Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Terry Crews
|
211,090
|
6,809
|
C
|
Low
|
2
|
Lenny Kravitz
|
158,534
|
5,114
|
B
|
Low
|
3
|
Nike, Inc.
|
116,199
|
3,748
|
B
|
High
|
4
|
Video game
|
107,128
|
3,455
|
C
|
Top
|
5
|
IKEA
|
78,080
|
2,518
|
C
|
Low
|
6
|
Volkswagen Beetle
|
73,040
|
2,356
|
B
|
Mid
|
7
|
Frank Lloyd Wright
|
65,355
|
2,108
|
B
|
High
|
8
|
IPod
|
64,772
|
2,089
|
B
|
Mid
|
9
|
Ford Model T
|
50,112
|
1,616
|
B
|
Mid
|
10
|
Bauhaus
|
49,405
|
1,593
|
B
|
High
|
11
|
Qantas
|
48,671
|
1,570
|
B
|
Mid
|
12
|
Jeep
|
46,084
|
1,486
|
B
|
Mid
|
13
|
Virgil Abloh
|
41,910
|
1,351
|
C
|
Low
|
14
|
Harley-Davidson
|
39,858
|
1,285
|
B
|
Mid
|
15
|
Mini
|
39,474
|
1,273
|
C
|
Mid
|
16
|
Computer-aided design
|
37,849
|
1,220
|
C
|
Mid
|
17
|
William Morris
|
36,771
|
1,186
|
GA
|
Mid
|
18
|
Mac (computer)
|
35,974
|
1,160
|
GA
|
High
|
19
|
Frutiger Aero
|
31,436
|
1,014
|
C
|
Low
|
20
|
Le Corbusier
|
30,912
|
997
|
C
|
High
|
21
|
Moka pot
|
30,010
|
968
|
C
|
Low
|
22
|
James Dyson
|
26,720
|
861
|
B
|
Mid
|
23
|
Buckminster Fuller
|
22,959
|
740
|
C
|
High
|
24
|
Jony Ive
|
22,489
|
725
|
B
|
High
|
25
|
Citroën DS
|
22,311
|
719
|
C
|
Mid
|
26
|
Porsche 356
|
20,644
|
665
|
B
|
Low
|
27
|
Frank Gehry
|
20,459
|
659
|
B
|
Low
|
28
|
Carpentry
|
20,297
|
654
|
C
|
Mid
|
29
|
Walkman
|
19,906
|
642
|
C
|
Mid
|
30
|
Design
|
19,361
|
624
|
C
|
High
|
31
|
Ludwig Mies van der Rohe
|
19,107
|
616
|
C
|
Mid
|
32
|
List of countries with IKEA stores
|
18,058
|
582
|
List
|
Low
|
33
|
Citroën 2CV
|
17,706
|
571
|
B
|
Mid
|
34
|
Apple I
|
17,523
|
565
|
C
|
Low
|
35
|
Ingvar Kamprad
|
17,227
|
555
|
C
|
Mid
|
36
|
List of commercial failures in video games
|
16,764
|
540
|
List
|
Low
|
37
|
Aluminum Christmas tree
|
16,602
|
535
|
Start
|
Low
|
38
|
IMac G3
|
16,575
|
534
|
FA
|
Mid
|
39
|
Building information modeling
|
16,442
|
530
|
C
|
Low
|
40
|
Universalism
|
16,197
|
522
|
B
|
Unknown
|
41
|
Skeuomorph
|
15,511
|
500
|
Start
|
Mid
|
42
|
Tinkercad
|
15,331
|
494
|
Start
|
Mid
|
43
|
Eero Saarinen
|
15,245
|
491
|
C
|
Mid
|
44
|
Neri Oxman
|
14,980
|
483
|
GA
|
Mid
|
45
|
Product (business)
|
14,434
|
465
|
Start
|
Mid
|
46
|
FreeCAD
|
14,177
|
457
|
C
|
High
|
47
|
IPod Shuffle
|
14,085
|
454
|
B
|
Mid
|
48
|
Lazy Susan
|
13,898
|
448
|
Start
|
Low
|
49
|
Duct tape
|
13,860
|
447
|
Start
|
Unknown
|
50
|
Injection moulding
|
13,321
|
429
|
GA
|
Mid
|
51
|
Eames Lounge Chair
|
12,521
|
403
|
Start
|
Mid
|
52
|
Streamline Moderne
|
12,500
|
403
|
C
|
Top
|
53
|
Memphis Group
|
12,241
|
394
|
C
|
Mid
|
54
|
SolidWorks
|
11,994
|
386
|
Start
|
Low
|
55
|
Ergonomics
|
11,817
|
381
|
C
|
Unknown
|
56
|
Tetra Pak
|
11,791
|
380
|
C
|
Low
|
57
|
Herman Miller
|
11,638
|
375
|
B
|
High
|
58
|
Design thinking
|
11,492
|
370
|
C
|
High
|
59
|
Plastic pollution
|
11,422
|
368
|
B
|
Low
|
60
|
Isamu Noguchi
|
11,410
|
368
|
C
|
Mid
|
61
|
Futon
|
11,243
|
362
|
Start
|
Low
|
62
|
Franz von Holzhausen
|
11,136
|
359
|
C
|
Low
|
63
|
Parsons School of Design
|
10,993
|
354
|
C
|
Low
|
64
|
Zippo
|
10,728
|
346
|
Start
|
Low
|
65
|
Prototype
|
10,504
|
338
|
Start
|
Low
|
66
|
Giorgetto Giugiaro
|
10,481
|
338
|
Start
|
Low
|
67
|
Bic Cristal
|
10,155
|
327
|
GA
|
Mid
|
68
|
Designer
|
10,087
|
325
|
Start
|
Unknown
|
69
|
Aeolipile
|
10,038
|
323
|
C
|
Low
|
70
|
Furniture
|
9,893
|
319
|
C
|
Low
|
71
|
Mini Moke
|
9,885
|
318
|
B
|
Low
|
72
|
Concept car
|
9,828
|
317
|
Start
|
Low
|
73
|
Muji
|
9,491
|
306
|
C
|
Low
|
74
|
Breville Group
|
9,403
|
303
|
Start
|
Low
|
75
|
Braun (company)
|
9,221
|
297
|
B
|
High
|
76
|
Industrial design
|
9,068
|
292
|
C
|
Top
|
77
|
Charles Rennie Mackintosh
|
9,018
|
290
|
B
|
High
|
78
|
Tiffany lamp
|
8,862
|
285
|
Start
|
Mid
|
79
|
Mass production
|
8,828
|
284
|
C
|
Low
|
80
|
Coso artifact
|
8,723
|
281
|
Start
|
Low
|
81
|
Proof of concept
|
8,626
|
278
|
Start
|
High
|
82
|
Parker Pen Company
|
8,623
|
278
|
C
|
Low
|
83
|
Motherboard form factor
|
8,578
|
276
|
C
|
Unknown
|
84
|
Anthropometry
|
8,453
|
272
|
C
|
Low
|
85
|
Charles and Ray Eames
|
8,346
|
269
|
C
|
High
|
86
|
Gaffer tape
|
8,248
|
266
|
Start
|
High
|
87
|
Stock keeping unit
|
8,203
|
264
|
Stub
|
Mid
|
88
|
Form factor (mobile phones)
|
8,125
|
262
|
Start
|
Low
|
89
|
Packaging
|
8,070
|
260
|
B
|
High
|
90
|
Gottlieb Daimler
|
8,059
|
259
|
B
|
Mid
|
91
|
La-Z-Boy
|
7,892
|
254
|
Start
|
Low
|
92
|
Teenage Engineering
|
7,877
|
254
|
C
|
Low
|
93
|
Dieter Rams
|
7,773
|
250
|
B
|
High
|
94
|
Scotch tape
|
7,573
|
244
|
C
|
Unknown
|
95
|
Powertrain layout
|
7,437
|
239
|
C
|
Low
|
96
|
Commodore PET
|
7,421
|
239
|
C
|
Low
|
97
|
Serial number
|
7,333
|
236
|
Start
|
Mid
|
98
|
Clive Sinclair
|
7,240
|
233
|
B
|
Low
|
99
|
Electric aircraft
|
6,952
|
224
|
C
|
Low
|
100
|
Engineering design process
|
6,909
|
222
|
Start
|
High
|
101
|
Alvar Aalto
|
6,906
|
222
|
C
|
Low
|
102
|
Upholstery
|
6,899
|
222
|
Start
|
Mid
|
103
|
Deck (ship)
|
6,887
|
222
|
Start
|
Unknown
|
104
|
Olivetti
|
6,858
|
221
|
C
|
Low
|
105
|
Form follows function
|
6,849
|
220
|
C
|
Low
|
106
|
Spork
|
6,846
|
220
|
B
|
Low
|
107
|
Tefal
|
6,795
|
219
|
Start
|
Low
|
108
|
Richard Neutra
|
6,766
|
218
|
C
|
Mid
|
109
|
Fiat 600
|
6,537
|
210
|
C
|
Low
|
110
|
Philippe Starck
|
6,434
|
207
|
B
|
High
|
111
|
Product lifecycle
|
6,337
|
204
|
Start
|
Low
|
112
|
Gruppo Bertone
|
6,320
|
203
|
C
|
Unknown
|
113
|
MSCHF
|
6,277
|
202
|
Start
|
Low
|
114
|
Discman
|
6,207
|
200
|
C
|
Low
|
115
|
Blohm+Voss
|
6,176
|
199
|
Start
|
High
|
116
|
Marcel Breuer
|
6,109
|
197
|
B
|
Mid
|
117
|
Aerospike engine
|
6,046
|
195
|
C
|
Low
|
118
|
Game design
|
5,807
|
187
|
C
|
Low
|
119
|
Fiskars
|
5,770
|
186
|
Start
|
Low
|
120
|
IBM Selectric
|
5,690
|
183
|
B
|
Mid
|
121
|
Airline seat
|
5,590
|
180
|
Start
|
Low
|
122
|
Automotive design
|
5,584
|
180
|
C
|
Mid
|
123
|
Memory foam
|
5,552
|
179
|
Start
|
Low
|
124
|
Raymond Loewy
|
5,492
|
177
|
B
|
High
|
125
|
ArtCenter College of Design
|
5,484
|
176
|
Start
|
Low
|
126
|
Rolodex
|
5,442
|
175
|
C
|
Low
|
127
|
Sigvard Bernadotte
|
5,370
|
173
|
Start
|
Low
|
128
|
Chintz
|
5,362
|
172
|
Start
|
Low
|
129
|
Paper clip
|
