Jump to content

Yunè Pinku

Add links
From Wikipedia, the free encyclopedia

Yunè Pinku
Birth nameAsha Catherine Nandy
BornLondon
OriginLewisham
GenresUK garage-adjacent
OccupationMusician
Years active2020–present
Member ofESEA Music

Asha Catherine Nandy (born December 2002), known by the stage name Yunè Pinku, is an Irish musician whose work blends garage with other forms of electronic music. She has released two EPs, Bluff and Babylon IX, the latter of which charted at No. 8 on the UK Dance Albums Chart; she is also a member of ESEA Music, and has been cited as an inspiration by Piri.

Life and career

[edit]

Early life

[edit]

Asha Catherine Nandy[1] was born in December 2002[2],[3] and grew up in South London;[4] her mother was an Irish Catholic and her father was a Malaysian Hindu.[3] Her family was musical, and her uncles and grandparents spent time trying to teach her Irish instruments such as the tin whistle.[5] She was predominantly raised by her mother, who was chairman of the St Patrick's Festival in Trafalgar Square, and growing up, she would spend a quarter of each year in Cork in Ireland. As a child, she was raised on a mix of Irish traditional music, trance music and the Black Eyed Peas;[3] after tiring of her mother's trance music, she began listening to artists such as Madonna and Billy Joel,[6] and she held several jobs including as a bartender, a Prada intern, and as a crystal shop assistant, where her clientele included mothers wanting assistance with a problem they had and tough guys hoping not to be noticed.[3] She spent five years in Catholic school;[7] having been interested in creative writing from a young age, she studied it at university, dropping out after a month after deciding she had better uses of her time.[7]

Nandy played the piano as a child, although her first proper musical experiments were conducted as a teenager after her cousin sent her a blank website with production software on it, on which she initially made bedroom pop. Later, she developed an affinity with electronic music during the first lockdown after realising that it could be listened to outside of a club;[3] her first works were derived from samples of post-war radio broadcasts,[8] and her earliest works used her voice only as background, though she later made her voice more prominent after finding her vocals conducive to expressing emotions,[6] and by the end of lockdown, she had produced over 150 songs, which she had shared mostly with her then-boyfriend.[3] Her first published works were uploaded to SoundCloud, using the stage name Yunè Pinku;[2] in a March 2022 NME interview, she asserted that she derived her name from her childhood nickname Yunè, the Japanese word for 'cloudy', and Pinku, from her love of Pingu,[6] a Swiss children's program.[9] Although she had friends in the music industry, many of them did not make the same type of music as her, which meant it took her a while to show them her work.[6]

Career

[edit]

In July 2021, prior to Nandy releasing anything, and having been in a few sessions with Joy Orbison after her managers passed round some of her demos, he invited her to contribute a guest mix during his BBC Radio 1 residency, and two months later, she released a collaboration with Logic1000, "What You Like"; NME noted in March 2022 that the song had been streamed over 2,600,000 times.[6] She then released the singles "Laylo",[10] a track about FOMO and navigating young adulthood,[11] followed by "Affection"[10] and then "DC Rot",[12] the last of which later appeared on the FIFA 23 soundtrack,[13] and all three of which appeared on her April 2022 EP Bluff.[6] After Bluff was released, she took a five month break from writing, after finding the number of eyes on her stifling; the next two songs she wrote were written on the same day while suffering from allergic rhinitis.[13]

She then released remixes of Charli XCX's "Used to Know Me" and Biig Piig's "Fun",[2] later touring with the latter,[14] and released her own single "Jaws".[15] In April 2023, she released the EP Babylon IX, from which she had previously released the singles "Fai Fighter", "Night Light",[16] "Sports", and "Heartbeat",[17] and which took its title from the Hanging Gardens of Babylon;[18] the EP charted at No. 8 on the UK Dance Albums Chart.[19] She then featured on Hot Chip's "Fire of Mercy"[20] and released a cover of the Cranberries' "Dreams" on Platoon Records,[14] before signing to Method 808, a London-based dance label, and releasing "Killing Bee",[21] which was later remixed by Taahliah.[22] She then released a remix of Disclosure's "Higher Than Ever Before", which alongside remixes by Atrip, Barry Can't Swim, and Narciss appeared on their album Alchemy (Remixes), an album of remixes of tracks from that year's Alchemy.[23]

