Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock is typically centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a ⁴
₄ time signature and utilizing a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a few distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, Southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, heavy metal, which emphasized an aggressive thick sound, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

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The following are images from various rock music-related articles on Wikipedia.

Image 1"There's No Romance in Rock and Roll" made the cover of True Life Romance in 1956. (from Rock and roll)
Image 2Big Joe Turner and Pete Johnson's record "Roll 'Em Pete" is regarded as a precursor to rock and roll. (from Rock and roll)
Image 3Aerosmith performing at Quilmes Rock in Buenos Aires, Argentina on April 15, 2007 (from Hard rock)
Image 4Wolfmother, 2007 (from Hard rock)
Image 5Nirvana were at the forefront of the 1990s grunge era. (from Hard rock)
Image 6Kiss onstage in Boston in 2004 (from Hard rock)
Image 7Sign commemorating the role of Alan Freed and Cleveland, Ohio, in the origins of rock and roll (from Rock and roll)
Image 8Original member Izzy Stradlin' on stage with Guns N' Roses in 2006 (from Hard rock)
Image 9Foo Fighters performing an acoustic show in 2007 (from Hard rock)
Image 10Tommy Steele, one of the first British rock and rollers, performing in Stockholm in 1957 (from Rock and roll)
Image 11Bill Haley and his Comets performing in the 1954 Universal International film Round Up of Rhythm (from Rock and roll)
Image 12Golden Earring receives a gold record in 1970. (from Hard rock)
Image 13Rush on stage in Milan, Italy, 2004 (from Hard rock)
Image 14Buddy Holly and his band, the Crickets (from Rock and roll)
Image 15Little Richard in 1957 (from Rock and roll)
Image 16Poison, seen here in 2008, were among the most successful acts of the 1980s glam metal era. (from Hard rock)
Image 17Led Zeppelin live at Chicago Stadium, January 1975 (from Hard rock)
Image 18Chuck Berry in 1957 (from Rock and roll)
Image 19Elvis Presley in a promotion shot for Jailhouse Rock in 1957 (from Rock and roll)
Image 20Drum notation for a backbeat (from Hard rock)
Image 21Baker, Bruce and Clapton of Cream, whose blues rock improvisation was a major factor in the development of the genre (from Hard rock)
Image 22The Who on stage in 1975 (from Hard rock)

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Rockism and poptimism are ideological arguments about popular music prevalent in mainstream music journalism. Rockism is the belief that rock music depends on values such as authenticity and artfulness, which elevate it over other forms of popular music. So-called "rockists" may promote the artifices stereotyped in rock music or may regard the genre as the normative state of popular music. Poptimism (or popism) is the belief that pop music is as worthy of professional critique and interest as rock music. Detractors of poptimism describe it as a counterpart of rockism that unfairly privileges the most famous or best-selling pop, hip hop and R&B acts.

The term "rockism" was coined in 1981 by English rock musician Pete Wylie. It soon became a pejorative used humorously by self-described "anti-rockist" music journalists. The term was not generally used beyond the music press until the mid-2000s, and its emergence then was partly attributable to bloggers using it more seriously in analytical debate. In the 2000s, a critical reassessment of pop music was underway, and by the next decade, poptimism supplanted rockism as the prevailing ideology in popular music criticism.

While poptimism was envisioned and encouraged as a corrective to rockist attitudes, opponents of its discourse argue that it has resulted in certain pop stars being shielded from negative reviews as part of an effort to maintain a consensus of uncritical excitement. Others argue that the two ideologies have similar flaws. (Full article...)

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Robert Clark Seger (/ˈsiːɡər/ SEE-gər; born May 6, 1945) is an American retired singer, songwriter, and musician. As a locally successful Detroit-area artist, he performed and recorded with the groups Bob Seger and the Last Heard and the Bob Seger System throughout the 1960s, breaking through with his first album, Ramblin' Gamblin' Man (which contained his first national hit "Ramblin' Gamblin' Man") in 1969. By the early 1970s, he had dropped the 'System' from his recordings and continued to strive for broader success with various other bands. In 1973, he put together the Silver Bullet Band, with a group of Detroit-area musicians, with whom he became most successful on the national level with the album Live Bullet (1976), recorded live with the Silver Bullet Band in 1975 at Cobo Hall in Detroit, Michigan. In 1976, he achieved a national breakout with the studio album Night Moves. On his studio albums, he also worked extensively with the Alabama-based Muscle Shoals Rhythm Section, which appeared on several of Seger's best-selling singles and albums.

A roots rock musician known for his raspy, powerful voice, Seger is one of the best-known artists of the heartland rock genre, with his songs often concerning love, women, and blue-collar themes. He has recorded many hits, including "Night Moves", "Turn the Page", "Mainstreet", "Still the Same", "Hollywood Nights", "Against the Wind", "You'll Accomp'ny Me", "Shame on the Moon", "Roll Me Away", "Like a Rock", and "Shakedown", the last of which was written for the 1987 film Beverly Hills Cop II and topped the Billboard Hot 100 chart. He also co-wrote the Eagles' number-one hit "Heartache Tonight", and his recording of "Old Time Rock and Roll" was named one of the Songs of the Century in 2001.