5,342
|
172
|
C
|
Low
|
130
|
New product development
|
5,293
|
170
|
Start
|
High
|
131
|
Speed tape
|
5,221
|
168
|
Start
|
Mid
|
132
|
List of Polaroid instant cameras
|
5,123
|
165
|
List
|
Low
|
133
|
The Design of Everyday Things
|
5,089
|
164
|
Start
|
Low
|
134
|
Venetian Arsenal
|
5,086
|
164
|
B
|
Low
|
135
|
Biophilic design
|
5,084
|
164
|
C
|
Low
|
136
|
Upcycling
|
4,984
|
160
|
C
|
Low
|
137
|
3D scanning
|
4,741
|
152
|
C
|
Mid
|
138
|
Bedding
|
4,658
|
150
|
C
|
Unknown
|
139
|
Ferdinand Alexander Porsche
|
4,658
|
150
|
Start
|
Low
|
140
|
Motorola MicroTAC
|
4,656
|
150
|
C
|
Low
|
141
|
Design engineer
|
4,643
|
149
|
Start
|
High
|
142
|
Throne
|
4,559
|
147
|
C
|
Low
|
143
|
Syd Mead
|
4,547
|
146
|
C
|
Mid
|
144
|
Hoosier cabinet
|
4,523
|
145
|
GA
|
Low
|
145
|
Rhinoceros 3D
|
4,483
|
144
|
Start
|
Low
|
146
|
Wassily Chair
|
4,454
|
143
|
Start
|
Mid
|
147
|
Barcelona chair
|
4,450
|
143
|
Start
|
Mid
|
148
|
Bubble wrap
|
4,424
|
142
|
Start
|
Mid
|
149
|
Comforter
|
4,384
|
141
|
Start
|
Unknown
|
150
|
Laura Ashley
|
4,363
|
140
|
C
|
Mid
|
151
|
Cigarette pack
|
4,349
|
140
|
Start
|
Low
|
152
|
Lenox (company)
|
4,345
|
140
|
C
|
Mid
|
153
|
Electric blanket
|
4,314
|
139
|
C
|
Low
|
154
|
Sellotape
|
4,222
|
136
|
Start
|
Low
|
155
|
Reebok Pump
|
4,207
|
135
|
Stub
|
Low
|
156
|
Terence Conran
|
4,105
|
132
|
C
|
Low
|
157
|
Apple IIc
|
4,099
|
132
|
C
|
Mid
|
158
|
Concept art
|
4,080
|
131
|
Start
|
Low
|
159
|
Countertop
|
3,957
|
127
|
C
|
Unknown
|
160
|
Clamshell design
|
3,953
|
127
|
Start
|
Low
|
161
|
Jacque Fresco
|
3,951
|
127
|
C
|
Low
|
162
|
Aveva
|
3,888
|
125
|
Start
|
Low
|
163
|
Aeron chair
|
3,813
|
123
|
Stub
|
Mid
|
164
|
Carton
|
3,792
|
122
|
Start
|
Low
|
165
|
Japanese lacquerware
|
3,787
|
122
|
C
|
Low
|
166
|
Ducati 1199
|
3,782
|
122
|
B
|
Low
|
167
|
Flat design
|
3,740
|
120
|
Start
|
Low
|
168
|
Michael Graves
|
3,680
|
118
|
C
|
Low
|
169
|
ID
|
3,648
|
117
|
Disambig
|
NA
|
170
|
Product design
|
3,647
|
117
|
Start
|
High
|
171
|
George Nakashima
|
3,584
|
115
|
B
|
Mid
|
172
|
Eileen Gray
|
3,534
|
114
|
B
|
Low
|
173
|
Microlino
|
3,516
|
113
|
Start
|
Low
|
174
|
List of Harley-Davidson motorcycles
|
3,485
|
112
|
List
|
Low
|
175
|
Comparison of computer-aided design software
|
3,447
|
111
|
List
|
Low
|
176
|
Human-centered design
|
3,428
|
110
|
C
|
High
|
177
|
Cradle-to-cradle design
|
3,419
|
110
|
Start
|
Low
|
178
|
Tatra 603
|
3,400
|
109
|
C
|
Low
|
179
|
Robert Adam
|
3,361
|
108
|
B
|
Mid
|
180
|
SolidThinking
|
3,328
|
107
|
Stub
|
Low
|
181
|
Adirondack chair
|
3,302
|
106
|
Start
|
Low
|
182
|
Melamine resin
|
3,274
|
105
|
Start
|
Low
|
183
|
Arcade cabinet
|
3,164
|
102
|
C
|
Unknown
|
184
|
Royal Designers for Industry
|
3,159
|
101
|
Start
|
Low
|
185
|
OpenSCAD
|
3,153
|
101
|
Stub
|
Low
|
186
|
Creative Zen
|
3,139
|
101
|
B
|
Low
|
187
|
Universal design
|
3,114
|
100
|
Start
|
Mid
|
188
|
List of chairs
|
3,070
|
99
|
List
|
Mid
|
189
|
Steelcase
|
3,069
|
99
|
B
|
Mid
|
190
|
Sketchpad
|
3,042
|
98
|
Start
|
Low
|
191
|
Luc Donckerwolke
|
3,011
|
97
|
Start
|
Low
|
192
|
Masking tape
|
2,983
|
96
|
Start
|
Low
|
193
|
99% Invisible
|
2,933
|
94
|
C
|
Mid
|
194
|
Alec Issigonis
|
2,901
|
93
|
C
|
Low
|
195
|
Motorola ROKR
|
2,894
|
93
|
Start
|
Unknown
|
196
|
Banker's lamp
|
2,850
|
91
|
Start
|
Mid
|
197
|
Ettore Sottsass
|
2,837
|
91
|
C
|
High
|
198
|
Norman Bel Geddes
|
2,784
|
89
|
Start
|
Low
|
199
|
Flavio Manzoni
|
2,777
|
89
|
C
|
Mid
|
200
|
KEF
|
2,775
|
89
|
C
|
Low
|
201
|
Red Dot
|
2,742
|
88
|
C
|
Low
|
202
|
Interaction design
|
2,733
|
88
|
Start
|
Mid
|
203
|
M+
|
2,688
|
86
|
B
|
Low
|
204
|
Electrical tape
|
2,673
|
86
|
Start
|
Low
|
205
|
Massimo Vignelli
|
2,668
|
86
|
C
|
Low
|
206
|
Combination eating utensils
|
2,665
|
85
|
B
|
Low
|
207
|
Pilot experiment
|
2,641
|
85
|
Start
|
Low
|
208
|
Charles Eames
|
2,561
|
82
|
Start
|
Unknown
|
209
|
Nikon F4
|
2,545
|
82
|
Start
|
Low
|
210
|
Staffordshire Potteries
|
2,498
|
80
|
Start
|
Mid
|
211
|
De facto standard
|
2,470
|
79
|
Start
|
High
|
212
|
IDEO
|
2,464
|
79
|
Start
|
High
|
213
|
Moke (revival)
|
2,458
|
79
|
B
|
Low
|
214
|
Label
|
2,453
|
79
|
C
|
Mid
|
215
|
Brompton Bicycle
|
2,441
|
78
|
C
|
Low
|
216
|
Porsche Design
|
2,415
|
77
|
Start
|
Low
|
217
|
No. 14 chair
|
2,405
|
77
|
Start
|
Low
|
218
|
Land Camera
|
2,394
|
77
|
Start
|
Low
|
219
|
Monobloc (chair)
|
2,380
|
76
|
Start
|
Low
|
220
|
Personalization
|
2,359
|
76
|
Start
|
Mid
|
221
|
Design by committee
|
2,353
|
75
|
Start
|
Unknown
|
222
|
Frog Design
|
2,347
|
75
|
Start
|
High
|
223
|
BIC lighter
|
2,309
|
74
|
Start
|
Low
|
224
|
IKEA Billy
|
2,291
|
73
|
Start
|
Low
|
225
|
Kitchen cabinet
|
2,289
|
73
|
Start
|
Low
|
226
|
Carlo Scarpa
|
2,269
|
73
|
C
|
Mid
|
227
|
Interactivity
|
2,236
|
72
|
Start
|
Low
|
228
|
Arne Jacobsen
|
2,225
|
71
|
B
|
High
|
229
|
Boundary representation
|
2,219
|
71
|
Stub
|
Low
|
230
|
Gerrit Rietveld
|
2,169
|
69
|
C
|
High
|
231
|
IO-Link
|
2,137
|
68
|
Start
|
Unknown
|
232
|
Privacy by design
|
2,136
|
68
|
C
|
Low
|
233
|
Peter Behrens
|
2,131
|
68
|
Start
|
High
|
234
|
Sony Watchman
|
2,129
|
68
|
Start
|
Low
|
235
|
Luigi Colani
|
2,116
|
68
|
C
|
Low
|
236
|
International Exhibition of Modern Decorative and Industrial Arts
|
2,116
|
68
|
C
|
Unknown
|
237
|
Cesca chair
|
2,113
|
68
|
Stub
|
Low
|
238
|
Marc Newson
|
2,107
|
67
|
B
|
High
|
239
|
Bean bag chair
|
2,051
|
66
|
Start
|
Mid
|
240
|
Parasolid
|
2,037
|
65
|
Stub
|
Low
|
241
|
Alessi (Italian company)
|
2,026
|
65
|
C
|
Mid
|
242
|
Trevor Baylis
|
2,013
|
64
|
C
|
Low
|
243
|
Knoll, Inc.
|
2,013
|
64
|
C
|
High
|
244
|
Sheaffer
|
2,002
|
64
|
Start
|
Low
|
245
|
Henry Dreyfuss
|
2,001
|
64
|
Start
|
Low
|
246
|
LoveSac
|
2,001
|
64
|
Stub
|
Low
|
247
|
Design for manufacturability
|
1,984
|
64
|
Start
|
Low
|
248
|
Ready-to-assemble furniture
|
1,959
|
63
|
Start
|
Mid
|
249
|
William Kent
|
1,952
|
62
|
B
|
Low
|
250
|
Barcalounger
|
1,937
|
62
|
Stub
|
Low
|
251
|
Trade dress
|
1,885
|
60
|
Start
|
Mid
|
252
|
Predicta
|
1,867
|
60
|
Start
|
Low
|
253
|
Design language
|
1,856
|
59
|
Stub
|
Low
|
254
|
Edgar Kaufmann Jr.
