List of paintings by Edward Burne-Jones
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This is a list of the paintings of the British Pre-Raphaelite artist Edward Burne-Jones.
Wikimedia Commons has media related to Edward Burne-Jones.
1850s
[edit]| Image Title |
Year | Location | Dimensions (cm.) | Medium |
|---|---|---|---|---|
| Arthur with Excalibur | 1858 | Private collection (likely)[1] | ||
| A Knight and his Lady | 1859 | Private collection (likely)[2] |
1860s
[edit]- Girls in a Meadow (1860), private collection.[3]
- Sidonia von Bork 1560 (1860), Tate Britain, London.[4]
- Clara von Bork 1560 (1860), Tate Britain, London.[5]
- Merlin and Nimue from 'Morte d'Arthur' (1861), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.[6]
- The Goldfish Pool or Girl and Goldfish (1861), Tullie House Museum, Carlisle.[7]
- Clerk Saunders (1861), Tate Britain, London.[8]
- The Annunciation and the Adoration of the Magi (1861), Tate Britain, London.[9]
- The Backgammon Players (1861–62), Birmingham Museum & Art Gallery, Birmingham.[10]
- Morgan le Fay (1862), Cecil French Bequest, London Borough of Hammersmith and Fulham.[11]
- The Madness Of Sir Tristram (1862), private collection.[12]
- King Mark and La Belle Iseult (1862), Birmingham Museum & Art Gallery, Birmingham.
- Fair Rosamund and Queen Eleanor (1862), Tate Britain, London.
- Cinderella (1863), Museum of Fine Arts, Boston.
- The Merciful Knight (1863), Birmingham Museum & Art Gallery, Birmingham.
- Astrologia (1865), private collection. Listed at Bridgeman Art Library.[6]
- Princesse Sabra (1865), Musée d'Orsay, Paris.
- The Lament (1865), William Morris Gallery.
- The Prioress' Tale (1865–98), Delaware Art Museum.
- Cupid and Psyche (1865), Manchester Art Gallery, Manchester. Second version (c. 1865), Yale Centre for British Art, Hartford. Both listed at Bridgeman Art Library.[6]
- The Garland: A Girl Tending Flowers (1866), Cecil French Bequest, London Borough of Hammersmith and Fulham.
- The Mirror of Venus (1866–1877), private collection. Later version, completed simultaneously:
- 1873–1877 at the Calouste Gulbenkian Foundation, Lisbon.
- Charity (1867), private collection. Listed at Bridgeman Art Library.[6]
- Cupid Delivering Psyche (1867), Cecil French Bequest, London Borough of Hammersmith and Fulham.[13] Three later versions of the same subject (all listed at Bridgeman Art Library).[6]
- 1867 at the Cecil Higgins Art Gallery.
- c1871 at Sheffield Galleries and Museums Trust.
- date unknown, private collection.
- The Love Song (c. 1868–1873), Metropolitan Museum of Art, New York.
- Green Summer (1868), private collection. Listed at Bridgeman Art Library.[6]
- Laus Veneris (1869), Laing Art Gallery, Newcastle upon Tyne.
- Autumn (1869–70), Roy Miles Fine Paintings. Listed at Bridgeman Art Library.[6]
1870s
[edit]- Evening Star (1870), private collection. Listed at Bridgeman Art Library.[6]
- Phyllis and Demophoon (1870), Birmingham Museum & Art Gallery, Birmingham.[14]
- The Sleeping Beauty (1870–1873), Museo de Arte de Ponce, Puerto Rico. Study in Manchester Art Gallery, Manchester.
- The Wheel of Fortune (1870 onwards), there are at least seven versions of this composition including:[15]
- c.1870 at the Carlisle City Art Gallery, Carlisle.
- c.1870 at the Watts Gallery, Compton.
- 1871–1877 at the National Gallery of Victoria, Melbourne. and
- 1871–1885 part of the Cecil French Bequest, London Borough of Hammersmith and Fulham.