Artistry

[edit]

Nandy's usual practice is to work two months on, one month off,[2] and records her vocals on a second-hand podcast microphone given to her by her sister.[7] She writes her songs instrumental first;[2] in a June 2022 interview with the Line of Best Fit, she stated that her usual process was to "write down a bunch of random things or thoughts or phrases I hear on my notes app" and refer to it whenever she was trying to write lyrics and that she frequently adapted her friends' tall tales on the grounds that they were juicier. She also used the interview to note that her earliest work was influenced by Clairo and then by Bladee and Drain Gang, and that she was currently taking inspiration from the "boundary-pushing artists" Sassy 009 and Eartheater;[3] she discovered the latter through her 2019 album Trinity after leaving her Spotify account running in the background,[13] and later noted in a January 2023 interview with Mixmag that she had been introduced to electronic music by the likes of Kelly Lee Owens and Ross from Friends, as well by artists she did not initially realise produced electronic music, such as Grimes.[2]

In August 2022, the Guardian described her works as "garage-adjacent",[5] while Pitchfork has described both Bluff[24] and Babylon IX as a combination of techno and garage[18] and the Line of Best Fit described Bluff as "blending garage-inspired beats with pop, industrial and ambient stylings".[3] Nandy is unusual among producers in that she struggles to cope with raving,[8] having attempted it before and after lockdown;[25] in an interview with Mixmag, she noted that she was "not really good at crowded and loud scenarios", and that this was partially due to an inability to speak loudly.[2] The producer and vocalist Piri used a January 2024 Guardian interview to cite Nandy and Nia Archives as being inspirational for her to produce her own music; despite having been in a band with a producer, it took seeing their success to realise she could produce her own music, having not previously realised it was possible for her as a woman.[26] Nandy is a member of ESEA Music, a collective of UK-based East and Southeast Asian music industry professionals and artists including Rina Sawayama, Andrew Hung, Matt Tong, Lucy Tun, and Sarah Bonito.[27]

Discography

[edit]

EPs

[edit]
  • Bluff (Platoon, 2022)
  • Babylon IX (Platoon, 2023)
  • Scarlet Lamb (Method 808, 2024)

Singles

[edit]
  • "Laylo" (2021)
  • "Affection" (2022)
  • "DC Rot" (2022)
  • "Jaws" (2022)
  • "Fai Fighter" (2022)
  • "Night Light" (2022)
  • "Sports" (2023)
  • "Heartbeat" (2023)
  • "Dreams (Rework)" (2023)
  • "Killing Bee" (2023)
  • "Believe" (2024)
  • "Half Alive" (2024)
[edit]
  • "What You Like" (Logic1000 feat. Yunè Pinku, 2021)
  • "Takes Me to You" (Boxed In feat. Yunè Pinku, 2022)[28]
  • "Fire of Mercy" (Hot Chip feat. Yunè Pinku, 2023)

Remixes

[edit]
  • "Used to Know Me" (Charli XCX, 2022)
  • "Fun" (Biig Piig, 2022)
  • "Make You Scream" (VTSS, 2023)[28]
  • "Fire of Mercy" (Hot Chip feat. Yunè Pinku, 2023)
  • "Higher Than Ever Before" (Disclosure, 2023)
  • "It Is What It Is" (Rachel Chinouriri, 2024)

