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Adding articles

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Feel free to add any FA or GA Anime and manga articles to the below list, within these guidelines:

Articles for adding can be found at Category:FA-Class anime and manga articles and Category:GA-Class anime and manga articles or checking the project page news list. If you are unsure or do not know how to add an entry, feel free leave a note on this list's talk page, or on the main portal talk page.

Selected article list

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Articles 1–20

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Portal:Anime and manga/Selected articles/1

Love Hina is a Japanese manga series written and illustrated by Ken Akamatsu. It was serialized in Kodansha's Weekly Shōnen Magazine from October 1998 to October 2001, with the chapters collected into 14 tankōbon volumes by Kodansha. The series tells the story of Keitarō Urashima and his attempts to find the girl with whom he made a childhood promise to enter the University of Tokyo. The manga was licensed for an English-language release in North America and the United Kingdom by Tokyopop, in Australia by Madman Entertainment, and in Singapore by Chuang Yi. Two novelizations of Love Hina, written by two anime series screenwriters, were also released in Japan by Kodansha. Both novels were later released in North America and the United Kingdom by Tokyopop.

A twenty-four episode anime adaptation of the manga series, produced by Xebec, aired in Japan from April to September 2000. It was followed by a bonus DVD episode, Christmas and Spring television specials, and a three episode original video animation (OVA) entitled Love Hina Again. The anime series, special, and OVA were licensed for release in North America by Bandai Entertainment. In July 2007, the license was acquired by Funimation, who released a boxset of the television series in February 2009. The series is also licensed in Australia by Madman Entertainment and in the United Kingdom by MVM Films. (Full article...)


Portal:Anime and manga/Selected articles/2

Gin Tama is a Japanese manga series written and illustrated by Hideaki Sorachi. It was serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump from December 2003 to September 2018, later in Jump Giga from December 2018 to February 2019, and finished on the Gintama app, where it ran from May to June 2019. Its chapters were collected in 77 tankōbon volumes. Set in Edo, which has been conquered by aliens named Amanto, the plot follows samurai Gintoki Sakata, who works as a freelancer in his self-established store, "Yorozuya", alongside his friends Shinpachi Shimura and Kagura, offering a wide range of services to handle various tasks and odd jobs. Sorachi added the science fiction setting to develop characters to his liking after his editor suggested doing a historical series.

The series has been adapted into an original video animation (OVA) by Sunrise and was featured at Jump Festa 2006 Anime Tour in 2005. This was followed by a full 367-episode anime television series, which debuted in April 2006 on TV Tokyo, and finished in October 2018. Three animated films have been produced. The first film premiered in April 2010. The second film premiered in July 2013. The third and final film premiered in January 2021. Besides the anime series, there have been various light novels and video games based on Gintama. (Full article...)


Portal:Anime and manga/Selected articles/3

Katsudō Shashin is a filmstrip speculated to be the oldest work of animation in Japan. Three seconds long, it depicts a boy who writes "moving picture" in Japanese script, removes his hat, and waves. Discovered in a collection of films and projectors in Kyoto, its creator is unknown. Natsuki Matsumoto, an expert in iconography at the Osaka University of Arts, determined that it was most likely made before 1912. It may have been influenced by animated filmstrips for German cinematographs, devices that first appeared in Japan in 1904. Evidence suggests Katsudō Shashin was mass-produced to be sold to wealthy owners of home projectors. To Matsumoto, the relatively poor quality and low-tech printing technique indicate it was likely from a smaller film company. Unlike in traditional animation, the frames were not produced by photographing the images, but were impressed directly onto film. They were stencilled in red and black using a device for making magic lantern slides, and the filmstrip was fastened in a loop for continuous play. (Full article...)


Portal:Anime and manga/Selected articles/4

Twin Spica is a Japanese manga series written and illustrated by Kou Yaginuma. The "realistic, slice-of-life science fiction series" tells the story of a group of Japanese high school students training to become astronauts in the early 21st century after the country's first human spaceflight launch ends in a disaster that causes many civilian casualties. It was serialized in the seinen manga magazine Comic Flapper from September 2001 to August 2009 and was later published in 16 tankōbon volumes by Media Factory from January 2002 to October 2009.

The series is named after Spica, a binary star system and the brightest star in the constellation Virgo. In the manga, Yaginuma includes many references to historical events related to the development of human spaceflight as well as literary works such as Kenji Miyazawa's novel Night on the Galactic Railroad. American publishing company Vertical announced acquisition of the manga's license for English-language translation at the New York Anime Festival in September 2009, and the translated first volume was published in May 2010. The series was described by Vertical marketing director Ed Chavez as "technically sound" and "heartfelt" during its initial assessment. (Full article...)


Portal:Anime and manga/Selected articles/5

Last Exile (ラストエグザイル, Rasuto Eguzairu) is a Japanese anime television series created by Gonzo. It featured a production team led by director Koichi Chigira, character designer Range Murata, and production designer Mahiro Maeda. The three had previously worked together in Blue Submarine No. 6, one of the first CG anime series. It aired on TV Tokyo from April to September 2003. A sequel series, Last Exile -Fam, the Silver Wing- (ラストエグザイル~銀翼のファム~, Rasuto Eguzairu Gin'yoku no Famu), aired from October 2011 to March 2012. A film adaptation of the series, Last Exile -Fam, the Silver Wing-: Over the Wishes, was released in February 2016.

The story is set on the fictional world of Prester, where its inhabitants use aerial vehicles known as vanships as a means of transportation. On this world which is divided in eternal conflict between the nations of Anatoray and Disith, sky couriers Claus Valca and Lavie Head must deliver a girl who holds the key to uniting the two factions. Although Prester itself is not a representation of Earth, it features technology reminiscent of nineteenth century Europe at the dawn of the Industrial Revolution. Many of its designs were also inspired by Germany's technological advances during the interwar period.

(Full article...)


Portal:Anime and manga/Selected articles/6

Azumanga Daioh is a Japanese yonkoma comedy manga series written and illustrated by Kiyohiko Azuma. It was serialized from February 1999 to May 2002 in the monthly magazine Dengeki Daioh by MediaWorks; three additional chapters were published in Shogakukan's Monthly Shōnen Sunday in May 2009 to celebrate the manga's tenth anniversary. The manga was first released in English by ADV Manga, and later re-issued by Yen Press.

An anime television adaptation titled Azumanga Daioh: The Animation was produced by J.C.Staff and aired in Japan between April and September 2002, consisting of 130 four-minute segments compiled into 26 episodes. The compiled episodes were released on DVD and Universal Media Discs (UMDs) by Starchild Records, and an English-language version was produced by ADV Films. Before the series, a theatrical short and an original net animation were also produced. Several soundtrack albums were released, as well as three video games. (Full article...)


Portal:Anime and manga/Selected articles/7

Air is a Japanese visual novel developed by Key, a brand of Visual Arts. It was released on September 8, 2000 for Windows as an adult game. Key later released versions of Air without the erotic content, and the game was ported to the Dreamcast, PlayStation 2, PlayStation Portable, PlayStation Vita and Nintendo Switch. The story follows the life of Yukito Kunisaki, a traveling showman searching for the "girl in the sky". He arrives in a quiet, seaside town where he meets three girls, one of whom is the key to the end of his journey.

The gameplay in Air follows a branching plot line which offers pre-determined scenarios with courses of interaction, and focuses on the appeal of the three female main characters by the player character. The game is divided into three segments—Dream, Summer, and Air—which serve as different phases in the overall story. The title of the game reflects the prominent themes of the air, skies, and use of wings throughout gameplay. The game ranked as the best-selling PC game sold in Japan for the time of its release, and charted in the national top 50 several more times afterwards. Air has sold over 300,000 units across several platforms.

(Full article...)


Portal:Anime and manga/Selected articles/8

Clannad is a Japanese visual novel developed by Key and released on April 28, 2004, for Windows. While both of Key's first two previous works, Kanon and Air, had been released first as adult games and then censored for the younger market, Clannad was specifically made for all ages. It was later ported to the PlayStation 2, PlayStation Portable, Xbox 360, PlayStation 3, PlayStation Vita, PlayStation 4 and Nintendo Switch consoles. An English version for Windows was released on Steam by Sekai Project in 2015.

The story follows the life of Tomoya Okazaki, from adolescence to adulthood. As an average high school student, he meets many people in his last year at school, including five girls, whose individual problems he helps resolve, and his life is further detailed after graduating from high school. The gameplay of Clannad follows a plot that branches into different scenarios based on various courses of interaction by the player character. The game was ranked as the best-selling PC game sold in Japan for the time of its release, and charted in the national top 50 several more times afterwards. Key went on to produce an adult spin-off titled Tomoyo After: It's a Wonderful Life in November 2005, which expanded on the scenario of Tomoyo Sakagami, one of the five heroines from Clannad.