- 1877–1883 at the Musée d'Orsay, Paris.
- c.1882 at the National Museum of Wales, Cardiff (unfinished).
- Fame (c.1870), Watts Gallery, Compton.
- Love or The Triumph of Love (c.1870), Watts Gallery, Compton.
- Oblivion (c.1870), Watts Gallery, Compton.
- Flying Figure (c.1870), Cecil French Bequest, London Borough of Hammersmith and Fulham.
- Day (1870), Fogg Art Museum, Harvard University.
- Night (1870), Fogg Art Museum, Harvard University.
- The Garden of Hesperides (1870–73), private collection.
- Spes or Hope (1871), Dunedin Public Art Gallery, Dunedin. Other versions of this subject:
- 1872–1877 at the National Gallery of Victoria, Melbourne
- 1896 at the Museum of Fine Arts, Boston.
- Dorigen of Bretaigne longing for the Safe Return of her Husband (1871), Victoria and Albert Museum, London. Listed at Bridgeman Art Library.[6]
- Fides (1871), Vancouver Art Gallery.[16]
- Venus Epithalamia (1871), Fogg Art Museum, Harvard University.
- Pan and Psyche (1872–1874), Fogg Art Museum, Harvard University. Second version in private collection. Both listed at Bridgeman Art Library.[6]
- Danäe and the Brazen Tower (1872), Ashmolean Museum, Oxford. There are two later versions of this composition (both listed at Bridgeman Art Library):[6]
- Danaë Watching the Building of the Brazen Tower (1872), Fogg Art Museum, Harvard University
- Danae or the Tower of Brass (1887–88), Glasgow Museums, Glasgow.
- The Beguiling of Merlin (1872–1877), Lady Lever Art Gallery, Port Sunlight.
- Psyche entering the Portals of Olympus (1872–1881), Birmingham Museum & Art Gallery, Birmingham.
- The Feast of Peleus (1872–1881), Birmingham Museum & Art Gallery, Birmingham.
- Troy Triptych (1872–1898), Birmingham Museum & Art Gallery, Birmingham.
- The Mirror of Venus (1875), Museu Calouste Gulbenkian, Lisbon.
- Frieze of Eight Women Gathering Apples (1876), Tate Britain, London.
- The Annunciation (1876), Lady Lever Art Gallery, Port Sunlight.
- Atlas Turned to Stone (c. 1876), Southampton City Art Gallery. Listed at Bridgeman Art Library.[6]
- The Avenging Angel of St Catherine (1878), Cecil French Bequest, London Borough of Hammersmith and Fulham.
- An Angel Playing a Flageolet (1878), Sudley House, National Museums Liverpool.[17] Two further versions exist one in an unidentified private collection and one in Makins Collection. All are listed at Bridgeman Art Library.[6]
- A Musical Angel (c. 1878–1880), unknown.[18]
1880s
[edit]- The Golden Stairs (1880), Tate Britain, London.
- Lady Frances Balfour (1880), Musée des Beaux-Arts de Nantes
- The Angel (1881), Glasgow Museums, Glasgow.
- The Last Sleep of Arthur in Avalon (1881), Museo de Arte de Ponce, Puerto Rico.
- Earth Mother (1882), Worcester Art Museum, Massachusetts.[19] Second version in a private collection (both listed at Bridgeman Art Library.[6]
- The Mermaid (1882), Tate Britain, London.
- The Mill (1882), Victoria and Albert Museum, London.
- The Tree of Forgiveness (1882), Lady Lever Art Gallery, Port Sunlight.
- The Magic Circle (c. 1882), Tate Britain, London.
- Georgiana Burne-Jones (1883), private collection (?).[20]
- King Cophetua and the Beggar Maid (painting) (1884), Tate Britain, London.
- The Pilgrim at the Gate of Idleness (1884), Dallas Museum of Art.
- The Morning of the Resurrection (1886), Tate Britain, London.