|
1,849
|
59
|
Stub
|
Low
|
255
|
Gustav Stickley
|
1,820
|
58
|
Start
|
Low
|
256
|
Coke bottle styling
|
1,817
|
58
|
C
|
Mid
|
257
|
Solid modeling
|
1,800
|
58
|
Start
|
Low
|
258
|
Robert Thompson (designer)
|
1,797
|
57
|
Stub
|
Low
|
259
|
Atomic Age (design)
|
1,769
|
57
|
C
|
Mid
|
260
|
Béla Barényi
|
1,752
|
56
|
B
|
Low
|
261
|
History of CAD software
|
1,729
|
55
|
Start
|
Low
|
262
|
Tulip chair
|
1,724
|
55
|
Start
|
Low
|
263
|
Verner Panton
|
1,721
|
55
|
Start
|
Low
|
264
|
Sam Maloof
|
1,699
|
54
|
Start
|
Low
|
265
|
Alfonso Bialetti
|
1,666
|
53
|
Stub
|
Low
|
266
|
Suzuki Alto Lapin
|
1,664
|
53
|
Start
|
Low
|
267
|
Hans Wegner
|
1,654
|
53
|
B
|
Low
|
268
|
Yves Béhar
|
1,651
|
53
|
Start
|
Low
|
269
|
Charlotte Perriand
|
1,638
|
52
|
C
|
Low
|
270
|
Binder clip
|
1,628
|
52
|
C
|
Low
|
271
|
Iittala
|
1,624
|
52
|
C
|
Low
|
272
|
Ashtray
|
1,570
|
50
|
Start
|
Low
|
273
|
List of adhesive tapes
|
1,561
|
50
|
List
|
Low
|
274
|
Design and Technology
|
1,559
|
50
|
Stub
|
Low
|
275
|
Sleep pod
|
1,551
|
50
|
Start
|
Unknown
|
276
|
Design Museum
|
1,548
|
49
|
Start
|
Mid
|
277
|
Display case
|
1,542
|
49
|
Start
|
Low
|
278
|
Vitra (furniture)
|
1,540
|
49
|
Start
|
Low
|
279
|
Air-augmented rocket
|
1,519
|
49
|
C
|
Low
|
280
|
Gio Ponti
|
1,514
|
48
|
Start
|
Mid
|
281
|
Tetra Brik
|
1,509
|
48
|
Start
|
Low
|
282
|
Piet Hein (scientist)
|
1,503
|
48
|
Start
|
Low
|
283
|
Karim Rashid
|
1,502
|
48
|
B
|
Low
|
284
|
George Nelson (designer)
|
1,497
|
48
|
C
|
Mid
|
285
|
Crippleware
|
1,491
|
48
|
Start
|
Low
|
286
|
Video games in the United Kingdom
|
1,483
|
47
|
B
|
Low
|
287
|
Design studies
|
1,477
|
47
|
C
|
Mid
|
288
|
Self-amalgamating tape
|
1,475
|
47
|
Stub
|
Low
|
289
|
La Rinascente
|
1,471
|
47
|
C
|
Low
|
290
|
Bench (furniture)
|
1,467
|
47
|
Start
|
Unknown
|
291
|
Autism-friendly
|
1,456
|
46
|
C
|
Unknown
|
292
|
IGES
|
1,451
|
46
|
Start
|
Low
|
293
|
Bruno Munari
|
1,426
|
46
|
C
|
Mid
|
294
|
Tansu
|
1,389
|
44
|
C
|
Low
|
295
|
Red and Blue Chair
|
1,386
|
44
|
Stub
|
Low
|
296
|
Damro
|
1,350
|
43
|
Start
|
Low
|
297
|
Wah Chang
|
1,349
|
43
|
C
|
Low
|
298
|
Chess in the arts
|
1,347
|
43
|
B
|
Low
|
299
|
Deutscher Werkbund
|
1,329
|
42
|
Start
|
Low
|
300
|
Anglepoise lamp
|
1,328
|
42
|
Start
|
Low
|
301
|
FIRST Championship
|
1,315
|
42
|
Start
|
Low
|
302
|
Corrugated box design
|
1,300
|
41
|
C
|
Mid
|
303
|
Chief design officer
|
1,296
|
41
|
Start
|
Mid
|
304
|
Snow White design language
|
1,287
|
41
|
C
|
Low
|
305
|
Phaidon Press
|
1,282
|
41
|
C
|
Low
|
306
|
Juicy Salif
|
1,280
|
41
|
Start
|
Mid
|
307
|
Prime Computer
|
1,273
|
41
|
Start
|
Low
|
308
|
Bubble Wrap (brand)
|
1,270
|
40
|
Start
|
Mid
|
309
|
Knowledge-based engineering
|
1,267
|
40
|
Start
|
Low
|
310
|
Florence Knoll
|
1,248
|
40
|
B
|
Low
|
311
|
Danish modern
|
1,236
|
39
|
C
|
Mid
|
312
|
Design system
|
1,236
|
39
|
C
|
Low
|
313
|
Preferred number
|
1,234
|
39
|
Start
|
Low
|
314
|
Photographic lens design
|
1,231
|
39
|
C
|
Low
|
315
|
Michael Thonet
|
1,229
|
39
|
Start
|
Low
|
316
|
Samuel Ross
|
1,227
|
39
|
C
|
Mid
|
317
|
John Hoke III
|
1,218
|
39
|
C
|
Mid
|
318
|
Design methods
|
1,213
|
39
|
C
|
High
|
319
|
Design patent
|
1,206
|
38
|
Start
|
High
|
320
|
Double-sided tape
|
1,204
|
38
|
Stub
|
Low
|
321
|
Programma 101
|
1,203
|
38
|
C
|
Low
|
322
|
Handle
|
1,193
|
38
|
Start
|
Low
|
323
|
Yinka Ilori
|
1,183
|
38
|
B
|
Low
|
324
|
Gebrüder Thonet
|
1,181
|
38
|
Stub
|
Low
|
325
|
Marshmallow sofa
|
1,180
|
38
|
Start
|
Unknown
|
326
|
AutoLISP
|
1,164
|
37
|
Start
|
Low
|
327
|
Model-based definition
|
1,163
|
37
|
Stub
|
Low
|
328
|
Margaret Calvert
|
1,157
|
37
|
Start
|
Low
|
329
|
Butterfly chair
|
1,157
|
37
|
Start
|
Mid
|
330
|
Poul Henningsen
|
1,155
|
37
|
C
|
Low
|
331
|
Rover JET1
|
1,147
|
37
|
Start
|
Low
|
332
|
Design for X
|
1,143
|
36
|
Start
|
Mid
|
333
|
Tom Dixon (industrial designer)
|
1,133
|
36
|
C
|
Mid
|
334
|
Olivetti Valentine
|
1,132
|
36
|
B
|
Mid
|
335
|
Chest (furniture)
|
1,129
|
36
|
Start
|
Unknown
|
336
|
Soybean car
|
1,127
|
36
|
Start
|
Low
|
337
|
ACIS
|
1,126
|
36
|
Start
|
Low
|
338
|
ALCO DL-109
|
1,118
|
36
|
B
|
Mid
|
339
|
Curb cut
|
1,115
|
35
|
Start
|
Unknown
|
340
|
Papasan chair
|
1,113
|
35
|
Stub
|
Low
|
341
|
Apple Industrial Design Group
|
1,113
|
35
|
Start
|
Mid
|
342
|
Mitsubishi Model A
|
1,106
|
35
|
Start
|
Low
|
343
|
Wishbone chair
|
1,100
|
35
|
Start
|
Unknown
|
344
|
Nameplate
|
1,089
|
35
|
Start
|
Mid
|
345
|
Lilly Reich
|
1,082
|
34
|
C
|
Mid
|
346
|
Apple Design Awards
|
1,075
|
34
|
Start
|
Mid
|
347
|
Black & Decker DustBuster
|
1,074
|
34
|
Stub
|
Low
|
348
|
Balustrade
|
1,073
|
34
|
Redirect
|
NA
|
349
|
Trans-Oceanic
|
1,066
|
34
|
Start
|
Low
|
350
|
C. F. A. Voysey
|
1,064
|
34
|
C
|
Low
|
351
|
Salone del Mobile
|
1,058
|
34
|
B
|
Mid
|
352
|
Virtual actor
|
1,057
|
34
|
Start
|
Low
|
353
|
Xerox 914
|
1,053
|
33
|
Stub
|
Low
|
354
|
Eames Fiberglass Armchair
|
1,052
|
33
|
B
|
Mid
|
355
|
Hartmut Esslinger
|
1,050
|
33
|
C
|
High
|
356
|
Tripp Trapp
|
1,044
|
33
|
Stub
|
Low
|
357
|
History of anthropometry
|
1,036
|
33
|
C
|
Low
|
358
|
Christopher Dresser
|
1,035
|
33
|
Start
|
High
|
359
|
Gae Aulenti
|
1,031
|
33
|
B
|
High
|
360
|
Hybrid electric aircraft
|
1,028
|
33
|
C
|
Low
|
361
|
Joe Colombo (designer)
|
1,024
|
33
|
C
|
Mid
|
362
|
André-Charles Boulle
|
1,023
|
33
|
C
|
Low
|
363
|
Vox Phantom
|
1,022
|
32
|
Stub
|
Low
|
364
|
Human factors and ergonomics
|
1,021
|
32
|
Redirect
|
High
|
365
|
Egg (chair)
|
1,021
|
32
|
Start
|
Low
|
366
|
Industrial design right
|
1,017
|
32
|
Start
|
Mid
|
367
|
Jean-Michel Frank
|
1,015
|
32
|
Start
|
Mid
|
368
|
Quink
|
1,010
|
32
|
C
|
Low
|
369
|
Eames Lounge Chair Wood
|
1,007
|
32
|
Stub
|
Low
|
370
|
Ball Chair
|
1,006
|
32
