Jump to content

Portal:Record production

Add links
From Wikipedia, the free encyclopedia
(Redirected from P:RECORD)
Portal topics
Activities
Culture
Geography
Health
History
Mathematics
Nature
People
Philosophy
Religion
Society
Technology
Random portal
  

The Record Production Portal

Noted audio engineer Roger Nichols at a vintage Neve recording console
Noted audio engineer Roger Nichols at a vintage Neve recording console
Shortcut

This portal is focused on music production within the era of written records through sound recordings, digital downloads, and beyond. Its scope includes articles that document the considerations and mechanisms used by, and consistent with, the purview of the production element. As an art form, music predates transcription and simultaneously transcends descriptive limitations. As an industry, music has demonstrated consistent viability over time. The record producer conjoins these potential, and serves as a broker to bridge the demand (spawned by their aspirations) with supply and satisfaction. The results are measurable and attributable, derived from effort and skillful application of craft, to a manifestation of the art in its melodic form. (Read more)

The music industry consists of the individuals and organizations that earn money by writing songs and musical compositions, creating and selling recorded music and sheet music, presenting concerts, as well as the organizations that aid, train, represent and supply music creators. Among the many individuals and organizations that operate in the industry are: the songwriters and composers who write songs and musical compositions; the singers, musicians, conductors, and bandleaders who perform the music; the record labels, music publishers, recording studios, music producers, audio engineers, retail and digital music stores, and performance rights organizations who create and sell recorded music and sheet music; and the booking agents, promoters, music venues, road crew, and audio engineers who help organize and sell concerts. (Read more)

  

Featured articles - load new batch

Featured articles are displayed here, which represent some of the best content on English Wikipedia.
  • Image 1 Title TK is the third studio album by American alternative rock band the Breeders, released on May 20 and 21, 2002 by 4AD in the United Kingdom and Elektra Records in the United States, and on May 10 by P-Vine Records in Japan. The album—whose name means "title to come" in journalistic shorthand—generated three singles: "Off You", "Huffer", and "Son of Three". Title TK reached the top 100 in France, Germany, the UK, and Australia, and number 130 in the US. Following multiple changes in personnel after the release of Last Splash (1993), singer and songwriter Kim Deal was the only remaining constant member of the Breeders by 1996. The next year, she returned to the studio in an attempt to record a follow-up album, but her behavior—including drug use and demanding expectations—alienated many of the musicians and engineers with whom she worked. (Full article...)
    Title TK is the third studio album by American alternative rock band the Breeders, released on May 20 and 21, 2002 by 4AD in the United Kingdom and Elektra Records in the United States, and on May 10 by P-Vine Records in Japan. The album—whose name means "title to come" in journalistic shorthand—generated three singles: "Off You", "Huffer", and "Son of Three". Title TK reached the top 100 in France, Germany, the UK, and Australia, and number 130 in the US.

    Following multiple changes in personnel after the release of Last Splash (1993), singer and songwriter Kim Deal was the only remaining constant member of the Breeders by 1996. The next year, she returned to the studio in an attempt to record a follow-up album, but her behavior—including drug use and demanding expectations—alienated many of the musicians and engineers with whom she worked. (Full article...)
  • Image 2 Kids See Ghosts is the only studio album by the American hip-hop supergroup Kids See Ghosts, composed of the rappers and producers Kanye West and Kid Cudi. It was released on June 8, 2018, through GOOD Music and Wicked Awesome Records, and distributed by Def Jam Recordings. Prior to the release, West and Cudi had collaborated on each other's work since 2008, although they experienced personal quarrels due to creative differences. The first studio sessions for the album began after the two reunited in late 2016. Guest contributions are included on Kids See Ghosts from Pusha T, Yasiin Bey, and Ty Dolla Sign, as well as a vocal sample of Louis Prima, who is credited posthumously as a featured artist. Kids See Ghosts handled the majority of the stylistically fragmented production that includes varying elements, with further contributions by Dot da Genius, Mike Dean, and Plain Pat, among others. The album was the third of five records produced by West in Jackson Hole as a part of the "Wyoming Sessions", each being released weekly in the summer of 2018. It succeeded the release of Pusha T's Daytona and West's Ye, while preceded the release of Nas' Nasir and Teyana Taylor's K.T.S.E. (Full article...)
    Kids See Ghosts is the only studio album by the American hip-hop supergroup Kids See Ghosts, composed of the rappers and producers Kanye West and Kid Cudi. It was released on June 8, 2018, through GOOD Music and Wicked Awesome Records, and distributed by Def Jam Recordings. Prior to the release, West and Cudi had collaborated on each other's work since 2008, although they experienced personal quarrels due to creative differences. The first studio sessions for the album began after the two reunited in late 2016.

    Guest contributions are included on Kids See Ghosts from Pusha T, Yasiin Bey, and Ty Dolla Sign, as well as a vocal sample of Louis Prima, who is credited posthumously as a featured artist. Kids See Ghosts handled the majority of the stylistically fragmented production that includes varying elements, with further contributions by Dot da Genius, Mike Dean, and Plain Pat, among others. The album was the third of five records produced by West in Jackson Hole as a part of the "Wyoming Sessions", each being released weekly in the summer of 2018. It succeeded the release of Pusha T's Daytona and West's Ye, while preceded the release of Nas' Nasir and Teyana Taylor's K.T.S.E. (Full article...)
  • Image 3 Drake in 1969 Nicholas Rodney Drake (19 June 1948 – 25 November 1974) was an English musician. An accomplished acoustic guitarist, Drake signed to Island Records at the age of twenty while still a student at the University of Cambridge. His debut album, Five Leaves Left, was released in 1969, and was followed by two more albums, Bryter Layter (1971) and Pink Moon (1972). While Drake did not reach a wide audience during his brief lifetime, his music found critical acclaim and he gradually received wider recognition following his death. Drake suffered from depression and was reluctant to perform in front of live audiences. Upon completion of Pink Moon, he withdrew from both performance and recording, retreating to his parents' home in rural Warwickshire. On 25 November 1974, Drake was found dead at the age of 26 due to an overdose of antidepressants. (Full article...)

    Drake in 1969

    Nicholas Rodney Drake (19 June 1948 – 25 November 1974) was an English musician. An accomplished acoustic guitarist, Drake signed to Island Records at the age of twenty while still a student at the University of Cambridge. His debut album, Five Leaves Left, was released in 1969, and was followed by two more albums, Bryter Layter (1971) and Pink Moon (1972). While Drake did not reach a wide audience during his brief lifetime, his music found critical acclaim and he gradually received wider recognition following his death.

    Drake suffered from depression and was reluctant to perform in front of live audiences. Upon completion of Pink Moon, he withdrew from both performance and recording, retreating to his parents' home in rural Warwickshire. On 25 November 1974, Drake was found dead at the age of 26 due to an overdose of antidepressants. (Full article...)
  • Image 4 Lennon in 1974 John Winston Ono Lennon (born John Winston Lennon; 9 October 1940 – 8 December 1980) was an English singer-songwriter, musician and political activist. He gained worldwide fame as the founder, co-lead vocalist and rhythm guitarist of the Beatles. Lennon's songwriting partnership with Paul McCartney remains the most successful in history. Born in Liverpool, Lennon became involved in the skiffle craze as a teenager. In 1956, he formed the Quarrymen, which evolved into the Beatles in 1960. Lennon initially was the group's de facto leader, a role he gradually seemed to cede to McCartney. Through his songwriting in the Beatles, he embraced myriad musical influences, initially writing and co-writing rock and pop-orientated hit songs in the band's early years, then later incorporating experimental elements into his compositions in the latter half of the Beatles' career as his songs became known for their increasing innovation. Lennon soon expanded his work into other media by participating in numerous films, including How I Won the War, and authoring In His Own Write and A Spaniard in the Works, both collections of nonsense writings and line drawings. Starting with "All You Need Is Love", his songs were adopted as anthems by the anti-war movement and the counterculture of the 1960s. (Full article...)

    Lennon in 1974

    John Winston Ono Lennon (born John Winston Lennon; 9 October 1940 – 8 December 1980) was an English singer-songwriter, musician and political activist. He gained worldwide fame as the founder, co-lead vocalist and rhythm guitarist of the Beatles. Lennon's songwriting partnership with Paul McCartney remains the most successful in history.

    Born in Liverpool, Lennon became involved in the skiffle craze as a teenager. In 1956, he formed the Quarrymen, which evolved into the Beatles in 1960. Lennon initially was the group's de facto leader, a role he gradually seemed to cede to McCartney. Through his songwriting in the Beatles, he embraced myriad musical influences, initially writing and co-writing rock and pop-orientated hit songs in the band's early years, then later incorporating experimental elements into his compositions in the latter half of the Beatles' career as his songs became known for their increasing innovation. Lennon soon expanded his work into other media by participating in numerous films, including How I Won the War, and authoring In His Own Write and A Spaniard in the Works, both collections of nonsense writings and line drawings. Starting with "All You Need Is Love", his songs were adopted as anthems by the anti-war movement and the counterculture of the 1960s. (Full article...)
  • Image 5 Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 20, 1986, by Def Jam Recordings. The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp. The band's members stated that they did not condone Nazism and were merely interested in the subject. Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked Reign in Blood at #6. Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time. (Full article...)
    Reign in Blood is the third studio album by American thrash metal band Slayer, released on October 20, 1986, by Def Jam Recordings. The album was the band's first collaboration with producer Rick Rubin, whose input helped the band's sound evolve. The release date of the album was delayed because of concerns regarding the lyrical subject matter of the opening track "Angel of Death", which refers to Josef Mengele and describes acts such as human experimentation that he committed at the Auschwitz concentration camp. The band's members stated that they did not condone Nazism and were merely interested in the subject.

