Vivien Leigh on stage and screen
British actress Vivien Leigh (1913–1967) was born in Darjeeling, India; her family returned to England when she was six years old. In addition to her British schooling, she was also educated in France, Italy, and Germany, and became multilingual.[1] Classically trained at the Royal Academy of Dramatic Art,[2] her film debut was in an uncredited role in the 1935 comedy Things Are Looking Up.[3]
While studying Shakespearean drama at The Old Vic, she met Laurence Olivier, who would become her most frequent artistic collaborator.[1] Even though her film roles brought her global name recognition and acclaim, the bulk of her work was in theatrical productions, frequently with Olivier as her director and/or co-star. Many of their productions on the British stage were based on the works of William Shakespeare. In 1943, as part of the Old Vic Spring Party, they toured North Africa for three months entertaining British troops.[4] In 1961, they were part of The Old Vic Tour of Australia, New Zealand, Mexico and South America.[5]
She appeared in 19 theatrically released films, twice winning the Academy Award for Best Actress, both times for her dramatic depictions of women from the American South.[6] Her first Oscar was in 1939, for her performance in Gone with the Wind as Margaret Mitchell's protagonist Scarlett O'Hara.[7][6] She won the role after a two-year search for the ideal actress had eliminated many of Hollywood's top talents.[8] Her second Oscar was in 1951, for A Streetcar Named Desire.[7][6] Playwright Tennessee Williams saw her on the London stage, and after conveying his impressions to co-producer Irene Mayer Selznick, Leigh was signed for the role of Blanche DuBois in the 1949 London production of the play.[9] After playing the role of DuBois for 326 performances, Leigh was flown to Los Angeles to begin filming the movie version.[10]
Her star was placed on the Hollywood Walk of Fame on February 8, 1960.[6]
Stage
[edit]Title | Date | Theatre | Role | Director | Notes/Playwright(s) | Ref(s) |
---|---|---|---|---|---|---|
The Green Sash | 1935 | Q Theatre | Giusta | Matthew Forsyth | Debonnaire Sylvester T. P. Wood |
[5] |
The Mask of Virtue | Ambassadors Theatre | Henriette Duquesnoy | Maxwell Wray | Carl Sternheim and Ashley Dukes | [5] | |
Richard II | 1936 | Oxford University Dramatic Society | Queen Anne | John Gielgud Glen Byam Shaw |
William Shakespeare | [5] |
The Happy Hypocrite | His Majesty's Theatre | Jenny Mere | Maurice Colbourne | Clemence Dane | [5] | |
Henry VIII | Open Air Theatre, Regent's Park | Anne Boleyn | Robert Atkins | William Shakespeare | [5] | |
Because We Must | 1937 | Wyndham's Theatre | Pamela Golding-Ffrench | Norman Marshall | Ingaret Giffard | [5] |
Bats in the Belfry | Ambassadors Theatre | Jessica Morton | A. R. Whatmore | Diana Morgan and Robert MacDermot | [5] | |
Hamlet | Kronborg Castle, Elsinore | Ophelia | Tyrone Guthrie | William Shakespeare | [5] | |
A Midsummer Night's Dream | Open Air Theatre, Regent's Park | Titania | William Shakespeare Jeanne de Casalis | [5] | ||
Serena Blandish | 1938 | Gate Theatre | Serena Blandish | Esme Percy | S. N. Behrman and Enid Bagnold | [5] |
Romeo and Juliet | 1940 | 51st Street Theatre, New York City, also San Francisco, Chicago and Washington, D.C. | Juliet | Laurence Olivier | William Shakespeare | [5] |
The Doctor's Dilemma | 1942 | Haymarket Theatre | Jennifer Dubedat | Irene Hentschel | George Bernard Shaw | [5] |
"Old Vic Spring Party — A Revue" | 1943 | 3-month tour of North Africa entertaining troops | Herself and as Scarlett O'Hara | John Gielgud | works by Lewis Carroll and Clemence Dane | [4] |
The Skin of Our Teeth | 1945 | Phoenix Theatre | Sabina | Laurence Olivier | Thornton Wilder | [5] |
The Skin of Our Teeth (revival) | 1946 | Piccadilly Theatre | [5] | |||
Richard III | 1948 | Old Vic Company Tour of Australia and New Zealand | Lady Anne | [5] | ||
The School for Scandal | Lady Teazle | Richard Brinsley Sheridan | [5] | |||