(Full article...)


Portal:Anime and manga/Selected articles/9

Tokyo Mew Mew is a Japanese shōjo manga series written by Reiko Yoshida and illustrated by Mia Ikumi. It was originally serialized in Nakayoshi from September 2000 to February 2003, and later published in seven tankōbon volumes by Kodansha from February 2001 to April 2003. It focuses on five girls infused with the DNA of rare animals that gives them special powers and allows them to transform into "Mew Mews". Led by Ichigo Momomiya, the girls protect the earth from aliens who wish to "reclaim" it. The series was quickly adapted into a fifty-two episode anime series by Studio Pierrot. It debuted in Japan on April 6, 2002, on both TV Aichi and TV Tokyo; the final episode aired on March 29, 2003. A two-volume sequel to the manga, Tokyo Mew Mew a la Mode, was serialized in Nakayoshi from April 2003 to February 2004. The sequel introduces a new Mew Mew, Berry Shirayuki, who becomes the temporary leader of the Mew Mews whilst Ichigo is on a trip to England. Two video games were also created for the series. (Full article...)


Portal:Anime and manga/Selected articles/10

Shojo Beat is a shōjo manga magazine formerly published in North America by Viz Media. Launched in June 2005 as a sister magazine for Shonen Jump, it featured serialized chapters from six manga series, as well as articles on Japanese culture, manga, anime, fashion and beauty. After its initial launch, Shojo Beat underwent two redesigns, becoming the first English anthology to use the cyan and magenta ink tones common to Japanese manga anthologies. Viz launched a related imprint of the same name for female-oriented manga, light novels and anime.

Targeted at teenage girls, the first issue of Shojo Beat launched with a circulation of 20,000. By 2007, the average circulation was approximately 38,000 copies, with half coming from subscriptions rather than store sales. It was well received by critics, who praised its mix of manga series and the inclusion of articles on Japanese culture, though some critics found the early issues boring and poorly written. In May 2009, Viz announced that it was discontinuing the magazine; the July 2009 issue was the last released. Fans were disappointed at the sudden news. Industry experts felt its loss would leave female comic fans without a magazine of their own but praised Viz for its choice to continue using the Shojo Beat imprint and branding for its shōjo manga and anime releases. (Full article...)


Portal:Anime and manga/Selected articles/11

Shonen Jump, officially stylized SHONEN JUMP and abbreviated SJ, was a shōnen manga anthology published in North America by Viz Media. It debuted in November 2002 with the first issue having a January 2003 cover date. Based on Shueisha's popular Japanese magazine Weekly Shōnen Jump, Shonen Jump was retooled for English readers and the American audience, including changing it from a weekly publication to a monthly one. It featured serialized chapters from different manga series and articles on Japanese language and culture, as well as manga, anime, video games, and figurines. The premiere issue of Shonen Jump also introduced the first official English translations of One Piece, Sand Land, Yu-Gi-Oh!, YuYu Hakusho, and Naruto.

Prior to the magazine's launch, Viz launched an extensive marketing campaign to promote it and help it succeed where previous manga anthologies published in North America had failed. Shueisha purchased an equity interest in Viz to help fund the venture, and Cartoon Network, Suncoast, and Diamond Distributors became promotional partners in the magazine. In conjunction with the magazine, Viz launched new imprints for releasing media related to the series presented in the magazine, and other shōnen works. This includes two new manga imprints, an anime DVD imprint, a fiction line for releasing light novels, a label for fan and data books, and a label for the release of art books. (Full article...)


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School Rumble is a Japanese shōnen manga series written and illustrated by Jin Kobayashi. First serialized in 345 chapters in Weekly Shōnen Magazine between 2002 and 2008, it is a romance comedy centering on relationships between three Japanese high school students. The series often discards realism in favor of comedic effect. Its popularity resulted in television adaptations, video games, novels and guidebooks. It has also been translated into English and other languages. The manga was well received by Japanese-language readers; the North American English translations were less popular, and ranked 145th for overall manga series sales in 2008. Some critics of the English-language translation praised Kobayashi for his art style and overall use of humor, while others disliked some of the jokes and repetitive plot. The anime adaptation sold well in Japan and was praised by Kobayashi and—for the English-language translation—critics. The decision by Media Factory to aggressively pursue its intellectual property rights for School Rumble is believed by proponents of fansubs to have had a negative impact on the franchise's release and sales in the North American market. (Full article...)


Portal:Anime and manga/Selected articles/13

Sword Art Online is a Japanese light novel series written by Reki Kawahara and illustrated by abec. The series takes place in the 2020s and focuses on protagonists Kazuto "Kirito" Kirigaya and Asuna Yuuki as they play through various virtual reality MMORPG worlds, and later their involvement in the matters of a simulated civilization. Kawahara originally wrote the series as a web novel on his website from 2002 to 2008.[1] The light novels began publication on ASCII Media Works' Dengeki Bunko imprint from April 10, 2009, with a spin-off series launching in October 2012. The series has spawned twelve manga adaptations published by ASCII Media Works and Kadokawa. The novels and the manga adaptations have been licensed for release in North America by Yen Press.

An anime television series produced by A-1 Pictures, known simply as Sword Art Online, aired in Japan between July and December 2012, with a television film Sword Art Online: Extra Edition airing on December 31, 2013, and a second season, titled Sword Art Online II, airing between July and December 2014. An animated film titled Sword Art Online the Movie: Ordinal Scale, featuring an original story by Kawahara, premiered in Japan and Southeast Asia on February 18, 2017, and was released in the United States on March 9, 2017. A spin-off anime series titled Sword Art Online Alternative: Gun Gale Online premiered in April 2018, while a third season titled Sword Art Online: Alicization aired from October 2018 to September 2020. An anime film adaptation of Sword Art Online: Progressive titled Sword Art Online Progressive: Aria of a Starless Night premiered on October 30, 2021. A second film titled Sword Art Online Progressive: Scherzo of Deep Night premiered on October 22, 2022. Many video games based on the series have been released for consoles, PC, and mobile devices. (Full article...)


Portal:Anime and manga/Selected articles/14

Sonic X is a Japanese anime television series created by TMS Entertainment and based on Sega's Sonic the Hedgehog video game series. Sonic X initially ran for 52 episodes, broadcast in Japan from April 6, 2003 to March 28, 2004; a further 26 were aired elsewhere from 2005 to 2006. The show's American localization was done by 4Kids Entertainment. The plot follows a boy named Chris and a group of anthropomorphic animals from another planet, including Sonic, Tails, Amy, and Cream, who repeatedly scuffle with Dr. Eggman and his robots over the Chaos Emeralds. The final story arc sees the friends return with Chris to their world, where they meet a plant-like creature named Cosmo and fight an army of robots called the Metarex in outer space. Sonic X received mixed reviews; writers criticized its localization and some characters, but were more generous toward its story and aesthetics. Merchandise included an edutainment game for the Leapster, a trading card game, and a comic book series. The phrase "gotta go fast", the title of the show's North American theme song, has been a Sonic catchphrase for over a decade. (Full article...)


Portal:Anime and manga/Selected articles/15

Summer Wars is a 2009 Japanese animated science fiction film directed by Mamoru Hosoda, produced by Madhouse, and distributed by Warner Bros. Pictures. The film's voice cast includes Ryunosuke Kamiki, Nanami Sakuraba, Mitsuki Tanimura, Sumiko Fuji, and Ayumu Saitō. The film tells the story of Kenji Koiso, a timid eleventh-grade math genius who is taken to Ueda by twelfth-grade student, Natsuki Shinohara to celebrate her great-grandmother's 90th birthday. However, he is falsely implicated in the hacking of a virtual world by a self-aware, sadistic artificial intelligence named Love Machine. Kenji must repair the damage done, and find a way to stop the rogue computer program from causing any further chaos.

After producing The Girl Who Leapt Through Time, Madhouse was asked to produce something new. Hosoda and writer Satoko Okudera created a story about a social network and a stranger's connection with strange family. The real-life city of Ueda was chosen as the setting for Summer Wars as part of the territory was once governed by the Sanada clan and was close to Hosoda's birthplace in Toyama. Hosoda used the clan as the basis for the Jinnouchi family after visiting his then-fiancée's home in Ueda. (Full article...)


