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Acústico MTV: Titãs

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Acústico MTV
Live album by
Titãs
Released23 May 1997 (23 May 1997)
RecordedMarch 6–7, 1997 at Teatro João Caetano, Rio de Janeiro[1]
GenreAcoustic rock
Length1:11:40
LabelWEA
ProducerLiminha
Titãs chronology
Domingo
(1995) 		Acústico MTV
(1997) 		Volume Dois
(1998)

Acústico MTV is the second live album released by Brazilian rock band Titãs. It's part of the MTV Unplugged series and resulted in a tour, a CD, a DVD and a TV special broadcast by MTV on 22 May from that year.[2][3]

The show featured various guest performances, including Argentinian singer Fito Páez on "Go Back", Marisa Monte on "Flores", Jamaican Jimmy Cliff on "Querem Meu Sangue", and ex-Titãs singer Arnaldo Antunes on "O Pulso". Páez also sings and plays the piano on the DVD version of "Televisão", while the CD version (recorded in studio) is sung by guest Rita Lee and played by also guest Roberto de Carvalho. The CD also features a short version of "Cabeça Dinossauro" sung by Marina Lima. Maria Bethânia was also expected to perform a version of "Miséria".[2][3]

Conception and promotion

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Despite it having been a radio and commercial success, the band rejected the idea of it being an album conceived with commercial interests. They said creating these versions for their own songs was a challenge. As vocalist and bassist Nando Reis said, "we had to prove that Titãs could be different from Titãs and still be as good as them".[4] They were afraid of sounding "pathetic", but were happy with growing their audience and to be back on the radio. Reis said the work was "a relief. It is very important for a band of this size to be popular. We have no underground vocation. I have no vocation to perform for half a dozen people. This does not mean to make the work mediocre".[5] The album was also thought of as a celebration of the band's 15th anniversary.[6] One year later, when they released its successor Volume Dois, members admitted that they ran some risks by transforming long standing hits, to the point that they could no longer tell composition from arrangement.[7]

In order to transport all musicians involved with the project from one performance to another, the band would travel on two buses.[8] The last performances of the tour took place in 4 and 5 April 1998, at Olympia in São Paulo. These only happened after much requests from the fans, since the tour was supposed to end on 14 March at Ibirapuera Gymnasium, after 140 shows. In these last performances, the band already presented to the public their version of "É Preciso Saber Viver", a hit from Volume Dois, which they were conceiving at the time.[9]

In 2019, amidst the band's "Trio Acústico" tour, which celebrated 20 years of Acústico MTV, Britto said the band was surprised by that time with the success of the album: "Many people bet on this idea that our songs would succeed, while others thought they wouldn't match. We ourselves had some doubts. [...] Yet, I feel that when the album came out we were surprised with the speed and the reach it had in terms of popularity. Our audience went through a radical renewal. We started playing to very young audiences and to an increasing number of women. Maybe we were the most popular group of that year, taking all genres into account."[8]

Song information

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Apart from tracks taken from every album by the band until then (except for Tudo Ao Mesmo Tempo Agora (1991) and Domingo (1995)), the album and DVD featured four new songs: "Os Cegos do Castelo", "Nem 5 Minutos Guardados", "A Melhor Forma" and "Não Vou Lutar"; each is sung by each of the vocalists of the band's line-up at the time (respectively, Nando Reis, Sérgio Britto, Branco Mello e Paulo Miklos[2]). "A Melhor Forma", "Nem 5 Minutos Guardados" and "Não Vou Lutar" were composed long before the album (the two former were originally planned for Õ Blésq Blom) and were resurrected for this release.[3][10] Originally, only one new track would appear and the band chose "Os Cegos do Castelo"; later, however, Reis said this generated some discomfort so they decided to have one new track for each vocalist.[11]

"Go Back" is featured in the album as a Spanish language version created by Martin Cardoso for Os Paralamas do Sucesso and to which Britto added some verses by Pablo Neruda in a spoken part. He did something similar on "Homem Primata", this time with some verses by Bob Marley. The version of "Prá Dizer Adeus" was chosen for radio airplay.[12] In the first shows (including the ones recorded for the releases), "Bichos Escrotos" and "Polícia" consisted of short, virtually a cappella jingles by the band singing with the audience, but they eventually earned their own, full versions.[13]

In a 2014 interview, Reis explained that, unlike what many people believed, "Os Cegos do Castelo" makes no reference to Titãs, but to his relation with cocaine: "There are subliminal messages about this topic [Reis' relation to drugs] in many other songs of mine. "Cegos no castelo" is one of them. [...] It's much about my blindness, my isolation. The castle is a place where metaphorically I encastled myself."[14] One of the song's chord was inspired by "King Midas in Reverse", written by Graham Nash and released on the live album 4 Way Street by Crosby, Stills, Nash & Young, which Reis was listening to a lot back then.[11]

