Amrita Sher-Gil's paintings at Lahore (1937)
The Hungarian-born Indian artist Amrita Sher-Gil, exhibited 33 of her paintings at her One-man Show in the ballroom at Faletti's Hotel in Lahore, British India, held from 21 to 27 November 1937. Four paintings were sold in total; The Little Girl in Blue (1934), The Story (1937), Pink Self-portrait, and The Vina Player (1937).
At the opening, Punjab's finance minister, Manohar Lal, praised the self-portrait she did not like. Charles Fabri commended the exhibition in general, though criticised the show for being too ornate. The attendance was good. With eight annas per entry, the exhibition made around ₹25 a day from entrance fees alone.
Preparation
[edit]
The Hungarian-born Indian artist Amrita Sher-Gil exhibited 33 of her paintings, dubbed her "One-man Show", in the ballroom at Faletti's Hotel in Lahore, British India, held from 21 to 27 November 1937.[1][2] Having checked into Faletti's a week before the opening, she arranged invitations, oversaw plans for lighting, and unpacked her artwork.[3]
Opening
[edit]
The exhibition was opened by Punjab's finance minister, Manohar Lal.[1] Over 150 people attended on that day.[4] Dressed in a gold-bordered sari, twice wrapped covering a brocade blouse, and wearing large Tibetan jewellery, Sher-Gil greeted guests at the entrance.[3] Attendees included Dalip Singh Majithia, Badruddin Tyabji, Diwan Chaman Lall, Justice Bakshi Tek Chand, Lahore Museum's curator K. N. Sitaram, Kanwar Dalip Singh of Kapurthala, and Bhim Sen Sachar.[1][3][5] Students of Punjab University attended.[6] The Civil and Military Gazette's art critic Fabri was also present.[7] It was there that Sher-Gil and Fabri first met.[8] The governor, Sir Herbert William Emerson, and Lady Emerson, visited the exhibition for a private viewing on 24 November.[9][10]
Exhibits
[edit]
Paintings exhibited included Young Man with Apples (1932), Sleep (1933), A Professional Model (1933), The Little Girl in Blue (1934), Three Girls (1935), The Bride's Toilet (1937), and The Story Teller (1937).[1] The previous year, Sleep and Group of Young Girls had been displayed at the exhibition hall in the Public Gardens, Hyderabad.[11] Hoping that the wealthy art collector, Nawab Salar Jung would purchase them, Sher-Gil was disappointed when after keeping them for several days the Nawab returned them, commenting that he had "no use for these Cubist pictures".[12] Re-exhibited at the November 1937 Lahore show, they did not sell and remained in Sher-Gil's possession.[1]
The self-portrait was bought by a person who subsequently commissined Sher-Gil to do two portraits of Mrs Hiralal.[13] Also, at Lahore, Sher-Gil painted two commissioned paintings, which she did not approve of and left them unsigned.[6] Other paintings she completed there included The Red Brick House and a portrait of Helen Chaman Lall.[6]
Response
[edit]Four paintings were sold in total.[13] Tyabji later recalled that "the exhibition was well attended", and that Sher-Gil appreciated that he bought The Story Teller.[10][a] With the help of Chamanlall, The Little Girl in Blue was sold to Fabri.[10] The Vina Player, Sher-Gil's mother's favourite, was initially not for sale, but then acquired by the Lahore Museum, through the encouragement of Fabri and Sita Ram.[1][10] The other painting sold was titled Pink Self-portrait.[13][b]