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Naruto is a Japanese manga series written and illustrated by Masashi Kishimoto. It tells the story of a young ninja, Naruto Uzumaki, who seeks to gain recognition from his peers and dreams of becoming the leader of his village. The series is based on two one-shot manga by Kishimoto: Karakuri (1995) and Naruto (1997). It was serialized in Shueisha's magazine Weekly Shōnen Jump from 1999 to 2014, and released in book form in 72 volumes. An anime television series of 220 episodes was produced by Pierrot and Aniplex; it ran in Japan from 2002 to 2007, and its English adaptation aired on Cartoon Network from 2005 to 2009. Naruto: Shippuden, a sequel to the original series, premiered in Japan in 2007 and ended in 2017 after 500 episodes. The English adaptation was broadcast on Disney XD from 2009 to 2011, and on Adult Swim's Toonami programming block beginning in 2014. Pierrot has also developed eleven movies and twelve original video animations. Naruto is the fourth best-selling manga series ever. (Full article...)


Portal:Anime and manga/Selected articles/17

Tsubasa: Reservoir Chronicle is a Japanese manga series written and illustrated by the manga artist group Clamp. It takes place in the same fictional universe as many of Clamp's other manga series, most notably xxxHolic. The plot follows how Sakura, the princess of the Kingdom of Clow, loses all her memories and how Syaoran, a young archaeologist who is her childhood friend, goes on arduous adventures to save her, with two other companions. The Dimensional Witch Yūko Ichihara instructs him to go with two people, Kurogane and Fai D. Flowright. They search for Sakura's memories, which were scattered in various worlds in the form of angelic-like feathers, as retrieving them will help save her very being. Tsubasa was conceived when four Clamp artists wanted to create a manga series that connected all their previous works. They took the designs for the main protagonists from their earlier manga called Cardcaptor Sakura.

It was serialized in Kodansha's shōnen manga magazine Weekly Shōnen Magazine from May 2003 until October 2009, and was collected in twenty-eight tankōbon volumes, totalling 232 chapters - 18 to 20 pages each. The manga was adapted into an anime series, Tsubasa Chronicle (ツバサ・クロニクル, Tsubasa Kuronikuru), animated by Bee Train, which aired 52 episodes over two seasons during 2005 and 2006. Production I.G released an interlude film between the first two seasons titled Tsubasa Reservoir Chronicle the Movie: The Princess in the Birdcage Kingdom, as well as five original video animations (OVAs) between November 2007 and May 2009, which acted as a sequel to the second season. (Full article...)


Portal:Anime and manga/Selected articles/18

Case Closed, also known as Detective Conan (Japanese: 名探偵コナン, Hepburn: Meitantei Konan, lit.'Great Detective Conan'), is a Japanese detective manga series written and illustrated by Gosho Aoyama. It has been serialized in Shogakukan's shōnen manga magazine Weekly Shōnen Sunday since January 1994; its chapters are collected in 106 tankōbon volumes as of October 2024. Because of legal problems with the name Detective Conan, the English language releases from Funimation and Viz Media were renamed Case Closed. The story follows the high school detective Shinichi Kudo, whose body was transformed into that of an elementary school-age child while investigating a mysterious organization. Generally, he solves a multitude of cases by impersonating his childhood best friend's father and various other characters.

The manga was adapted into an anime television series by Yomiuri Telecasting Corporation and TMS Entertainment, which premiered in January 1996. The anime resulted in animated feature films, original video animations, video games, audio disc releases and live action episodes. Funimation licensed the anime series for North American broadcast in 2003 under the name Case Closed with the characters given Americanized names. The anime premiered on Adult Swim but was discontinued due to low ratings.

In March 2013, Funimation began streaming their licensed episodes of Case Closed; Crunchyroll simulcast them in 2014. (Full article...)


Portal:Anime and manga/Selected articles/19

Cardcaptor Sakura is a Japanese manga series written and illustrated by the manga group Clamp. Serialized monthly in the shōjo manga magazine Nakayoshi from the June 1996 to August 2000 issues, it was also published in 12 tankōbon volumes by Kodansha between November 1996 and July 2000. The story centers on Sakura Kinomoto, an elementary school student who discovers magical powers after accidentally freeing a set of magical cards into the world; she must retrieve the cards to prevent catastrophe. Each of these cards grants different magical powers, and can only be activated by someone with inherent magical abilities. A sequel by Clamp, Cardcaptor Sakura: Clear Card, focusing on Sakura in junior high school, was serialized in Nakayoshi from the July 2016 to January 2024 issues.

The manga was adapted into a 70-episode anime television series by Madhouse that aired on Japan's satellite television channel NHK BS2 from April 1998 to March 2000. Additional media include two anime films, video games, art books, picture books, and film comics. Tokyopop released the manga in English in North America from March 2000 to August 2003. After Tokyopop's license expired, Dark Horse Manga released the series in omnibus editions from October 2010 to September 2012. (Full article...)


Portal:Anime and manga/Selected articles/20

YuYu Hakusho is a Japanese manga series written and illustrated by Yoshihiro Togashi. It tells the story of Yusuke Urameshi, a teenage delinquent who is struck and killed by a car while saving a child's life. After a number of tests presented to him by Koenma, the son of the ruler of the afterlife, Yusuke is revived and appointed the title of "Underworld Detective". With this title he must investigate various cases involving demons and apparitions in the Human World, with the manga gradually becoming more focused on martial arts battles and tournaments as it progresses. Togashi began creating YuYu Hakusho around November 1990, basing the series on his interests in the occult and horror films and an influence of Buddhist mythology.

The manga was originally serialized in Shueisha's shōnen manga magazine Weekly Shōnen Jump from December 1990 to July 1994. It consists of 175 chapters collected in 19 tankōbon volumes. In North America, the manga is licensed by Viz Media, who first serialized it in Shonen Jump from January 2003 to January 2010. An anime adaptation consisting of 112 television episodes was directed by Noriyuki Abe and co-produced by Fuji Television, Yomiko Advertising, and Studio Pierrot. The anime series originally aired on Japan's Fuji TV network from October 1992 to December 1994, and was later licensed in North America by Funimation in 2001, where it aired on Cartoon Network blocks including Adult Swim and later Toonami. The series has also been published and broadcast in various other countries around the world. The YuYu Hakusho franchise has spawned two animated films, a series of original video animations (OVAs), a live-action television series, audio albums, video games, and other merchandise. (Full article...)


Articles 21–40

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Portal:Anime and manga/Selected articles/21

In most places, LGBT themes in comics are a relatively new concept, as lesbian, gay, bisexual, and transgender (LGBTQ) themes and characters were historically omitted from the content of comic books and their comic strip predecessors due to anti-gay censorship. LGBT existence was included only via innuendo, subtext and inference. However the practice of hiding LGBT characters in the early part of the twentieth century evolved into open inclusion in the late twentieth and early twenty-first centuries, and comics explored the challenges of coming-out, societal discrimination, and personal and romantic relationships between gay characters. (Full article...)


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Angel Beats! is a 13-episode Japanese anime television series produced by P.A. Works and Aniplex and directed by Seiji Kishi. The story was originally conceived by Jun Maeda, who also wrote the screenplay and composed the music with the group Anant-Garde Eyes, with original character design by Na-Ga; both Maeda and Na-Ga are from the visual novel brand Key, who produced such titles as Kanon, Air, and Clannad. The anime aired in Japan between April 3 and June 26, 2010, on CBC. An original video animation (OVA) episode was released in December 2010, and a second OVA was released in June 2015. The story takes place in the afterlife and focuses on Otonashi, a boy who lost his memories of his life after dying. He is enrolled into the afterlife school and meets a girl named Yuri who invites him to join the Afterlife Battlefront, an organization she leads which fights against the student council president Kanade Tachibana, a girl also known as Angel with supernatural powers.

Key worked in collaboration with Dengeki G's Magazine published by ASCII Media Works to produce the project into a media franchise. Four manga series are serialized in Dengeki G's Magazine and Dengeki G's Comic: two illustrated by Haruka Komowata and two drawn by Yuriko Asami. A series of illustrated short stories written by Maeda and illustrated by GotoP were also serialized in Dengeki G's Magazine between the November 2009 and May 2010 issues. Two Internet radio shows were produced to promote Angel Beats!. A visual novel adaptation titled Angel Beats! 1st Beat was produced by Key and released for Windows on June 26, 2015. (Full article...)


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Yotsuba&! is a Japanese manga series written and illustrated by Kiyohiko Azuma, the creator of Azumanga Daioh. It has been serialized since March 2003 in the monthly magazine Dengeki Daioh by ASCII Media Works, formerly MediaWorks, and has since been collected in fourteen tankōbon volumes. It depicts the everyday adventures of a young girl named Yotsuba as she learns about the world around her, guided by her father, their neighbors, and their friends. Several characters in Yotsuba&! were previously featured in a one-shot manga called "Try! Try! Try!" The phrase Yotsuba to means "Yotsuba and," a fact reflected in the chapter titles, most of which take the form "Yotsuba and [something]."

