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Welcome!

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Some cookies to welcome you!

Welcome to Wikipedia, RosPost! Thank you for your contributions. I am Rosiestep and I have been editing Wikipedia for some time, so if you have any questions, feel free to leave me a message on my talk page. You can also check out Wikipedia:Questions or type {{help me}} at the bottom of this page. Here are some pages that you might find helpful:

Also, when you post on talk pages you should sign your name using four tildes (~~~~); that will automatically produce your username and the date. I hope you enjoy editing here and being a Wikipedian! Rosiestep (talk) 19:01, 25 April 2019 (UTC)[reply]

Hi Rosalind!! Just leaving you a note to see if you are checking Wikipedia. You need to create your user page so it turns from read to blue.--Dzingle1 (talk) 19:26, 23 May 2019 (UTC)[reply]

Anne Skorecki Levy moved to draftspace

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An article you recently created, Anne Skorecki Levy, does not have enough sources and citations as written to remain published. It needs more citations from reliable, independent sources. (?) Information that can't be referenced should be removed (verifiability is of central importance on Wikipedia). I've moved your draft to draftspace (with a prefix of "Draft:" before the article title) where you can incubate the article with minimal disruption. When you feel the article meets Wikipedia's general notability guideline and thus is ready for mainspace, please follow the prompts on the Articles for Creation template atop the page. ... discospinster talk 03:14, 13 June 2019 (UTC)[reply]

Hi RosPost. It was lovely to meet you at the edit-a-thon today. I can see in your sandbox that you have a lot more content for the Anne Skorecki Levy article. When you add it to Draft:Anne Skorecki Levy, I'm confident it will sail through. Please let me know if you need any help. Cheers, Clayoquot (talk | contribs) 05:04, 13 June 2019 (UTC)[reply]
Sounds like a great suggestion! I let Ipigott that you made the submission.

Thanks for attending

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San Diego tchotchke
On behalf of US-SAN, I present to you this item as a thanks for your interest in improving/creating content on Wikipedia. You did so by attending an edit-a-thon during an annual meeting of the Society of Biblical Literature at the San Diego Convention Center. RightCowLeftCoast (Moo) 23:52, 30 November 2019 (UTC)[reply]

NOLA JEWISH WOMEN

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List; RE link http://nolajewishwomen.tulane.edu

--Rosalind Flynn Hinton 16:24, 16 January 2020 (UTC)

Fiberworks, Center for the Textile Arts, Berkley CA

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Fiberworks, Center for the Textile Arts, was an internationally recognized center for the textile arts at 1940 Bonita Avenue, Berkeley, California, 1973-1987. Fiberworks, Center for the Textile Arts

Fiberworks, Center for the Textile Arts, was an internationally recognized art center at 1940 Bonita Avenue, Berkeley, California. 1: Donald Thalacker, The Place of Art in the World of Architecture, Chelsea House Publishers, New York, NY. 1980 p. 142)

Founded in 1973 by Hungarian-born artist Gyöngy Laky, it became an internationally recognized art center that helped redefine textile arts. It included a wide range of contemporary and experimental approached based in the textile media. The Fiberworks gallery showcased textile art in the early 1970s, a time when most other commercial galleries and museums gave textile medium scant exposure. 2. Giselle Eberhard Cotton & Magali Junet, From Tapestry to Fiber Art: Lausanne Biennials 1962-95, Skira. Milan, Italy, 2017pp 78-80)

Foremost was the year-round Community School, the Special Studies program, the Bachelor and Master of Fine Arts accredited programs in conjunction with Lone Mountain College of San Francisco (in Wikipedia). Many of the school's faculty, lecturers, exhibitors and students were, or would go on to become, influential leaders in the arts including Lia Cook, Katherine Westphal, Mildred Howard, Yoshiko Iwamoto Wada, Jack Lenor Larsen, Gyöngy Laky, David Ireland, Ed Rossbach, Nance O’Banion and Morgan O’Hara to mention only a few. (all of them are in Wikipedia)


 Gyöngy Laky  
   

Gyöngy Laky (born in Budapest, Hungary, 1944) is an American sculptor living and working in San Francisco, California. Her work has been exhibited in the U.S., Europe, Asia and South America. She gained recognition early in her career for her linear sculptures constructed in the architectural methods of textile arts. [1] “Laky’s art manifests architectonic sensibility. She is as much an engineer as she is an artist in the conventional sense.” [2] She is also known for her site-specific, outdoor, temporary installations. [3]

Contents 1. Early life and education 2. Career 3. Solo exhibitions 4. Museum and public collections 5. References 6. External links

Early life and education Both her undergraduate and graduate studies were pursued at University of California, Berkeley. Postgraduate work followed with the U C Professional Studies in India Program. While at the University of California she studied with Ed Rossbach, Peter Voulkos, Lillian Elliott and Joanne Brandford. In India she studied with Haku Shah.

