1545. The Diet sanctioned the coexistence of the Catholic and Lutheran denominations only in 1557. (Full article...)
  • Image 5 Duke Ladislaus (left) at the Battle of Kerlés The Battle of Kerlés (Hungarian: kerlési csata) also known as the Battle of Cserhalom (Hungarian: cserhalmi csata), was an engagement between an army of Pechenegs and Ouzes commanded by Osul and the troops of King Solomon of Hungary and his cousins, Dukes Géza and Ladislaus, in Transylvania in 1068. The Pechenegs had been the dominant power of the westernmost regions of the Eurasian steppes since around 895. However, large Pecheneg groups moved to the Balkan Peninsula at the same time as the westward migration of the Ouzes and Cumans in the 1040s. The first recorded Pecheneg invasion of Transylvania occurred during the reign of Stephen I of Hungary (r. 997–1038). In 1068, the invaders broke into Transylvania through the passes of the Carpathian Mountains. Archaeological finds suggest that they destroyed at least three fortresses made of earth and timber, including the ones at Doboka (now Dăbâca in Romania) and Sajósárvár (present-day Șirioara). They also made a plundering raid in the Nyírség region, to the west of Transylvania. After taking much booty, they planned to leave Hungary, but the Hungarians ambushed and annihilated them at a hill near Doboka. According to a popular legend, a "Cuman" warrior tried to escape from the battlefield, taking a Hungarian girl, but Duke Ladislaus defeated and killed him in single combat. (Full article...)

    Duke Ladislaus (left) at the Battle of Kerlés

    The Battle of Kerlés (Hungarian: kerlési csata) also known as the Battle of Cserhalom (Hungarian: cserhalmi csata), was an engagement between an army of Pechenegs and Ouzes commanded by Osul and the troops of King Solomon of Hungary and his cousins, Dukes Géza and Ladislaus, in Transylvania in 1068. The Pechenegs had been the dominant power of the westernmost regions of the Eurasian steppes since around 895. However, large Pecheneg groups moved to the Balkan Peninsula at the same time as the westward migration of the Ouzes and Cumans in the 1040s. The first recorded Pecheneg invasion of Transylvania occurred during the reign of Stephen I of Hungary (r. 997–1038).

    In 1068, the invaders broke into Transylvania through the passes of the Carpathian Mountains. Archaeological finds suggest that they destroyed at least three fortresses made of earth and timber, including the ones at Doboka (now Dăbâca in Romania) and Sajósárvár (present-day Șirioara). They also made a plundering raid in the Nyírség region, to the west of Transylvania. After taking much booty, they planned to leave Hungary, but the Hungarians ambushed and annihilated them at a hill near Doboka. According to a popular legend, a "Cuman" warrior tried to escape from the battlefield, taking a Hungarian girl, but Duke Ladislaus defeated and killed him in single combat. (Full article...)
  • Image 6 The high medieval Kingdom of Hungary was a regional power in central Europe. It came into existence in Central Europe when Stephen I, Grand Prince of the Hungarians, was crowned king in 1000 or 1001. He reinforced central authority and forced his subjects to accept Christianity. Although all written sources emphasize only the role played by German and Italian knights and clerics in the process, a significant part of the Hungarian vocabulary for agriculture, religion was taken from Slavic languages. Civil wars and pagan uprisings, along with attempts by the Holy Roman emperors to expand their authority over Hungary, jeopardized the new monarchy. The monarchy stabilized during the reigns of Ladislaus I (1077–1095) and Coloman (1095–1116). These rulers occupied Croatia and Dalmatia with the support of a part of the local population. Both realms retained their autonomous position. The successors of Ladislaus and Coloman—especially Béla II (1131–1141), Béla III (1176–1196), Andrew II (1205–1235), and Béla IV (1235–1270)—continued this policy of expansion towards the Balkan Peninsula and the lands east of the Carpathian Mountains, transforming their kingdom into one of the major powers of medieval Europe. Rich in uncultivated lands, silver, gold, and salt deposits, Hungary became the preferred destination of mainly German, Italian, and French colonists. These immigrants were mostly peasants who settled in villages, but some were craftsmen and merchants, who established most of the cities of the Kingdom. Their arrival played a key role in the shaping of an urban lifestyle, habits, and culture in medieval Hungary. The location of the kingdom at the crossroads of international trade routes favored the coexistence of several cultures. Romanesque, Gothic, and Renaissance buildings and literary works written in Latin prove the predominantly Roman Catholic character of the culture; but Orthodox, and even non-Christian ethnic minority communities also existed. Latin was the language of legislation, administration and the judiciary, but "linguistic pluralism" contributed to the survival of many tongues, including a great variety of Slavic dialects. (Full article...)