|
Stub
|
Mid
|
371
|
Leonardo Fioravanti (engineer)
|
994
|
32
|
Start
|
Low
|
372
|
Pete Brock
|
992
|
32
|
Start
|
Low
|
373
|
David Rockwell
|
990
|
31
|
C
|
Low
|
374
|
Ulm School of Design
|
989
|
31
|
C
|
High
|
375
|
Globe Wernicke
|
985
|
31
|
Start
|
Low
|
376
|
Package cushioning
|
970
|
31
|
C
|
Unknown
|
377
|
Harry Bertoia
|
965
|
31
|
C
|
Mid
|
378
|
Eva Zeisel
|
962
|
31
|
C
|
Low
|
379
|
Modern furniture
|
962
|
31
|
Stub
|
Low
|
380
|
Paul László
|
953
|
30
|
Start
|
Low
|
381
|
List of Motorola V series phones
|
950
|
30
|
List
|
Low
|
382
|
Compasso d'Oro
|
942
|
30
|
C
|
High
|
383
|
Brooks Stevens
|
940
|
30
|
Start
|
Low
|
384
|
Ford 021C
|
938
|
30
|
B
|
Low
|
385
|
Russel Wright
|
932
|
30
|
C
|
High
|
386
|
E. Fay Jones
|
931
|
30
|
Start
|
Low
|
387
|
Kenneth Grange
|
931
|
30
|
Start
|
Mid
|
388
|
Afzal Kahn (automotive designer)
|
925
|
29
|
Start
|
Low
|
389
|
Enzo Mari
|
925
|
29
|
Start
|
Mid
|
390
|
Autodesk Alias
|
922
|
29
|
Stub
|
Low
|
391
|
Class A surface
|
920
|
29
|
Stub
|
Low
|
392
|
Architectural rendering
|
919
|
29
|
Start
|
Low
|
393
|
Alexander Girard
|
916
|
29
|
Start
|
Low
|
394
|
Mental Images
|
909
|
29
|
Stub
|
Low
|
395
|
Balanced-arm lamp
|
903
|
29
|
Start
|
Low
|
396
|
Salamander heater
|
899
|
29
|
Stub
|
Unknown
|
397
|
David M. Kelley
|
894
|
28
|
Start
|
High
|
398
|
Coop Himmelb(l)au
|
889
|
28
|
Start
|
Low
|
399
|
B.C. Rich Mockingbird
|
889
|
28
|
Start
|
Low
|
400
|
Inclusive design
|
888
|
28
|
C
|
Low
|
401
|
IF Product Design Award
|
883
|
28
|
Start
|
Mid
|
402
|
Kosta Boda
|
878
|
28
|
Start
|
Low
|
403
|
Jan Wilsgaard
|
870
|
28
|
Start
|
Low
|
404
|
Geometric design
|
868
|
28
|
Start
|
Low
|
405
|
Radiogram (device)
|
868
|
28
|
Start
|
Low
|
406
|
Industrial style
|
867
|
27
|
Stub
|
Low
|
407
|
Superstudio
|
854
|
27
|
C
|
Low
|
408
|
Naoto Fukasawa
|
853
|
27
|
C
|
High
|
409
|
List of Italian designers
|
853
|
27
|
List
|
Mid
|
410
|
Electronic packaging
|
842
|
27
|
C
|
Mid
|
411
|
List of furniture designers
|
841
|
27
|
List
|
Mid
|
412
|
George Hepplewhite
|
830
|
26
|
Start
|
Low
|
413
|
Muntzing
|
824
|
26
|
Stub
|
High
|
414
|
Victor Papanek
|
823
|
26
|
Start
|
Low
|
415
|
BoConcept
|
820
|
26
|
Start
|
Mid
|
416
|
Alex Tremulis
|
814
|
26
|
Start
|
Low
|
417
|
Mike Sinyard
|
807
|
26
|
Stub
|
Low
|
418
|
Devon Motorworks
|
807
|
26
|
C
|
Low
|
419
|
Patricia Urquiola
|
806
|
26
|
Start
|
High
|
420
|
Design history
|
805
|
25
|
Start
|
Mid
|
421
|
Paul Philippe Cret
|
803
|
25
|
Start
|
Low
|
422
|
Gaetano Pesce
|
800
|
25
|
B
|
Mid
|
423
|
Action Office
|
795
|
25
|
Start
|
Unknown
|
424
|
Blenko Glass Company
|
795
|
25
|
C
|
Mid
|
425
|
Lewis (lifting appliance)
|
793
|
25
|
C
|
Low
|
426
|
Marcel Wanders
|
786
|
25
|
Start
|
Low
|
427
|
Emotional Design
|
780
|
25
|
Stub
|
Mid
|
428
|
Valextra
|
776
|
25
|
Start
|
Low
|
429
|
21 21 Design Sight
|
767
|
24
|
Start
|
Low
|
430
|
Artek (company)
|
760
|
24
|
Start
|
Low
|
431
|
.3ds
|
748
|
24
|
Start
|
Unknown
|
432
|
JT (visualization format)
|
745
|
24
|
Start
|
Low
|
433
|
Retail design
|
744
|
24
|
C
|
Low
|
434
|
Lloyd Groff Copeman
|
741
|
23
|
Start
|
Low
|
435
|
Carrel desk
|
736
|
23
|
Start
|
Low
|
436
|
Clocky
|
736
|
23
|
Stub
|
Low
|
437
|
Design management
|
734
|
23
|
C
|
Top
|
438
|
G Plan
|
730
|
23
|
C
|
Unknown
|
439
|
Danish design
|
730
|
23
|
C
|
Mid
|
440
|
Hatstand
|
728
|
23
|
Stub
|
Unknown
|
441
|
Design science
|
727
|
23
|
Start
|
High
|
442
|
Marcel Janco
|
723
|
23
|
B
|
Low
|
443
|
Emeco 1006
|
721
|
23
|
GA
|
Low
|
444
|
CAD standards
|
718
|
23
|
Start
|
Low
|
445
|
Achille Castiglioni
|
717
|
23
|
B
|
High
|
446
|
Freeform surface modelling
|
713
|
23
|
Start
|
Low
|
447
|
Le Corbusier's Furniture
|
709
|
22
|
Start
|
Mid
|
448
|
Design research
|
708
|
22
|
Stub
|
Low
|
449
|
ISO 13567
|
708
|
22
|
Start
|
Low
|
450
|
IDC School of Design
|
708
|
22
|
Start
|
Mid
|
451
|
Isogeometric analysis
|
706
|
22
|
Stub
|
Low
|
452
|
IKEA pencil
|
706
|
22
|
Stub
|
Low
|
453
|
Trimphone
|
705
|
22
|
Start
|
Low
|
454
|
Vox Mark III
|
700
|
22
|
Stub
|
Low
|
455
|
Henry Petroski
|
697
|
22
|
Start
|
Low
|
456
|
Émile-Jacques Ruhlmann
|
696
|
22
|
Start
|
Low
|
457
|
Celery vase
|
695
|
22
|
Start
|
Low
|
458
|
Richard Sapper
|
693
|
22
|
B
|
High
|
459
|
Massimo Tamburini
|
691
|
22
|
B
|
Low
|
460
|
Tapio Wirkkala
|
690
|
22
|
Start
|
Mid
|
461
|
Jasper Morrison
|
689
|
22
|
C
|
High
|
462
|
Takeo Kikuchi
|
687
|
22
|
Stub
|
Low
|
463
|
Paul Mayén
|
686
|
22
|
Start
|
Low
|
464
|
Laurens van den Acker
|
684
|
22
|
Start
|
Low
|
465
|
CMF design
|
682
|
22
|
Start
|
Unknown
|
466
|
Waterfall furniture
|
680
|
21
|
Start
|
Low
|
467
|
Mario Bellini
|
674
|
21
|
C
|
High
|
468
|
Thomas Hope (designer)
|
672
|
21
|
Start
|
Low
|
469
|
Ericofon
|
672
|
21
|
Start
|
Low
|
470
|
Marianne Brandt
|
671
|
21
|
C
|
Mid
|
471
|
Dezeen
|
670
|
21
|
Start
|
Low
|
472
|
Cantilever chair
|
659
|
21
|
Stub
|
Low
|
473
|
Ron Arad (industrial designer)
|
659
|
21
|
C
|
Low
|
474
|
Utility furniture
|
657
|
21
|
C
|
Low
|
475
|
D. J. De Pree
|
657
|
21
|
Stub
|
Low
|
476
|
Strategic design
|
655
|
21
|
Start
|
High
|
477
|
Sergio Pininfarina
|
654
|
21
|
Start
|
Mid
|
478
|
David Mellor (designer)
|
650
|
20
|
Start
|
Low
|
479
|
Finn Juhl
|
646
|
20
|
C
|
Mid
|
480
|
Eliot Noyes
|
645
|
20
|
B
|
Mid
|
481
|
Furniture screw
|
645
|
20
|
B
|
Unknown
|
482
|
ShotGrid
|
643
|
20
|
Stub
|
Unknown
|
483
|
Gorilla Tape
|
639
|
20
|
Start
|
Low
|
484
|
Lingerie tape
|
635
|
20
|
Stub
|
Low
|
485
|
WildBrain CPLG
|
634
|
20
|
Stub
|
Low
|
486
|
Norwich University of the Arts
|
628
|
20
|
Start
|
Low
|
487
|
Picnic table
|
627
|
20
|
Start
|
Unknown
|
488
|
Doccia porcelain
|
626
|
20
|
C
|
Low
|
489
|
Vitsœ
|
626
|
20
|
Start
|
Low
|
490
|
Picquot ware
|
626
|
20
|
Stub