    Reign in Blood was well received by both critics and fans, and was responsible for bringing Slayer to the attention of a mainstream metal audience. Today, it is often mentioned among the greatest heavy metal records ever. In their 2017 listing of the 100 Greatest Metal albums of all time, Rolling Stone magazine ranked Reign in Blood at #6. Alongside Anthrax's Among the Living, Megadeth's Peace Sells... but Who's Buying?, and Metallica's Master of Puppets, Reign in Blood helped define the sound of the emerging US thrash metal scene in the mid-1980s, and has remained influential since. The album was Slayer's first to enter the US Billboard 200, peaking at number 94, and was certified Gold on November 20, 1992. In 2013, NME ranked it at number 287 in its list of the 500 Greatest Albums of All Time. (Full article...)
  • Image 6 Final rehearsal for the world premiere in the Neue Musik-Festhalle in Munich The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer disapproved of the name. The work was composed in a single inspired burst at his Maiernigg villa in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910. The fusion of song and symphony had been a characteristic of Mahler's early works. In his "middle" compositional period after 1901, a change of style led him to produce three purely instrumental symphonies. The Eighth, marking the end of the middle period, returns to a combination of orchestra and voice in a symphonic context. The structure of the work is unconventional: instead of the normal framework of several movements, the piece is in two parts. Part I is based on the Latin text of Veni creator spiritus ("Come, Creator Spirit"), a ninth-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe's Faust. The two parts are unified by a common idea, that of redemption through the power of love, a unity conveyed through shared musical themes. (Full article...)

    Final rehearsal for the world premiere in the Neue Musik-Festhalle in Munich

    The Symphony No. 8 in E-flat major by Gustav Mahler is one of the largest-scale choral works in the classical concert repertoire. As it requires huge instrumental and vocal forces it is frequently called the "Symphony of a Thousand", although the work is normally presented with far fewer than a thousand performers and the composer disapproved of the name. The work was composed in a single inspired burst at his Maiernigg villa in southern Austria in the summer of 1906. The last of Mahler's works that was premiered in his lifetime, the symphony was a critical and popular success when he conducted the Munich Philharmonic in its first performance, in Munich, on 12 September 1910.

    The fusion of song and symphony had been a characteristic of Mahler's early works. In his "middle" compositional period after 1901, a change of style led him to produce three purely instrumental symphonies. The Eighth, marking the end of the middle period, returns to a combination of orchestra and voice in a symphonic context. The structure of the work is unconventional: instead of the normal framework of several movements, the piece is in two parts. Part I is based on the Latin text of Veni creator spiritus ("Come, Creator Spirit"), a ninth-century Christian hymn for Pentecost, and Part II is a setting of the words from the closing scene of Goethe's Faust. The two parts are unified by a common idea, that of redemption through the power of love, a unity conveyed through shared musical themes. (Full article...)
  • Image 7 Fauré in 1907 The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. His compositions for piano, written between the 1860s and the 1920s, include some of his best-known works. Fauré's major sets of piano works are thirteen nocturnes, thirteen barcarolles, six impromptus, and four valses-caprices. These sets were composed during several decades in his long career, and display the change in his style from uncomplicated youthful charm to a final enigmatic, but sometimes fiery introspection, by way of a turbulent period in his middle years. His other notable piano pieces, including shorter works, or collections composed or published as a set, are Romances sans paroles, Ballade in F♯ major, Mazurka in B♭ major, Thème et variations in C♯ minor, and Huit pièces brèves. For piano duet, Fauré composed the Dolly Suite and, together with his friend and former pupil André Messager, an exuberant parody of Wagner in the short suite Souvenirs de Bayreuth. (Full article...)
    head and shoulders shot of an elderly man with white hair and a splendid white moustache
    Fauré in 1907

    The French composer Gabriel Fauré (1845–1924) wrote in many genres, including songs, chamber music, orchestral pieces, and choral works. His compositions for piano, written between the 1860s and the 1920s, include some of his best-known works.

    Fauré's major sets of piano works are thirteen nocturnes, thirteen barcarolles, six impromptus, and four valses-caprices. These sets were composed during several decades in his long career, and display the change in his style from uncomplicated youthful charm to a final enigmatic, but sometimes fiery introspection, by way of a turbulent period in his middle years. His other notable piano pieces, including shorter works, or collections composed or published as a set, are Romances sans paroles, Ballade in F♯ major, Mazurka in B♭ major, Thème et variations in C♯ minor, and Huit pièces brèves. For piano duet, Fauré composed the Dolly Suite and, together with his friend and former pupil André Messager, an exuberant parody of Wagner in the short suite Souvenirs de Bayreuth. (Full article...)
  • Image 8 Blood Sugar Sex Magik is the fifth studio album by American rock band Red Hot Chili Peppers, released on September 24, 1991, by Warner Bros. Records. Produced by Rick Rubin, its musical style differed notably from the band's previous album Mother's Milk (1989), reducing the use of heavy metal guitar riffs and accentuating the melodic songwriting contributions of guitarist John Frusciante. The album's subject matter incorporates sexual innuendos and references to drugs and death, as well as themes of lust and exuberance. Blood Sugar Sex Magik peaked at number three on the US Billboard 200, and produced hit singles "Under the Bridge", "Give It Away", "Suck My Kiss", "Breaking the Girl" and "If You Have to Ask". The album received widespread critical acclaim and propelled the band into worldwide popularity. Heavily uncomfortable with fame, Frusciante quit the band during its 1992 tour; he rejoined in 1998. (Full article...)
    Blood Sugar Sex Magik is the fifth studio album by American rock band Red Hot Chili Peppers, released on September 24, 1991, by Warner Bros. Records. Produced by Rick Rubin, its musical style differed notably from the band's previous album Mother's Milk (1989), reducing the use of heavy metal guitar riffs and accentuating the melodic songwriting contributions of guitarist John Frusciante. The album's subject matter incorporates sexual innuendos and references to drugs and death, as well as themes of lust and exuberance.

    Blood Sugar Sex Magik peaked at number three on the US Billboard 200, and produced hit singles "Under the Bridge", "Give It Away", "Suck My Kiss", "Breaking the Girl" and "If You Have to Ask". The album received widespread critical acclaim and propelled the band into worldwide popularity. Heavily uncomfortable with fame, Frusciante quit the band during its 1992 tour; he rejoined in 1998. (Full article...)
  • Image 9 Anodyne is the fourth and final studio album by alternative country band Uncle Tupelo, released on October 5, 1993. The recording of the album was preceded by the departure of the original drummer Mike Heidorn and the addition of three new band members: bassist John Stirratt, drummer Ken Coomer, and multi-instrumentalist Max Johnston. The band signed with Sire Records shortly before recording the album; Anodyne was Uncle Tupelo's only major label release until 89/93: An Anthology in 2002. Recorded in Austin, Texas, Anodyne featured a split in songwriting credits between singers Jay Farrar and Jeff Tweedy, plus a cover version of the Doug Sahm song "Give Back the Key to My Heart", with Sahm on vocals. The lyrical themes were influenced by country music and—more than their preceding releases—touched on interpersonal relationships. After two promotional tours for the album, tensions between Farrar and Tweedy culminated in the breakup of Uncle Tupelo. Well-received upon its initial release, Anodyne was re-mastered and re-released in 2003 by Rhino Entertainment including five bonus tracks. (Full article...)
    Anodyne is the fourth and final studio album by alternative country band Uncle Tupelo, released on October 5, 1993. The recording of the album was preceded by the departure of the original drummer Mike Heidorn and the addition of three new band members: bassist John Stirratt, drummer Ken Coomer, and multi-instrumentalist Max Johnston. The band signed with Sire Records shortly before recording the album; Anodyne was Uncle Tupelo's only major label release until 89/93: An Anthology in 2002.

    Recorded in Austin, Texas, Anodyne featured a split in songwriting credits between singers Jay Farrar and Jeff Tweedy, plus a cover version of the Doug Sahm song "Give Back the Key to My Heart", with Sahm on vocals. The lyrical themes were influenced by country music and—more than their preceding releases—touched on interpersonal relationships. After two promotional tours for the album, tensions between Farrar and Tweedy culminated in the breakup of Uncle Tupelo. Well-received upon its initial release, Anodyne was re-mastered and re-released in 2003 by Rhino Entertainment including five bonus tracks. (Full article...)
  • Image 10 Too Much Too Soon is the second album by the American hard rock band New York Dolls. It was released by Mercury Records on May 10, 1974, and recorded earlier that year at A&R Studios in New York City. Dissatisfied with the recording of their 1973 self-titled debut album, the Dolls' lead singer David Johansen enlisted veteran producer Shadow Morton to produce the sessions. Morton, who had been disenchanted by the music industry, found renewed motivation in the band's energy and undertook the project as a challenge. Although the Dolls shared an affinity for Morton, they produced little original material with him. To complete Too Much Too Soon, they covered older songs and re-recorded their past demos. Johansen impersonated different characters while singing some of the novelty covers, and Morton incorporated many studio sound effects and female backing vocals in his production. For the album, lead guitarist Johnny Thunders wrote and recorded "Chatterbox", his first released performance singing lead. (Full article...)
    Too Much Too Soon is the second album by the American hard rock band New York Dolls. It was released by Mercury Records on May 10, 1974, and recorded earlier that year at A&R Studios in New York City. Dissatisfied with the recording of their 1973 self-titled debut album, the Dolls' lead singer David Johansen enlisted veteran producer Shadow Morton to produce the sessions. Morton, who had been disenchanted by the music industry, found renewed motivation in the band's energy and undertook the project as a challenge.