At the opening, Manohar Lal praised the self-portrait she did not like.[3] Fabri called the show a "revelation",[2] and "a feast for the eyes".[3] He called her work "essentially modern without being fantastic", while criticising it for being "decorative to the extreme".[3] With eight annas per entry, the exhibition made around ₹25 a day from entrance fees alone.[10] On 24 November 1937, reviews of the exhibition in the Civil and Military Gazette coincided with reviews of the block-buster film Jeevan Prabhat.[10] One newspaper reported of the artwork that "each one seemed to excell the other in art and presentation".[2]
List of paintings exhibited
[edit]This is a list of the 33 paintings exhibited at Lahore in 1937 as catalogued and titled in the original programme:[1]
| Catalogue number | Title | Image | Catalogue price (1937)[1] | Notes |
|---|---|---|---|---|
| 1 | 1937: The Bride's Toilet |
|
₹1,500 | One of Sher-Gil's South Indian trilogy.[14] |
| 2 | 1937: Brahmacharis |
 |
₹1,500 | One of Sher-Gil's South Indian trilogy.[14] |
| 3 | 1935: Villagers in Winter |
₹1,500 | Later known as Hill Men.[15] | |
| 4 | 1935: Hill Women |
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|
₹1,500 | Depicts a girl and three young women.[16] |
| 5 | 1937: The Vina Player |
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|
Not for sale | Sold to the Museum of Lahore.[10] |
| 6 | Greeting | ₹200 | ||
| 7 | Woman and Children of Travancore | ₹500 | Vivan Sundaram notes that this painting was later renamed Fruit Vendors,[17] though the exhibition catalogue lists both these as separate paintings (see 22).[1] | |
| 8 | 1935: The Man in White |
 |
₹350 | Offered ₹250[13] |
| 9 | 1935: Mother India |
 |
₹500 | |
| 10 | 1937: Head of a Girl |
 |
₹150 | |
| 11 | 1935: Group of Young Girls |
 |
₹700 | Won the Gold Medal at the annual exhibition of the Bombay Art Society in 1937.[18] |
| 12 | 1934: The Little Girl in Blue |
|
₹150 | Bought at the 1937 exhibition by Charles Fabri with the assistance of Diwan Chaman Lall.[10]
Fetched ₹18.69 crore, or $2.67 million in 2018, through auction at Sotheby's, Mumbai.[19][20][21] |
| 13 | 1935: On the Terrace |
 |
₹500 | |
| 14 | 1937: Girl with Pitcher |
 |
₹500 | |
| 15 | Study in Green |  |
Not for sale | |
| 16 | 1933: A Professional Model |
Not for sale | ||
| 17 | 1933: Sleep |
 |
₹1,000. | Earlier in 1937, Nawab Salar Jung had initially shown interest in it, though did not buy it. Later, Sher-Gil left it with Chaman Lall to "palm off", but it did not sell.[12] |
| 18 | 1937: Siesta |
 |
₹750 | |
| 19 | Landscape | ₹100 | ||
| 20 | Self-Portrait |  |
Not for sale | Sold for ₹ 700.[13] |
| 21 | 1935: My Father |
 |
Not for sale | |
| 22 | Fruit Vendors |  |
₹250 | Vivan Sundaram notes that this painting was renamed from Woman and Children of Travancore (see 7),[17] though the exhibition catalogue lists both these as separate paintings.[1] |
| 23 | 1935: South Indian Peasants going to Market |
|
₹1,500 | One of Sher-Gil's South Indian trilogy, later known as South Indian Villagers Going to Market.[14] |
| 24 | The Girl in Red | ₹500 | ||
| 25 | 1932: Young Man with Apples |
 |
₹500 | |
| 26 | Torso | Not for sale | ||
| 27 | The Dreamer | ₹500 | ||
| 28 | The Girl with the Glove | ₹400 | ||
| 29 | Corner of a Studio in Paris |  |
Not for sale | |
| 30 | Painting | ₹350 | Shortly after the exhibition, Sher-Gil wrote to Karl Khandalavala that she was sending him (among five paintings), "my fantasy", "which I have called Painting".[1][13] | |
| 31 | 1937: The Story |
₹350 | Bought at the exhibition by Badruddin Tyabji.[10]
In 2023 it was sold for Rs 61.8 crore, equivalent to $7.45m.[7][22][23] | |
| 32 | 1937: Dressing the Bride |
 |
₹700 | |
| 33 | Head | ₹150 |
See also
[edit]Notes
[edit]References
[edit]- ^ a b c d e f g h i j k l m Sundaram, pp. 418-423
- ^ a b c Singh, N Iqbal (1975). "Amrita Sher-Gil". India International Centre Quarterly. 2 (3): 209–217. ISSN 0376-9771. JSTOR 23001838.