|
Low
|
491
|
Geometric modeling
|
625
|
20
|
Stub
|
Low
|
492
|
Ora Ito
|
624
|
20
|
Stub
|
Low
|
493
|
Lemon squeezer
|
624
|
20
|
Start
|
Low
|
494
|
Paolo Monti
|
617
|
19
|
Start
|
Low
|
495
|
Milo Baughman
|
614
|
19
|
Start
|
Low
|
496
|
Synthetic setae
|
609
|
19
|
B
|
Low
|
497
|
Robert Welch (designer)
|
605
|
19
|
Start
|
Low
|
498
|
PH-lamp
|
605
|
19
|
Start
|
Low
|
499
|
Eero Aarnio
|
602
|
19
|
Start
|
Mid
|
500
|
Alphonse Chapanis
|
601
|
19
|
Start
|
Low
|
501
|
Design theory
|
600
|
19
|
Start
|
Low
|
502
|
Kenya Hara
|
599
|
19
|
C
|
Low
|
503
|
Designworks
|
598
|
19
|
C
|
Low
|
504
|
Porsche Type 12
|
597
|
19
|
C
|
Low
|
505
|
Zaisu
|
596
|
19
|
Start
|
Low
|
506
|
Simplexity
|
593
|
19
|
Start
|
Low
|
507
|
Walter Dorwin Teague
|
587
|
18
|
Start
|
Low
|
508
|
Auxiliary label
|
587
|
18
|
Start
|
Low
|
509
|
B&B Italia
|
586
|
18
|
C
|
Mid
|
510
|
Grand Confort
|
585
|
18
|
Start
|
Mid
|
511
|
Brno chair
|
582
|
18
|
Stub
|
Low
|
512
|
Philosophy of design
|
581
|
18
|
Stub
|
Unknown
|
513
|
Green engineering
|
580
|
18
|
C
|
Unknown
|
514
|
Product innovation
|
579
|
18
|
Start
|
Unknown
|
515
|
Chaise Longue (Le Corbusier)
|
575
|
18
|
Stub
|
Low
|
516
|
Zig-Zag Chair
|
571
|
18
|
Stub
|
Low
|
517
|
Beige box
|
569
|
18
|
Stub
|
Low
|
518
|
Rick Dickinson
|
566
|
18
|
C
|
Mid
|
519
|
Louis Majorelle
|
555
|
17
|
C
|
Mid
|
520
|
Kartell
|
552
|
17
|
Start
|
Low
|
521
|
Knole Settee
|
547
|
17
|
Start
|
Unknown
|
522
|
Beswick Pottery
|
546
|
17
|
Start
|
Mid
|
523
|
Paul R. Evans
|
541
|
17
|
Start
|
Low
|
524
|
Anna Maria Niemeyer
|
539
|
17
|
C
|
Mid
|
525
|
Carlo Mollino
|
538
|
17
|
C
|
Mid
|
526
|
Børge Mogensen
|
536
|
17
|
Start
|
Low
|
527
|
Sunlounger
|
532
|
17
|
Stub
|
Low
|
528
|
Grillo telephone
|
531
|
17
|
Start
|
Mid
|
529
|
List of industrial designers
|
526
|
16
|
List
|
High
|
530
|
Model 3107 chair
|
524
|
16
|
Stub
|
Low
|
531
|
Bambooworking
|
523
|
16
|
Start
|
Low
|
532
|
Ligne Roset
|
514
|
16
|
Stub
|
Low
|
533
|
Thomas Sheraton
|
513
|
16
|
Stub
|
Low
|
534
|
Packaging and packaging waste directive
|
512
|
16
|
Stub
|
Mid
|
535
|
Pierre Paulin
|
511
|
16
|
Start
|
Low
|
536
|
Piet Zwart
|
509
|
16
|
Start
|
Low
|
537
|
Corradino D'Ascanio
|
504
|
16
|
C
|
Low
|
538
|
Delcam
|
503
|
16
|
Stub
|
Low
|
539
|
David Roentgen
|
502
|
16
|
Start
|
Low
|
540
|
National Design Centre
|
501
|
16
|
Start
|
Low
|
541
|
Tom Karen
|
497
|
16
|
Start
|
Low
|
542
|
Computer desk
|
493
|
15
|
Start
|
Low
|
543
|
Widdicomb Furniture Company
|
490
|
15
|
Start
|
Mid
|
544
|
Sabine Marcelis
|
485
|
15
|
C
|
Mid
|
545
|
Shiro Kuramata
|
484
|
15
|
Stub
|
Low
|
546
|
Brionvega
|
483
|
15
|
B
|
Mid
|
547
|
Adjustable Table E 1027
|
480
|
15
|
Start
|
Mid
|
548
|
Design Council
|
479
|
15
|
Start
|
Mid
|
549
|
Ronan & Erwan Bouroullec
|
479
|
15
|
Start
|
Low
|
550
|
Strandkorb
|
478
|
15
|
Stub
|
Low
|
551
|
Georgia Tech Shenzhen Institute, Tianjin University
|
477
|
15
|
Stub
|
Low
|
552
|
Design Academy Eindhoven
|
470
|
15
|
Start
|
Low
|
553
|
Goliath GP700
|
470
|
15
|
Start
|
Low
|
554
|
Tensor lamp
|
467
|
15
|
Start
|
Unknown
|
555
|
IKEA Klippan
|
461
|
14
|
Start
|
Low
|
556
|
Behavioural design
|
460
|
14
|
C
|
High
|
557
|
CAD data exchange
|
458
|
14
|
Start
|
Low
|
558
|
Maison et Objet
|
454
|
14
|
Stub
|
Low
|
559
|
Fabien Baron
|
453
|
14
|
Start
|
Low
|
560
|
Vertical form fill sealing machine
|
452
|
14
|
Start
|
Low
|
561
|
Robin Day (designer)
|
451
|
14
|
Stub
|
Low
|
562
|
James Krenov
|
446
|
14
|
Start
|
Low
|
563
|
Shurtape Technologies
|
443
|
14
|
C
|
Unknown
|
564
|
Dominant design
|
437
|
14
|
Start
|
High
|
565
|
Andrew Ure
|
436
|
14
|
B
|
Low
|
566
|
Museum of Applied Arts (Budapest)
|
434
|
14
|
Start
|
Low
|
567
|
Jens Risom
|
432
|
13
|
Start
|
Low
|
568
|
Functional design
|
431
|
13
|
Stub
|
Mid
|
569
|
Ant (chair)
|
426
|
13
|
Stub
|
Mid
|
570
|
F. Schumacher & Co.
|
426
|
13
|
C
|
Mid
|
571
|
Design for the environment
|
425
|
13
|
C
|
Low
|
572
|
Clay modeling
|
423
|
13
|
Stub
|
Low
|
573
|
Tugendhat chair
|
422
|
13
|
Stub
|
Low
|
574
|
Diego Giacometti
|
422
|
13
|
Start
|
Low
|
575
|
Wendell Castle
|
421
|
13
|
C
|
Low
|
576
|
Ernest Gimson
|
420
|
13
|
Start
|
Low
|
577
|
Donald Deskey
|
419
|
13
|
Start
|
Low
|
578
|
Design education
|
419
|
13
|
Stub
|
Low
|
579
|
Viktor Schreckengost
|
419
|
13
|
Start
|
Low
|
580
|
Oki Sato
|
417
|
13
|
Start
|
Low
|
581
|
Djinn chair
|
414
|
13
|
Start
|
Mid
|
582
|
The HON Company
|
412
|
13
|
Start
|
Low
|
583
|
Design museum
|
411
|
13
|
Start
|
Low
|
584
|
Mart Stam
|
410
|
13
|
Start
|
Low
|
585
|
Cassina S.p.A.
|
410
|
13
|
Start
|
Low
|
586
|
Nendo (design firm)
|
410
|
13
|
C
|
Low
|
587
|
Lucienne Day
|
409
|
13
|
Start
|
Low
|
588
|
Hague Agreement Concerning the International Deposit of Industrial Designs
|
408
|
13
|
Start
|
Low
|
589
|
Chicago Athenaeum
|
408
|
13
|
Start
|
Low
|
590
|
Apple Inc. design motifs
|
406
|
13
|
C
|
Low
|
591
|
Thomas Day (cabinetmaker)
|
405
|
13
|
B
|
Low
|
592
|
African Regional Intellectual Property Organization
|
403
|
13
|
Stub
|
Low
|
593
|
Kvadrat (company)
|
401
|
12
|
Start
|
Low
|
594
|
Timothy Oulton
|
400
|
12
|
Stub
|
Low
|
595
|
Injection mold construction
|
400
|
12
|
Start
|
Unknown
|
596
|
Icon design
|
398
|
12
|
Start
|
Unknown
|
597
|
Winged edge
|
398
|
12
|
Stub
|
Low
|
598
|
Virtual design and construction
|
398
|
12
|
Stub
|
Low
|
599
|
Friction tape
|
396
|
12
|
Stub
|
Low
|
600
|
Eames Aluminum Group
|
394
|
12
|
Start
|
Unknown
|
601
|
Designmuseum Denmark
|
393
|
12
|
Start
|
Low
|
602
|
Lean product development
|
393
|
12
|
Start
|
High
|
603
|
Lella Vignelli
|
393
|
12
|
B
|
Mid
|
604
|
Sixten Sason
|
390
|
12
|
Start
|
Low
|
605
|
Wells Coates
|
387
|
12
|
C
|
Low
|
606
|
Design life
|
386
|
12
|
Start
|
Low
|
607
|