    Although the Dolls shared an affinity for Morton, they produced little original material with him. To complete Too Much Too Soon, they covered older songs and re-recorded their past demos. Johansen impersonated different characters while singing some of the novelty covers, and Morton incorporated many studio sound effects and female backing vocals in his production. For the album, lead guitarist Johnny Thunders wrote and recorded "Chatterbox", his first released performance singing lead. (Full article...)
  • Image 11 "Hey Jude" is a song by the English rock band the Beatles that was released as a non-album single in August 1968. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The single was the Beatles' first release on their Apple record label and one of the "First Four" singles by Apple's roster of artists, marking the label's public launch. "Hey Jude" was a number-one hit in many countries around the world and became the year's top-selling single in the UK, the US, Australia and Canada. Its nine-week run at number one on the Billboard Hot 100 tied the all-time record in 1968 for the longest run at the top of the US charts, a record it held for nine years. It has sold approximately eight million copies and is frequently included on music critics' lists of the greatest songs of all time. The writing and recording of "Hey Jude" coincided with a period of upheaval in the Beatles. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's young son Julian Lennon, after Lennon had left his wife Cynthia Lennon for the Japanese artist Yoko Ono. The lyrics espouse a positive outlook on a sad situation, while also encouraging "Jude" to pursue his opportunities to find love. After the fourth verse, the song shifts to a coda featuring a "Na-na-na na" refrain that lasts for over four minutes. (Full article...)
    "Hey Jude" is a song by the English rock band the Beatles that was released as a non-album single in August 1968. It was written by Paul McCartney and credited to the Lennon–McCartney partnership. The single was the Beatles' first release on their Apple record label and one of the "First Four" singles by Apple's roster of artists, marking the label's public launch. "Hey Jude" was a number-one hit in many countries around the world and became the year's top-selling single in the UK, the US, Australia and Canada. Its nine-week run at number one on the Billboard Hot 100 tied the all-time record in 1968 for the longest run at the top of the US charts, a record it held for nine years. It has sold approximately eight million copies and is frequently included on music critics' lists of the greatest songs of all time.

    The writing and recording of "Hey Jude" coincided with a period of upheaval in the Beatles. The ballad evolved from "Hey Jules", a song McCartney wrote to comfort John Lennon's young son Julian Lennon, after Lennon had left his wife Cynthia Lennon for the Japanese artist Yoko Ono. The lyrics espouse a positive outlook on a sad situation, while also encouraging "Jude" to pursue his opportunities to find love. After the fourth verse, the song shifts to a coda featuring a "Na-na-na na" refrain that lasts for over four minutes. (Full article...)
  • Image 12 Joseph Szigeti Joseph Szigeti (Hungarian: Szigeti József, [ˈsiɡɛti ˈjoːʒɛf]; 5 September 1892 – 19 February 1973) was a Hungarian violinist. Born into a musical family, he spent his early childhood in a small town in Transylvania. He quickly proved himself to be a child prodigy on the violin, and moved to Budapest with his father to study with the renowned pedagogue Jenő Hubay. After completing his studies with Hubay in his early teens, Szigeti began his international concert career. His performances at that time were primarily limited to salon-style recitals and the more overtly virtuosic repertoire; however, after making the acquaintance of pianist Ferruccio Busoni, he began to develop a much more thoughtful and intellectual approach to music that eventually earned him the nickname "The Scholarly Virtuoso". (Full article...)
    Joseph Szigeti


    Joseph Szigeti (Hungarian: Szigeti József, [ˈsiɡɛti ˈjoːʒɛf]; 5 September 1892 – 19 February 1973) was a Hungarian violinist.

    Born into a musical family, he spent his early childhood in a small town in Transylvania. He quickly proved himself to be a child prodigy on the violin, and moved to Budapest with his father to study with the renowned pedagogue Jenő Hubay. After completing his studies with Hubay in his early teens, Szigeti began his international concert career. His performances at that time were primarily limited to salon-style recitals and the more overtly virtuosic repertoire; however, after making the acquaintance of pianist Ferruccio Busoni, he began to develop a much more thoughtful and intellectual approach to music that eventually earned him the nickname "The Scholarly Virtuoso". (Full article...)
More featured articles
  

Did you know (auto-generated) - load new batch

  

Born this day

Birthdays in Music: February 26


  

Selected albums - load new batch

These are all Good articles, which meet a core set of high editorial standards.
  • Image 1 Up! Live in Chicago is the third live video album by Canadian singer Shania Twain. Directed and produced by Beth McCarthy-Miller, the concert was held and filmed on July 27, 2003 at Hutchinson Field in the south-side of Grant Park in Chicago, Illinois; over 50,000 people attended. The concert itself differed from that of the Up! Tour (2003–04), featuring a different stage, setlist and production. Behind-the-scenes footage of the singer visiting local landmarks and events was filmed the same week. The concert film premiered on the National Broadcasting Company (NBC) on August 19, 2003. The special was watched by over 8.87 million viewers, becoming the second-most-viewed concert film on television, behind Celine Dion's A New Day ... Live in Las Vegas (2003). Due to its high television ratings, Up! Live in Chicago was released as a video album on November 18, 2003 by Mercury Records Nashville. Released both in standard DVD packaging and in a jewel case, it featured additional performances not included on the television presentation. The album was also received positively by music critics, who complimented Shania's interaction with the audience; however, some questioned her live singing. The video peaked at number two on Billboard's Top Music Video sales chart, and was certified platinum by the RIAA for shipments of over 100,000 copies in the United States. It was also certified platinum in Australia and gold in Austria and Brazil. Excerpts from Up! Live in Chicago were used as the music videos for "She's Not Just a Pretty Face" (2003) and "It Only Hurts When I'm Breathing" (2004). (Full article...)
    Up! Live in Chicago is the third live video album by Canadian singer Shania Twain. Directed and produced by Beth McCarthy-Miller, the concert was held and filmed on July 27, 2003 at Hutchinson Field in the south-side of Grant Park in Chicago, Illinois; over 50,000 people attended. The concert itself differed from that of the Up! Tour (2003–04), featuring a different stage, setlist and production. Behind-the-scenes footage of the singer visiting local landmarks and events was filmed the same week. The concert film premiered on the National Broadcasting Company (NBC) on August 19, 2003. The special was watched by over 8.87 million viewers, becoming the second-most-viewed concert film on television, behind Celine Dion's A New Day ... Live in Las Vegas (2003).

    Due to its high television ratings, Up! Live in Chicago was released as a video album on November 18, 2003 by Mercury Records Nashville. Released both in standard DVD packaging and in a jewel case, it featured additional performances not included on the television presentation. The album was also received positively by music critics, who complimented Shania's interaction with the audience; however, some questioned her live singing. The video peaked at number two on Billboard's Top Music Video sales chart, and was certified platinum by the RIAA for shipments of over 100,000 copies in the United States. It was also certified platinum in Australia and gold in Austria and Brazil. Excerpts from Up! Live in Chicago were used as the music videos for "She's Not Just a Pretty Face" (2003) and "It Only Hurts When I'm Breathing" (2004). (Full article...)
  • Image 2 The Sound of White is the debut studio album by Australian pop singer-songwriter Missy Higgins, released 6 September 2004 by Eleven. It won the 2005 ARIA Music Award for Best Female Artist. Higgins had secured recording contracts with Eleven and Warner Bros. while still in high school, after winning a competition for unsigned artists run by radio station Triple J. Her winning song, "All For Believing", is included on this album. After a backpacking trip in 2002, Higgins toured and wrote songs during 2003. She wrote most tracks alone and collaborated on three songs, with Kevin Griffin, Jay Clifford and Clif Magness respectively. The Sound of White was recorded in 2004 with producer John Porter. Higgins' first single from the album was "Scar", released in August ahead of the album. Three more singles were released, "Ten Days" in November, "The Special Two" in April 2005 and "The Sound of White" in August. Critics gave the album mixed reviews and it achieved commercial success, reaching number one on the Australian Recording Industry Association (ARIA) Albums Chart and was accredited platinum twelve times. The album was nominated for five ARIA Awards in 2004 and won 'Best Pop Release'. The following year it was nominated for eight ARIA awards and won five. In 2005, Higgins won the Australasian Performing Right Association (APRA) 'Song of the Year' award for "Scar". (Full article...)
    The Sound of White is the debut studio album by Australian pop singer-songwriter Missy Higgins, released 6 September 2004 by Eleven. It won the 2005 ARIA Music Award for Best Female Artist. Higgins had secured recording contracts with Eleven and Warner Bros. while still in high school, after winning a competition for unsigned artists run by radio station Triple J. Her winning song, "All For Believing", is included on this album. After a backpacking trip in 2002, Higgins toured and wrote songs during 2003. She wrote most tracks alone and collaborated on three songs, with Kevin Griffin, Jay Clifford and Clif Magness respectively. The Sound of White was recorded in 2004 with producer John Porter.