    The high medieval Kingdom of Hungary was a regional power in central Europe. It came into existence in Central Europe when Stephen I, Grand Prince of the Hungarians, was crowned king in 1000 or 1001. He reinforced central authority and forced his subjects to accept Christianity. Although all written sources emphasize only the role played by German and Italian knights and clerics in the process, a significant part of the Hungarian vocabulary for agriculture, religion was taken from Slavic languages. Civil wars and pagan uprisings, along with attempts by the Holy Roman emperors to expand their authority over Hungary, jeopardized the new monarchy. The monarchy stabilized during the reigns of Ladislaus I (1077–1095) and Coloman (1095–1116). These rulers occupied Croatia and Dalmatia with the support of a part of the local population. Both realms retained their autonomous position. The successors of Ladislaus and Coloman—especially Béla II (1131–1141), Béla III (1176–1196), Andrew II (1205–1235), and Béla IV (1235–1270)—continued this policy of expansion towards the Balkan Peninsula and the lands east of the Carpathian Mountains, transforming their kingdom into one of the major powers of medieval Europe.

    Rich in uncultivated lands, silver, gold, and salt deposits, Hungary became the preferred destination of mainly German, Italian, and French colonists. These immigrants were mostly peasants who settled in villages, but some were craftsmen and merchants, who established most of the cities of the Kingdom. Their arrival played a key role in the shaping of an urban lifestyle, habits, and culture in medieval Hungary. The location of the kingdom at the crossroads of international trade routes favored the coexistence of several cultures. Romanesque, Gothic, and Renaissance buildings and literary works written in Latin prove the predominantly Roman Catholic character of the culture; but Orthodox, and even non-Christian ethnic minority communities also existed. Latin was the language of legislation, administration and the judiciary, but "linguistic pluralism" contributed to the survival of many tongues, including a great variety of Slavic dialects. (Full article...)
  • Image 7 Christopher depicted in Franz Christoph Khevenhüller's Conterfet Kupfferstich Christopher Báthory (Hungarian: Báthory Kristóf; 1530 – 27 May 1581) was voivode of Transylvania from 1576 to 1581. He was a younger son of Stephen Báthory of Somlyó. Christopher's career began during the reign of Queen Isabella Jagiellon, who administered the eastern territories of the Kingdom of Hungary on behalf of her son, John Sigismund Zápolya, from 1556 to 1559. He was one of the commanders of John Sigismund's army in the early 1560s. Christopher's brother, Stephen Báthory, who succeeded John Sigismund in 1571, made Christopher captain of Várad (now Oradea in Romania). After being elected King of Poland, Stephen Báthory adopted the title of Prince of Transylvania and made Christopher voivode in 1576. Christopher cooperated with Márton Berzeviczy, whom his brother appointed to supervise the administration of the Principality of Transylvania as the head of the Transylvanian chancellery at Kraków. Christopher ordered the imprisonment of Ferenc Dávid, a leading theologian of the Unitarian Church of Transylvania, who started to condemn the adoration of Jesus. He supported his brother's efforts to settle the Jesuits in Transylvania. (Full article...)

    Christopher depicted in Franz Christoph Khevenhüller's Conterfet Kupfferstich

    Christopher Báthory (Hungarian: Báthory Kristóf; 1530 – 27 May 1581) was voivode of Transylvania from 1576 to 1581. He was a younger son of Stephen Báthory of Somlyó. Christopher's career began during the reign of Queen Isabella Jagiellon, who administered the eastern territories of the Kingdom of Hungary on behalf of her son, John Sigismund Zápolya, from 1556 to 1559. He was one of the commanders of John Sigismund's army in the early 1560s.