Gooseneck lamp
|
386
|
12
|
Stub
|
Low
|
608
|
Moholy-Nagy University of Art and Design
|
385
|
12
|
Start
|
Low
|
609
|
Jens Quistgaard
|
385
|
12
|
Start
|
Low
|
610
|
Olivetti Elea
|
384
|
12
|
B
|
Low
|
611
|
Murano Glass Museum
|
384
|
12
|
Start
|
Mid
|
612
|
Bantam BRC
|
384
|
12
|
B
|
Mid
|
613
|
John Vassos
|
383
|
12
|
Start
|
Low
|
614
|
Product and manufacturing information
|
378
|
12
|
Stub
|
Low
|
615
|
Transgenerational design
|
378
|
12
|
C
|
Mid
|
616
|
Kaare Klint
|
377
|
12
|
C
|
Mid
|
617
|
S1 MP3 player
|
376
|
12
|
Stub
|
Low
|
618
|
Arco (lamp)
|
376
|
12
|
Start
|
High
|
619
|
Paul McCobb
|
375
|
12
|
C
|
Low
|
620
|
Point of difference
|
374
|
12
|
Start
|
Mid
|
621
|
Central Institute of Tool Design
|
374
|
12
|
Start
|
Low
|
622
|
Peter Opsvik
|
373
|
12
|
C
|
Low
|
623
|
Carl Hansen & Søn
|
373
|
12
|
Start
|
Unknown
|
624
|
Transitional Style
|
368
|
11
|
Start
|
Unknown
|
625
|
Jon Marshall
|
367
|
11
|
Start
|
Unknown
|
626
|
Radical period
|
366
|
11
|
Stub
|
Mid
|
627
|
Vico Magistretti
|
363
|
11
|
C
|
High
|
628
|
Director's chair
|
363
|
11
|
Stub
|
Low
|
629
|
Jack Lenor Larsen
|
363
|
11
|
C
|
Low
|
630
|
Box-sealing tape
|
362
|
11
|
Start
|
Low
|
631
|
Lloyd Loom
|
361
|
11
|
Start
|
Unknown
|
632
|
Campana brothers
|
358
|
11
|
Start
|
Low
|
633
|
Swan (chair)
|
358
|
11
|
Stub
|
Mid
|
634
|
Digital mockup
|
355
|
11
|
Stub
|
Low
|
635
|
10 Downing Street Guard Chairs
|
353
|
11
|
Start
|
Low
|
636
|
Ingo Maurer
|
352
|
11
|
B
|
Low
|
637
|
Nebiolo Printech
|
350
|
11
|
Start
|
Low
|
638
|
Tizio
|
349
|
11
|
Stub
|
Mid
|
639
|
World Design Capital
|
347
|
11
|
Stub
|
Low
|
640
|
Charles Eastlake
|
346
|
11
|
Stub
|
Low
|
641
|
Kem Weber
|
343
|
11
|
Start
|
Low
|
642
|
Organosolv
|
342
|
11
|
C
|
Low
|
643
|
Bill Moggridge
|
341
|
11
|
B
|
High
|
644
|
Gordon Russell (designer)
|
341
|
11
|
Start
|
Low
|
645
|
Zagato Zele
|
340
|
10
|
Start
|
Low
|
646
|
Jean Dunand
|
340
|
10
|
Stub
|
Low
|
647
|
Josef Hartwig
|
340
|
10
|
Start
|
Low
|
648
|
Ugo Zagato
|
339
|
10
|
Start
|
Low
|
649
|
Drop-leaf table
|
337
|
10
|
Stub
|
Unknown
|
650
|
Subaru Suiren
|
337
|
10
|
Start
|
Unknown
|
651
|
Design Research Unit
|
334
|
10
|
Stub
|
Low
|
652
|
Draw sheet
|
333
|
10
|
Start
|
Low
|
653
|
Solid sorbents for carbon capture
|
333
|
10
|
C
|
Unknown
|
654
|
Antonio Citterio
|
332
|
10
|
Start
|
Mid
|
655
|
Emilio Ambasz
|
332
|
10
|
C
|
Mid
|
656
|
Weltron
|
327
|
10
|
C
|
Low
|
657
|
Typewriter desk
|
326
|
10
|
Start
|
Unknown
|
658
|
Morag Myerscough
|
326
|
10
|
Stub
|
Low
|
659
|
James T. Baldwin
|
324
|
10
|
Start
|
Low
|
660
|
Changing table
|
324
|
10
|
Stub
|
Low
|
661
|
ICAD (software)
|
323
|
10
|
Start
|
Low
|
662
|
Bubble chair
|
322
|
10
|
Stub
|
Low
|
663
|
Zuber & Cie
|
320
|
10
|
Start
|
Mid
|
664
|
Wilhelm Wagenfeld
|
319
|
10
|
Start
|
Low
|
665
|
ANSA pre-processor
|
319
|
10
|
Stub
|
Unknown
|
666
|
Design studio
|
317
|
10
|
Redirect
|
NA
|
667
|
Franco Albini
|
317
|
10
|
Start
|
Mid
|
668
|
Maarten Baas
|
317
|
10
|
Stub
|
Low
|
669
|
Teak furniture
|
316
|
10
|
Start
|
Unknown
|
670
|
Timo Sarpaneva
|
315
|
10
|
C
|
Mid
|
671
|
Constraint (computer-aided design)
|
314
|
10
|
Start
|
Low
|
672
|
Matteo Thun
|
313
|
10
|
Start
|
Low
|
673
|
Metal furniture
|
310
|
10
|
Start
|
Unknown
|
674
|
ASME Y14.41
|
308
|
9
|
Stub
|
Low
|
675
|
Folding seat
|
308
|
9
|
Stub
|
Low
|
676
|
Pipsan Saarinen Swanson
|
308
|
9
|
Start
|
Low
|
677
|
Teague (company)
|
305
|
9
|
Stub
|
Low
|
678
|
Paolo Venini
|
305
|
9
|
C
|
Low
|
679
|
Designboom
|
305
|
9
|
Start
|
Low
|
680
|
Gooseneck (fixture)
|
305
|
9
|
Start
|
Low
|
681
|
Herter Brothers
|
304
|
9
|
Start
|
Low
|
682
|
Empathic design
|
302
|
9
|
Start
|
Mid
|
683
|
Niels Diffrient
|
302
|
9
|
C
|
High
|
684
|
Model 60 stacking stool
|
302
|
9
|
Start
|
Low
|
685
|
Ini Archibong
|
301
|
9
|
B
|
Mid
|
686
|
Productionisation
|
299
|
9
|
Stub
|
Mid
|
687
|
Paul T. Frankl
|
297
|
9
|
Start
|
Low
|
688
|
Alexander Neumeister
|
297
|
9
|
Stub
|
Low
|
689
|
École cantonale d'art de Lausanne
|
297
|
9
|
C
|
Mid
|
690
|
USM Modular Furniture
|
297
|
9
|
Start
|
Low
|
691
|
Cesar Vergara
|
296
|
9
|
Start
|
Low
|
692
|
Design Museum of Barcelona
|
293
|
9
|
C
|
Low
|
693
|
EPA WaterSense
|
292
|
9
|
Stub
|
Mid
|
694
|
Corrugated box
|
291
|
9
|
Redirect
|
NA
|
695
|
Electric guitar design
|
290
|
9
|
Start
|
Low
|
696
|
Piero Lissoni
|
290
|
9
|
Start
|
Low
|
697
|
Design paradigm
|
289
|
9
|
Start
|
Low
|
698
|
International Forum Design
|
288
|
9
|
Stub
|
Low
|
699
|
Computer-automated design
|
288
|
9
|
Stub
|
Low
|
700
|
Edgar Miller (artist)
|
287
|
9
|
C
|
Unknown
|
701
|
Tom Hardy (designer)
|
286
|
9
|
Start
|
Low
|
702
|
Helen Dryden
|
284
|
9
|
C
|
Low
|
703
|
Isophote
|
284
|
9
|
Stub
|
Unknown
|
704
|
Product structure modeling
|
282
|
9
|
Start
|
Low
|
705
|
Jock Kinneir
|
282
|
9
|
Start
|
Low
|
706
|
Fuseproject
|
281
|
9
|
Stub
|
Low
|
707
|
Ikepod
|
281
|
9
|
Start
|
Low
|
708
|
Tage Frid
|
277
|
8
|
Stub
|
Low
|
709
|
Enrico Fumia
|
277
|
8
|
Start
|
Low
|
710
|
Jonathan Glancey
|
276
|
8
|
Start
|
Low
|
711
|
Richard Arbib
|
276
|
8
|
Start
|
Low
|
712
|
Hans Gugelot
|
275
|
8
|
Start
|
Low
|
713
|
Ravi Sawhney
|
274
|
8
|
Stub
|
Low
|
714
|
Andrea Branzi
|
273
|
8
|
Start
|
Unknown
|
715
|
World Design Organization
|
272
|
8
|
Start
|
High
|
716
|
Bill Stumpf
|
270
|
8
|
Start
|
Low
|
717
|
Bruno Paul
|
270
|
8
|
Stub
|
Low
|
718
|
Marco Zanuso
|
268
|
8
|
C
|
Mid
|
719
|
Robert Propst (inventor)
|
267
|
8
|
Stub
|
Low
|
720
|
Museum of Design, Zurich
|
267
|
8
|
Start
|
Mid
|
721
|
VDA 6.1
|
267
|
8
|
Stub
|
Low
|
722
|
Virtual prototyping
|
266
|
8
|
Start
|
Low
|
723
|
Michael Young (industrial designer)
|
266
|
8
|
C
|
Mid
|
724
|
Rico Daniels
|
265
|
8
|
Stub
|
Low
|
725
|
Paola Navone
|
265
|
8
|