    Higgins' first single from the album was "Scar", released in August ahead of the album. Three more singles were released, "Ten Days" in November, "The Special Two" in April 2005 and "The Sound of White" in August. Critics gave the album mixed reviews and it achieved commercial success, reaching number one on the Australian Recording Industry Association (ARIA) Albums Chart and was accredited platinum twelve times. The album was nominated for five ARIA Awards in 2004 and won 'Best Pop Release'. The following year it was nominated for eight ARIA awards and won five. In 2005, Higgins won the Australasian Performing Right Association (APRA) 'Song of the Year' award for "Scar". (Full article...)
  • Image 3 1000 Fires is the debut studio album by American singer and actress Traci Lords, released on February 28, 1995, by Radioactive Records. The album remains her only full-length music release to date. Lords started working on the album in April 1994, and collaborated with producers Juno Reactor, Mike Edwards and Babble. Executive produced by Gary Kurfirst, 1000 Fires is predominantly influenced by electronic music with elements of techno, trance and trip hop. Lyrically, it mostly focuses on dark themes, referring to Lords's past in the porn industry, revealing her rape experience on the song "Father's Field" or dealing with thoughts of suicide on "Fallen Angel". Upon its release, the album received mixed reviews from music critics. It achieved moderate commercial success, but failed to enter the Billboard 200. It is currently out of print. During the promotion of the album, Lords performed as a DJ and opened shows for other artists such as Moby and the band My Life with the Thrill Kill Kult. (Full article...)
    1000 Fires is the debut studio album by American singer and actress Traci Lords, released on February 28, 1995, by Radioactive Records. The album remains her only full-length music release to date. Lords started working on the album in April 1994, and collaborated with producers Juno Reactor, Mike Edwards and Babble. Executive produced by Gary Kurfirst, 1000 Fires is predominantly influenced by electronic music with elements of techno, trance and trip hop. Lyrically, it mostly focuses on dark themes, referring to Lords's past in the porn industry, revealing her rape experience on the song "Father's Field" or dealing with thoughts of suicide on "Fallen Angel".

    Upon its release, the album received mixed reviews from music critics. It achieved moderate commercial success, but failed to enter the Billboard 200. It is currently out of print. During the promotion of the album, Lords performed as a DJ and opened shows for other artists such as Moby and the band My Life with the Thrill Kill Kult. (Full article...)
  • Image 4 Take Off Your Colours is the debut studio album by English rock band You Me at Six, originally released on 6 October 2008 through Slam Dunk Records. After forming in 2004, they released an EP titled We Know What It Means to Be Alone in 2006, and went on a tour with Elliot Minor in support of the release. After releasing "Save It for the Bedroom" as a single to promote their tour, the band gained attention from both independent and major record labels. Following their tour with Elliot Minor, the writing process for the new album began. Although all the music's writing was credited to the entire band, vocalist Josh Franceschi and guitarist Max Helyer were usually the biggest creative forces among the group, being responsible for songs' concepts. The album was recorded in two weeks at Outhouse Studios in Reading, Berkshire with producers Matt O'Grady and John Mitchell. The band's work resulted in Take Off Your Colours displaying a sound that most critics associated with pop-punk, though this result was unintended. Specifically, the record was noted to sound similar to the work of Fall Out Boy, New Found Glory, and Panic! at the Disco. (Full article...)
    Take Off Your Colours is the debut studio album by English rock band You Me at Six, originally released on 6 October 2008 through Slam Dunk Records. After forming in 2004, they released an EP titled We Know What It Means to Be Alone in 2006, and went on a tour with Elliot Minor in support of the release. After releasing "Save It for the Bedroom" as a single to promote their tour, the band gained attention from both independent and major record labels.

    Following their tour with Elliot Minor, the writing process for the new album began. Although all the music's writing was credited to the entire band, vocalist Josh Franceschi and guitarist Max Helyer were usually the biggest creative forces among the group, being responsible for songs' concepts. The album was recorded in two weeks at Outhouse Studios in Reading, Berkshire with producers Matt O'Grady and John Mitchell. The band's work resulted in Take Off Your Colours displaying a sound that most critics associated with pop-punk, though this result was unintended. Specifically, the record was noted to sound similar to the work of Fall Out Boy, New Found Glory, and Panic! at the Disco. (Full article...)
  • Image 5 Demolition Plot J-7 is the second EP by American indie rock band Pavement, released on June 1, 1990. The EP was the band's first release on Chicago independent label Drag City, and its first release that was not self-issued. It is also the band's only release to feature drummer Jason Turner. Demolition Plot J-7 shared many of the same indie and punk rock influences of Pavement's 1989 debut Slay Tracks: 1933–1969, but also diversified the group's sound by incorporating keyboards. Many of the songs on Demolition J-7 were written while Scott Kannberg and Jason Turner were in their short-lived band, Pa. After Stephen Malkmus heard demos recorded by Pa, the songs turned into a Pavement project. The recording session for Demolition J-7 was more difficult than for Slay Tracks due to tension between producer Gary Young and Turner. The EP received favorable reception from critics and fans, and solidified the band's cult fanbase. (Full article...)
    Demolition Plot J-7 is the second EP by American indie rock band Pavement, released on June 1, 1990. The EP was the band's first release on Chicago independent label Drag City, and its first release that was not self-issued. It is also the band's only release to feature drummer Jason Turner. Demolition Plot J-7 shared many of the same indie and punk rock influences of Pavement's 1989 debut Slay Tracks: 1933–1969, but also diversified the group's sound by incorporating keyboards.

    Many of the songs on Demolition J-7 were written while Scott Kannberg and Jason Turner were in their short-lived band, Pa. After Stephen Malkmus heard demos recorded by Pa, the songs turned into a Pavement project. The recording session for Demolition J-7 was more difficult than for Slay Tracks due to tension between producer Gary Young and Turner. The EP received favorable reception from critics and fans, and solidified the band's cult fanbase. (Full article...)
  • Image 6 Take Me Home is the second studio album by British-Irish boy band One Direction, released on November 9, 2012, by Syco Music and Columbia Records. As a follow-up to One Direction's internationally successful debut album Up All Night (2011), Take Me Home was written in groups and has an average of just under five songwriters per track. Largely recorded and composed in Sweden during 2012, Savan Kotecha, Rami Yacoub and Carl Falk, who composed One Direction's hits, "What Makes You Beautiful" and "One Thing", spent six months in Stockholm developing songs for the album, and were able to shape melodies around the members' tones. The album's songs are characterised by metronomic pop, vocal harmonies, hand claps, prominent electric guitar riffs, bright synthesizers, a homogeneous sound and message, and rotations of lead vocals. The members' voices are presented individually on the record, and its lyricism speaks of falling in love, unrequited love, commitment, jealousy and self-empowerment. Take Me Home garnered mostly positive reviews from music critics. There was praise for its quality of production, while criticism hinged on its generic, rushed nature. (Full article...)
    Take Me Home is the second studio album by British-Irish boy band One Direction, released on November 9, 2012, by Syco Music and Columbia Records. As a follow-up to One Direction's internationally successful debut album Up All Night (2011), Take Me Home was written in groups and has an average of just under five songwriters per track. Largely recorded and composed in Sweden during 2012, Savan Kotecha, Rami Yacoub and Carl Falk, who composed One Direction's hits, "What Makes You Beautiful" and "One Thing", spent six months in Stockholm developing songs for the album, and were able to shape melodies around the members' tones.

    The album's songs are characterised by metronomic pop, vocal harmonies, hand claps, prominent electric guitar riffs, bright synthesizers, a homogeneous sound and message, and rotations of lead vocals. The members' voices are presented individually on the record, and its lyricism speaks of falling in love, unrequited love, commitment, jealousy and self-empowerment. Take Me Home garnered mostly positive reviews from music critics. There was praise for its quality of production, while criticism hinged on its generic, rushed nature. (Full article...)
  • Image 7 Led Zeppelin (sometimes referred to as Led Zeppelin I) is the debut studio album by the English rock band Led Zeppelin. It was released on 13 January 1969 in the United States and on 31 March 1969 in the United Kingdom by Atlantic Records. The album was recorded in September and October 1968 at Olympic Studios in London, shortly after the band's formation. It contains a mix of original material worked out in the first rehearsals, and remakes and rearrangements of contemporary blues and folk songs. The sessions took place before the group had secured a recording contract and totalled 36 hours; they were paid for directly by Jimmy Page, the group's founder, leader and guitarist, and Led Zeppelin's manager Peter Grant, costing £1,782 (equivalent to £37,047 in 2023) to complete. They were produced by Page, who as a musician was joined by band members Robert Plant (lead vocals, harmonica), John Paul Jones (bass, keyboards), and John Bonham (drums). Percussionist Viram Jasani appears as a guest on one track. The tracks were mixed by Page's childhood friend Glyn Johns, and the iconic album cover showing the Hindenburg disaster was designed by George Hardie. (Full article...)
    Led Zeppelin (sometimes referred to as Led Zeppelin I) is the debut studio album by the English rock band Led Zeppelin. It was released on 13 January 1969 in the United States and on 31 March 1969 in the United Kingdom by Atlantic Records.

    The album was recorded in September and October 1968 at Olympic Studios in London, shortly after the band's formation. It contains a mix of original material worked out in the first rehearsals, and remakes and rearrangements of contemporary blues and folk songs. The sessions took place before the group had secured a recording contract and totalled 36 hours; they were paid for directly by Jimmy Page, the group's founder, leader and guitarist, and Led Zeppelin's manager Peter Grant, costing £1,782 (equivalent to £37,047 in 2023) to complete. They were produced by Page, who as a musician was joined by band members Robert Plant (lead vocals, harmonica), John Paul Jones (bass, keyboards), and John Bonham (drums). Percussionist Viram Jasani appears as a guest on one track. The tracks were mixed by Page's childhood friend Glyn Johns, and the iconic album cover showing the Hindenburg disaster was designed by George Hardie. (Full article...)
  • Image 8 Beautiful Garbage (stylized as beautifulgarbage) is the third studio album by American rock band Garbage. It was released on October 1, 2001, by Mushroom Records worldwide, with the North American release by Interscope Records the following day. Marking a departure from the sound the band had established on their first two releases, the album was written and recorded over the course of a year, when lead singer Shirley Manson chronicled their efforts weekly online, becoming one of the first high-profile musicians to keep an Internet blog. The album expanded on the band's musical variety, with stronger melodies, more direct lyrics, and sounds mixing rock with electronica, new wave, hip hop, and girl groups. The album suffered from lack of promotion and the failure of its lead single "Androgyny" to achieve high chart positions. Beautiful Garbage debuted at number 13 on the Billboard 200, while topping the albums chart in Australia and peaking within the top 10 in multiple European countries, and was named one of Rolling Stone's "Top 10 Albums of the Year". (Full article...)
    Beautiful Garbage (stylized as beautifulgarbage) is the third studio album by American rock band Garbage. It was released on October 1, 2001, by Mushroom Records worldwide, with the North American release by Interscope Records the following day. Marking a departure from the sound the band had established on their first two releases, the album was written and recorded over the course of a year, when lead singer Shirley Manson chronicled their efforts weekly online, becoming one of the first high-profile musicians to keep an Internet blog. The album expanded on the band's musical variety, with stronger melodies, more direct lyrics, and sounds mixing rock with electronica, new wave, hip hop, and girl groups.