    Christopher's brother, Stephen Báthory, who succeeded John Sigismund in 1571, made Christopher captain of Várad (now Oradea in Romania). After being elected King of Poland, Stephen Báthory adopted the title of Prince of Transylvania and made Christopher voivode in 1576. Christopher cooperated with Márton Berzeviczy, whom his brother appointed to supervise the administration of the Principality of Transylvania as the head of the Transylvanian chancellery at Kraków. Christopher ordered the imprisonment of Ferenc Dávid, a leading theologian of the Unitarian Church of Transylvania, who started to condemn the adoration of Jesus. He supported his brother's efforts to settle the Jesuits in Transylvania. (Full article...)
  • Image 8 "I Think I Love It" is a song by Romanian singer Alexandra Stan, digitally released through Universal Music Romania on 28 June 2019 as the first single from Stan’s fifth album Rainbows. It was written by Krishane and Radu Bolfea, while the production was handled by Stan, Bolfea, Cătălin Safta, Achi, Adelina Stinga and Vlad Lucan. A reggae pop track, the song's lyrics discuss the theme of love and freedom. An accompanying music video for the song was uploaded to Stan's YouTube channel on 1 July 2019, directed by Criss Blaziny. Making use of several explicit scenes, it features the singer and model Geni Olaru driving a red Corvette car and posing in different ways. Further promoted by several live performances, the song peaked at number 38 on Romania's Airplay 100 ranking. (Full article...)
    "I Think I Love It" is a song by Romanian singer Alexandra Stan, digitally released through Universal Music Romania on 28 June 2019 as the first single from Stan’s fifth album Rainbows. It was written by Krishane and Radu Bolfea, while the production was handled by Stan, Bolfea, Cătălin Safta, Achi, Adelina Stinga and Vlad Lucan. A reggae pop track, the song's lyrics discuss the theme of love and freedom. An accompanying music video for the song was uploaded to Stan's YouTube channel on 1 July 2019, directed by Criss Blaziny. Making use of several explicit scenes, it features the singer and model Geni Olaru driving a red Corvette car and posing in different ways. Further promoted by several live performances, the song peaked at number 38 on Romania's Airplay 100 ranking. (Full article...)
  • Image 9 Bulgarian-inhabited places in the Banat Bulgarian-inhabited places in the Banat   Bulgarian population   City or town The Banat Bulgarians (Banat Bulgarian: Palćene or Banátsći balgare; common Bulgarian: Банатски българи, romanized: Banatski bălgari; Romanian: Bulgari bănățeni; Serbian: Банатски Бугари / Banatski Bugari), also known as Bulgarian Roman Catholics, Bulgarian Latin Catholics and Bulgarians Paulicians or simply as Paulicians, are a distinct Bulgarian minority group which since the Chiprovtsi Uprising in the late 17th century began to settle in the region of the Banat, which was then ruled by the Habsburgs and after World War I was divided between Romania, Serbia, and Hungary. Unlike most other Bulgarians, they are Roman Catholic by confession and stem from groups of Paulicians (who eventually adopted Catholicism) and Roman Catholics from modern northern and northwestern Bulgaria. Banat Bulgarians speak a distinctive codified form of the Eastern Bulgarian vernacular with much lexical influence from the other languages of the Banat. Although strongly acculturated to the Pannonian region (remote from Bulgaria's mainland), they have preserved their Bulgarian identity; however, they consider themselves Bulgarians among other ethnic groups but self-identify as Paulicians when compared to ethnic Bulgarians. (Full article...)