- Sibylla Delphica (1886), Manchester Art Gallery, Manchester.
- The Garden of Pan (c. 1886), National Gallery of Victoria, Melbourne.
- The Depths of the Sea (1887), Fogg Art Museum, Harvard University.
- The Star of Bethlehem (1887–1891), Birmingham Museum & Art Gallery, Birmingham.
- The Nativity (1888), Carnegie Museum of Art, Pittsburgh.
- The King and the Shepherd (1888), Carnegie Museum of Art, Pittsburgh.
- The Heart of the Rose (1889), private collection.
1890s
[edit]| Image | Title | Year | Collection |
|---|---|---|---|
 |
Sponsa de Libano | 1891 | Walker Art Gallery, Liverpool |
| The Sirens | 1891-1898 | Ringling Museum of Art, Florida. | |
 |
Vespertina Quies | 1893 | Tate Britain, London. |
 |
Love Among the Ruins | 1894 | Wightwick Manor, Wolverhampton |
| Fall of Lucifer | 1894 | The Ashmolean Museum, Oxford.
(On loan from Lord Lloyd Webber's private collection) | |
| Psyche's Wedding | 1895 | Royal Museums of Fine Arts of Belgium. | |
| The Dream of Launcelot at the Chapel of the San Graal | 1895 | Southampton City Art Gallery, Southampton. | |
 |
Hope | 1896 | Museum of Fine Arts, Boston. |
| The Wizard | 1896-1898 | Birmingham Museum & Art Gallery, Birmingham. | |
| Love and the Pilgrim | 1896-97 | Tate Britain, London. |
Series
[edit]The Legend of St George and the Dragon (1865–1867)
[edit]| No. | Image | Title | Collection |
|---|---|---|---|
| 1 | 
|
The King's Daughter | Musée d'Orsay, Paris |
| 2 | The Petition to the King | Hanover College, Indiana | |
| 3 | The Princess Drawing the Lot | Hanover College, Indiana | |
| 4 | 
|
The Princess Sabra Led to the Dragon | Private collection |
| 5 | The Princess Tied to the Tree | Private collection | |
| 6 | 
|
St George Slaying the Dragon | Art Gallery of New South Wales, Sydney. Second version, 1868, in the William Morris Gallery |
| 7 | The Return of the Princess | Bristol City Museum and Art Gallery, Bristol |
The Legend of Briar Rose (1885–1890)
[edit]Farringdon Collection Trust, Buscot Park, Oxfordshire. Four major paintings with 10 "joining panels":
- Briars
- The Briar Wood (1st major painting)
- Briars
- Briars, with Helmet and Greave
- A Terrace, with a Curtain hanging before a flowering Briar
- The Council Chamber (2nd major painting)
- A Terrace, with a Curtain hanging before a flowering Briar
- A Stone Hall with flowering Briars
- The Garden Court (3rd major painting)
- A Stone Hall with flowering Briars
- A Stone Kitchen overgrown with Briars
- A Kitchen with a Cupboard overgrown with Briars
- The Rose Bower (4th major painting)
- A Kitchen, with a Basin, Towel and Briars
Small Briar Rose series (1871–1873)
[edit]Museo de Arte de Ponce, Puerto Rico.
- The Briar Wood
- The Council Chamber
- The Rose Bower
- The Garden Court, Bristol City Museum and Art Gallery, Bristol.
- The Council Chamber, Delaware Art Museum, Wilmington.
- The Rose Bower, Hugh Lane Gallery of Modern Art, Dublin.