    The album suffered from lack of promotion and the failure of its lead single "Androgyny" to achieve high chart positions. Beautiful Garbage debuted at number 13 on the Billboard 200, while topping the albums chart in Australia and peaking within the top 10 in multiple European countries, and was named one of Rolling Stone's "Top 10 Albums of the Year". (Full article...)
  • Image 9 "Heroes" is the twelfth studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for "Heroes", augmented by the King Crimson guitarist Robert Fripp. The majority of the tracks were composed on the spot in the studio, the lyrics not being written until Bowie stood in front of the microphone. The music builds upon its predecessor's electronic and ambient approaches, albeit with more positive tones, atmospheres and passionate performances. The album also follows the same structure as its predecessor, side one featuring more conventional rock tracks and side two featuring mostly instrumental tracks. (Full article...)
    "Heroes" is the twelfth studio album by the English musician David Bowie, released on 14 October 1977 through RCA Records. Recorded in collaboration with the musician Brian Eno and the producer Tony Visconti, it was the second release of his Berlin Trilogy, following Low, released in January the same year, and the only one wholly recorded in Berlin. Sessions took place in mid-1977 after Bowie completed work on Iggy Pop's second solo album Lust for Life. Much of the same personnel from Low returned for "Heroes", augmented by the King Crimson guitarist Robert Fripp.

    The majority of the tracks were composed on the spot in the studio, the lyrics not being written until Bowie stood in front of the microphone. The music builds upon its predecessor's electronic and ambient approaches, albeit with more positive tones, atmospheres and passionate performances. The album also follows the same structure as its predecessor, side one featuring more conventional rock tracks and side two featuring mostly instrumental tracks. (Full article...)
  • Image 10 Repentless is the twelfth and final studio album by American thrash metal band Slayer, released on September 11, 2015. This is the band's only album recorded without guitarist Jeff Hanneman, who died from liver cirrhosis in 2013 and was replaced by Gary Holt (though Hanneman did receive songwriting credits on the song "Piano Wire"). It is also the first album to feature drummer Paul Bostaph since God Hates Us All (2001). Repentless is also the only album the band released on Nuclear Blast and was produced by Terry Date, replacing Rick Rubin after twenty-nine years and nine studio albums as their producer or executive producer. The six-year gap between World Painted Blood (2009) and Repentless was also the longest between two Slayer albums in their career. Three singles were released from the album: "Repentless," "You Against You" and "Pride in Prejudice". The album debuted at no. 4 on the Billboard 200, the highest-charting debut from the band in its native country. It also topped the chart in Germany and featured in the top ten of almost twenty charts around the world. It received generally positive reviews from critics. (Full article...)
    Repentless is the twelfth and final studio album by American thrash metal band Slayer, released on September 11, 2015. This is the band's only album recorded without guitarist Jeff Hanneman, who died from liver cirrhosis in 2013 and was replaced by Gary Holt (though Hanneman did receive songwriting credits on the song "Piano Wire"). It is also the first album to feature drummer Paul Bostaph since God Hates Us All (2001). Repentless is also the only album the band released on Nuclear Blast and was produced by Terry Date, replacing Rick Rubin after twenty-nine years and nine studio albums as their producer or executive producer. The six-year gap between World Painted Blood (2009) and Repentless was also the longest between two Slayer albums in their career.

    Three singles were released from the album: "Repentless," "You Against You" and "Pride in Prejudice". The album debuted at no. 4 on the Billboard 200, the highest-charting debut from the band in its native country. It also topped the chart in Germany and featured in the top ten of almost twenty charts around the world. It received generally positive reviews from critics. (Full article...)
  • Image 11 African Giant is the fourth studio album by Nigerian singer Burna Boy. The album was released on July 26, 2019, by Spaceship Entertainment, Bad Habit, Atlantic Records and Warner Music. The album is a mixture of Afrobeats, Afrobeat, dancehall, pop and hip hop. It was produced primarily by Kel-P, along with production from Benjamz, Dre Skull and Skrillex, among others. The album features guest appearances from Jorja Smith, Jeremih, Damian Marley, Zlatan Ibile, Angelique Kidjo, Serani, M.anifest, YG and Future. It was supported by eight singles, including "On the Low", which won Viewers' Choice at the 2020 Soundcity MVP Awards Festival, "Killin Dem", which won Song of the Year at the 2020 Soundcity MVP Awards Festival, among other awards; and "Anybody", which Burna Boy performed on Jimmy Kimmel Live!. The album received generally favorable reviews from music critics, who called it cohesive and praised Burna Boy for not diluting his sound. It was included in the year-end lists issued by several publications, including Billboard, Complex and Pitchfork. African Giant won Album of the Year at the 2019 All Africa Music Awards and was nominated for Best World Music Album at the 62nd Annual Grammy Awards. It was supported by the African Giant Returns tour, which commenced in Toronto in August 2019. (Full article...)
    African Giant is the fourth studio album by Nigerian singer Burna Boy. The album was released on July 26, 2019, by Spaceship Entertainment, Bad Habit, Atlantic Records and Warner Music. The album is a mixture of Afrobeats, Afrobeat, dancehall, pop and hip hop. It was produced primarily by Kel-P, along with production from Benjamz, Dre Skull and Skrillex, among others. The album features guest appearances from Jorja Smith, Jeremih, Damian Marley, Zlatan Ibile, Angelique Kidjo, Serani, M.anifest, YG and Future. It was supported by eight singles, including "On the Low", which won Viewers' Choice at the 2020 Soundcity MVP Awards Festival, "Killin Dem", which won Song of the Year at the 2020 Soundcity MVP Awards Festival, among other awards; and "Anybody", which Burna Boy performed on Jimmy Kimmel Live!.

    The album received generally favorable reviews from music critics, who called it cohesive and praised Burna Boy for not diluting his sound. It was included in the year-end lists issued by several publications, including Billboard, Complex and Pitchfork. African Giant won Album of the Year at the 2019 All Africa Music Awards and was nominated for Best World Music Album at the 62nd Annual Grammy Awards. It was supported by the African Giant Returns tour, which commenced in Toronto in August 2019. (Full article...)
  • Image 12 Grandes Éxitos (English: "Greatest Hits") is a greatest hits album by Mexican singer Luis Miguel. Released on 22 November 2005 by Warner Music Latina, the album features 24 previously recorded songs from Miguel's career with his record label as well as two new songs ("Misterios del Amor" and "Si Te Perdiera"); both songs were released as singles from the album. A special edition of the record was also released and features six extra songs as well as a DVD containing music videos from Miguel's career. Grandes Éxitos received a favorable review by AllMusic critic, Thom Jurek who commended Miguel's trajectory as an artist. Commercially, it reached number one in Mexico and the top ten in Argentina, Spain, Portugal, and the Billboard Top Latin Albums chart in the United States. It was certified Multi-Platinum in Mexico and the United States (Latin) and Platinum in Spain. (Full article...)
    Grandes Éxitos (English: "Greatest Hits") is a greatest hits album by Mexican singer Luis Miguel. Released on 22 November 2005 by Warner Music Latina, the album features 24 previously recorded songs from Miguel's career with his record label as well as two new songs ("Misterios del Amor" and "Si Te Perdiera"); both songs were released as singles from the album. A special edition of the record was also released and features six extra songs as well as a DVD containing music videos from Miguel's career. Grandes Éxitos received a favorable review by AllMusic critic, Thom Jurek who commended Miguel's trajectory as an artist. Commercially, it reached number one in Mexico and the top ten in Argentina, Spain, Portugal, and the Billboard Top Latin Albums chart in the United States. It was certified Multi-Platinum in Mexico and the United States (Latin) and Platinum in Spain. (Full article...)
More selected albums
  

General images - load new batch

The following are images from various record production-related articles on Wikipedia.
  

  Featured lists - load new batch

Featured lists have been determined by the Wikipedia community to be the best lists on English Wikipedia.
  • Image 1 The Judds (pictured performing in 2008) were among a number of acts with three number ones in 1989. Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1989, 50 songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine. Only "I'm No Stranger to the Rain" by Keith Whitley and "The Church on Cumberland Road" by Shenandoah, consecutive chart-toppers in April, spent more than a single week at number one. This was the final complete year in which Billboard used its longstanding methodology of compiling the chart based on playlists submitted by country music radio stations and sales reports submitted by stores. In January of the following year, the magazine would begin basing the chart on weekly airplay data from radio stations compiled by Nielsen Broadcast Data Systems, which would lead to an increase in the length of time songs spent in the top spot. In November 1989, Billboard began compiling unpublished prototype charts using the new methodology ahead of the official launch, which produced very different results to the published charts using the existing process. Ronnie Milsap's "A Woman in Love" spent five weeks atop the prototype charts as opposed to the single week which it achieved on the published listing. It was the 35th and final number one of Milsap's career. (Full article...)
    Two women, one dressed in red and one in green, singing on stage in front of an orchestra
    The Judds (pictured performing in 2008) were among a number of acts with three number ones in 1989.