Track listing

[edit]
No.TitleWriter(s)Lead vocalsLength
1."Comida" (Food)Arnaldo Antunes, Marcelo Fromer, Sérgio BrittoPaulo Miklos5:22
2."Go Back" (Contains a section of the poem "Farewell y los sollozos" by Pablo Neruda)Britto, Torquato Neto (version: Martin Cardoso)Britto, Fito Páez3:50
3."Família" (Family)Antunes, Tony BellottoNando Reis3:38
4."Prá Dizer Adeus" (To Say Goodbye)Bellotto, ReisMiklos3:42
5."Os Cegos do Castelo" (The Blind of the Castle)ReisReis4:50
6."O Pulso" (The Pulse)Antunes, Fromer, BellottoAntunes3:19
7."Marvin"R. Dunbar, G N. Johnson (version: Britto, Reis)Reis4:24
8."Nem 5 Minutos Guardados" (Not Even 5 Minutes Kept)Britto, FromerBritto4:05
9."Flores" (Flowers)Charles Gavin, Bellotto, Miklos, BrittoBranco Mello, Marisa Monte3:35
10."Palavras" (Words)Britto, FromerBritto2:38
11."Hereditário" (Hereditary)Titãs & AntunesReis2:31
12."A Melhor Forma" (The Best Way)Britto, Miklos, MelloMello3:11
13."Cabeça Dinossauro (vinheta)" (Dinosaur Head (jingle))Antunes, Miklos, MelloMarina Lima0:37
14."32 Dentes" (32 Teeth)Mello, Fromer, BrittoMello3:04
15."Bichos Escrotos" (Freaky Critters)Antunes, Britto, ReisMiklos1:44
16."Não Vou Lutar" (I'm Not Gonna Fight)Miklos, BrittoBritto3:09
17."Homem Primata (vinheta)" (Primate Man (jingle))Britto, Fromer, Reis, Ciro PessoaBritto0:34
18."Homem Primata" (Primate Man)Britto, Fromer, Reis, PessoaBritto3:18
19."Polícia (vinheta)" (Police (jingle))BellottoBritto3:32
20."Querem Meu Sangue (The Harder They Come)" (They Want My Blood (The Harder They Come))Jimmy Cliff (version: Reis)Reis, Cliff3:32
21."Diversão" (Fun)Britto, ReisMiklos4:41
22."Televisão" (Television)Antunes, Fromer, BellottoMello, Rita Lee4:53
Total length:1:11:40

Reception

[edit]
Professional ratings
Review scores
SourceRating
Allmusic[15]
Folha de S.PauloFavorable[16]
Folha de S.PauloFavorable[17]
Folha de S.PauloUnfavorable[18]

The album polarized critics inside Folha de S.Paulo. Luiz Antônio Ryff considered it "great" and that the CD version manages to "preserve the energy of the show and highlight the qualities of the band's performance. Maybe the most important of all is to prove that one does not need to equip a wall of amplifiers with guitars in order to make a vigorous show." He also considered that some tracks earned versions better than the original and that "even when there is improvisations, the result is fine".[16] However, a few months later, he would consider the acoustic shows of Os Paralamas do Sucesso better[19] - the band would only release their Acústico MTV album in 1999.

Marcos Augusto Gonçalves said the work "resurrected" the band which "dived into a crisis that could have ended it". "More mature, more relaxed with the individual liberty acquired in the last years and willing to escape from the alley in which they got into, the seven members of the group - who already tried a more eclectic work with "Domingo"- found in the 'unplugged' formula the way out of their difficult situation.[17]

On the other hand, Pedro Alexandre Sanches considered Acústico MTV a pure commercial play. He deemed it "illogic" to deprive "Polícia", "Cabeça Dinossauro" and "Homem Primata" from their aggressiveness in favor of "the tackyness of the strings which ravages MPB" and to accept well versions of "Go Back" and "Comida" sung badly by "singers [...] with so little will to improve". He also criticized the version of "Go Back" for having transformed Torquato Neto's poem "into a badly pronounced and sung Spanish, using, once more, the bobo alegre[a] Fito Paez as a pretext of transnational consecration".[18]

Álvaro Pereira Júnior panned the album and considered it to be "the worst of 1997". He said: "Pseudo-existential dilemmas, headiness, 'deep' arrangements. The worst faults that could affect a rock band appear in great doses. [...] Titãs are a fake band, the direct heirs of the affectation and conformism, fuel of this monster that dominates Brazilian music, the caetanic establishment. They shifted styles zillions of times (curiously, always embarking on what's being successful) and make a serious pose, in the best Herbert Vianna school of pretension".[20]