The manga was licensed for English-language distribution by ADV Manga, which released five volumes between 2005 and 2007. Volume six was supposed to have been released in February 2008, but was delayed indefinitely in order to focus on ADV's core business of anime. At New York Comic Con 2009, Yen Press announced that it had acquired the North American license for the series; it reprinted the first five volumes with new translations along with volume six in September 2009, and is continuing with later volumes. (Full article...)


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Shakugan no Shana, also known simply as Shana (シャナ), is a Japanese light novel series written by Yashichiro Takahashi with illustrations by Noizi Ito. ASCII Media Works published 27 novels from November 2002 to November 2023 under their Dengeki Bunko imprint. The story focuses on Yuji Sakai, a high school boy who becomes involved in an age-old conflict between forces of balance and imbalance in existence; in the process, he befriends a fighter for the balancing force and names her "Shana". The series also incorporates fantasy and slice of life elements.

Two manga adaptations were published by ASCII Media Works in Dengeki Daioh and Dengeki Maoh. Between 2005 and 2012, the series was adapted by J.C.Staff into three 24-episode anime television series, a four-episode original video animation (OVA) series, an animated film, and a standalone OVA episode. A PlayStation 2 video game was released in March 2006, which was ported to the Nintendo DS in March 2007. Viz Media licensed the novels and the first manga series for release in North America, but stopped publishing both prematurely. Geneon originally licensed the first television series for release in North America, but the license later transferred to Funimation, now Crunchyroll, who also licensed the remaining anime properties. Critics praised the series for its execution of typical story elements. (Full article...)


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Outlaw Star is a Japanese media mix primarily consisting of an anime television series produced by Sunrise (now a division of Bandai Namco Filmworks) and a corresponding seinen manga series written and illustrated by Takehiko Itō. The series takes place in the "Toward Stars Era" universe in which spacecraft are capable of traveling faster than the speed of light. The plot follows protagonist Gene Starwind and his motley crew of an inherited ship dubbed the Outlaw Star, as they search for a legendary outer space treasure trove called the "Galactic Leyline".

Planned by Sunrise (under the Hajime Yatate pseudonym) and Itō, Outlaw Star first appeared as a manga originally serialized in the monthly Shueisha magazine Ultra Jump between 1996 and 1999 for a total of 21 chapters. Three volumes of collected chapters were published in Japan between August 1997 and January 1999. Although no official English version of the manga exists, it has been published in Chinese, German, Italian, and Spanish. Sunrise produced a 26-episode anime adaptation that was directed by Mitsuru Hongo and aired on the Japanese station TV Tokyo in early 1998. The animated series has since been translated and broadcast worldwide. (Full article...)


Portal:Anime and manga/Selected articles/26

Boruto: Naruto Next Generations (Japanese: BORUTO-ボルト- -Naruto Next Generations-, Hepburn: Boruto: Naruto Nekusuto Jenerēshonzu) is a Japanese manga series written by Ukyō Kodachi and Masashi Kishimoto, and illustrated by Mikio Ikemoto. It is a spin-off and a sequel to Kishimoto's Naruto and follows the exploits of Naruto Uzumaki's son Boruto Uzumaki and his ninja team. The manga began serialization under the title Boruto: Naruto Next Generations,[a] with Kodachi as writer and Kishimoto as editorial supervisor in Shueisha's shōnen manga magazine Weekly Shōnen Jump in May 2016, and was transferred to Shueisha's monthly magazine V Jump in July 2019. In November 2020, Kodachi stepped down, with Kishimoto taking over as writer. In April 2023, the series concluded the first part of the story, and, following a brief hiatus, continued in August of the same year with a second part titled Boruto: Two Blue Vortex.[b]

Boruto originated from Shueisha's proposal to Kishimoto on making a sequel to Naruto. However, Kishimoto rejected this offer and proposed his former assistant Mikio Ikemoto to draw it; the writer of the film Boruto: Naruto the Movie, Ukyō Kodachi, created the plot. A 293-episode anime television series adaptation, produced by Pierrot with Kodachi's story supervision (episodes 1–216), was broadcast on TV Tokyo from April 2017 to March 2023; a second part has been announced to be in development. (Full article...)

Notes

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  1. ^ BORUTOボルト -NARUTO NEXT GENERATIONS-
  2. ^ BORUTOボルト -TWO BLUE VORTEX-

Portal:Anime and manga/Selected articles/27

Bara (薔薇, "rose")

Template:Good article is only for Wikipedia:Good articles.

Bara (Japanese: 薔薇, lit.'rose') is a colloquialism for a genre of Japanese art and media known within Japan as gay manga (ゲイ漫画) or gei komi (ゲイコミ, "gay comics"). The genre focuses on male same-sex love, as created primarily by gay men for a gay male audience. Bara can vary in visual style and plot, but typically features masculine men with varying degrees of muscle, body fat, and body hair, akin to bear or bodybuilding culture. While bara is typically pornographic, the genre has also depicted romantic and autobiographical subject material, as it acknowledges the varied reactions to homosexuality in modern Japan.

The use of bara as an umbrella term to describe gay Japanese comic art is largely a non-Japanese phenomenon, and its use is not universally accepted by creators of gay manga. In non-Japanese contexts, bara is used to describe a wide breadth of Japanese and Japanese-inspired gay erotic media, including illustrations published in early Japanese gay men's magazines, western fan art, and gay pornography featuring human actors. Bara is distinct from yaoi, a genre of Japanese media focusing on homoerotic relationships between male characters that historically has been created by and for women.

Etymology

[edit]
The term bara translates literally to "rose" in Japanese, and has historically been used as a pejorative for gay men roughly equivalent to the English language term "pansy".

The term bara (薔薇), which translates literally to "rose" in Japanese, has historically been used in Japan as a pejorative for gay men, roughly equivalent to the English language term "pansy".[2][3] Beginning in the 1960s, the term was reappropriated by Japanese gay media: notably with the 1961 anthology Ba-ra-kei: Ordeal by Roses [ja], a collection of semi-nude photographs of gay writer Yukio Mishima by photographer Eikoh Hosoe,[4] and later with Barazoku (薔薇族, lit. "rose tribe") in 1971, the first commercially produced gay magazine in Asia.[5] Bara-eiga ("rose film") was additionally used in the 1980s to describe gay cinema.[6]

By the late 1980s, as LGBT political movements in Japan began to form, the term fell out of use,[2] with gei (ゲイ) becoming the preferred nomenclature for people who experience same-sex attraction.[7] The term was revived as a pejorative in the late 1990s concurrent with the rise of internet message boards and chat rooms, where heterosexual administrators designated the gay sections of their websites as "bara boards" or "bara chat".[2][4][8] The term was subsequently adopted by non-Japanese users of these websites, who believed that bara was the proper designation for the images and artwork being posted on these forums.[4][8] Since the 2000s, bara has been used by this non-Japanese audience as an umbrella term to describe a wide variety of Japanese and non-Japanese gay media featuring masculine men, including western fan art, gay pornography, furry artwork, and numerous other categories.[8][9]

This misappropriation of bara by a non-Japanese audience has been controversial among creators of gay manga, many of whom have expressed discomfort or confusion over the term being used to describe their work.[10][11] Artist and historian Gengoroh Tagame has described bara as "a very negative word that comes with bad connotations",[3] though he later clarified that the term is "convenient for talking about art that is linked by characters that are muscle-y, huge, and hairy", and that his objection was the term's use to describe gay manga creators.[12] Artist Kumada Poohsuke has stated that while he does not find the term offensive, he does not describe his work as bara because he associates the term with Barazoku, which featured bishōnen-style artwork rather than artwork of masculine men.[13]

History

[edit]

Context: Homosexuality in Japanese visual art

[edit]
A musha-e print by Utagawa Kuniyoshi (c. 1834)

Representations of homosexuality in Japanese visual art have a history and context dating to the Muromachi period, as seen in Chigo no sōshi (稚児之草子, a collection of illustrations and stories on relationships between Buddhist monks and their adolescent male acolytes) and shunga (erotic woodblock prints originating in the Edo period).[10][14] While these works ostensibly depict male-male sexual relations, artist and historian Gengoroh Tagame questions whether the historic practices of sodomy and pederasty represented in these works can be considered analogous to modern conceptions of gay identity, and thus part of the artistic tradition to which contemporary gay erotic Japanese art belongs.[14] Tagame instead considers musha-e (warrior's pictures) to be a more direct forerunner to art styles common in gay manga: in contrast to pederastic shunga, both gay manga and musha-e portray masculine men with developed muscles and thick body hair, often in cruel or violent scenarios.[15]

