The 1990s (pronounced "nineteen-nineties"; shortened to "the '90s") was a decade of the Gregorian calendar that began on 1 January 1990, and ended on 31 December 1999.
In the absence of world communism, which collapsed in the first two years of the decade, the 1990s was politically defined by a movement towards the right-wing, including increase in support for far-right parties in Europe[1] as well as the advent of the Hindu nationalist Bharatiya Janata Party[2] and cuts in social spending in the United States,[3] Canada,[4] New Zealand,[5] and the UK.[6] The United States also saw a massive revival in the use of the death penalty in the 1990s, which reversed in the early 21st century.[7] During the 1990s the character of the European Union and Euro were formed and codified in treaties.
A combination of factors, including the continued mass mobilization of capital markets through neo-liberalism, the thawing of the decades-long Cold War, the beginning of the widespread proliferation of new media such as the Internet from the middle of the decade onwards, increasing skepticism towards government, and the dissolution of the Soviet Union led to a realignment and reconsolidation of economic and political power across the world and within countries. The dot-com bubble of 1997–2000 brought wealth to some entrepreneurs before its crash between 2000 and 2001.
The 1990s saw extreme advances in technology, with the World Wide Web, the first gene therapy trial, and the first designer babies[8] all emerging in 1990 and being improved and built upon throughout the decade.
The 1998 FIFA World Cup was the 16th FIFA World Cup, the football world championship for men's national teams. The finals tournament was held in France from 10 June to 12 July 1998. The country was chosen as the host nation by FIFA for the second time in the history of the tournament (the first was in 1938), defeating Morocco in the bidding process. It was the ninth time that it was held in Europe. Spanning 32 days, it was the longest World Cup tournament ever held.
Qualification for the finals began in March 1996 and concluded in November 1997. For the first time in the competition, the group stage was expanded from 24 teams to 32, with eight groups of four. 64 matches were played in 10 stadiums in 10 host cities, with the opening match and final staged at the newly built Stade de France in the Parisian commune of Saint-Denis. (Full article...)
... that Cliff Christl, who became the Green Bay Packers team historian in 2014, estimated that he had recorded more than 250 oral histories with past players and coaches since the 1990s?
Image 14The Nasdaq Composite displaying the dot-com bubble, which ballooned between 1997 and 2000. The bubble peaked on Friday, 10 March 2000. (from 1990s)
Image 15The federal building that was bombed in the Oklahoma City bombing two days after the bombing, viewed from across the adjacent parking lot. (from 1990s)
Image 111Rwandan genocide: Bones of genocide victims in Murambi Technical School. Estimates put the death toll of the Rwandan genocide as high as 800,000 people. (from 1990s)
Image 113The catsuit became a trend in the late 1990s. Normally made of latex, PVC, or spandex, it was often worn with high-heeled boots. (from 1990s in fashion)
Image 117The compact disc reached its peak in popularity in the 1990s, and not once did another audio format surpass the CD in music sales from 1991 throughout the remainder of the decade. By 2000, the CD accounted for 92.3% of the entire market share in regard to music sales. (from 1990s)
Image 118Hurricane Georges downed trees in Key West along the old houseboat row on South Roosevelt Blvd. (from 1990s)
Image 130Young woman standing on sidewalk, Uptown New Orleans, 1992. (from 1990s in fashion)
Image 131Go-go boots became fashionable again in 1995. They were worn by women of the hip-hop, alternative, and dance subcultures. (from 1990s in fashion)
Walt Disney unsuccessfully attempted to adapt "Beauty and the Beast" into an animated film during the 1930s and 1950s. Inspired by the success of The Little Mermaid (1989), Disney enlisted Richard Purdum to adapt the fairy tale, which he originally conceived as a non-musical period drama. Dissatisfied with Purdum's efforts, Disney executive Jeffrey Katzenberg ordered that the entire film be reworked into a musical with original songs by The Little Mermaid's songwriting team, lyricist Howard Ashman and composer Alan Menken. First-time directors Trousdale and Wise replaced Purdum after he resigned. Woolverton's involvement made Beauty and the Beast Disney's first animated film to utilize a complete screenplay prior to storyboarding. The film was the second to use Computer Animation Production System (CAPS), which enabled seamless blending of traditional and computer animation, particularly during its ballroom scene. Beauty and the Beast is dedicated to Ashman's memory, who died from AIDS eight months before the film's release. (Full article...)