- ^ a b c d e f Dalmia, 98-99
- ^ Fabri, Charles L. (24 November 1937). "Two art exhibitions: Miss Sher0Gil and Miss Townsend". Civil & Military Gazette. Lahore. p. 10.
- ^ Ananth, p. 24
- ^ a b c Dalmia, 103-105
- ^ a b "Well known artist dies in Lahore". Civil & Military Gazette (Lahore). 7 December 1941. p. 4.
- ^ Dalmia, 100-102
- ^ "Miss Sher-Gil's paintings: Punjab governor visits exhibition". Civil & Military Gazette. Lahore. 27 November 1937. p. 4.
- ^ a b c d e f g h i Sundaram, pp. 424-429
- ^ Sundaram, pp. 266-270
- ^ a b Sundaram, pp. 271-285
- ^ a b c d e f Sundaram, pp. 430-431
- ^ a b c Dalmia, p. 201
- ^ Tillotson, G.H.R. (1997). "A Painter of Concern: Critical Writings on Amrita Sher-Gil". India International Centre Quarterly. 24 (4): 57–72. ISSN 0376-9771.
- ^ Haupt, Christina (2016). Amrita Sher-Gil and the representations of non-western female bodies. Norderstedt: Grin. pp. 5–7. ISBN 978-3-6684-887-7-9.
- ^ a b Sundaram, p. 772
- ^ Dalmia, pp. 77-78
- ^ Tripathi, Smita (28 November 2018). "Tyeb Mehta and Amrita Sher-Gil to lead Sotheby's first auction in India". www.telegraphindia.com. Archived from the original on 13 November 2023. Retrieved 12 November 2023.
- ^ "Amrita Sher-Gil's 'The Little Girl in Blue' fetches Rs 18.69 crore". Tribune. 30 November 2018. Archived from the original on 12 November 2023. Retrieved 12 November 2023.
- ^ Shaw-Johnson, Amanda (2021). Why Now?: The Euro-U.S. Canon Adopts Tarsila do Amaral and Amrita Sher-Gil Almost 90 Years Later (Thesis). UC Davis.
- ^ "Amrita Sher-gil's 'The Story teller' is now the most expensive Indian painting! Oil on canvas masterpiece fetches Rs 61.8 cr at Delhi auction". The Economic Times. 19 September 2023. ISSN 0013-0389. Archived from the original on 26 September 2023. Retrieved 19 September 2023.
- ^ Lal, Neeta (22 September 2023). "The Story Teller: A closer look at Amrita Sher-Gil's record-breaking $7.45m painting". The National. Archived from the original on 30 October 2023. Retrieved 30 October 2023.
Bibliography
[edit]- Ananth, Deepak (2007). Amrita Sher-Gil: An Indian Artist Family of the Twentieth Century. Schirmer/Mosel. ISBN 978-3-8295-0270-2.
- Dalmia, Yashodhara (2013). Amrita Sher-Gil: A Life. Gurugram: Penguin Books. ISBN 978-0-14-342026-2.
- Sundaram, Vivan (2010). Amrita Sher-Gil: A Self-Portrait in Letters and Writings. Vol. 1. New Delhi: Tulika Books. pp. 1–417. ISBN 978-81-89487-59-1.
- Sundaram, Vivan (2010). Amrita Sher-Gil: A Self-Portrait in Letters and Writings. Vol. 2. New Delhi: Tulika Books. pp. 418–821. ISBN 978-81-89487-59-1.