References

[edit]
  1. ^ "NANDY ASHA CATHERINE". ASCAP. Retrieved 9 January 2024.
  2. ^ a b c d e f g "Softly contrasting: yunè pinku is the songwriting whiz wanting to escape dark energy". Mixmag. Retrieved 9 January 2024.
  3. ^ a b c d e f g h "Yunè Pinku: "I make music for people that like going to parties but are too afraid to actually do anything"". The Line of Best Fit. Retrieved 31 December 2023.
  4. ^ "Rising: yunè pinku makes dance music for introverted ravers". Crack Magazine. Retrieved 9 January 2024.
  5. ^ a b Morris, Damien (13 August 2022). "One to watch: Yunè Pinku". The Guardian. ISSN 0261-3077. Retrieved 31 December 2023.
  6. ^ a b c d e f Jolley, Ben (29 March 2022). "Yunè Pinku: bedroom producer carving out time to chill in the rave". NME. Retrieved 9 January 2024.
  7. ^ a b c "Artist To Watch: yunè pinku". Stereogum. 12 July 2023. Retrieved 9 January 2024.
  8. ^ a b "Yunè Pinku: the fast-rising DJ who can't deal with raving". Loud And Quiet. Retrieved 9 January 2024.
  9. ^ Barnes, Matt; Brown, Dazz; S-C, Greg (8 July 2021). Region Locked. Unbound Publishing. ISBN 978-1-78352-927-8.
  10. ^ a b "yunè pinku releases single 'Affection' and announces EP 'Bluff'". Mixmag. Retrieved 9 January 2024.
  11. ^ "New music for 2022: here are the rising artists to check out this year". The Face. 7 January 2022. Retrieved 20 April 2024.
  12. ^ Staff, Notion (18 March 2022). "Undiscovered: Saya Gray, Finches and yunè pinku". Notion. Retrieved 9 January 2024.
  13. ^ a b c Rodriguez, Krystal (20 April 2023). "U.K. Dance Phenom Yunè Pinku on Her 'Music For Introverted Ravers'". Billboard. Retrieved 9 January 2024.
  14. ^ a b "yuné pinku Recasts Cranberries Classic 'Dreams' | News". Clash Magazine Music News, Reviews & Interviews. 7 September 2023. Retrieved 9 January 2024.
  15. ^ Murray, Robin (29 September 2022). "Track Of The Day 29/9 - yunè pinku | Track of the day". Clash Magazine Music News, Reviews & Interviews. Retrieved 9 January 2024.
  16. ^ Moore, Sam (27 April 2023). "Yunè Pinku – 'Babylon IX' review: futuristic space-rave for the ages". NME. Retrieved 31 December 2023.
  17. ^ "yunè pinku Shares New Song "Heartbeat": Listen". Stereogum. 24 April 2023. Retrieved 10 January 2024.
  18. ^ a b "Yunè Pinku: Babylon IX EP". Pitchfork. Retrieved 31 December 2023.
  19. ^ "YUNE PINKU". Official Charts. 11 May 2023. Retrieved 9 January 2024.
  20. ^ "Hot Chip share single, 'Fire of Mercy', featuring Yunè Pinku". faroutmagazine.co.uk. 7 August 2023. Retrieved 9 January 2024.
  21. ^ "yunè pinku Shares New Song "Killing Bee": Listen". Stereogum. 25 October 2023. Retrieved 9 January 2024.
  22. ^ "yunè pinku shares TAAHLIAH remix of 'Killing Bee': Listen". DJMag.com. 5 December 2023. Retrieved 9 January 2024.
  23. ^ Taylor, Sam (27 November 2023). "Disclosure have shared a new rework, 'Higher Than Ever Before (Barry Can't Swim Remix)'". Dork. Retrieved 9 January 2024.
  24. ^ "Yunè Pinku: "Sports"". Pitchfork. Retrieved 31 December 2023.
  25. ^ "Glamcult meets: yunè pinku". GLAMCULT.COM. Retrieved 9 January 2024.
  26. ^ Bugel, Safi (5 January 2024). "'This wouldn't have happened 20 years ago': how women began dominating British dance music". The Guardian. ISSN 0261-3077. Retrieved 5 January 2024.
  27. ^ "ESEA Music Writing Camp single ft. Josie Man, Lucy Tun, Congee + more - Weds Oct 4th • WithGuitars". Retrieved 23 December 2023.
  28. ^ a b "Yunè Pinku". Spotify. Retrieved 10 January 2024.
[edit]
Retrieved from "https://wiki.riteme.site/w/index.php?title=Yunè_Pinku&oldid=1251917264"