    Bulgarian-inhabited places in the Banat
    Bulgarian-inhabited places in the Banat
    Bulgarian-inhabited places in the Banat

      Bulgarian population

      City or town

    The Banat Bulgarians (Banat Bulgarian: Palćene or Banátsći balgare; common Bulgarian: Банатски българи, romanized: Banatski bălgari; Romanian: Bulgari bănățeni; Serbian: Банатски Бугари / Banatski Bugari), also known as Bulgarian Roman Catholics, Bulgarian Latin Catholics and Bulgarians Paulicians or simply as Paulicians, are a distinct Bulgarian minority group which since the Chiprovtsi Uprising in the late 17th century began to settle in the region of the Banat, which was then ruled by the Habsburgs and after World War I was divided between Romania, Serbia, and Hungary. Unlike most other Bulgarians, they are Roman Catholic by confession and stem from groups of Paulicians (who eventually adopted Catholicism) and Roman Catholics from modern northern and northwestern Bulgaria.

    Banat Bulgarians speak a distinctive codified form of the Eastern Bulgarian vernacular with much lexical influence from the other languages of the Banat. Although strongly acculturated to the Pannonian region (remote from Bulgaria's mainland), they have preserved their Bulgarian identity; however, they consider themselves Bulgarians among other ethnic groups but self-identify as Paulicians when compared to ethnic Bulgarians. (Full article...)
  • Image 10 Basarab I (fresco in Argeș) Basarab I (Romanian: [basaˈrab] ⓘ), also known as Basarab the Founder (Romanian: Basarab Întemeietorul; c. 1270 – 1351/1352), was a voivode and later the first independent ruler of Wallachia who lived in the first half of the 14th century. Many details of his life are uncertain. According to two popular theories, Basarab either came into power between 1304 and 1324 by dethroning or peacefully succeeding the legendary founder of Wallachia, Radu Negru, or in 1310 by succeeding his father, Thocomerius. A royal charter issued on 26 July 1324 is the first document to reference Basarab. According to the charter, he was subject to Charles I of Hungary as the voivode of Wallachia. Basarab became "disloyal to the Holy Crown of Hungary" in 1325. He seized the Banate of Severin and raided the southern regions of the Kingdom of Hungary. Basarab supported Michael Shishman of Bulgaria's attack against the Kingdom of Serbia, but their united armies were defeated in the Battle of Velbazhd on the 28th of July 1330. Soon after, Charles I of Hungary invaded Wallachia, but the Wallachians ambushed the royal troops in the Battle of Posada, between the 9th and 12 November 1330, nearly annihilating the entire force, subsequently ending Hungarian suzerainty in Wallachia, allowing the foundation of the first independent Romanian principality. Basarab's descendants ruled Wallachia for at least two centuries. The region of Bessarabia, situated between the rivers Dniester and Prut, was named for the Basarab dynasty. (Full article...)

    Basarab I (fresco in Argeș)

    Basarab I (Romanian: [basaˈrab] ⓘ), also known as Basarab the Founder (Romanian: Basarab Întemeietorul; c. 1270 – 1351/1352), was a voivode and later the first independent ruler of Wallachia who lived in the first half of the 14th century. Many details of his life are uncertain. According to two popular theories, Basarab either came into power between 1304 and 1324 by dethroning or peacefully succeeding the legendary founder of Wallachia, Radu Negru, or in 1310 by succeeding his father, Thocomerius.