Start
|
Unknown
|
726
|
Michelotti Shellette
|
265
|
8
|
C
|
Low
|
727
|
Carlton House desk
|
264
|
8
|
Start
|
Unknown
|
728
|
Rolf Fehlbaum
|
264
|
8
|
C
|
Low
|
729
|
Industrial Designers Society of America
|
264
|
8
|
Start
|
High
|
730
|
Kaj Franck
|
263
|
8
|
Start
|
Low
|
731
|
Christopher Guy Harrison
|
263
|
8
|
Stub
|
Low
|
732
|
Design classic
|
263
|
8
|
Start
|
Low
|
733
|
Musgrave Pencil Company
|
262
|
8
|
Start
|
Unknown
|
734
|
Hanssem
|
259
|
8
|
Start
|
Low
|
735
|
Ross Lovegrove
|
258
|
8
|
Start
|
Mid
|
736
|
Robert Brunner
|
257
|
8
|
Start
|
Mid
|
737
|
Harris Lebus
|
257
|
8
|
Start
|
Low
|
738
|
William Lescaze
|
256
|
8
|
B
|
Low
|
739
|
Barber Osgerby
|
256
|
8
|
C
|
Low
|
740
|
Xanti Schawinsky
|
256
|
8
|
Start
|
Unknown
|
741
|
Cifra 3
|
254
|
8
|
Start
|
Low
|
742
|
Moooi
|
254
|
8
|
B
|
Low
|
743
|
Ellen's Next Great Designer
|
254
|
8
|
Start
|
Low
|
744
|
Mogul lamp
|
253
|
8
|
Start
|
Unknown
|
745
|
Stehli Silks
|
252
|
8
|
C
|
Low
|
746
|
Quad-edge
|
251
|
8
|
Stub
|
Low
|
747
|
Forward Look
|
250
|
8
|
Redirect
|
NA
|
748
|
George Sowden
|
250
|
8
|
Start
|
Low
|
749
|
Syd Mead's Terraforming
|
250
|
8
|
Stub
|
Low
|
750
|
Marcello Nizzoli
|
249
|
8
|
Start
|
Low
|
751
|
Unimark International
|
249
|
8
|
Start
|
Low
|
752
|
Neil Poulton
|
248
|
8
|
C
|
Low
|
753
|
Jean-Michel Wilmotte
|
248
|
8
|
C
|
Low
|
754
|
Eric Stoddard
|
248
|
8
|
Stub
|
Low
|
755
|
Suzie Zuzek
|
248
|
8
|
B
|
Low
|
756
|
Piero Portaluppi
|
247
|
7
|
C
|
Low
|
757
|
Tolomeo desk lamp
|
244
|
7
|
Start
|
Low
|
758
|
Gerd A. Müller
|
242
|
7
|
Start
|
Low
|
759
|
James Dyson Award
|
241
|
7
|
Start
|
Low
|
760
|
Community design
|
240
|
7
|
Start
|
Mid
|
761
|
Jack Pritchard
|
239
|
7
|
Stub
|
Low
|
762
|
Nina Petronzio
|
239
|
7
|
Start
|
Low
|
763
|
Projection augmented model
|
238
|
7
|
Start
|
Low
|
764
|
Daniel Marot
|
237
|
7
|
Start
|
Low
|
765
|
GRAITEC
|
237
|
7
|
Start
|
Low
|
766
|
Don Chadwick
|
236
|
7
|
Start
|
Low
|
767
|
Gilbert Rohde
|
235
|
7
|
Start
|
Low
|
768
|
Stevengraph
|
235
|
7
|
Start
|
Mid
|
769
|
List of Bunnykins figurines
|
235
|
7
|
List
|
Mid
|
770
|
Cutaway (industrial)
|
234
|
7
|
Stub
|
Low
|
771
|
PH Artichoke
|
234
|
7
|
Stub
|
Low
|
772
|
Multi-material injection molding
|
232
|
7
|
Start
|
Unknown
|
773
|
Howard "Dutch" Darrin
|
232
|
7
|
Stub
|
Unknown
|
774
|
Gufram
|
231
|
7
|
C
|
Mid
|
775
|
Poul Kjærholm
|
230
|
7
|
Start
|
Low
|
776
|
Yoichi Ochiai
|
230
|
7
|
C
|
Low
|
777
|
Isovist
|
229
|
7
|
Stub
|
Low
|
778
|
I.D. (magazine)
|
229
|
7
|
Start
|
Mid
|
779
|
Rover chair
|
229
|
7
|
B
|
Mid
|
780
|
Filament tape
|
228
|
7
|
Start
|
Low
|
781
|
Pio Manzù
|
226
|
7
|
C
|
Low
|
782
|
Swedish Centre for Architecture and Design
|
224
|
7
|
C
|
Low
|
783
|
John Makepeace
|
222
|
7
|
Start
|
Low
|
784
|
Idea (disambiguation)
|
221
|
7
|
Disambig
|
NA
|
785
|
Charles Limbert
|
221
|
7
|
Start
|
Low
|
786
|
Geschmacksmuster
|
220
|
7
|
Stub
|
Low
|
787
|
UNISURF
|
219
|
7
|
Stub
|
Low
|
788
|
Poggenpohl
|
219
|
7
|
Stub
|
Low
|
789
|
Studio Drift
|
216
|
6
|
Start
|
Low
|
790
|
Thomas Humber
|
215
|
6
|
C
|
Low
|
791
|
Computer-aided industrial design
|
213
|
6
|
Stub
|
High
|
792
|
London Design Festival
|
210
|
6
|
C
|
Mid
|
793
|
Martine Bedin
|
210
|
6
|
C
|
Low
|
794
|
Metamorphic library steps
|
209
|
6
|
Start
|
Unknown
|
795
|
James Irvine (designer)
|
208
|
6
|
C
|
Mid
|
796
|
Alma Siedhoff-Buscher
|
208
|
6
|
Stub
|
Unknown
|
797
|
40/4 Chair
|
208
|
6
|
Start
|
Mid
|
798
|
Tord Boontje
|
207
|
6
|
Stub
|
Low
|
799
|
Bruno Mathsson
|
204
|
6
|
Start
|
Low
|
800
|
École Camondo
|
204
|
6
|
Stub
|
Low
|
801
|
Stuart Pugh
|
204
|
6
|
Start
|
Low
|
802
|
Jon Bannenberg
|
203
|
6
|
Stub
|
Low
|
803
|
École Boulle
|
203
|
6
|
Stub
|
Low
|
804
|
Betty Thatcher Oros
|
202
|
6
|
Start
|
Mid
|
805
|
Alan Peters
|
200
|
6
|
Stub
|
Low
|
806
|
Cleo Baldon
|
199
|
6
|
Start
|
Mid
|
807
|
List of awards and nominations received by Jony Ive
|
199
|
6
|
List
|
Low
|
808
|
Alexis de Sakhnoffsky
|
198
|
6
|
Start
|
Low
|
809
|
Roger Tallon
|
198
|
6
|
Start
|
Mid
|
810
|
Harley-Davidson Motorcycle Factory Building
|
197
|
6
|
B
|
Low
|
811
|
Otto Kuhler
|
196
|
6
|
B
|
Mid
|
812
|
Carl Auböck
|
196
|
6
|
Start
|
Mid
|
813
|
Systems-oriented design
|
195
|
6
|
C
|
Unknown
|
814
|
Tip-top table
|
194
|
6
|
Stub
|
Unknown
|
815
|
McKinley Thompson Jr.
|
194
|
6
|
Start
|
Low
|
816
|
International Design Excellence Awards
|
189
|
6
|
Stub
|
Mid
|
817
|
Win Ng
|
189
|
6
|
Start
|
Low
|
818
|
Function-Behaviour-Structure ontology
|
189
|
6
|
C
|
Unknown
|
819
|
Color Marketing Group
|
188
|
6
|
Stub
|
Low
|
820
|
Barbara Radice
|
188
|
6
|
C
|
Mid
|
821
|
François-Honoré-Georges Jacob-Desmalter
|
187
|
6
|
Start
|
Low
|
822
|
Assembly modelling
|
187
|
6
|
Stub
|
Low
|
823
|
Droog (company)
|
187
|
6
|
Start
|
Low
|
824
|
Braun LE1
|
187
|
6
|
Stub
|
Low
|
825
|
Nanna Ditzel
|
186
|
6
|
Stub
|
Low
|
826
|
Dror Benshetrit
|
186
|
6
|
Start
|
Low
|
827
|
Bernadotte & Kylberg
|
186
|
6
|
Start
|
Unknown
|
828
|
ROR (design company)
|
186
|
6
|
Stub
|
Low
|
829
|
Architectural animation
|
185
|
5
|
Stub
|
Low
|
830
|
United States House Energy Subcommittee on Environment, Manufacturing, and Critical Minerals
|
184
|
5
|
Start
|
Unknown
|
831
|
Jimmyjane
|
183
|
5
|
Stub
|
Low
|
832
|
Sonic interaction design
|
183
|
5
|
Stub
|
Low
|
833
|
Monterey Furniture
|
183
|
5
|
Start
|
Unknown
|
834
|
Earl R. Dean
|
182
|
5
|
Start
|
Low
|
835
|
English furniture
|
182
|
5
|
Stub
|
Low
|
836
|
Pierre Frey
|
182
|
5
|
Start
|
Unknown
|
837
|
L. Bruce Archer
|
181
|
5
|
Start
|
Low
|
838
|
Flos B&B Italia Group
|
181
|
5
|
Stub
|
Mid
|
839
|
Flavio Poli
|
180
|
5
|
Stub
|
Low
|
840
|
Benjamin Bowden
|
179
|
5
|
Start
|
Unknown
|
841
|
Easy Edges
|
178
|
5
|
Stub
|
Low
|
842
|
Heller, Inc.