He had already expressed dislike for the album in a June 1997 text in which he accused the work of being "artificial" and compared them to pagode group Negritude Júnior, stating the latter had a more rock and roll attitude than the former. He also said: "Now, analyzing Titãs' trajectory (it sucks to talk about them again, but this "unplugged" album is of an abysmal badness, it's hard to escape), we see a band always trying to be what they're not. Raised on little contemplative caetanic music, they already tried new wave, grunge, head, punk and only now, finally, they clearly embraced the pretentious MPB that shaped them.[21]

In a pool involving 870 readers of Folha, however, the majority elected the album, the show and the band as the bests of the year. "Prá Dizer Adeus" was also chosen as the best song.[22]

In August 2018, Lucas Brêda, at Vice magazine, elected Titãs' Acústico as the worst Acústico MTV in a list with 31 of the 33 albums released in Brasil under the project.[23]

Commercial reception

[edit]

The album sold 180,000 copies in less than one month,[24] 500,000 until 18 August 1997[25] and three days later it was already their best-selling album, with 700,000 copies.[4] In October 1997, the one million mark was reached.[26] The album went on to earn a diamond certification and sold over 1,7 million copies - a number that exceeded the label's goal of one million copies, but not manager Manoel Poladian's prediction. He believed the album would sell three million copies.[27]

Album certification

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Region Certification Certified units/sales
Brazil (Pro-Música Brasil)[28] Diamond 1,000,000*

* Sales figures based on certification alone.

Personnel

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Adapted from the CD booklet:[1]

Titãs

[edit]

Guest performances

[edit]

Session musicians

[edit]

Technical personnel

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  • Artistic direction - Paulo Junqueiro
  • Base arrangements - Titãs and Liminha
  • Strings and brass arrangements - Jaques Morelenbaum, Liminha and Titãs
  • Brass arrangements ("Família", "Homem Primata", "Querem Meu Sangue"), brass and strings ("Diversão") - Marcelo Martins, Liminha and Titãs
  • Technical direction - Paulo Lima
  • Recording engineering - Vitor Farias
  • Recording assistants - Marcelo Calvario, Daniel Pires, Breno Gradel, Bruno Leite and Mario Léo
  • Additional engineers - Denilson Campos and Alexandre Saggesa
  • Mixing: U.M.Q.A. (Unidade Móvel Quiosque do Amor)
  • Mixing engineering - Vitor Farias and Liminha
  • Mixing assistants - Marcelo "Bro" Calvario, Mario Léo, Breno Gradel and Bruno Leite
  • Digital edition - Denilson Campos, Liminha and Titãs
  • Mastering engineering - Ricardo Garcia, Magic Master
  • Graphic project - Toni Vanzolini, Gualter Pupo and João Bonelli
  • Graphic coordination - Silvia Panella
  • Photos - Juan Steves, Marcelo Rossi, Mila Maluhy (Rita Lee) and Marcia Ramalho (Marina Lima)
  • Production (Titãs) - Nelson Damascena
  • Production assistant (Titãs) - Wilson Rosa
  • Roadies - Sombra Jones, Sergio Molina, Gerson Molina
  • Security - Lauro Silva e Luiz Gomes
  • Sound: MacAudio
  • P.A. Engineering - Carlos Pedruzzi
  • Monitor engineering - Andre Nogueira
  • Technician - Edilson Meireles
  • P.A. - Paulo Junqueiro
  • Light - Marcos Olivio / Spectrum
  • Costume design - Ellen Igersheimer
  • Scenery - Tom Vanzolini e Gualter Pupo
  • Roadies - Liminha e Breno Gradel
  • "Cabeça Dinossauro" - recorded at Unidade Móvel Quiosque do Amor, by Vitor Farias and Liminha.
  • Assistants - Marcelo "Bro" Calvario and Mário Léo
  • "Televisão" - recorded at Artmix, São Paulo, by Antoine Midani
  • Assistants - Alexandre Soares, Edgard Popó and Alexandre Russo

Notes

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  1. ^ "Bobo alegre" means literally "silly happy" and refers to a person that becomes easily glad with anything despite the situation in which they are.