The Days of Creation (1870–1876)
[edit]Fogg Art Museum, Harvard University:
| Image | Title |
|---|---|
_1870-1876.jpg)
|
The First Day |
_1870-1876.jpg)
|
The Second Day |
_1870-1876.jpg)
|
The Third Day |
| The Fourth Day | |
_1870-1876.jpg)
|
The Fifth Day |
| The Sixth Day |
Pygmalion Series (1868–1870)
[edit]Joseph Setton Collection (private), Paris – now owned by Lord Lloyd Webber:
| No. | Image | Title |
|---|---|---|
| 1 | .jpg) |
The Heart Desires |
| 2 | i.jpg) |
The Hand Refrains |
| 3 | .jpg) |
The Godhead Fires |
| 4 | .jpg) |
The Soul Attains |
Pygmalion and the Image Series or "Pygmalion and Galatea Series" (1875–1878)
[edit]Birmingham Museum & Art Gallery, Birmingham:
| No. | Image | Title |
|---|---|---|
| 1 | .jpg) |
The Heart Desires |
| 2 | .jpg) |
The Hand Refrains |
| 3 | .jpg) |
The Godhead Fires |
| 4 | .jpg) |
The Soul Attains |
The Perseus Cycle (1875-1890s)
[edit]Only four of the paintings were completed in oil, although full size gouache studies were rendered of all the images.[23]
- The Call of Perseus, full size study in Southampton Art Gallery.[24]
- Perseus and the Graiae completed work in oil at Staatsgalerie, Stuttgart.[25] Study in private collection, sketches at the Cecil Higgins Gallery and a full size study Southampton Art Gallery.
- The Arming of Perseus or Perseus and the Nereids (Sea Nymphs), study in Southampton Art Gallery.[26]
- The Finding of Medusa, full size study in Southampton Art Gallery.[27]
- The Death of Medusa, full size study in Southampton Art Gallery.[28]
- The Birth of Pegasus and Chrysaor, full size study in Southampton Art Gallery.
- The Rock of Doom, completed work in oil at Staatsgalerie, Stuttgart;[29] full size study in Southampton Art Gallery.
- The Doom Fulfilled, completed work in oil at Staatsgalerie, Stuttgart;[30] full size study in Southampton Art Gallery. Perseus and Andromeda (1876) Art Gallery of South Australia, Adelaide. Same composition as Doom Fulfilled.[31]
- The Baleful Head, completed work in oil at Staatsgalerie, Stuttgart;[32] full size study in Southampton Art Gallery.
- Atlas turned to Stone, full size study in Southampton Art Gallery
Portraits
[edit]- Portrait of Lady Lewis (1870), private collection.[33]
- Portrait of Maria Zambaco (1870)[34]
- Portrait of La Baronne Madeleine Desandes (1895–96), National Gallery of Victoria, Melbourne. Second version in a private collection (both listed at Bridgeman Art Library).[6]
- Portrait of Katie Lewis (1886),[35]
Undated
[edit]- The Temple of Love, Tate Britain, London.
- Flamma Vestalis, Fogg Art Museum, Harvard University.
- Venus Discordia, National Museum of Wales, Cardiff (unfinished).
- Heart of the Rose. Listed at Bridgeman Art Library.[6]
See also
[edit]References
[edit]- ^ [1] Archived May 15, 2006, at the Wayback Machine
- ^ Czech. "A Knight and his Lady by EDWARD COLEY BURNE-JONES – Art & Antiques Online". CINOA. Archived from the original on 28 September 2007. Retrieved 15 November 2013.
- ^ "Sir Edward Burne-Jones. Girls in a Meadow. Detail – Olga's Gallery". Abcgallery.com. Retrieved 15 November 2013.
- ^ "'Sidonia von Bork 1560', Sir Edward Coley Burne-Jones, Bt". Tate. Retrieved 15 November 2013.
- ^ "'Clara von Bork 1560', Sir Edward Coley Burne-Jones, Bt". Tate. Retrieved 15 November 2013.
- ^ a b c d e f g h i j k l m n o p "bridgeman.co.uk". bridgeman.co.uk. Archived from the original on 22 August 2013. Retrieved 15 November 2013.
- ^ [2][dead link]
- ^ "'Clerk Saunders', Sir Edward Coley Burne-Jones, Bt". Tate. Retrieved 15 November 2013.