1960s: Early erotic magazines

[edit]

While erotic artwork was a major component of the earliest gay Japanese periodicals, notably the 1952 private circulation magazine Adonis [ja],[16] contemporary gay erotic art as medium in Japan traces its origins to the fetish magazine Fuzokukitan [ja].[17] Published from 1960 to 1974, Fuzokukitan included gay content alongside straight and lesbian content, as well as articles on homosexuality.[17][16] Early gay erotic artists Tatsuji Okawa, Sanshi Funayama, Go Mishima and Go Hirano made their debuts in the magazine, alongside unauthorized reproductions of illustrations by gay Western artists such as George Quaintance and Tom of Finland.[18] Bara, the first Japanese magazine aimed specifically at a gay male audience, was published in 1964 as a members only, small circulation magazine.[18]

Gay erotic art of this period typically depicts what Tagame describes as "darkly spiritual male beauty", emphasizing a sense of sorrow and sentimentalism. Men from "the traditional homosocial world of Japan", such as samurai and yakuza, appear frequently as subjects.[19] The homoerotic photography of Tamotsu Yatō and Kuro Haga served as a significant influence on the initial wave of gay artists that emerged in the 1960s, with very little Western influence seen in these early works.[20]

1970s and 1980s: Genre commercialization

[edit]

Erotic magazines aimed specifically at a gay male audience proliferated in the 1970s – first Barazoku in 1971, followed by Adon [ja] and Sabu [ja] in 1974 – leading to the decline of general fetish magazines like Fuzokukitan.[14] These new magazines featured gay manga as part of their editorial material; notable early serializations include Gokigenyō (ごきげん曜, "How Are You") by Yamaguchi Masaji (山口正児) in Barazoku, and Tough Guy (タフガイ) and Make Up (メイクアップ) by Kaidō Jin (海藤仁) in Adon.[21] The commercial success of these magazines resulted in the creation of spin off publications that focused on photography and illustrations: Barazoku launched Seinen-gahō (青年画報, "Young Men's Illustrated News"), while Sabu launched Aitsu (あいつ, "That Guy") and Sabu Special.[22] Most notable was among these spin-offs was Barakomi (バラコミ), a 1986 supplemental issue of Barazoku that was the first magazine to publish gay manga exclusively.[12][16]

By the 1980s, gay lifestyle magazines that published articles on gay culture alongside erotic material had grown in popularity: The Gay [ja] was launched by photographer Ken Tōgō, MLMW launched as a lifestyle spinoff of Adon,[23] and Samson launched as a lifestyle magazine in 1982 before later shifting to content focused on fat fetishism.[22] Most publishers folded their spin-off and supplemental publications by the end of the decade, though gay magazines continued to publish gay artwork and manga.[24]

The artists that emerged during this period, notably Sadao Hasegawa, Ben Kimura, Rune Naito, and George Takeuchi, varied widely in style and subject material.[21] Nonetheless, their artwork was united by a tone that was generally less sorrowful than that of the artists that emerged in the 1960s, a trend Tagame attributes to the gradual decline in the belief that homosexuality was shameful or abnormal.[21] Their work was also more overtly influenced by American and European gay culture in its subject material, with sportsmen, jock straps, and leather garments appearing more frequently than yakuza and samurai.[21] Tagame attributes this shift to the increased access of American gay pornography for use as reference material and inspiration,[25] and the growth in popularity of sports manga, which emphasized themes of athleticism and manliness.[26]

1990s: G-men and aesthetic changes

[edit]
Gengoroh Tagame, whose manga in G-men is credited with shifting the aesthetics of gay manga towards masculine men

The trend towards lifestyle-focused publishing continued into the 1990s, with the founding of the magazines Badi ("Buddy") in 1994 and G-men in 1995. Both of these magazines included editorial coverage of gay pride, club culture, and HIV/AIDS-related topics alongside gay manga and other erotic content.[27] G-men was co-founded by Gengoroh Tagame, who made his debut as a gay manga artist in 1987 writing manga for Sabu, and who would emerge as the most influential creator in the medium.[28]

G-men was part of a concerted effort by Tagame to "change the status quo of gay magazines"[29] away from the aesthetic of bishōnen – delicate and androgynous boys and young men that were popular in gay media at the time – and towards the depictions of masculine men that gay manga is now associated with.[30][31] The "bear-type" aesthetic pioneered by Tagame's manga in G-men is credited with provoking a major stylistic shift in Shinjuku Ni-chōme, the gay neighborhood of Tokyo. Following the publication of G-men, the "slender and slick" clean-shaven style popular among gay men was replaced with "stubble, beards and moustaches [...] extremely short became the most common hair style and the broad muscular body, soon to evolve to chubby and outright fat, became highly fashionable."[32]

Manga culture significantly influenced gay erotic artwork during this period, and gay manga occupied a central place in the editorial material of both Badi and G-men.[33] G-men in particular served an as incubator for up-and-coming gay manga talent, launching the careers of artists such as Jiraiya.[28] The magazine also encouraged steady readership by publishing serialized stories, which encouraged purchase of every issue.[34] Conversely, Adon removed pornographic material from the magazine entirely; the move was unsuccessful and the magazine folded in 1996.[35]

2000s–present: The decline of magazines and the rise of "bara"

[edit]

Gay magazines declined significantly in popularity by the early 2000s, as the personal advertisement sections that drove sales for many of these magazines were supplanted by telephone personals and later online dating.[33] Nearly all of the major gay magazines folded in the subsequent two decades: Sabu in 2001,[27] Barazoku in 2004,[5] G-men in 2016,[36] and Badi in 2019.[37] As of 2022, only Samson remains active.[38] As magazines declined, new types of gay art emerged from contexts entirely separate from gay magazines. Pamphlets and flyers for gay events and education campaigns in Japan began to feature vector artwork that, while not overtly pornographic, drew on gay manga in style and form.[39] Art exhibitions also became an area of expression, as new venues and spaces emerged that welcomed the display of gay erotic artwork.[39] With a lack of viable major print alternatives, many gay manga artists began to self-publish their works as dōjinshi (self-published comics).[40] Gay manga artists like Gai Mizuki emerged as prolific creators of dōjinshi, creating slash-inspired derivative works based on media properties such as Attack on Titan and Fate/Zero.[41][42]

Beginning in the 2000s, gay manga began to attract an international audience through the circulation of pirated and scanlated artwork on the internet.[43] A scanlation of Kuso Miso Technique, a 1987 one-shot by Junichi Yamakawa originally published in Bara-Komi, became infamous during this period as an internet meme.[44] Bara emerged among this international audience as a term to distinguish gay erotic art created by gay men for a gay male audience from yaoi, or gay erotic art created by and for women (see Comparison to yaoi below).[43] The circulation of these works online led to the formation of an international bara fandom, and the emergence of non-Japanese gay erotic artists who began to draw in a "bara style" that was influenced by Japanese erotic art.[43] This period also saw the rise in popularity of kemono (ケモノ, "beastmen", or anthropomorphic characters analogous to the Western furry subculture) as subjects in gay manga, a trend Tagame attributes to appearances by this type of character in video games and anime.[45]

Concepts and themes

[edit]
Gay manga often features masculine men with varying degrees of muscle, body fat, and body hair. This is a drawing of a muscular man without defined abdominal muscles, which provides a typical example of a gachimuchi body type.

