Jump to content

Perplexities after Escher

Add links
From Wikipedia, the free encyclopedia

Perplexities after Escher
Chamber music by Graham Waterhouse
Periodcontemporary
Based onartworks by M. C. Escher
Composed2024 (2024)
PerformedJune 7, 2024 (2024-06-07): Garmisch-Partenkirchen
Movements5
Scoring

Perplexities after Escher is a chamber music composition by Graham Waterhouse, written in 2024 for heckelphone, string quartet and piano. Its five movements refer to graphic artworks by M. C. Escher. It was composed in 2024 for the 120th anniversary of the instrument heckelphone, and premiered in Garmisch-Partenkirchen. The piece is in preparation to be published by Schott.

History

[edit]
Escher at work

Waterhouse had composed a work inspired by graphic artworks by M. C. Escher and using the heckelphone, Four Epigraphs after Escher, in 1993, a piano trio for viola and heckelphone in four movements.[1] The heckelphone is a rare member of the oboe family prominently used by Richard Strauss, Frederick Delius and Paul Hindemith.[2][3]

Waterhouse composed Perplexities after Escher in 2024 on the occasion of the 120th anniversary of the introduction of the heckelphone by the Heckel company.[4] Heckelphone player Holger Hoos had commissioned a work for heckelphone and strings, and Waterhouse decided to use string quartet and double bass, the latter to correspond with the low register of the wind instrument with a wide range. Hoos initiated the idea to base the composition again on works by Escher, and Waterhouse chose five early graphics, created before Escher went into three-dimensional illusions.[4]

Perplexities after Escher was premiered in Garmisch-Partenkirchen, where Strauss lived, on 7 June 2024 within a symposium, Richard Strauss Tage 2024, around the instrument, with expositions and lectures. It was performed by Hoos, the Graffe Quartet (Štěpán Graffe, Lukáš Bednařík, Luboš Melničák and Michal Hreňo) and Miloslav Jelínek (double bass).[5] The work was played again in two portrait concerts with an identical program in Munich and Münsing around the composer's birthday in November 2024, together with arrangements of solo compositions by Beethoven and Bach, and String Sextet op. 1.[4][6] It was performed by Hoos, David Frühwirth and Anna Kakutia (violin), Chialong Tsai (viola), Waterhouse (cello) and Thmas Herbst (double bass).[7][6]

The composition is in preparation to be published by Schott in 2024. The duration is given as 17 minutes.[7]

Music

[edit]

The composition is structured in five movements:[7]

  1. Levenkracht (Life force) - Allegramente
  2. Atrani - Adagio piangendo
  3. Draak (Dragon) - Presto scurrile
  4. Castrovalva - Moderato
  5. Kringloop - Con moto energico

References

[edit]
  1. ^ "Graham Waterhouse: Vier Epigraphe nach Escher, op. 35" (in German). Hofmeister. 2023. Retrieved 26 November 2023.
  2. ^ "Music for heckelphone". Heckelphone.org. 2022. Retrieved 26 October 2022.
  3. ^ Tarkmann, Andreas N.; Kohlmann, Johannes (2018). Praktische Instrumentenkunde [Practical Knowledge of Instruments] (in German). Bärenreiter. pp. 86–97. ISBN 978-3-76-187180-5.
  4. ^ a b c Atzinger, Michael (30 October 2024). "Ein unerhörtes Instrument". BR (in German). Retrieved 6 November 2024.
  5. ^ "Kammerkonzert II". Richard Strauss Tage. 2024. Retrieved 6 November 2024.
  6. ^ a b Schäufele, Paul (4 November 2024). "Von kurioser Schönheit". Süddeutsche Zeitung (in German). Retrieved 6 November 2024.
  7. ^ a b c "Perplexities / after Escher". Schott. 2024. Retrieved 6 November 2024.
[edit]


Retrieved from "https://wiki.riteme.site/w/index.php?title=Perplexities_after_Escher&oldid=1255735431"