- ^ "'The Annunciation and the Adoration of the Magi', Sir Edward Coley Burne-Jones, Bt". Tate. Retrieved 15 November 2013.
- ^ Severn Internet Services – www.severninternet.co.uk. "Watercolour – The Backgammon Players – Birmingham Museums & Art Gallery Information Centre". Bmagic.org.uk. Retrieved 15 November 2013.
- ^ "Beyond Burne-Jones | The Cecil French Bequest Gallery". Lbhf.gov.uk. Archived from the original on 7 February 2012. Retrieved 15 November 2013.
- ^ Art Renewal Centre - The Madness of Sir Tristram
- ^ "Beyond Burne-Jones | The Cecil French Bequest Gallery". Lbhf.gov.uk. Archived from the original on 7 February 2012. Retrieved 15 November 2013.
- ^ Severn Internet Services – www.severninternet.co.uk. "Watercolour – Phyllis and Demophoon – Birmingham Museums & Art Gallery Information Centre". Bmagic.org.uk. Retrieved 15 November 2013.
- ^ "Beyond Burne-Jones | The Cecil French Bequest Gallery". Lbhf.gov.uk. Archived from the original on 12 September 2012. Retrieved 15 November 2013.
- ^ "Edward Burne-Jones, Fides". Projects.vanartgallery.bc.ca. Archived from the original on 7 February 2012. Retrieved 15 November 2013.
- ^ "Fine art images for reproduction – Bridgeman art images & historical footage for licensing". Bridgeman.co.uk. Archived from the original on 16 February 2008. Retrieved 15 November 2013.
- ^ "ArtMagick: Sir Edward Burne-Jones (British, 1833-1898): A Musical Angel". Archived from the original on 23 October 2006. Retrieved 24 April 2007.
- ^ "Worcester Art Museum – Earth Mother". Worcesterart.org. Retrieved 15 November 2013.
- ^ "ArtMagick: Sir Edward Burne-Jones (British, 1833-1898): Georgiana Burne-Jones". Archived from the original on 28 March 2006. Retrieved 24 April 2007.
- ^ "Martin". Archived from the original on 21 December 2010. Retrieved 24 April 2007.
- ^ Martin, John Franklin (1 January 1997). "Two Scenes from Burne-Jones's 'St George' Series Rediscovered". The Burlington Magazine. 139 (1130): 330–334. JSTOR 887315.
- ^ "The Beautification of Ugliness in Burne-Jones's Perseus Cycle". Victorianweb.org. 26 October 2004. Retrieved 15 November 2013.
- ^ "Perseus by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 8 December 2004. Retrieved 15 November 2013.
- ^ "Perseus and the Graiae". Victorianweb.org. 8 December 2004. Retrieved 15 November 2013.
- ^ "Perseus and the Sea Nymph by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 8 December 2004. Retrieved 15 November 2013.
- ^ "The Finding of Medusa by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 8 December 2004. Retrieved 15 November 2013.
- ^ "The Death of Medusa by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 8 December 2004. Retrieved 15 November 2013.
- ^ "The Rock of Doom by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 8 December 2004. Retrieved 15 November 2013.
- ^ "The Doom Fulfilled by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 8 December 2004. Retrieved 15 November 2013.
- ^ "BURNE-JONES, Edward". Archived from the original on 20 September 2006. Retrieved 24 April 2007.
- ^ "The Baleful Head by Sir Edward Coley Burne-Jones, Bt ARA". Victorianweb.org. 8 December 2004. Retrieved 15 November 2013.
- ^ "Portrait of Lady Lewis by EDWARD BURNE-JONES". www.leicestergalleries.com. Archived from the original on 21 October 2007. Retrieved 2 February 2022.
- ^ "Portrait of Maria Zambaco". ArtMagick. Archived from the original on 25 June 2016.[self-published source]
- ^ Natasha. "Burne-Jones, Portrait of Katie Lewis". Jssgallery.org. Retrieved 15 November 2013.