    A royal charter issued on 26 July 1324 is the first document to reference Basarab. According to the charter, he was subject to Charles I of Hungary as the voivode of Wallachia. Basarab became "disloyal to the Holy Crown of Hungary" in 1325. He seized the Banate of Severin and raided the southern regions of the Kingdom of Hungary. Basarab supported Michael Shishman of Bulgaria's attack against the Kingdom of Serbia, but their united armies were defeated in the Battle of Velbazhd on the 28th of July 1330. Soon after, Charles I of Hungary invaded Wallachia, but the Wallachians ambushed the royal troops in the Battle of Posada, between the 9th and 12 November 1330, nearly annihilating the entire force, subsequently ending Hungarian suzerainty in Wallachia, allowing the foundation of the first independent Romanian principality. Basarab's descendants ruled Wallachia for at least two centuries. The region of Bessarabia, situated between the rivers Dniester and Prut, was named for the Basarab dynasty. (Full article...)
  • Image 11 "No Help" is a song by Romanian singer Inna, included on the deluxe edition of her fifth studio album Nirvana (2017). It was released for digital download and streaming on 6 September 2018 by Global Records. Musically, "No Help" is a pop and oriental-influenced dance and tropical house song, whose lyrics discuss confidence, independence and self-help. The track received positive reviews from music critics, who praised its catchiness and dance nature. For promotion, an accompanying music video was uploaded onto Inna's official YouTube channel simultaneously with the song's release. It was filmed by Bogdan Păun in Morocco and Los Angeles. Reviewers praised the outfits and landscapes featured in the visual. "No Help" received minor commercial success in Romania and France. (Full article...)
    "No Help" is a song by Romanian singer Inna, included on the deluxe edition of her fifth studio album Nirvana (2017). It was released for digital download and streaming on 6 September 2018 by Global Records. Musically, "No Help" is a pop and oriental-influenced dance and tropical house song, whose lyrics discuss confidence, independence and self-help. The track received positive reviews from music critics, who praised its catchiness and dance nature. For promotion, an accompanying music video was uploaded onto Inna's official YouTube channel simultaneously with the song's release. It was filmed by Bogdan Păun in Morocco and Los Angeles. Reviewers praised the outfits and landscapes featured in the visual. "No Help" received minor commercial success in Romania and France. (Full article...)
  • Image 12 "Sin Ti" (English: "Without You") is a song by Romanian singer Inna, digitally released on 18 January 2019 by Global Records and Roc Nation as the third single from her sixth studio album Yo (2019). It was written by Inna and Cristina Maria Chiluiza, while production was handled by David Ciente. A Spanish language track, it discusses the theme of love and Inna's connection with her love interest. Musically, the song partially showcases the dembow genre, and has an instrumentation consisting of bass, strings, flamenco-tinged Spanish guitar and sampled vocals. Upon its release, "Sin Ti" was met with positive reviews from music critics. They praised the song's lyrics and instrumentation, as well as Inna's vocal delivery, while one likened it to her track "Ra" (2018), which set off her change in direction. An accompanying music video for "Sin Ti" was uploaded to Inna's YouTube channel simultaneously with the single's digital release. Directed by Bogdan Păun, the visual features the singer barefoot on a chair in a field. "Sin Ti" was used in Elite. (Full article...)
    "Sin Ti" (English: "Without You") is a song by Romanian singer Inna, digitally released on 18 January 2019 by Global Records and Roc Nation as the third single from her sixth studio album Yo (2019). It was written by Inna and Cristina Maria Chiluiza, while production was handled by David Ciente. A Spanish language track, it discusses the theme of love and Inna's connection with her love interest. Musically, the song partially showcases the dembow genre, and has an instrumentation consisting of bass, strings, flamenco-tinged Spanish guitar and sampled vocals.

    Upon its release, "Sin Ti" was met with positive reviews from music critics. They praised the song's lyrics and instrumentation, as well as Inna's vocal delivery, while one likened it to her track "Ra" (2018), which set off her change in direction. An accompanying music video for "Sin Ti" was uploaded to Inna's YouTube channel simultaneously with the single's digital release. Directed by Bogdan Păun, the visual features the singer barefoot on a chair in a field. "Sin Ti" was used in Elite. (Full article...)
  • Image 13 "Yodel It!" is a song recorded by Romanian singers Ilinca and Alex Florea, released on 30 January 2017 by Cat Music. The track was written by Alexandra Niculae and produced by Mihai Alexandru for the Swiss band Timebelle who rejected it. It was then given to Ilinca to record. Florea was chosen as a featured artist as both Alexandru and Ilinca felt her version was incomplete. "Yodel It!" is a mixture of rock, pop and hip hop music, including Ilinca yodeling during the chorus and Florea's rap vocals. The track's optimistic lyrical message was compared to that of Taylor Swift's "Shake It Off" (2014). "Yodel It!" represented Romania in the 2017 Eurovision Song Contest in Kyiv, Ukraine after winning the pre-selection show Selecția Națională. The country reached seventh place in a field of 26, scoring a total of 282 points. During their show, Ilinca and Florea were accompanied by a variety of colorful imagery displayed in the background. The song received mixed reviews from music critics. While it was praised for its catchiness and appeal, the yodeling sequences were criticized as being atypical of Romanian culture. Some parts of the recording were also likened to the band The Script and will.i.am's song "Hall of Fame" (2012). "Yodel It!" won in the Song of the Year category at the 2017 Radar de Media Awards in Romania. (Full article...)
    "Yodel It!" is a song recorded by Romanian singers Ilinca and Alex Florea, released on 30 January 2017 by Cat Music. The track was written by Alexandra Niculae and produced by Mihai Alexandru for the Swiss band Timebelle who rejected it. It was then given to Ilinca to record. Florea was chosen as a featured artist as both Alexandru and Ilinca felt her version was incomplete. "Yodel It!" is a mixture of rock, pop and hip hop music, including Ilinca yodeling during the chorus and Florea's rap vocals. The track's optimistic lyrical message was compared to that of Taylor Swift's "Shake It Off" (2014).

