William Hornbeck
William Hornbeck | |
|---|---|
| Born | August 23, 1901 Los Angeles, California, United States |
| Died | October 19, 1983 Ventura, California, United States |
| Occupation | Film editor |
William Hornbeck (August 23, 1901 – October 11, 1983) was an American film editor and film industry executive. In a 1977 poll of film editors, he had been called "the best film editor the industry has produced."[1][2] He was nominated four times for the Academy Award for Best Film Editing, and won the award for A Place in the Sun (1951). Other important credits include It's a Wonderful Life (1946), Giant (1956), and I Want to Live! (1958). He edited films from notable directors including Zoltan Korda, Frank Capra, and George Stevens. Universal Pictures almost brought him on board to completely re-edit George Lucas' American Graffiti.[citation needed]
Hornbeck started his editing career in his teens with the Keystone Studios, which were located close to his family's home in Los Angeles, California. In the 1920s he became head of the editing department, working on dozens of films each year.[3] In 1934 he went to England, where he headed the editing department for Alexander Korda's film production company. He was generally credited as the "supervising editor"; an exception was The Scarlet Pimpernel (1934), where he was credited as the editor. In 1941 he returned to the United States, and during World War II he served in the Pictorial Service of the Signal Corps of the United States Army. His unit, which produced the films in the Why We Fight series, was led by Frank Capra. Following the war he worked as an editor for a succession of studios and as a freelance editor. In 1960 Hornbeck became the Supervisor for Editorial Operations for Universal Pictures. In 1966 he became a vice-president of the same company. Hornbeck retired in 1976.[2]
Hornbeck was one of the original members of the American Cinema Editors, the honorary society of film editors, when it was founded in 1950.[4] Hornbeck died in 1983. In her appreciation, Jeanine Basinger wrote "A true pioneer and a major international influence on film editing, Hornbeck and his work should be remembered for its quality and influence, as well as for his contribution in terms of training a whole generation of young editors in both England and America."[2] Some of his papers are included in the Ogden and Mary Louise Reid Cinema Archives at Wesleyan University
Selected filmography
[edit]Filmography based on the listing at the Internet Movie Database.[5]
| Year | Film | Director | Notes |
|---|---|---|---|
| 1927 | His First Flame | Harry Edwards | |
| The Girl from Everywhere | Edward F. Cline | ||
| 1928 | The Good-Bye Kiss | Mack Sennett | First collaboration with Mack Sennett |
| 1929 | Midnight Daddies | Second collaboration with Mack Sennett | |
| 1932 | Hypnotized | Third collaboration with Mack Sennett | |
| 1934 | The Scarlet Pimpernel | Harold Young | |
| 1941 | Lydia | Julien Duvivier | |
| 1946 | It's a Wonderful Life | Frank Capra | First collaboration with Frank Capra |
| 1947 | Singapore | John Brahm | |
| 1948 | State of the Union | Frank Capra | Second collaboration with Frank Capra |
| 1949 | The Heiress | William Wyler | |
| 1950 | Riding High | Frank Capra | Third collaboration with Frank Capra |
| 1951 | A Place in the Sun | George Stevens | First collaboration with George Stevens |
| 1952 | Something to Live For | Second collaboration with George Stevens | |
| 1953 | Shane | Third collaboration with George Stevens | |
| Act of Love | Anatole Litvak | ||
| 1954 | The Barefoot Contessa | Joseph L. Mankiewicz | First collaboration with Joseph L. Mankiewicz |
| 1955 | The Girl Rush | Robert Pirosh | |
| 1956 | Giant | George Stevens | Fourth collaboration with George Stevens |
| 1958 | The Quiet American | Joseph L. Mankiewicz | Second collaboration with Joseph L. Mankiewicz |
| I Want to Live! | Robert Wise | ||
| 1959 | A Hole in the Head | Frank Capra | Fourth collaboration with Frank Capra |
| Suddenly, Last Summer | Joseph L. Mankiewicz | Third collaboration with Joseph L. Mankiewicz |
- Documentaries
| Year | Film | Director | Role |
|---|---|---|---|
| 1945 | Here Is Germany | Frank Capra | Project officer |
- Shorts
| Year | Film | Director |
|---|---|---|
| 1926 | Flirty Four-Flushers | Edward F. Cline |
See also
[edit]- List of film director and editor collaborations - Hornbeck edited four films directed by Frank Capra. It's a Wonderful Life (1946) received numerous Academy Award nominations. Vincent LoBrutto included an analysis of Hornbeck's contributions in his 2012 book,The Art of Motion Picture Editing.[6]
References
[edit]- ^ "William Hornbeck Dead at 82". The New York Times. October 14, 1983.
- ^ a b c Basinger, Jeanine (2000). "William Hornbeck". In Pendergast, Tom; Pendergast, Sara (eds.). International Dictionary of Film and Filmmakers (4 ed.). St. James Press. ISBN 978-1-55862-449-8. Posted online at filmreference.com .
- ^ Brownlow, Kevin (1968). "William Hornbeck". The Parade's Gone By. University of California Press. pp. 308–311. ISBN 9780520030688. Transcript of a short interview with Hornbeck.
- ^ "About American Cinema Editors". American Cinema Editors. Retrieved 2019-04-18.
- ^ William Hornbeck at IMDb
- ^ LoBrutto, Vincent (2012). "William Hornbeck". The Art of Motion Picture Editing. Skyhorse Publishing. pp. 72–77. ISBN 9781581158816.
William Hornbeck (1901–1983) was truly one of the greatest film editors of the twentieth century.
Further reading
[edit]- "William Hornbeck". British Film Institute (BFI). Archived from the original on June 16, 2017. Retrieved 2019-04-18. Confirms birth and death dates; contains links to interviews of Hornbeck.
- Certain of his film related material and personal papers are contained in the Wesleyan University Cinema Archives to which scholars and media experts from around the world may have full access. See "The William Hornbeck Papers". Wesleyan Cinema Archives. Retrieved 2019-04-15. Includes a brief biography.
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