The Skin of Our Teeth (revival) | Sabina | Thornton Wilder | [5] | |||
The School for Scandal | 1949 | New Theatre for the Old Vic Company | Lady Teazle | Richard Brinsley Sheridan | [5] | |
Richard III | Lady Anne | Laurence Olivier | Thornton Wilder | [5] | ||
Antigone | Antigone | Sophocles | [5] | |||
A Streetcar Named Desire | Aldwych Theatre | Blanche DuBois | Tennessee Williams | [5] | ||
Caesar and Cleopatra | 1951 | St James's Theatre | Cleopatra | Michael Benthall | George Bernard Shaw alternated nightly with Antony and Cleopatra |
[5] |
Antony and Cleopatra | William Shakespeare alternated nightly with Caesar and Cleopatra |
[11] | ||||
Caesar and Cleopatra | Ziegfeld Theatre, New York City | George Bernard Shaw alternated nightly with Antony and Cleopatra |
[5] | |||
Antony and Cleopatra | William Shakespeare alternated nightly with Caesar and Cleopatra |
[11] | ||||
The Sleeping Prince | 1953 | Phoenix Theatre | Mary Morgan | Laurence Olivier | Terence Rattigan | [11] |
Twelfth Night | 1955 | Stratford-upon-Avon | Viola | John Gielgud | William Shakespeare | [11] |
Macbeth | Lady Macbeth | Glen Byam Shaw | [11] | |||
Titus Andronicus | Lavinia | Peter Brook | [11] | |||
South Sea Bubble | 1956 | Lyric Theatre | Lady Alexandra Shotter | William Chappell | Noël Coward | [11] |
Titus Andronicus | 1957 | European Tour, followed by Stoll Theatre, London | Lavinia | Peter Brook | William Shakespeare | [11] |
Duel of Angels | 1958 | Apollo Theatre | Paola | Jean-Louis Barrault | Jean Giraudoux Christopher Fry |
[11] |
Look After Lulu! | 1959 | Royal Court Theatre, then New Theatre | Lulu d'Arville | Tony Richardson | Georges Feydeau translated by Noël Coward | [11] |
Duel of Angels | 1960 | Helen Hayes Theatre, New York City | Paola | Robert Helpmann | Jean Giraudoux Christopher Fry |
[11] |
Twelfth Night | 1961 | Old Vic Company Tour of Australia, New Zealand and South America |
Viola |
Robert Helpmann | William Shakespeare | [11] |
Duel of Angels | Paola | Jean Giraudoux | [11] | |||
Lady of the Camellias | Marguerite Gautier | Alexandre Dumas | [11] | |||
Tovarich | 1963 | Broadway Theatre, New York City | Grand Duchess Tatiana I | Peter Glenville | Robert E. Sherwood | [11] |
La Contessa | 1965 | Newcastle, Liverpool and Manchester | Contessa Sanziani | Robert Helpmann | Paul Osborn and Maurice Druon | [11] |
Ivanov | 1966 | Shubert Theatre, New York City | Anna Petrova | John Gielgud | Anton Chekhov | [11] |
Films
[edit]Bibliography
[edit]- Bean, Kendra (2013). Vivien Leigh: An Intimate Portrait. Philadelphia, Pennsylvania : Running Press Book Publishers. ISBN 978-0-7624-5099-2.
References
[edit]- ^ a b "Vivien Leigh". Biography. Retrieved 11 November 2020.
- ^ Bean 2013, p. 167.
- ^ a b c d e f g Bean 2013, p. 247.
- ^ a b Bean 2013, pp. 89–91.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x Bean 2013, p. 249.
- ^ a b c d "Vivien Leigh". Hollywood Walk of Fame. 25 October 2019. Retrieved 11 November 2020.
- ^ a b "Academy Awards Search | Academy of Motion Picture Arts & Sciences". awardsdatabase.oscars.org. Retrieved 10 November 2020.
- ^ "The Search for Scarlett: Girls Tested for the Role of Scarlett". Gone with the Wind Online Exhibit. University of Texas at Austin: Harry Ransom Center. Archived from the original on 5 January 2014.
- ^ Bean 2013, pp. 124–126.
- ^ Bean 2013, p. 131.
- ^ a b c d e f g h i j k l m n o p q Bean 2013, p. 250.
- ^ "Fire Over England". UCLA Film and Television Archive. Retrieved 11 November 2020.
- ^ "Dark Journey". AFI Catalog of Featured Films. Retrieved 11 November 2020.
- ^ "Storm in a Teacup". AFI Catalog of Featured Films. Retrieved 11 November 2020.
- ^ "A Yank at Oxford". UCLA Film and Television Archive. Retrieved 11 November 2020.
- ^ "Gone with the Wind". UCLA Film and Television Archive. Retrieved 11 November 2020.
- ^ "21 Days Together". AFI Catalog of Featured Films. Retrieved 11 November 2020.
- ^ a b c d e Bean 2013, p. 248.
- ^ "A Streetcar Named Desire". UCLA Film and Television Archive. Retrieved 11 November 2020.
- ^ Bean 2013, p. 245.