Bound was the first film directed by the Wachowskis, and they took inspiration from Billy Wilder to tell a noir story filled with sex and violence. Financed by Dino De Laurentiis, the film was made on a tight budget with the help of frugal crew members including cinematographer Bill Pope. The directors initially struggled to cast the lesbian characters of Violet and Corky before securing Tilly and Gershon. To choreograph the sex scenes, the directors employed sex educator Susie Bright as an ad hocintimacy coordinator, and she also made a cameo appearance in the film. (Full article...)
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Madonna: Truth or Dare (also known as In Bed with Madonna internationally) is a 1991 American documentary film by director Alek Keshishian chronicling the life of entertainer Madonna during her 1990 Blond Ambition World Tour. Madonna approached Keshishian to do an HBO special on the tour after watching his Harvard senior project. Initially planned to be a traditional concert film, Keshishian was so impressed with the backstage life that he persuaded Madonna to make it the focus of the film. Madonna funded the project and served as executive producer. The film was edited to be in black-and-white, in order to emulate cinéma vérité, while the performance scenes are in color.
Madonna: Truth or Dare was screened out of competition at the 1991 Cannes Film Festival and was given a limited release on May 10, 1991; two weeks later, it had its worldwide release. It opened to positive reviews although certain scenes, such as one where Madonna visits her mother's grave, were criticized. Madonna was nominated for a Razzie Award for Worst Actress. With a worldwide gross of $29 million, it was the highest-grossing documentary of all time, until Bowling for Columbine surpassed it in 2002. Truth or Dare has been noted as a groundbreaking film for its casual portrayal of homosexuality, and was compared to Paris Is Burning (1990). It has also had an impact on reality television and celebrity culture, inspiring parodies and other music-related documentaries. (Full article...)
In the film, set 200 years after the preceding installment, Alien 3 (1992), Ellen Ripley is cloned, and an Alien queen is surgically removed from her body. The United Systems Military (USM) hopes to breed Aliens to study and research on the spaceship USM Auriga, using human hosts abducted and delivered to them by a group of mercenaries. The Aliens escape their enclosures, and Ripley and the mercenaries attempt to escape and destroy the Auriga before it reaches Earth. Additional roles are played by Ron Perlman, Dan Hedaya, J. E. Freeman, Brad Dourif, and Michael Wincott. (Full article...)
The film was produced by Michael G. Wilson and Barbara Broccoli. It was the first Bond film made after the death of producer Albert R. Broccoli (to whom it pays tribute in the end credits) and the last released under the United Artists label. Filming locations included France, Thailand, Germany, Mexico and the United Kingdom. (Full article...)
The film is set in an Australianrainforest inhabited by fairies, including Crysta, who accidentally shrinks a young logger named Zak to the size of a fairy. Together, they rally the fairies and the animals of the rainforest to protect their home from the loggers and Hexxus, a malevolent pollution entity. Wayne Young, the film's producer, said that the film was "blatantly environmental", although he made an effort to avoid "preaching". (Full article...)
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Hard Target is a 1993 American action film directed by Hong Kong film director John Woo in his American film directorial debut. The film stars Jean-Claude Van Damme as Chance Boudreaux, an out-of-work homeless Cajun merchant seaman and former United States Force Recon Marine who saves a young woman named Natasha Binder (Yancy Butler) from a gang of thugs in New Orleans. Chance learns that Binder is searching for her missing father (Chuck Pfarrer), and agrees to aid Binder in her search. They soon learn that Binder's father has died at the hands of hunt organisers Emil Fouchon (Lance Henriksen) and Pik van Cleef (Arnold Vosloo), a ruthless businessman and his right-hand mercenary, who arrange the hunting of homeless men as a form of recreational sport. The screenplay was written by Pfarrer and is based on the 1932 film adaptation of Richard Connell's 1924 short story "The Most Dangerous Game".
Hard Target was Woo's first American film and the first major Hollywood film made by a Chinese director. Universal Pictures was nervous about having Woo direct a feature and sent in director Sam Raimi to look over the film's production and to take Woo's place as director if he were to fail. Woo went through several scripts finding mostly martial arts films with which he was not interested. After deciding on Pfarrer's script for Hard Target, Woo wanted to have actor Kurt Russell in the lead role, but found Russell too busy with other projects. Woo then went with Universal's initial choice of having Van Damme star. Woo got along with Van Damme during filming and raised the amount of action in the film as he knew that the actor was up for it. (Full article...)