Gay manga is typically categorized based on the body shape of the characters depicted; common designations include gatchiri (ガッチリ, "muscular"), gachimuchi (ガチムチ, "muscle-curvy" or "muscle-chubby"), gachidebu (ガチデブ, "muscle-fat"), and debu (デブ, "fat").[4][11] While the rise of comic anthologies has promoted longer, serialized stories, most gay manga stories are one-shots. BDSM and non-consensual sex are common themes in gay manga,[46][47] as well as stories based on relationships structured around age, status, or power dynamics. Often, the older or more senior character uses the younger or subordinate character for sexual purposes,[48] though some gay manga stories subvert this dynamic and show a younger, physically smaller, often white-collar man as the dominant sexual partner to an older, larger, often blue-collar man.[49] As with yaoi, the bottom in gay manga is often depicted as shy, reluctant, or unsure of his sexuality. Consequently, much of the criticism of yaoi – misogyny, a focus on rape, the absence of a Western-style gay identity – is similarly levied against gay manga.[46]

The majority of gay manga stories are pornographic, often focusing on sex to the exclusion of plot and character development.[50] Though some gay manga stories include realistic depictions of gay male lives – addressing subject material such as coming out, gay pride, and same-sex marriage – sex and sexuality is frequently the primary focus.[50] Nonetheless, some gay manga stories explore romantic, autobiographical, and dramatic subject material,[51] and eschew depictions of sex entirely. A notable example of non-erotic gay manga is My Brother's Husband, the first all-ages manga by Gengoroh Tagame, which focuses on themes of homophobia, cultural difference, and family.[52]

Media

[edit]

Japanese publishing

[edit]

Until the early 2000s, gay manga was published exclusively in gay general interest magazines. These magazines typically published 8 to 24 page one-shots (standalone single chapter stories), although some magazines, notably G-men, published serialized stories.[50] Several attempts were made at creating publications dedicated exclusively to gay manga prior to the 2000s, notably Bara-Komi in 1986 and P-Nuts in 1996, though none were commercially successful.[51][53]

In 2002, boys' love (BL) publisher Kosai Comics (光彩コミックス) released the manga anthology Kinniku-Otoko (筋肉男, "Muscleman"), a quarterly anthology featuring what the publisher termed "muscle BL" aimed at a crossover audience of yaoi and gay manga readers (see Crossover with yaoi below).[54] Many of the contributors to Kinniku-Otoko began their manga careers as dōjinshi creators, and most were women; over time Kinniku-Otoko came to include gay male artists, notably gay manga artist Takeshi Matsu, who made his debut as an erotic artist in the anthology.[55]

In 2004, G-men parent company Furukawa Shobu published a pair of manga anthologies aimed at gay men, Bakudan (published quarterly) and Gekidan (published bimonthly). Individual titles from these anthologies were collected into tankōbon under the Bakudan Comics imprint.[51] In 2006, boys' love publisher Aqua Comics (an imprint of Oakla Publishing [ja]) began publishing the "men's love" (ML メンズラブ, menzu rabu) manga anthologies Nikutai Ha (Muscle Aqua), Oaks, and G's Comics. When collected into tankōbon, these manga are issued under the same imprint as Aqua's mainstream yaoi books, and bear the same trade dress.[56] Since the release of The Dangerous Games of Dr. Makumakuran by Takeshi Matsu in 2015, no additional gay manga titles have been published by Aqua.[57]

Foreign publishing

[edit]

Many Japanese publishers and creators of gay manga actively seek foreign readers,[58] though in lieu of official licensed translations, gay manga is often pirated and scanlated into English.[59] In 2008, Spanish publisher La Cúpula published an anthology of works by Jiraiya,[60] and manga by Gengoroh Tagame in 2010.[61] In 2011, the Mexican gay magazine Anal Magazine published drawings by Gengoroh Tagame in its second issue. Works by Gengoroh Tagame have additionally been translated into French by H&O éditions.[62] The first gay manga to receive an officially-licensed English-language translation was Standing Ovations, a one-shot by Gengoroh Tagame published in the American erotic comics anthology Thickness (2011–2012).[63] In 2012, Digital Manga published an English-language translation of Reibun Ike's Hide and Seek, a men's love series originally published by Aqua Comics.[64]

In 2013, PictureBox published The Passion of Gengoroh Tagame: Master of Gay Erotic Manga, the first book-length work of gay manga to be published in English.[65] That same year, Massive Goods was founded by Anne Ishii and Graham Kolbeins, two of the editors of The Passion of Gengoroh Tagame, which creates English-language translations of gay manga and products featuring the works of gay manga artists.[11] In December 2014, Fantagraphics and Massive published Massive: Gay Erotic Manga and the Men Who Make It, the first English-language anthology of gay manga.[66] Co-edited by Ishii, Kolbeins, and Chip Kidd, Massive was nominated for an Eisner Award for Best Anthology.[67] From 2014 to 2016, German book publishing house Bruno Gmünder Verlag published works by Tagame, Takeshi Matsu, and Mentaiko Itto in English under their "Bruno Gmünder Gay Manga" imprint.[66]

Other media

[edit]

In contrast to hentai and yaoi, which are regularly adapted from manga to original video animations (OVAs) and ongoing animated series, there have been no anime adaptations of gay manga.[68] This can be owed to the significant financial costs associated with producing animation relative to the niche audience of gay manga, as well as the absence of gay manga magazines producing serialized content that would lend itself to episodic adaptation.[68] Despite this, the increased presence of objectified masculine bodies as fan service in anime beginning in the 2010s has been cited as an example of gay manga's influence on mainstream anime, as in series such as All Out!!, Free!, and Golden Kamuy.[68][69]

Comparison to yaoi

[edit]

Distinction from yaoi

[edit]

Yaoi (やおい, also known as boys' love or BL) is an additional manga genre that focuses on gay male romance and sex. The genre is a distinct category from gay manga, having originated in the 1970s as an offshoot of shōjo manga[70] that was inspired by Barazoku and European cinema.[16] Yaoi has historically been created primarily by women for a primarily female audience,[71][72] and typically features bishōnen who often do not self-identify as gay or bisexual.[73][74][75] The genre is often framed as a form of escapist fiction, depicting sex that is free of the patriarchal trappings of heterosexual pornography; yaoi can therefore be understood as a primarily feminist phenomenon, whereas gay manga is an expression of gay male identity.[16] Gay manga does not aim to recreate heteronormative gender roles, as yaoi does with seme and uke dynamics.[50]

Crossover with yaoi

[edit]

The early 2000s saw a degree of overlap between yaoi and gay manga in BDSM-themed publications. The yaoi BDSM anthology magazine Zettai Reido (絶対零度) had several male contributors,[46][47] while several female yaoi authors have contributed stories to BDSM-themed gay manga anthologies or special issues,[47] occasionally under male pen names.[16] Concurrently, several yaoi publishers commissioned works featuring masculine men, aimed at appealing to an audience of both gay manga and yaoi readers (see Japanese publishing above).[54] Gengoroh Tagame argues that these crossover publications represent the movement of yaoi away from aestheticism and towards the commercialization of male-male sexuality for a female market.[54]

The late 2010s and onwards have seen the increasing popularity of masculine men in yaoi, with growing emphasis on stories featuring larger and more muscular bodies, older characters, and seme and uke characters of physically comparable sizes.[76][77] A 2017 survey by yaoi publisher Juné Manga found that while over 80% of their readership previously preferred bishōnen body types exclusively, 65% now enjoy both bishōnen and muscular body types.[78] Critics and commentators have noted that this shift in preferences among yaoi readers, and subsequent creation of works that feature characteristics of both yaoi and gay manga, represents a blurring of the distinctions between the genres;[12][77] anthropologist Thomas Baudinette notes in his fieldwork that gay men in Japan "saw no need to sharply disassociate BL from gei komi when discussing their consumption of 'gay media'."[79]

See also

[edit]

References

[edit]