|
178
|
5
|
C
|
Mid
|
843
|
Satyendra Pakhale
|
177
|
5
|
Start
|
Low
|
844
|
HeeksCAD
|
177
|
5
|
Start
|
Mid
|
845
|
T. H. Robsjohn-Gibbings
|
176
|
5
|
Start
|
Low
|
846
|
MEDUSA4
|
176
|
5
|
Start
|
Unknown
|
847
|
Quality control system for paper, board and tissue machines
|
176
|
5
|
Start
|
Low
|
848
|
Ovalia Egg Chair
|
176
|
5
|
Stub
|
Low
|
849
|
Smart Design
|
176
|
5
|
Start
|
Mid
|
850
|
Applicon
|
175
|
5
|
Stub
|
Low
|
851
|
Scoring (industrial process)
|
175
|
5
|
Start
|
Unknown
|
852
|
Rover T3
|
175
|
5
|
C
|
Low
|
853
|
Custom-fit
|
174
|
5
|
Start
|
Mid
|
854
|
Office of the future
|
173
|
5
|
Start
|
Low
|
855
|
Karlsruhe University of Arts and Design
|
173
|
5
|
C
|
Low
|
856
|
Ton van de Ven
|
173
|
5
|
Stub
|
Low
|
857
|
A & M Karagheusian
|
173
|
5
|
Stub
|
Low
|
858
|
Dunne & Raby
|
173
|
5
|
Stub
|
Low
|
859
|
Objet Geometries
|
173
|
5
|
Stub
|
Low
|
860
|
Studio Alchimia
|
173
|
5
|
Start
|
Unknown
|
861
|
Blu Dot
|
172
|
5
|
Start
|
Low
|
862
|
David Ogle
|
171
|
5
|
Start
|
Low
|
863
|
Alice Rawsthorn
|
171
|
5
|
C
|
Low
|
864
|
Smyk (car)
|
171
|
5
|
Start
|
Low
|
865
|
Arne Vodder
|
167
|
5
|
Stub
|
Low
|
866
|
International Design Awards
|
166
|
5
|
Stub
|
Low
|
867
|
Diamond chair
|
165
|
5
|
Stub
|
Unknown
|
868
|
Natural mapping (interface design)
|
165
|
5
|
Start
|
Mid
|
869
|
Richard Schultz
|
165
|
5
|
Start
|
Low
|
870
|
Michael Lax
|
165
|
5
|
Start
|
Unknown
|
871
|
Maria Pergay
|
165
|
5
|
Stub
|
Unknown
|
872
|
Allen Boothroyd
|
163
|
5
|
Stub
|
Low
|
873
|
Chicken harvester
|
163
|
5
|
Start
|
Low
|
874
|
Luud Schimmelpennink
|
162
|
5
|
Start
|
Low
|
875
|
Carl Gustav Magnusson
|
162
|
5
|
Start
|
Low
|
876
|
Sacha Lakic
|
161
|
5
|
Start
|
Unknown
|
877
|
Jean Bérain the Elder
|
160
|
5
|
Start
|
Low
|
878
|
Process driven messaging service
|
160
|
5
|
C
|
Unknown
|
879
|
NSU Trapeze
|
160
|
5
|
Start
|
Low
|
880
|
Ericsson Dialog
|
159
|
5
|
Start
|
Low
|
881
|
Design Exchange
|
159
|
5
|
Start
|
Low
|
882
|
Ralph Osterhout
|
159
|
5
|
Start
|
Low
|
883
|
Sheex
|
159
|
5
|
Start
|
Low
|
884
|
Polypropylene stacking chair
|
159
|
5
|
Stub
|
Low
|
885
|
Design for lean manufacturing
|
159
|
5
|
Start
|
Mid
|
886
|
Dorothy Liebes
|
158
|
5
|
C
|
Low
|
887
|
Naoki Sakai (industrial designer)
|
158
|
5
|
Start
|
Low
|
888
|
Bernhardt Design
|
158
|
5
|
Start
|
Low
|
889
|
Yuri Suzuki (designer)
|
158
|
5
|
C
|
Low
|
890
|
IKEA Lack
|
158
|
5
|
Stub
|
Low
|
891
|
Floor marking tape
|
157
|
5
|
Stub
|
Low
|
892
|
David Pye (furniture designer)
|
156
|
5
|
Stub
|
Low
|
893
|
WorkNC
|
156
|
5
|
Stub
|
Low
|
894
|
Fabio Taglioni
|
155
|
5
|
Stub
|
Low
|
895
|
Jean Puiforcat
|
155
|
5
|
Start
|
Mid
|
896
|
Design Museum Brussels
|
155
|
5
|
Start
|
Low
|
897
|
Mary Wright (designer)
|
155
|
5
|
B
|
Low
|
898
|
ADI Design Museum
|
155
|
5
|
Start
|
Mid
|
899
|
Rex (chair)
|
154
|
4
|
Stub
|
Low
|
900
|
Thomas Hayo
|
154
|
4
|
Stub
|
Low
|
901
|
Dutch Design Week
|
153
|
4
|
Stub
|
Mid
|
902
|
Alfonso Iannelli
|
153
|
4
|
Stub
|
Low
|
903
|
Isokon Long Chair
|
153
|
4
|
Stub
|
Unknown
|
904
|
Charles Stendig
|
152
|
4
|
Start
|
Mid
|
905
|
Ambrose Heal
|
151
|
4
|
Stub
|
Low
|
906
|
Edward Wormley
|
150
|
4
|
Stub
|
Low
|
907
|
Ince and Mayhew
|
150
|
4
|
Start
|
Low
|
908
|
Oliver Lincoln Lundquist
|
150
|
4
|
C
|
Mid
|
909
|
Before Yesterday We Could Fly
|
149
|
4
|
B
|
Low
|
910
|
Design competition
|
148
|
4
|
Start
|
Unknown
|
911
|
3D floor plan
|
148
|
4
|
Stub
|
Low
|
912
|
Pin-Up (magazine)
|
148
|
4
|
Start
|
Low
|
913
|
Nondestructive Evaluation 4.0
|
148
|
4
|
C
|
Unknown
|
914
|
Ian Proctor
|
147
|
4
|
Stub
|
Low
|
915
|
Inga Sempé
|
147
|
4
|
Start
|
Low
|
916
|
Nigel Coates (architect)
|
145
|
4
|
Start
|
Low
|
917
|
Pier Giacomo Castiglioni
|
145
|
4
|
C
|
High
|
918
|
Helena Tynell
|
145
|
4
|
B
|
Unknown
|
919
|
Nanny Still
|
145
|
4
|
C
|
Low
|
920
|
Horia Creangă
|
142
|
4
|
Start
|
Low
|
921
|
Tear tape
|
142
|
4
|
Stub
|
Low
|
922
|
Henning Koppel
|
142
|
4
|
Start
|
Low
|
923
|
Jerome and Evelyn Ackerman
|
141
|
4
|
C
|
Mid
|
924
|
Giulio Cappellini
|
141
|
4
|
Start
|
Low
|
925
|
Tony Chambers
|
141
|
4
|
C
|
Low
|
926
|
Bruno Rey
|
141
|
4
|
Start
|
Unknown
|
927
|
Charles "Chuck" Harrison
|
140
|
4
|
C
|
Low
|
928
|
Ammunition Design Group
|
140
|
4
|
Start
|
Low
|
929
|
Zeev Aram
|
140
|
4
|
Start
|
Low
|
930
|
Wood family
|
140
|
4
|
Start
|
Low
|
931
|
Computer-aided production engineering
|
139
|
4
|
Stub
|
Low
|
932
|
Nathan George Horwitt
|
138
|
4
|
Start
|
Low
|
933
|
Flexform
|
137
|
4
|
Start
|
Low
|
934
|
CAD/CAM in the footwear industry
|
136
|
4
|
Stub
|
Low
|
935
|
Roger C. Field
|
136
|
4
|
Stub
|
Low
|
936
|
Fabio Novembre
|
136
|
4
|
Stub
|
Low
|
937
|
Sara Little Turnbull
|
136
|
4
|
Start
|
Low
|
938
|
École nationale supérieure des arts appliqués et des métiers d'art
|
136
|
4
|
Start
|
Low
|
939
|
Grete Jalk
|
135
|
4
|
Start
|
Low
|
940
|
Astro Studios
|
134
|
4
|
Stub
|
Unknown
|
941
|
Clement Meadmore
|
133
|
4
|
C
|
Low
|
942
|
George W. Walker
|
133
|
4
|
Stub
|
Low
|
943
|
Jack Sangster
|
133
|
4
|
Start
|
Mid
|
944
|
Experiential interior design
|
133
|
4
|
Start
|
Mid
|
945
|
Hans Olsen (furniture designer)
|
133
|
4
|
Stub
|
Low
|
946
|
E-Lab
|
133
|
4
|
B
|
Unknown
|
947
|
DAC-1
|
132
|
4
|
Start
|
Low
|
948
|
Davison Design & Development
|
132
|
4
|
Start
|
Low
|
949
|
Franklin D. Israel
|
132
|
4
|
Start
|
Unknown
|
950
|
1970s in furniture
|
130
|
4
|
Stub
|
Low
|
951
|
Powder coating on glass
|
130
|
4
|
Start
|
Unknown
|
952
|
John Saladino
|
130
|
4
|
Start
|
Low
|
953
|
Bergen Academy of Art and Design
|
129
|
4
|
Stub
|
Low
|
954
|
Studio Swine
|
129
|
4
|
C
|
Low
|
955
|
Integrated Computer-Aided Manufacturing
|
128
|
4
|
Start
|
Low
|
956
|
Barnsley brothers
|
128
|
4
|
Start
|
Low
|
957
|
Sky-Sailor
|
128
|
4
|
Start
|
Low
|
958
|
Röhsska Museum
|
127
|
4
|
Start
|
Low
|
959
|
Mundus furniture
|
127
|
4
|
Stub
|
Low
|
960
|
Ignazio Gardella
|
127
|
4
|
C
|
Mid
|
961
|
AxSTREAM
|
127
|
4
|
Stub
|
Low
|
962
|
Collaborative product development
|
126
|
4
|
Start
|
Low
|
963
|
Maarten van Severen
|
126
|
4
|
Stub
|
Low
|
964
|
Weissenhof chair
|
126
|
4
|
Stub
|
Mid
|
965
|
Eugène Vallin
|
125
|
4
|
Start
|
Low
|
966
|
Charles-Honoré Lannuier
|
125
|
4
|
Start
|
Low
|
967
|
Phaidon Design Classics
|
124
|
4
|
Stub
|
Unknown
|
968
|
Sphinx (home automation system)
|
124
|
4
|
Start
|
Mid
|
969
|
Angelo Mangiarotti
|
123
|
3
|
Start
|
Low
|
970
|
Britain Can Make It
|
123
|
3
|
Start
|
Low
|
971
|
Divisumma 18
|
122
|
3
|
Stub
|
Low
|
972
|
John Heskett
|
122
|
3
|
Start
|
Low
|
973
|
Jerry Manock
|
121
|
3
|
B
|
Low
|
974
|
Arclinea
|
121
|
3
|
Start
|
Low
|
975
|
Anna Pottery
|
121
|
3
|
Stub
|
Mid
|
976
|
Charley Morgan
|
120
|
3
|
Start
|
Low
|
977
|
Anu Pentik
|
120
|
3
|
C
|
Low
|
978
|
Fred Lowen
|
119
|
3
|
Start
|
Low
|
979
|
Imm Cologne
|
119
|
3
|
Start
|
Mid
|
980
|
David Caon
|
119
|
3
|
C
|
Low
|
981
|
Coriasco
|
119
|
3
|
Start
|
Low
|
982
|
Visitability
|
118
|
3
|
Start
|
Low
|
983
|
Daniel Pabst
|
118
|
3
|
B
|
Low
|
984
|
Emeline King
|
118
|
3
|
Start
|
Low
|
985
|
Feature recognition
|
117
|
3
|
Stub
|
Low
|
986
|
Jacques Adnet
|
117
|
3
|
Stub
|
Low
|
987
|
Swing tag
|
117
|
3
|
Start
|
Low
|
988
|
Jonathan Olivares
|
117
|
3
|
C
|
Low
|
989
|
Extreme users
|
116
|
3
|
C
|
Mid
|
990
|
Marva Griffin
|
115
|
3
|
C
|
Unknown
|
991
|
Corin Mellor
|
114
|
3
|
Start
|
Unknown
|
992
|
Fabio Filippini
|
114
|
3
|
C
|
Low
|
993
|
Frederick Meyer
|
113
|
3
|
Start
|
Low
|
994
|
Charles Pollock (designer)
|
112
|
3
|
Start
|
Mid
|
995
|
Design Museum of Chicago
|
112
|
3
|
B
|
Low
|
996
|
Jean-Marie Massaud
|
111
|
3
|
C
|
Low
|
997
|
Kazuo Kawasaki
|
111
|
3
|
Stub
|
Low
|
998
|
Douglas Darden
|
111
|
3
|
B
|
Unknown
|
999
|
Émile André
|
110
|
3
|
Stub
|
Low
|
1000
|
Samuel Abraham Marx
|
110
|
3
|
Stub
|
Low
|