    Hot Country Songs is a record chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1989, 50 songs topped the chart, then published under the title Hot Country Singles, in 52 issues of the magazine. Only "I'm No Stranger to the Rain" by Keith Whitley and "The Church on Cumberland Road" by Shenandoah, consecutive chart-toppers in April, spent more than a single week at number one.

    This was the final complete year in which Billboard used its longstanding methodology of compiling the chart based on playlists submitted by country music radio stations and sales reports submitted by stores. In January of the following year, the magazine would begin basing the chart on weekly airplay data from radio stations compiled by Nielsen Broadcast Data Systems, which would lead to an increase in the length of time songs spent in the top spot. In November 1989, Billboard began compiling unpublished prototype charts using the new methodology ahead of the official launch, which produced very different results to the published charts using the existing process. Ronnie Milsap's "A Woman in Love" spent five weeks atop the prototype charts as opposed to the single week which it achieved on the published listing. It was the 35th and final number one of Milsap's career. (Full article...)
  • Image 2 Robin Gibb reached number one on the Top Pops chart in 1969 with his song "Saved by the Bell", but the song did not top the BMRB chart and is therefore not regarded as an official UK number one. Top Pops is a former British weekly pop music newspaper. It was founded as a monthly publication by Woodrow Wyatt in May 1967, becoming fortnightly in November 1967. On 25 May 1968, editor Colin Bostock-Smith began compiling a singles sales chart using a telephone sample of approximately twelve W H Smith & Son stores – the first single to reach number one on the Top Pops chart was "Young Girl" by Gary Puckett & The Union Gap. The charts and paper were published weekly with effect from 22 June 1968. On 20 September 1969 the paper was rebranded Top Pops & Music Now, and subsequently became Music Now from 21 March 1970 – at this point the chart was sampling between 30 and 40 stores. From 27 February 1971 the chart was no longer published and in May 1971 the newspaper ceased publication. During the publication of the chart, 55 different singles reached number one. The only one to be knocked off number one and then regain the top spot was "Mony Mony" by Tommy James and the Shondells. The final chart-topper was "My Sweet Lord" by George Harrison. From the advent of charts in the UK until 1969 several magazines and newspapers published their own charts, and there was no one "official" singles chart. In February 1969, however, Record Retailer and the BBC jointly commissioned the British Market Research Bureau (BMRB) to compile an official chart. The Record Retailer chart is now considered by the Official Charts Company, the current compilers of the UK Singles Chart, to be the canonical source for number-one singles for the earlier part of the 1960s. Charts compiled by Top Pops had fifteen number-one singles that did not reach the top spot in the Record Retailer chart; in comparison, a total of nine Top Pops number-ones did not top the rival New Musical Express chart. Seven Top Pops number ones did not top either of the other publications' charts. Edwin Hawkins Singers' "Oh Happy Day", Robin Gibb's "Saved by the Bell", Bee Gees' "Don't Forget to Remember", and The Tremeloes' "(Call Me) Number One" all peaked at number two in both charts, Herman's Hermits' "My Sentimental Friend" and Don Fardon's "Indian Reservation" placed with one number two and one number three in each chart, and Stevie Wonder's "My Cherie Amour" reached fourth and third spot in the two charts. Fardon's "Indian Reservation," however, also made number one on the Melody Maker chart, so if that publication's number ones are factored in, Top Pops / Music Now's unique number ones total the six from 1969. (Full article...)
    Robin Gibb reached number one on the Top Pops chart in 1969 with his song "Saved by the Bell", but the song did not top the BMRB chart and is therefore not regarded as an official UK number one.

    Top Pops is a former British weekly pop music newspaper. It was founded as a monthly publication by Woodrow Wyatt in May 1967, becoming fortnightly in November 1967. On 25 May 1968, editor Colin Bostock-Smith began compiling a singles sales chart using a telephone sample of approximately twelve W H Smith & Son stores – the first single to reach number one on the Top Pops chart was "Young Girl" by Gary Puckett & The Union Gap. The charts and paper were published weekly with effect from 22 June 1968. On 20 September 1969 the paper was rebranded Top Pops & Music Now, and subsequently became Music Now from 21 March 1970 – at this point the chart was sampling between 30 and 40 stores. From 27 February 1971 the chart was no longer published and in May 1971 the newspaper ceased publication. During the publication of the chart, 55 different singles reached number one. The only one to be knocked off number one and then regain the top spot was "Mony Mony" by Tommy James and the Shondells. The final chart-topper was "My Sweet Lord" by George Harrison.

    From the advent of charts in the UK until 1969 several magazines and newspapers published their own charts, and there was no one "official" singles chart. In February 1969, however, Record Retailer and the BBC jointly commissioned the British Market Research Bureau (BMRB) to compile an official chart. The Record Retailer chart is now considered by the Official Charts Company, the current compilers of the UK Singles Chart, to be the canonical source for number-one singles for the earlier part of the 1960s. Charts compiled by Top Pops had fifteen number-one singles that did not reach the top spot in the Record Retailer chart; in comparison, a total of nine Top Pops number-ones did not top the rival New Musical Express chart. Seven Top Pops number ones did not top either of the other publications' charts. Edwin Hawkins Singers' "Oh Happy Day", Robin Gibb's "Saved by the Bell", Bee Gees' "Don't Forget to Remember", and The Tremeloes' "(Call Me) Number One" all peaked at number two in both charts, Herman's Hermits' "My Sentimental Friend" and Don Fardon's "Indian Reservation" placed with one number two and one number three in each chart, and Stevie Wonder's "My Cherie Amour" reached fourth and third spot in the two charts. Fardon's "Indian Reservation," however, also made number one on the Melody Maker chart, so if that publication's number ones are factored in, Top Pops / Music Now's unique number ones total the six from 1969. (Full article...)
  • Image 3 "Broken Man" by St. Vincent is the most recent recipient The Grammy Award for Best Rock Song is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality songs in the rock music genre. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". The award, reserved for songwriters, was first presented to English musician Sting in 1992. According to the category description guide for the 52nd Grammy Awards, the award honors new songs (containing both melody and lyrics) or songs "first achieving prominence" during the period of eligibility. Songs containing prominent samples or interpolations are not eligible. (Full article...)

    "Broken Man" by St. Vincent is the most recent recipient

    The Grammy Award for Best Rock Song is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality songs in the rock music genre. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".

    The award, reserved for songwriters, was first presented to English musician Sting in 1992. According to the category description guide for the 52nd Grammy Awards, the award honors new songs (containing both melody and lyrics) or songs "first achieving prominence" during the period of eligibility. Songs containing prominent samples or interpolations are not eligible. (Full article...)
  • Image 4 John Lennon achieved three number ones within two months of his murder in December 1980. The death of a musician, or the use of a dead musician's work in advertising, may cause a sharp increase in sales of the musician's recordings and associated products; this has led to a number of posthumous number one singles in the UK and elsewhere. The phenomenon, a topic of discussion in both the media and academia, has occurred 20 times in the UK since 1959. The UK Singles Chart is a record chart compiled on behalf of the British record industry based on sales of singles in the UK. Since 1997, the chart has been compiled by The Official Charts Company and was based entirely on sales of physical singles from retail outlets until 2006, when digital downloads were included in the chart compilation. Streaming was added to the methodology in 2014. The UK Singles Chart originated in 1952, when New Musical Express (NME) published the first chart of singles sales. The first deceased artist to top the charts was Buddy Holly, who died in a plane crash on 3 February 1959. Three weeks later his song "It Doesn't Matter Anymore" entered the charts, and in April it reached number one. In the 1960s Eddie Cochran and Jim Reeves achieved their first and only UK number ones after their deaths, as did Jimi Hendrix in 1970. (Full article...)
    A man with long dark hair and a beard, wearing glasses and a white jacket, playing a guitar
    John Lennon achieved three number ones within two months of his murder in December 1980.

    The death of a musician, or the use of a dead musician's work in advertising, may cause a sharp increase in sales of the musician's recordings and associated products; this has led to a number of posthumous number one singles in the UK and elsewhere.
    The phenomenon, a topic of discussion in both the media and academia, has occurred 20 times in the UK since 1959.

    The UK Singles Chart is a record chart compiled on behalf of the British record industry based on sales of singles in the UK. Since 1997, the chart has been compiled by The Official Charts Company and was based entirely on sales of physical singles from retail outlets until 2006, when digital downloads were included in the chart compilation. Streaming was added to the methodology in 2014. The UK Singles Chart originated in 1952, when New Musical Express (NME) published the first chart of singles sales. The first deceased artist to top the charts was Buddy Holly, who died in a plane crash on 3 February 1959. Three weeks later his song "It Doesn't Matter Anymore" entered the charts, and in April it reached number one. In the 1960s Eddie Cochran and Jim Reeves achieved their first and only UK number ones after their deaths, as did Jimi Hendrix in 1970. (Full article...)
  • Image 5 Marc Anthony had the most number one songs of 1996 with five. Tropical Airplay is a chart that ranks the top-performing songs (regardless of genre or language) on tropical radio stations in the United States, published by Billboard magazine based on weekly airplay data compiled by Nielsen's Broadcast Data Systems. It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. In 1996, 20 songs topped the chart, in 52 issues of the magazine. The first number one of the year was "Nadie Como Ella" by Marc Anthony, which had been in the top spot since the issue dated December 23, 1995, and spent a total of three weeks at this position. Marc Anthony was also the artist with most number ones in 1996 with five songs. Víctor Manuelle and Jerry Rivera achieved their first chart-toppers in 1996 and each had two number ones in the year. "Loco de Amor" by Rivera held this position for seven weeks and tied with Frankie Ruiz's song "Ironía" for the longest run at number one. The latter song was named the best-performing track of the year on the Tropical Airplay chart and won the Billboard Latin Music Award for "Tropical/Salsa Hot Latin Track of the Year" in 1997. (Full article...)
    A man with an unbottoned tuxedo is singing while leaning to the left.
    Marc Anthony had the most number one songs of 1996 with five.