Citations

[edit]
  1. ^ Kawahara, Reki (April 22, 2014). Sword Art Online 1: Aincrad. New York: Yen On. ISBN 978-0-316-37124-7.
  2. ^ a b c Kolbeins, Graham (November 8, 2014). "Is 'Bara' Problematic?". Gay Manga!. Retrieved October 8, 2018.
  3. ^ a b Ishii, Kidd & Kolbeins 2014, p. 40.
  4. ^ a b c d Ishii, Kidd & Kolbeins 2014, p. 34.
  5. ^ a b Lewis, Leo; Teeman, Tim (October 12, 2004). "Voice of gay Japan falls silent after 30 years in the pink". The Times. Retrieved September 1, 2009.
  6. ^ McLelland 2000, p. 35.
  7. ^ Mackintosh 2006.
  8. ^ a b c Kolbeins, Graham (May 20, 2014). "The History of the Term 'Bara' (via Archive)". Gay Manga!. Archived from the original on July 18, 2014. Retrieved October 8, 2018.
  9. ^ Hernandez, Patricia (October 26, 2020). "New Pokémon character immediately crowned gay icon by fans". Polygon. Vox Media. Archived from the original on November 3, 2020. Retrieved November 20, 2020.
  10. ^ a b Ishii, Kidd & Kolbeins 2014, p. 33.
  11. ^ a b c Randle, Chris (December 31, 2014). "Size Matters: An Interview With Anne Ishii". The Hairpin. Archived from the original on September 30, 2023. Retrieved September 2, 2018.{{cite web}}: CS1 maint: unfit URL (link)
  12. ^ a b c Aoki, Deb (July 22, 2015). "TCAF 2015 – Gengoroh Tagame Talks Gay Manga, 'Bara,' BL and Scanlation". Manga Comics Manga. Archived from the original on September 24, 2017. Retrieved January 12, 2019.
  13. ^ Ishii, Kidd & Kolbeins 2014, p. 96.
  14. ^ a b c Tagame 2003, p. 11.
  15. ^ Tagame 2003, p. 14.
  16. ^ a b c d e f Ishii, Kidd & Kolbeins 2014, p. 32.
  17. ^ a b Tagame 2003, p. 8.
  18. ^ a b Tagame 2003, p. 10.
  19. ^ Tagame 2003, p. 15.
  20. ^ Tagame 2003, pp. 15–16.
  21. ^ a b c d Tagame 2003, p. 18.
  22. ^ a b Tagame 2003, p. 16.
  23. ^ Tagame 2003, pp. 16–17.
  24. ^ Tagame 2003, p. 19.
  25. ^ Tagame 2006, p. 11.
  26. ^ Tagame 2003, p. 26.
  27. ^ a b Tagame 2003, p. 20.
  28. ^ a b Ishii, Kidd & Kolbeins 2014, p. 39.
  29. ^ Senju, Kaz (March 6, 2016). "Inside the Taboo-Filled Mind of Japan's Best BDSM Manga Artist". Vice. Retrieved January 21, 2021.
  30. ^ Guilbert, Xavier (May 9, 2013). "Tagame Gengoroh". du9. Retrieved February 3, 2021.
  31. ^ Ishii, Kidd & Kolbeins 2013, p. 272.
  32. ^ Lunsing 2006, 21.
  33. ^ a b Tagame 2013, p. 22.
  34. ^ McLelland 2000, p. 140.
  35. ^ Lunsing, Wim (1999). "Japan: Finding its way?". In Barry D. Adam; Jan Willem Duyvendak; André Krouwel (eds.). The global emergence of gay and lesbian politics: national imprints of a worldwide movement. Temple University Press. pp. 293–325. ISBN 1-56639-645-X.
  36. ^ Kolbeins, Graham (February 17, 2016). "Some Sad News". Gay Manga!. Retrieved September 3, 2018.
  37. ^ "「月刊誌バディ」休刊のお知らせ 2019年3月号(2019年1月21日発売)をもって休刊になります". Badi (in Japanese). December 23, 2018. Retrieved December 23, 2018.
  38. ^ Loveridge, Lynzee (January 7, 2019). "Eisner Winning Manga Creator Gengoroh Tagame Laments End of Adult Gay Manga Mags". Anime News Network. Retrieved September 16, 2021.
  39. ^ a b Tagame 2013, p. 23.
  40. ^ Ishii, Kidd & Kolbeins 2014, p. 41.
  41. ^ Ishii, Kidd & Kolbeins 2014, p. 155.
  42. ^ "Authors: Mizuki Gai". The Doujinshi & Manga Lexicon. Archived from the original on October 12, 2018. Retrieved October 8, 2018.
  43. ^ a b c Tagame 2013, p. 25.
  44. ^ ネット人気でホモマンガ復刻…ヤマジュンって誰だ? [The comeback of homomanga popularity on the internet...who is Yamajun?] (in Japanese). Zakzak. February 9, 2008. Archived from the original on February 9, 2008. Retrieved July 11, 2009.
  45. ^ Tagame 2013, p. 26.
  46. ^ a b c Lunsing 2006.
  47. ^ a b c Simona (May 13, 2009). "Simona's BL Research Lab: Reibun Ike, Hyogo Kijima, Inaki Matsumoto". Akibanana. Archived from the original on October 3, 2009. Retrieved August 29, 2009.
  48. ^ McLelland 2000, pp. 159–160.
  49. ^ Simona (May 6, 2009). "Simona's BL Research Lab: Boys Love for the Boys". Akibanana. Archived from the original on February 6, 2010. Retrieved August 29, 2009.
  50. ^ a b c d McLelland 2000, p. 136.
  51. ^ a b c Anderson, Tina (January 2018). "That Damn Bara Article!". Guns, Guys & Yaoi. Retrieved August 19, 2022.
  52. ^ Alverson, Brigid (June 29, 2017). "Openly Gay Manga Creator Gengoroh Tagame Talks Breaking Barriers with My Brother's Husband". The B&N Sci-Fi and Fantasy Blog. Retrieved July 4, 2017.
  53. ^ Thompson 2007, p. 414.
  54. ^ a b c Tagame 2013, p. 24.
  55. ^ Ishii, Kidd & Kolbeins 2014, p. 119.
  56. ^ "WeeklyAkibaWords: Gachi Muchi (ガチムチ)". WeeklyAkibaWords. February 27, 2009. Archived from the original on March 2, 2009. Retrieved April 5, 2009.
  57. ^ "マクマクラン博士の危険なお遊戯". Oakla Publishing. December 12, 2015. Archived from the original on June 18, 2020. Retrieved April 20, 2019.
  58. ^ "GloBL and Gay Comics - Chicks On Anime". Anime News Network. November 25, 2008. Retrieved September 8, 2009.
  59. ^ Deppey, Dirk. "A Comics Reader's Guide to Manga Scanlations (via Archive)". The Comics Journal. Archived from the original on March 27, 2008. Retrieved July 11, 2007.
  60. ^ La Cúpula: Artist: Jiraiya Archived April 26, 2011, at the Wayback Machine
  61. ^ La Cúpula: Details: La casa de los herejes Archived July 13, 2011, at the Wayback Machine
  62. ^ "FICHE AUTEUR - Gengoroh Tagame" (in French). H&O Editions. Retrieved August 28, 2009.
  63. ^ "Thickness!". Thickness. Archived from the original on January 20, 2012. Retrieved July 16, 2012.
  64. ^ "Hide and Seek | eManga". eManga. Archived from the original on March 4, 2016. Retrieved May 8, 2013.
  65. ^ Nadel, Dan. "The Passion of Gengoroh Tagame". PictureBox. Archived from the original on July 23, 2012. Retrieved July 16, 2012.
  66. ^ a b Nichols, James (February 2, 2015). "'Massive: Gay Erotic Manga And The Men Who Make It,' Chronicles Gay Japanese Manga". HuffPost.
  67. ^ Asselin, Janelle (April 22, 2015). "2015 Eisner Award Nominations Announced". ComicsAlliance. Retrieved September 2, 2018.
  68. ^ a b c Sevakis, Justin (March 14, 2018). "There's Bara Manga... Why Isn't There Bara Anime?". Anime News Network. Retrieved April 11, 2019.
  69. ^ Green, Scott (August 19, 2017). "There's No Manservice Like 'Golden Kamuy' Manservice". Crunchyroll. Retrieved April 11, 2019.
  70. ^ Haggerty, George E. (2000). Encyclopedia of Gay Histories and Cultures. Taylor & Francis. p. 494. ISBN 978-0-8153-1880-4.
  71. ^ Wilson, Brent; Toku, Masami (2003). ""Boys' Love," Yaoi, and Art Education: Issues of Power and Pedagogy". Visual Cultural Research in Art and Education. Archived from the original on October 15, 2018.
  72. ^ Noh, Sueen (2002). "Reading Yaoi Comics: An Analysis of Korean Girls' Fandom" (PDF). Archived from the original (PDF) on September 28, 2007.
  73. ^ McLelland, Mark (December 4, 2006). "Why are Japanese Girls' Comics full of Boys Bonking?". Refractory: A Journal of Entertainment Media. 10. ISSN 1447-4905. Archived from the original on April 15, 2008. Retrieved September 1, 2009.
  74. ^ Lees, Sharon (June 2006). "Yaoi and Boys Love". Akiba Angels. Archived from the original on January 2, 2016.
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  78. ^ Grace, Madison (March 27, 2017). "Yaoi: then vs. now". Juné Manga. Retrieved July 20, 2019.
  79. ^ Baudinette, Thomas (2017-04-01). "Japanese gay men's attitudes towards 'gay manga' and the problem of genre". East Asian Journal of Popular Culture. 3 (1): 63. doi:10.1386/eapc.3.1.59_1. ISSN 2051-7084.

General and cited references

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Puella Magi Madoka Magica (魔法少女まどか☆マギカ, Mahō Shōjo Madoka Magika, "Magical Girl Madoka Magica") (Full article...)


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Aim for the Ace!, known in Japan as Ace o Nerae! (Japanese: エースをねらえ!, Hepburn: Ēsu o Nerae!), is a manga series written and illustrated by Sumika Yamamoto. The series tells the story of Hiromi Oka, a high school student who wants to become a professional tennis player as she struggles against mental weakness, anxiety and thwarted love. It was originally serialized in Shueisha's shōjo magazine Margaret from January 1973 to February 1980. Later, Shueisha collected the chapters and published them in 18 tankōbon volumes.