    "Yodel It!" represented Romania in the 2017 Eurovision Song Contest in Kyiv, Ukraine after winning the pre-selection show Selecția Națională. The country reached seventh place in a field of 26, scoring a total of 282 points. During their show, Ilinca and Florea were accompanied by a variety of colorful imagery displayed in the background. The song received mixed reviews from music critics. While it was praised for its catchiness and appeal, the yodeling sequences were criticized as being atypical of Romanian culture. Some parts of the recording were also likened to the band The Script and will.i.am's song "Hall of Fame" (2012). "Yodel It!" won in the Song of the Year category at the 2017 Radar de Media Awards in Romania. (Full article...)
  • Image 14 "Amazing" is a song recorded by Romanian singer Inna for her 2009 debut studio album, Hot. It was released as the fourth single from the record on 6 August 2009. Written and produced by Play & Win members Sebastian Barac, Radu Bolfea and Marcel Botezan, "Amazing" is a Pop Music track with a Spanish guitar and beats in its instrumentation. One reviewer regarded the song as being similar to Inna's past work, however, with the addition of new elements. Other music critics gave positive reviews of the single, and praised its construction and foresaw its commercial success. Play & Win were involved in a breach of contract controversy in August 2009, with Romanian singer Anca Badiu sustaining that "Amazing" had been originally intended for her before released by Inna. The song was aided by an accompanying music video premiered on 10 September 2009. Shot by Tom Boxer at the Atlantic Ocean and near Lisbon (more precisely, in Colares), it portrays the singer surfing and being saved from drowning by a lifeguard. For further promotion, Inna also performed "Amazing" on several occasions, including at the 2010 Eska Music Awards and the MAD Video Music Awards. Commercially, the song topped the charts in Romania and Bulgaria, while reaching the top 20 in multiple other countries. It was also nominated in two categories at the 2010 Romanian Music Awards, and won in the Pop/Dance Song of the Year section at the 2010 Radio România Actualități Awards. (Full article...)
    "Amazing" is a song recorded by Romanian singer Inna for her 2009 debut studio album, Hot. It was released as the fourth single from the record on 6 August 2009. Written and produced by Play & Win members Sebastian Barac, Radu Bolfea and Marcel Botezan, "Amazing" is a Pop Music track with a Spanish guitar and beats in its instrumentation. One reviewer regarded the song as being similar to Inna's past work, however, with the addition of new elements. Other music critics gave positive reviews of the single, and praised its construction and foresaw its commercial success.