The Frighteners is a 1996 supernaturalcomedy horror film directed by Peter Jackson and co-written with Fran Walsh. The film stars Michael J. Fox, Trini Alvarado, Peter Dobson, John Astin, Dee Wallace Stone, Jeffrey Combs, R. Lee Ermey and Jake Busey. The Frighteners tells the story of Frank Bannister (Fox), an architect who develops psychic abilities allowing him to see, hear, and communicate with ghosts after his wife's murder. He initially uses his new abilities to befriend ghosts, whom he sends to haunt people so that he can charge them handsome fees for "exorcising" the ghosts. However, the spirit of a mass murderer appears posing as the Grim Reaper, able to attack the living and the dead, prompting Frank to investigate the supernatural presence.
Jackson and Walsh conceived the idea for The Frighteners during the script-writing phase of Heavenly Creatures. Executive producer Robert Zemeckis hired the duo to write the script, with the original intention of Zemeckis directing The Frighteners as a spin-off film of the television series, Tales from the Crypt. With Jackson and Walsh's first draft submitted in January 1994, Zemeckis believed the film would be better off directed by Jackson, produced by Zemeckis and funded/distributed by Universal Studios. The visual effects were created by Jackson's Weta Digital, which had only been in existence for three years. This, plus the fact that The Frighteners required more digital effects shots than almost any movie made until that time, resulted in the eighteen-month period for effects work by Weta Digital being largely stressed. (Full article...)
George Lucas began development for the film in the 1970s, originally attached as director for Willard Huyck and Gloria Katz's script, from a story by Lucas. Universal Pictures commenced pre-production and both Steve Martin and Cindy Williams had already been approached for the two leads before Radioland Murders languished in development hell for over 20 years. In 1993, Lucas told Universal that advances in computer-generated imagery from Industrial Light & Magic (owned by Lucasfilm), particularly in digital mattes, would help bring Radioland Murders in for a relatively low budget of about $10 million, which eventually rose to $15 million. Mel Smith was hired to direct and filming lasted from October to December 1993. Radioland Murders was released on October 21, 1994, to negative reviews from critics and bombed at the box office, only grossing $1.3 million in the United States. (Full article...)
The plot follows Utena Tenjou, a tomboy high school student who is drawn into a series of sword duels to win the hand of Anthy Himemiya, a mysterious student known as the "Rose Bride". The film is noted for its extensive use of metaphor and symbolism; its focus on themes of gender, sexuality and the transition from adolescence to adulthood; and for its more mature subject material relative to the anime series. (Full article...)
Burton had no interest in making a sequel to Batman, believing that he was creatively restricted by the expectations of Warner Bros. He agreed to return in exchange for creative control, including replacing original writer Sam Hamm with Daniel Waters, and hiring many of his previous creative collaborators. Waters's script focused on characterization over an overarching plot, and Wesley Strick was hired to complete an uncredited re-write which, among other elements, provided a master plan for the Penguin. Filming took place between September 1991 and February 1992, on a $50–80million budget, on sets and sound stages at Warner Bros. Studios and the Universal Studios Lot in California. Special effects primarily involved practical applications and makeup, with some animatronics and computer-generated imagery. (Full article...)
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Parasite Eve (Japanese: パラサイト・イヴ, Hepburn: Parasaito Ivu) is a 1997 Japanese science fiction film that was directed by Masayuki Ochiai and is based on the 1995 novel Parasite Eve by Hideaki Sena. Kiyomi (Riona Hazuki), the wife of Toshiaki Nagashima (Hiroshi Mikami), is left brain dead after a traffic accident on the day of their first wedding anniversary. Nagashima attempts to make Kiyomi live again by making a deal with a doctor who wants to harvest Kiyomi's kidneys for transplanting into a young girl in the same hospital. Nagashima agrees on the condition that he can have his wife's liver. While Nagashima experiments with the organ, the doctor finds one night the samples have emerged as a gelatinous form in the form of Toshiaki's dead wife and reveal themselves as an organization of sentient mitochondria that are bent on making a new species that will wipe out humanity.
In 1997, Kadokawa Shoten decided to use the film production side of its business to develop a film version of Parasite Eve, making it its first film in three years. The film was co-produced by Kadokawa and Fuji TV's Motion Picture Division. Ochiai made his debut as a feature film director, having worked in Japanese television on horror series such as Night Head. Parasite Eve was filmed in eight weeks with a budget of ¥550 million. Ochiai was not entirely pleased with the result of the film, feeling he was pressured to push the love story element of the story, later saying there were "so many compromises I had to make that it couldn't be a true horror movie". The film was released in Japan on February 1, 1997, with limited release outside the country. It received mixed reviews; The Daily Yomiuri found the film "mildly enjoyable at times" and Fangoria called it "flawed but fascinating". (Full article...)
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