With a career spanning six decades, Seger has sold over 75 million records worldwide, making him one of the world's best-selling artists of all time. Seger was inducted into the Rock and Roll Hall of Fame in 2004 and the Songwriters Hall of Fame in 2012. Seger was named Billboard's 2015 Legend of Live honoree at the 12th annual Billboard Touring Conference & Awards, held November 18–19 at the Roosevelt Hotel in New York. His farewell tour took place in 2018 and 2019. (Full article...)

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Indestructible is the fourth studio album by American heavy metal band Disturbed. A self-produced effort, Indestructible is the first Disturbed album that did not feature Johnny K, the producer of Disturbed's previous three albums, The Sickness, Believe, and Ten Thousand Fists. Indestructible was recorded at Groovemaster Studios in Chicago, Illinois. The album features two songs, "Perfect Insanity" and "Divide", that were written by Disturbed prior to their first album, The Sickness, but were never previously released.

The album shows Disturbed abandoning the nu metal sound prominent on previous three albums and features significantly darker themes than any of their previous work, according to the band. Some of the lyrical themes involve actual experiences that vocalist David Draiman had endured over the course of the past few years prior to making the album, including "bad relationships", a motorcycle accident that he was involved with, and an incident of suicide. To match the aggressive attitude and nature of said themes, Draiman told the other band members to create darker, more textural music than they have before. Despite these themes, the title track, "Indestructible", is meant to encourage those in the military that are fighting in wars and boost their morale.

Indestructible was released on June 3, 2008 in CD format, and also as two different limited edition and special edition digipaks, debuting at number one on the Billboard 200, making it the third consecutive number one debut by Disturbed on that chart, which had only been achieved by five other rock bands prior to the album's release. The album also shipped over 253,000 units in its opening week. Indestructible was met with mixed reviews by critics, earning a score of 57% on review-aggregating website Metacritic, based on six reviews. The album was certified Platinum by the Recording Industry Association of America in April 2009 for shipping over 1,000,000 copies in the United States. The single "Inside the Fire" was nominated for a 2009 Grammy Award in the "Best Hard Rock Performance" category. (Full article...)

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"Love Minus Zero/No Limit" (read "Love Minus Zero over No Limit", sometimes titled "Love Minus Zero") is a song written by Bob Dylan for his fifth studio album Bringing It All Back Home, released in 1965. Its main musical hook is a series of three descending chords, while its lyrics articulate Dylan's feelings for his lover, and have been interpreted as describing how she brings a needed zen-like calm to his chaotic world. The song uses surreal imagery, which some authors and critics have suggested recalls Edgar Allan Poe's "The Raven" and the biblical Book of Daniel. Critics have also remarked that the style of the lyrics is reminiscent of William Blake's poem "The Sick Rose".

Dylan has performed "Love Minus Zero/No Limit" live on several of his tours. Since its initial appearance on Bringing It All Back Home, live versions of the song have been released on a number of Dylan's albums, including Bob Dylan at Budokan, MTV Unplugged (European versions), and The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, as well as on the reissued Concert for Bangladesh album by George Harrison & Friends. Live video performances have been included on the Concert for Bangladesh and Other Side of the Mirror: Live at Newport Folk Festival 1963–1965 DVD releases.

Artists who have covered "Love Minus Zero/No Limit" include Ricky Nelson, Buck Owens, the Turtles, Joan Baez, Judy Collins, Fleetwood Mac, Rod Stewart, and Jackson Browne. Eric Clapton played it at Bob Dylan's 30th Anniversary Concert Celebration. (Full article...)

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Credit: William Jans

Nardwuar (John Ruskin) of The Evaporators a Canadian garage rock band.

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Did you know (auto-generated)

... that the Liverpool Echo described British rock and roll star Tommy Steele as "quite unable to sing and play the guitar at the same time" when reviewing his first album?
... that raw material waste from the West influenced a generation of rock music in China?
... that the heavy metal band Cradle of Filth released a T-shirt that was so offensive that several people were arrested for wearing it?
... that Desulfovibrio vulgaris can remove toxic heavy metals from the environment?
... that heavy metal led Ossian D'Ambrosio to druidism?
... that the British rock musician Hannah Grae went viral online with an anti-sexual harassment parody of Aqua's "Barbie Girl"?

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Glam metal (also known as hair metal or pop metal) is a subgenre of heavy metal that features pop-influenced hooks and guitar riffs, upbeat rock anthems, and slow power ballads. It borrows heavily from the fashion and image of 1970s glam rock.

Early glam metal evolved directly from the glam rock movement of the 1970s, as visual elements taken from acts such as David Bowie, T. Rex, and the New York Dolls (and to a lesser extent, the punk and new wave movements taking place concurrently in New York City) were fused with the decidedly more heavy metal leaning and theatrical acts such as Alice Cooper and Kiss. The first examples of this fusion began appearing in the late 1970s and early 1980s in the United States, particularly on the Los Angeles Sunset Strip music scene. Early glam metal bands include Mötley Crüe, Hanoi Rocks, Ratt, Quiet Riot, Twisted Sister, Bon Jovi, and Dokken. Glam metal achieved significant commercial success from approximately 1982 to 1991, bringing to prominence bands such as Poison, Skid Row, Cinderella and Warrant. From a strictly visual perspective, glam metal is defined by flashy and tight-fitting clothing, makeup, and an overall androgynous aesthetic in which the traditional "denim & leather" aspect of heavy metal culture is replaced by spandex, lace, and usually heavy use of bright colours. (Full article...)