    Tropical Airplay is a chart that ranks the top-performing songs (regardless of genre or language) on tropical radio stations in the United States, published by Billboard magazine based on weekly airplay data compiled by Nielsen's Broadcast Data Systems. It is a subchart of Hot Latin Songs, which lists the best-performing Spanish-language songs in the country. In 1996, 20 songs topped the chart, in 52 issues of the magazine.

    The first number one of the year was "Nadie Como Ella" by Marc Anthony, which had been in the top spot since the issue dated December 23, 1995, and spent a total of three weeks at this position. Marc Anthony was also the artist with most number ones in 1996 with five songs. Víctor Manuelle and Jerry Rivera achieved their first chart-toppers in 1996 and each had two number ones in the year. "Loco de Amor" by Rivera held this position for seven weeks and tied with Frankie Ruiz's song "Ironía" for the longest run at number one. The latter song was named the best-performing track of the year on the Tropical Airplay chart and won the Billboard Latin Music Award for "Tropical/Salsa Hot Latin Track of the Year" in 1997. (Full article...)
  • Image 6 In 1944, Billboard magazine published its first chart ranking the top-performing country music songs in the United States, under the title Most Played Juke Box Folk Records. The term "country music" would not come into standard usage until the late 1940s and "folk music" was one of a number of terms used for the genre in earlier years; the subtitle on the first chart indicated that it covered "Hillbillies, Spirituals, Cowboy Songs, etc". The Juke Box Folk listing was compiled based on reports from "Billboard representatives" detailing the most-played songs of the genre in jukeboxes from "all the country's leading operating centers", which were averaged to give an overall chart. The first chart listed six songs, but the number of entries was not consistent from week to week. The juke box chart was published under a number of different titles until 1957 and is considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958. The first number-one song listed was "Pistol Packin' Mama", which remained in the top spot for the first seven weeks. The song, originally recorded by Al Dexter in 1942, had remained hugely popular ever since, and been recorded by many different singers. Up to four different versions of "Pistol Packin' Mama" were bracketed together as a single entry in the number one position during the seven-week run, although noted chart historian Joel Whitburn regarded only the first-named artist each week as having achieved the number one hit, and did not record some of the credited artists as having charted at all. Subsequently, different recordings of a song were not bracketed together in this way: in issues of Billboard published later in the year, different versions of "Pistol Packin' Mama" appeared listed separately. The chart methodology also allowed for the possibility of records tying for a position, and on several occasions during 1944 two or more different songs tied for the number-one spot. (Full article...)

    In 1944, Billboard magazine published its first chart ranking the top-performing country music songs in the United States, under the title Most Played Juke Box Folk Records. The term "country music" would not come into standard usage until the late 1940s and "folk music" was one of a number of terms used for the genre in earlier years; the subtitle on the first chart indicated that it covered "Hillbillies, Spirituals, Cowboy Songs, etc". The Juke Box Folk listing was compiled based on reports from "Billboard representatives" detailing the most-played songs of the genre in jukeboxes from "all the country's leading operating centers", which were averaged to give an overall chart. The first chart listed six songs, but the number of entries was not consistent from week to week. The juke box chart was published under a number of different titles until 1957 and is considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958.

    The first number-one song listed was "Pistol Packin' Mama", which remained in the top spot for the first seven weeks. The song, originally recorded by Al Dexter in 1942, had remained hugely popular ever since, and been recorded by many different singers. Up to four different versions of "Pistol Packin' Mama" were bracketed together as a single entry in the number one position during the seven-week run, although noted chart historian Joel Whitburn regarded only the first-named artist each week as having achieved the number one hit, and did not record some of the credited artists as having charted at all. Subsequently, different recordings of a song were not bracketed together in this way: in issues of Billboard published later in the year, different versions of "Pistol Packin' Mama" appeared listed separately. The chart methodology also allowed for the possibility of records tying for a position, and on several occasions during 1944 two or more different songs tied for the number-one spot. (Full article...)
  • Image 7 Richard Rodgers (left) and Lorenz Hart were responsible for a large number of 1930s standards, including "Blue Moon" (1934), "My Romance" (1935) and "My Funny Valentine" (1937). Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one major fake book publication or reference work. Some of the tunes listed were already well known standards by the 1940s, while others were popularized later. Where appropriate, the years when the most influential recordings of a song were made are indicated in the list. Broadway theatre contributed some of the most popular standards of the 1930s, including George and Ira Gershwin's "Summertime" (1935), Richard Rodgers and Lorenz Hart's "My Funny Valentine" (1937) and Jerome Kern and Oscar Hammerstein II's "All the Things You Are" (1939). These songs still rank among the most recorded standards. Johnny Green's "Body and Soul" was used in a Broadway show and became a hit after Coleman Hawkins's 1939 recording. It is the most recorded jazz standard of all time. (Full article...)
    A Caucasian man in his thirties is sitting behind a piano facing left. He has short, dark hair and is wearing a suit jacket, a white shirt and a necktie. He is looking down at a music sheet before him and points to it with his left hand. Another man is standing on his right, also wearing a suit, white shirt and a necktie. He is bent slightly toward the man on the left and looking at him, appearing concentrated in thinking. His eyes are half-closed and his left arm raised as if he was holding a glass.
    Richard Rodgers (left) and Lorenz Hart were responsible for a large number of 1930s standards, including "Blue Moon" (1934), "My Romance" (1935) and "My Funny Valentine" (1937).
    Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one major fake book publication or reference work. Some of the tunes listed were already well known standards by the 1940s, while others were popularized later. Where appropriate, the years when the most influential recordings of a song were made are indicated in the list.

    Broadway theatre contributed some of the most popular standards of the 1930s, including George and Ira Gershwin's "Summertime" (1935), Richard Rodgers and Lorenz Hart's "My Funny Valentine" (1937) and Jerome Kern and Oscar Hammerstein II's "All the Things You Are" (1939). These songs still rank among the most recorded standards. Johnny Green's "Body and Soul" was used in a Broadway show and became a hit after Coleman Hawkins's 1939 recording. It is the most recorded jazz standard of all time. (Full article...)
  • Image 8 The early recordings of "King of Rock and Roll" Elvis Presley were successful on the country charts, and he achieved four number ones on the best sellers chart in 1956. In 1956, Billboard magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the charts were published under the titles Most Played in Juke Boxes, Best Sellers in Stores, and Most Played By Jockeys, with the genre denoted in an overall page heading. With effect from the issue of Billboard dated June 30, the genre was added to the specific titles of the charts, which were thus published as Most Played C&W in Juke Boxes, C&W Best Sellers in Stores, and Most Played C&W By Jockeys, the C&W standing for "country and western". All three charts are considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958. The number-one positions on both the juke box and best sellers charts were dominated in 1956 by Elvis Presley, who spent a total of 26 weeks in the top spot on the best sellers listing and 28 weeks (including one tied with another single) atop the juke box chart with four different singles. Presley achieved the first country chart-topper of his career in February when he reached the number one spot on the best sellers chart with "I Forgot to Remember to Forget"; its B-side, "Mystery Train" was listed jointly at number one for the first week of the run only. The release was the final single which he recorded for Sun Records, the label for which he had honed his early rockabilly style. After he signed for new label RCA Victor, his recordings began to show more of a pop music influence, but for a time continued to appear on the country charts, and one week after "I Forgot to Remember to Forget" was replaced at number one, Presley regained the top spot with the two-sided success "Heartbreak Hotel" / "I Was the One", which remained atop the listing for 17 consecutive weeks. He would go on to be regarded as the most successful and influential recording artist of all time and feted as the "King of Rock and Roll". (Full article...)
    Singer Elvis Presley sitting on a motorcycle
    The early recordings of "King of Rock and Roll" Elvis Presley were successful on the country charts, and he achieved four number ones on the best sellers chart in 1956.

    In 1956, Billboard magazine published three charts covering the best-performing country music songs in the United States. At the start of the year, the charts were published under the titles Most Played in Juke Boxes, Best Sellers in Stores, and Most Played By Jockeys, with the genre denoted in an overall page heading. With effect from the issue of Billboard dated June 30, the genre was added to the specific titles of the charts, which were thus published as Most Played C&W in Juke Boxes, C&W Best Sellers in Stores, and Most Played C&W By Jockeys, the C&W standing for "country and western". All three charts are considered part of the lineage of the current Hot Country Songs chart, which was first published in 1958.