References

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  1. ^ a b (1997). "Acústico MTV liner notes". In Acústico MTV [CD booklet]. São Paulo: WEA.
  2. ^ a b c Ryff, Luiz Antônio (6 March 1997). "Titãs fazem festa de debutante acústica". Folha de S.Paulo (24809). Rio de Janeiro: Ilustrada 6. Retrieved 9 July 2017.
  3. ^ a b c Barros, Bruna Monteiro de (15 May 1997). "Titãs comemoram 15 anos com acústico". Folha de S.Paulo (24879): Ilustrada 4. Retrieved 9 July 2017.
  4. ^ a b Loures, Alexandre (21 August 1997). "Titãs apresenta o "Acústico" em SP". Folha de S.Paulo (24977): Acontece 2. Retrieved 10 July 2017.
  5. ^ Ryff, Luiz Antônio; Loures, Alexandre (29 August 1997). "'Acústico' tira Titãs da crise". Folha de S.Paulo (24985). Grupo Folha. Retrieved 10 July 2017.
  6. ^ "Hoje o cantor Paulo Miklos é o nosso convidado, falando do seu novo CD "A Gente Mora No Agora"". Transamérica Pop. Conglomerado Alfa. 15 August 2017. Retrieved 16 September 2017.
  7. ^ França, Jamari (7 October 1998). "O Volume Dois dos Titãs". Jornal do Brasil. 00182. Retrieved 25 September 2024.{{cite journal}}: CS1 maint: date and year (link)
  8. ^ a b Pinheiro, Pedro Henrique (9 August 2019). "Titãs Trio Acústico: conversamos com Sérgio Britto sobre shows, nova geração, likes e mais". Tenho Mais Discos Que Amigos!. Retrieved 25 March 2020.
  9. ^ Citero, Priscila (4 April 1998). "Titãs fazem último "Acústico" e preparam o próximo disco". Folha de S.Paulo (25203): Especial 1. Retrieved 9 July 2017.
  10. ^ Sérgio Britto: O single "Epifania" e as histórias de "Õ blésq blom" - Entrevista - Alta Fidelidade. YouTube. 6 December 2020. Event occurs at 30:22-31:35. Archived from the original on 2021-12-13. Retrieved 27 July 2021.
  11. ^ a b Nando Reis - Quem são os "Cegos do Castelo"?. YouTube. 10 April 2019. Archived from the original on 2021-12-13. Retrieved 16 September 2020.
  12. ^ ""Acústico" faixa-a-faixa". Folha de S.Paulo (24886). Grupo Folha: Ilustrada 12. 22 May 1997. Retrieved 9 July 2017.
  13. ^ Pessini, Ana Cristina (22 August 1997). "'Filho: leve seu pai ao show dos Titãs'". Folha de S.Paulo (24978): Guia da Folha. Retrieved 10 July 2017.
  14. ^ Preto, Marcus (12 May 2014). "Nando Reis". Trip. Editora Trip. Retrieved 23 May 2014.
  15. ^ Allmusic review
  16. ^ a b Ryff, Luiz Antônio (16 May 1997). "Titãs produzem um acústico vigoroso". Folha de S.Paulo (24880). Rio de Janeiro: Grupo Folha: Ilustrada 9. Retrieved 9 July 2017.
  17. ^ a b Gonçalves, Marcos Augusto (22 May 1997). "Titãs reencontram caminho em 'Acústico'". Folha de S.Paulo (24886). Grupo Folha: Ilustrada 12. Retrieved 9 July 2017.
  18. ^ a b Sanches, Pedro Alexandre (29 August 1997). "Disco é pura concessão". Folha de S.Paulo (24985). Grupo Folha. Retrieved 10 July 2017.
  19. ^ Ryff, Luiz Antônio (14 November 1997). "Paralamas fazem melhor que os Titãs". Folha de S.Paulo. Grupo Folha: Especial 1. Retrieved 10 July 2017.
  20. ^ Júnior, Álvaro Pereira (22 December 1997). "Titãs acústico foi o pior de 1997". Folha de S.Paulo (25100). Grupo Folha: Folhateen 4. Retrieved 10 July 2017.
  21. ^ Júnior, Álvaro Pereira (23 June 1997). "Negritude Jr. é mais rock que Titãs". Folha de S.Paulo (24918). Grupo Folha: Folhateen 4. Retrieved 10 July 2017.
  22. ^ "Hall of Fame 97". Folha de S.Paulo (24916): Folhateen. 29 December 1997. Retrieved 10 July 2017.
  23. ^ Brêda, Lucas (7 August 2018). "Todos o 'Acústicos' da MTV Brasil, do pior ao melhor". Vice. Vice Media. Retrieved 15 January 2019.
  24. ^ Barros, Bruna Monteiro de (21 June 1997). "Titãs mostram seu 'Acústico' em SP". Folha de S.Paulo (24916): Especial 1. Retrieved 9 July 2017.
  25. ^ "Esta semana tem Titãs, progressivo, filmes, vestibular e até OVNI". Folha de S.Paulo (24974): Folhateen. 18 August 1997. Retrieved 9 July 2017.
  26. ^ "Shows". Folha de S.Paulo (25027): GR62. 10 October 1997. Retrieved 10 July 2017.
  27. ^ Paiva, Marcelo Rubens (29 August 1997). "Poladian aposta que 'Acústico' vende 3 mi". Folha de S.Paulo (24985). Grupo Folha. Retrieved 10 July 2017.
  28. ^ "Brazilian album certifications – Titas – Acústico" (in Portuguese). Pro-Música Brasil.
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