The manga was adapted into an anime television series in 1973 by Tokyo Movie which was originally broadcast on Mainichi Broadcasting System (MBS) between 1973 and 1974. Aim for the Ace! also spawned another anime television and an anime film between 1978 and 1979, two original video animations (OVA) between 1988 and 1990, a live-action Japanese television drama in 2004, and many types of Aim for the Ace!-related merchandise. The franchise is also known with its international title Aim for the Best!

The series is one of the best-selling shōjo manga series of all time, having sold approximately 15 million copies in Japan. (Full article...)


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Arisa (Japanese: アリサ) is a Japanese mystery shōjo (targeted towards girls) manga series written and illustrated by Natsumi Ando. It appeared as a serial in the monthly manga magazine Nakayoshi from the February 2009 issue to the September 2012 issue. Kodansha published the chapters in twelve bound volumes, from April 2009 to September 2012. Set in present-day Japan, it focuses on teenager Tsubasa Uehara, as she investigates the mystery surrounding her twin sister's suicide attempt. With her sister left comatose, Tsubasa poses as her in the hopes of uncovering the identity of the King, a person who grants wishes to Arisa's class, often resulting in violence.

Del Rey licensed the series for an English-language translation in North America. It published the first volume in October 2010, and shortly afterward, Kodansha USA took over publishing, with the final volume published in January 2014. The series was positively received by English-language readers, with three volumes placing on the New York Times Bestseller List for manga. (Full article...)


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Baccano! (Japanese: バッカーノ!, Hepburn: Bakkāno!, Italian for "ruckus", Italian pronunciation: [bakˈkaːno]) is a Japanese light novel series written by Ryohgo Narita and illustrated by Katsumi Enami. The series, told from multiple points of view, is mostly set within a fictional United States across time most notably the Prohibition era. Its characters includes alchemists, thieves, thugs, Mafiosi and Camorristi, who are, at first, unconnected to one another. After an immortality elixir is recreated in 1930 Manhattan, the characters begin to cross paths, setting off events that spiral further and further out of control.

The first novel was released in February 2003 under ASCII Media Works' (formerly MediaWorks) Dengeki Bunko imprint, twenty-two novels have so far been released. The novels were adapted into a sixteen episode anime television series directed by Takahiro Omori and produced by Brain's Base and Aniplex. (Full article...)


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Black Cat (stylized in all caps) is a Japanese manga series written and illustrated by Kentaro Yabuki. It was originally serialized in publisher Shueisha's shōnen manga magazine Weekly Shōnen Jump from July 2000 to June 2004, with the chapters later collected into twenty tankōbon (bound volumes) by Shueisha. The story centers on a man named Train Heartnet who withdrew from an elite group of assassins called the Chronos Numbers to become a bounty hunter.

The series was adapted into a twenty-four episode anime television series by studio Gonzo, which originally aired on Tokyo Broadcasting System (TBS) from October 2005 to March 2006. The manga was licensed for English-language publication in North America by Viz Media and in Australasia by Madman Entertainment. Funimation Entertainment licensed the anime for an English dub and North American broadcast on their own Funimation Channel, with Madman releasing it in Australasia and MVM Films in the United Kingdom.

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Zodiac P.I. (Japanese: 十二宮でつかまえて, Hepburn: Jūnikyū de Tsukamaete) is a mystery manga series written and illustrated by Natsumi Ando. Appearing as a serial in the monthly shōjo (targeted towards girls) manga magazine Nakayoshi from the April 2001 issue to the January 2003 issue, the chapters were compiled into four bound volumes by Kodansha and published from November 2001 to March 2003. Set in present-day Japan, the series focuses on Lili Hoshizawa, a teenage detective who uses astrology to solve cases.

In North America, Tokyopop licensed the series for an English-language translation, and published it from July 2003 to December 2003, although the translation has since gone out of print. The series has also been translated into other languages. The series has been generally reviewed as being light entertainment. (Full article...)


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Kenji Miyamoto (right) provided the choreography for the series.

Yuri!!! on Ice (Japanese: ユーリ!!! on ICE) is a Japanese sports anime television series about figure skating. The series was produced by MAPPA, directed and written by Sayo Yamamoto with original scripts by Mitsurō Kubo under the chief episode direction of Jun Shishido. Character designs were handled by Tadashi Hiramatsu, and its music was composed by Taro Umebayashi and Taku Matsushiba. The figure skating was choreographed by Kenji Miyamoto, who also performed routines himself which were recorded and used as skating sound effects. The series premiered on October 6, 2016, and ended on December 22, 2016, with a total of 12 episodes. A Yuri on Ice feature film, Ice Adolescence, was originally planned for release in 2019, but has since been cancelled as of April 2024. The series revolves around the relationships between Japanese figure skater Yuri Katsuki; his idol, Russian figure-skating champion Victor Nikiforov; and up-and-coming Russian skater Yuri Plisetsky; as Yuri K. and Yuri P. take part in the Figure Skating Grand Prix, with Victor acting as coach to Yuri K. (Full article...)


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Dragon Ball (Japanese: ドラゴンボール, Hepburn: Doragon Bōru) is a Japanese media franchise created by Akira Toriyama in 1984. The initial manga, written and illustrated by Toriyama, was serialized in Weekly Shōnen Jump from 1984 to 1995, with the 519 individual chapters collected in 42 tankōbon volumes by its publisher Shueisha. Dragon Ball was originally inspired by the classical 16th-century Chinese novel Journey to the West, combined with elements of Hong Kong martial arts films. Dragon Ball characters also use a variety of East Asian martial arts styles, including karate[1][2][3] and Wing Chun (kung fu).[2][3][4] The series follows the adventures of protagonist Son Goku from his childhood through adulthood as he trains in martial arts. He spends his childhood far from civilization until he meets a teen girl named Bulma, who encourages him to join her quest in exploring the world in search of the seven orbs known as the Dragon Balls, which summon a wish-granting dragon when gathered. Along his journey, Goku makes several other friends, becomes a family man, discovers his alien heritage, and battles a wide variety of villains, many of whom also seek the Dragon Balls. (Full article...)


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Voice actress Junko Takeuchi

Naruto Uzumaki is the fictional protagonist of the Japanese manga series Naruto, created by Masashi Kishimoto. A carefree, optimistic and boisterous teen ninja who befriends other ninja, he aspires to become the leader of his fictional village, Konohagakure. He appears in anime, films, video games and original video animations, as well as a sequel Boruto: Naruto Next Generations, with his son Boruto Uzumaki as the protagonist. Kishimoto initially aimed to keep the character "simple and stupid", while giving him many attributes of an ideal hero, and a tragic past. The author has revised Naruto's image many times, providing the character with different clothes intended to appeal to Western audiences and to make him easier to illustrate. Naruto is voiced by Junko Takeuchi (pictured) in the original animated series and Maile Flanagan in the English adaptations. The character's development has been praised by anime and manga publications, and has drawn scholarly attention. (Full article...)


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Allen Walker is a fictional teenage character who appears as the protagonist of Katsura Hoshino's manga D.Gray-man, as well as two anime adaptations, three light novels, two video games, and several crossover fighting games. In the 19th century, the gentlemanly teenager joins the Black Order, a group of soldiers known as Exorcists, and fights Akuma demons and their creator, the Millennium Earl. In the anime television series and related franchise, he was voiced by Sanae Kobayashi. In 2016, for the new television anime series D.Gray-man Hallow, he was voiced by Ayumu Murase, and by Todd Haberkorn in an English-language anime series. The character has been popular with D.Gray-man readers, usually ranking in the top three in the series' popularity polls. Reactions to him have also been generally positive in manga and anime publications and other media. Critics have noted approvingly that his calm demeanor and mysterious origin are atypical of a protagonist in manga for boys. Merchandise featuring Allen Walker's likeness includes clothing and cosplay pieces. (Full article...)


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  1. ^ "The Martial Arts of Dragon Ball Z". www.nkkf.org. Archived from the original on May 27, 2023. Retrieved 2023-05-27.
  2. ^ a b Arts, Way of Martial. "What Martial Arts Does Goku Use? (Do They Work In Real Life?)". Archived from the original on May 27, 2023. Retrieved 2023-05-27.
  3. ^ a b Gerardo (2021-04-19). "What Martial Arts Does Goku Use in Dragon Ball Z?". Combat Museum. Archived from the original on May 27, 2023. Retrieved 2023-05-27.
  4. ^ "Dragon Ball: 10 Fictional Fighting Styles That Are Actually Based On Real Ones". CBR. 2020-05-05. Archived from the original on May 27, 2023. Retrieved 2023-05-27.