    Play & Win were involved in a breach of contract controversy in August 2009, with Romanian singer Anca Badiu sustaining that "Amazing" had been originally intended for her before released by Inna. The song was aided by an accompanying music video premiered on 10 September 2009. Shot by Tom Boxer at the Atlantic Ocean and near Lisbon (more precisely, in Colares), it portrays the singer surfing and being saved from drowning by a lifeguard. For further promotion, Inna also performed "Amazing" on several occasions, including at the 2010 Eska Music Awards and the MAD Video Music Awards. Commercially, the song topped the charts in Romania and Bulgaria, while reaching the top 20 in multiple other countries. It was also nominated in two categories at the 2010 Romanian Music Awards, and won in the Pop/Dance Song of the Year section at the 2010 Radio România Actualități Awards. (Full article...)
  • Image 15 "Verde împărat" (Romanian: Green Emperor) is a song recorded by Romanian singer Delia. It was digitally released on 23 October 2017 through Cat Music as a single from her fifth studio album 7 (2020). The track was written and composed by the singer herself, along with additional production from Alex Cotoi. "Verde împărat" is a liquid dubstep and chillout song, with instrumentation from flute, bass and percussion. Its lyrics revolve around Delia's relationship with her partner, who she compares to a "green emperor", along with various nature references. The song was met with positive reviews from music critics, who thought that it expanded her artistry and praised her vocal performance. An accompanying music video for the track was shot by Alex Ceauşu in early October 2017, and uploaded onto Cat Music's official YouTube channel simultaneously with the single's release. The clip received similar acclaim for its showcase of nature and wilderness. It portrays the singer in a forest, wearing multiple nature-inspired outfits. For further promotion, Delia performed "Verde împărat" for Romanian radio station Radio ZU and during her 2017 concert tour Psihedelia at Sala Palatului. (Full article...)
    "Verde împărat" (Romanian: Green Emperor) is a song recorded by Romanian singer Delia. It was digitally released on 23 October 2017 through Cat Music as a single from her fifth studio album 7 (2020). The track was written and composed by the singer herself, along with additional production from Alex Cotoi. "Verde împărat" is a liquid dubstep and chillout song, with instrumentation from flute, bass and percussion. Its lyrics revolve around Delia's relationship with her partner, who she compares to a "green emperor", along with various nature references.

    The song was met with positive reviews from music critics, who thought that it expanded her artistry and praised her vocal performance. An accompanying music video for the track was shot by Alex Ceauşu in early October 2017, and uploaded onto Cat Music's official YouTube channel simultaneously with the single's release. The clip received similar acclaim for its showcase of nature and wilderness. It portrays the singer in a forest, wearing multiple nature-inspired outfits. For further promotion, Delia performed "Verde împărat" for Romanian radio station Radio ZU and during her 2017 concert tour Psihedelia at Sala Palatului. (Full article...)
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The Middle Ages in Romania began shortly after the withdrawal of the Roman legions from the former Roman province of Dacia in the late 3rd century and with the start of the Early Middle Ages and the Migration Period that followed afterwards respectively. It subsequently came to an end with the reign of Domn Michael the Brave (1593–1601) who managed, for a short time between 1599 and 1600, to rule Wallachia, Moldavia, and Transylvania together, the three principalities whose territories were to be united some three centuries later to form modern and contemporary Romania.

Over most of this period, Banat, Crișana, Maramureș, and Transylvania – now regions in Romania to the west of the Carpathian Mountains – were part of the Kingdom of Hungary. They were divided into several types of administrative units, such as "counties" and "seats". The heads of the Transylvanian counties or "counts" were subordinated to a special royal official called voivode, but the province was seldom treated as a single unit, since the Székely and Saxon seats were administered separately. In the kingdom, Romanian peasants, being Orthodox, were exempt from the tithe, an ecclesiastical tax payable by all Roman Catholic commoners. However, Romanian noblemen slowly lost the ability to participate in political life, as the 14th-century monarchs pursued a zealous pro-Catholic policy. Their position became even worse after 1437 when the so-called "Union of Three Nations", an alliance of the Hungarian noblemen, the Székelys, and the Saxons, was formed in order to crush the Bobâlna peasant uprising. (Full article...)

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Ana Pauker (born Hannah Rabinsohn; 13 February 1893 – 3 June 1960) was a Romanian communist leader and served as the country's foreign minister in the late 1940s and early 1950s. Ana Pauker became the world's first female foreign minister when entering office in December 1947. She was also the unofficial leader of the Romanian Communist Party immediately after World War II. (Full article...)

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    Bombing of Concordia Vega oil refinery in Ploești by USAAF B-24s, 31 May 1944 — restored (2022-11-05)
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