    The number-one positions on both the juke box and best sellers charts were dominated in 1956 by Elvis Presley, who spent a total of 26 weeks in the top spot on the best sellers listing and 28 weeks (including one tied with another single) atop the juke box chart with four different singles. Presley achieved the first country chart-topper of his career in February when he reached the number one spot on the best sellers chart with "I Forgot to Remember to Forget"; its B-side, "Mystery Train" was listed jointly at number one for the first week of the run only. The release was the final single which he recorded for Sun Records, the label for which he had honed his early rockabilly style. After he signed for new label RCA Victor, his recordings began to show more of a pop music influence, but for a time continued to appear on the country charts, and one week after "I Forgot to Remember to Forget" was replaced at number one, Presley regained the top spot with the two-sided success "Heartbreak Hotel" / "I Was the One", which remained atop the listing for 17 consecutive weeks. He would go on to be regarded as the most successful and influential recording artist of all time and feted as the "King of Rock and Roll". (Full article...)
  • Image 9 Mexican singer-songwriter Juan Gabriel had the best-performing Latin single in 1997, 1998 and 2001. The year-end charts for the Hot Latin Songs chart are published in the last issue of Billboard magazine every year. Initially, the chart was based on information provided by Nielsen Broadcast Data Systems, which collected airplay information from Latin radio stations in the United States. On the week ending October 20, 2012, the methodology was changed to track the best-performing Spanish-language songs based on digital downloads, streaming activity, and airplay from all radio stations in the country. The Year-End charts represent aggregated numbers from the weekly charts that were compiled for each artist, song and record company. Mexican singer-songwriters Ana Gabriel and Juan Gabriel have had the best-selling single of the year three times each. The Latin Academy of Recording Arts & Sciences awarded Juan Gabriel the Person of Year Award for his professional accomplishments and commitment to philanthropic efforts. Venezuelan singer Franco De Vita's "Te Amo" ranked at number eight in 1989 and received a gold certification in Latin America and Spain for the album Al Norte del Sur. De Vita also wrote "Tal Vez", performed by Ricky Martin, the number-one single of 2003. Billboard magazine posthumously named singer Selena the Top Artist of the 1990s, due to her fourteen top-ten singles in the Hot Latin Songs chart (including seven number-one hits). Selena had the most successful singles of 1994 and 1995, "Amor Prohibido" and "No Me Queda Más". (Full article...)
    A man with a blue jacket holding a microphone.
    Mexican singer-songwriter Juan Gabriel had the best-performing Latin single in 1997, 1998 and 2001.

    The year-end charts for the Hot Latin Songs chart are published in the last issue of Billboard magazine every year. Initially, the chart was based on information provided by Nielsen Broadcast Data Systems, which collected airplay information from Latin radio stations in the United States. On the week ending October 20, 2012, the methodology was changed to track the best-performing Spanish-language songs based on digital downloads, streaming activity, and airplay from all radio stations in the country. The Year-End charts represent aggregated numbers from the weekly charts that were compiled for each artist, song and record company.

    Mexican singer-songwriters Ana Gabriel and Juan Gabriel have had the best-selling single of the year three times each. The Latin Academy of Recording Arts & Sciences awarded Juan Gabriel the Person of Year Award for his professional accomplishments and commitment to philanthropic efforts. Venezuelan singer Franco De Vita's "Te Amo" ranked at number eight in 1989 and received a gold certification in Latin America and Spain for the album Al Norte del Sur. De Vita also wrote "Tal Vez", performed by Ricky Martin, the number-one single of 2003. Billboard magazine posthumously named singer Selena the Top Artist of the 1990s, due to her fourteen top-ten singles in the Hot Latin Songs chart (including seven number-one hits). Selena had the most successful singles of 1994 and 1995, "Amor Prohibido" and "No Me Queda Más". (Full article...)
  • Image 10 Pam Tillis achieved her only number one in 1995 with "Mi Vida Loca (My Crazy Life)". Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1995, 29 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems. At the start of the year, the song at number one was "Pickup Man" by Joe Diffie, which had been in the top spot since the issue dated December 17, 1994. Alan Jackson was the only artist to achieve three number ones in 1995, topping the chart with "Gone Country", "I Don't Even Know Your Name" and "Tall, Tall Trees". Tim McGraw had the longest unbroken run in the top spot, spending five weeks at number one with "I Like It, I Love It", and the total of seven weeks which he spent at number one with that song and "Not a Moment Too Soon" was the highest by any artist. Brooks & Dunn, George Strait and John Michael Montgomery were the only other artists to achieve more than one number one in 1995. (Full article...)
    A woman with short brown hair, wearing a white shirt and leaning on a red guitar
    Pam Tillis achieved her only number one in 1995 with "Mi Vida Loca (My Crazy Life)".

    Hot Country Songs is a chart that ranks the top-performing country music songs in the United States, published by Billboard magazine. In 1995, 29 different songs topped the chart, then published under the title Hot Country Singles & Tracks, in 52 issues of the magazine, based on weekly airplay data from country music radio stations compiled by Nielsen Broadcast Data Systems.

    At the start of the year, the song at number one was "Pickup Man" by Joe Diffie, which had been in the top spot since the issue dated December 17, 1994. Alan Jackson was the only artist to achieve three number ones in 1995, topping the chart with "Gone Country", "I Don't Even Know Your Name" and "Tall, Tall Trees". Tim McGraw had the longest unbroken run in the top spot, spending five weeks at number one with "I Like It, I Love It", and the total of seven weeks which he spent at number one with that song and "Not a Moment Too Soon" was the highest by any artist. Brooks & Dunn, George Strait and John Michael Montgomery were the only other artists to achieve more than one number one in 1995. (Full article...)
More featured lists
  
  

Topics

General
Album era • Album-equivalent unit • Audio engineering • Independent record label • Record chart • Record producer • Music library • Lists of albums • List of most valuable records

Music industry

Album-equivalent unit • Record sales • Recording studio • List of best-selling albums  • List of best-selling albums by country  • List of best-selling albums by women  • List of best-selling albums of the 21st century  • List of best-selling music artists  • List of best-selling remix albums  • List of best-selling singles • List of largest recorded music markets • List of music recording certifications • Music recording certification

Music genres and forms
Blues – Disco – Classical – Electronic – Folk – Gamelan – Rock – Metal – Country – Hip hop – Indian classical – Jazz – Vocal – New-age – Opera – Pop – Reggae – Rhythm and blues – Rock and roll – Song – Soul – Symphony
More genres...

Record labels
RCA – MCA – Capitol – BNA – Arista – EMI – Mediarts – Virgin – Metromedia – Warner Bros. – Sony – Colossus – Dunhill – Def Jam – Sun
More record labels...

Record producers
James Stroud – Richard Landis – Sean Combs – Mike Vernon – Jay-Z – Duke Pearson – Clive Davis – Colonel Tom Parker – Bob Rock – Andrew Loog Oldham – Norman Petty – Henry Mancini – Bob Weinstock – Bob Ezrin – John H. Hammond – Harry Vanda – Todd Rundgren – Berry Gordy – Sam Phillips

More record producers...
  

Categories

Category puzzle
Category puzzle
Select [►] to view subcategories
Audio engineering
Audio amplifier specifications
Audio compression
Audio electronics
Audio engineering awards
Audio engineering schools
Audio Engineering Society standards
Audio engineers
Audio software
Calibration records
Field recording
Microphone practices
Sound reinforcement system
Stereophonic sound
Vinyl data
Music industry
Music industries by country
Music industry associations
Audio branding
Audio equipment manufacturers
Music awards
Commissioned music
Music companies
Music conferences
Cover versions
DJing
Music industry executives
Free music
Impact of the COVID-19 pandemic on the music industry
Industrial music services
Music journalism
Record company logos
Music managers
Music and fashion
Music licensing
Music recording certifications
Musicians' trade unions
Occupations in music
Music production
Production music
Music promoters
Music publishing
Recorded music
Music streaming services
Works about the music industry
Music industry company stubs
Record producers
Record producers by genre
Record producers by nationality
Lists of songs by producer
Production discographies
LGBTQ record producers
Women record producers
Record production teams
Record producer stubs
Record labels
Record labels by country
Record labels by genre
Record labels by parent
Lists of record labels
Record labels by decade of establishment
Record labels by year of establishment
Albums by record label
Recording artists by label
Singles by record label
African record labels
Record label albums
Arab record labels
Audiophile record labels
Budget record labels
Defunct record labels
Record label discographies
IFPI members
Record company logos
Record label distributors
Reissue record labels
State-owned record labels
Vertical cut record labels
Record label stubs
Wikipedia categories named after record labels
Recording studios
Recording studios owned by women
Dubbing studios
Former recording studios
Mobile recording studios
Recording studios in Australia
Recording studios in Austria
Recording studios in the Bahamas
Recording studios in Belgium
Recording studios in Bulgaria
Recording studios in Canada
Recording studios in Croatia
Recording studios in Denmark
Recording studios in Finland
Recording studios in France
Recording studios in Germany
Recording studios in Iceland
Recording studios in India
Recording studios in Ireland
Recording studios in Israel
Recording studios in Italy
Recording studios in Jamaica
Recording studios in Japan
Recording studios in the Netherlands
Recording studios in New Zealand
Recording studios in Norway
Recording studios in Poland
Recording studios in South Africa
Recording studios in Spain
Recording studios in Sweden
Recording studios in Switzerland
Recording studios in Uganda
Recording studios in the United Kingdom
Recording studios in the United States
Recording studio stubs
Music libraries
Musical instrument libraries
Music librarians
Music libraries in the United States
  

WikiProjects

WikiProjects connected with music:
Main project – Songs – Albums – Alternative music – Classical music – Composers – Contemporary Christian music – Contemporary music – Electronic music – Emo music – Hip hop – Instruments – Led Zeppelin – Metal music – Jazz – Musicians – Opera – Panic at the Disco – Powderfinger (band) – Punk music – Record Labels – Record Production – Rock music – R&B and Soul Music – Terminology – The Beatles
Create a requested article:
See the list of Requested articles.
Improve an article:
See the Music Noticeboard for a list of tasks.
Start a music course:
School of Music at Wikiversity
  

Portals

  

Sister projects

The following Wikimedia Foundation sister projects provide more on this subject:

  

More content at Wikimedia Commons

Wikimedia Commons has media related to Audio engineers.
Wikimedia Commons has media related to Music libraries.
Wikimedia Commons has media related to Record producers.
Wikimedia Commons has media related to Recording studios.
Retrieved from "https://wiki.riteme.site/w/index.php?title=Portal:Record_production&oldid=1232448669"