Laky arrived in the U.S. with her refugee family in 1949 escaping from Hungary and the turbulent aftermath of WWII. The family was taken in by a sponsoring family in Lorain, OH later moving to Oklahoma City, Dallas and eventually Northern California. As a 12-year-old, Laky moved with her family to Carmel, California, a thriving art colony at the time. She studied with her mother, painter Zyta Laky, and attended Carmel Highschool.

Career Laky’s art ranges from the hand held to large-scale, temporary installations outdoors. Her materials vary as much as the size and shape of her work. She is particularly noted for constructing with linear elements of wood - both natural and commercial. Having begun her career in traditional fine arts she became influenced by her close association with architecture at U C Berkeley.

As of 2005, Laky is Professor Emeritus of University of California, Davis, (chair, Department of Art mid-1990s).

Solo exhibitions • 2012 b. sakata garo, Sacramento CA “Marks of Narration”

        	Cain Schulte Contemporary Art, San Francisco, CA, “Gyöngy Laky: Crossover”

• 2011 Braunstein/Quay Gallery, San Francisco, CA, “Gyöngy Laky: Reading Geometries” • 2009 b. sakata garo, Sacramento CA “Common Sense” • 2007 Braunstein/Quay Gallery, San Francisco, CA, “Gyöngy Laky New Work: Intersections” • 2006 Nelson Gallery, University of California, Davis, Davis, CA, “The Difficult Subjects of W: War, Waste, Want, Women” • 2004 Braunstein/Quay Gallery, San Francisco, CA, “Lines of the Terrain” • 2001 Nancy Margolis Gallery, New York, NY, "Gyöngy Laky" MX Gallery, Barcelona, Spain, "Gyöngy Laky: Recent Work" • 1999 Officinet Gallery, Danske Kunsthåndværkere, Copenhagen, DK, “Gyöngy Laky” Memorial Union Gallery, UCD, Davis, CA, “Gyöngy Laky: Sculpture from Organic Sources” • 1996 Royal Institute of British Architects Gallery, Manchester, England, "Works by Gyöngy Laky" • 1985 Site 311 Gallery, Pacific Grove, CA, "Gyöngy Laky: Improvisational Sculpture/Constructed Drawings" Maple Hill Gallery, Portland, ME, "Baskets, Gyöngy Laky” • 1984 Monterey Peninsula Museum of Art, Monterey, CA, "Gyöngy Laky: Dimensional Works" • 1983 Live Art Gallery, San Francisco, CA, "Gyöngy Laky/Fiddle Sticks" • 1982 Meyer, Breier, Weiss, San Francisco, CA, "Fiber/Gyöngy Laky" Fiberworks, Center for the Textile Arts, Berkeley, CA, "Gyöngy Laky Recent Work" Pence Gallery, Davis, CA,"Gyöngy Laky Recent Work"

Museum and public collections • Crocker Art Museum, Sacramento, CA 2019 • George Washington University Museum, Washington DC 2018 • Art in Embassies, US Department of State, Pristina, Kosovo 2018 • Museum of Fine Arts, Boston, MA 2013 • De Young Museum, SF, CA 2010 • Racine Art Museum, Racine WI 1999, 2001, 2007, 2008 • Museum of Arts and Design, NY, NY 2008 • The Oakland Museum of California, Oakland, CA 1985, 2006 • The Long Beach Museum, Long Beach, CA 2006 • Paisley Museum, Paisley, Scotland (Contemporary Art Society of London purchase (2002) for the permanent art collections of Britain 2006 • The Mint Museum of Craft & Design, Charlotte, NC 2005 • Arizona State University Art Museum, Tempe, AZ 2005 • Central Museum of Textiles, Lodz, Poland 2004 • Fuller Museum of Art, Brockton, MA 2003 • The Contemporary Museum, Honolulu, HI 2002 • LongHouse Reserve, East Hampton, NY 2002 • Renwick Gallery, National Museum of American Art, Smithsonian Institution, Washington DC 1998 • Philadelphia Museum of Art, Philadelphia, PA 1998 • The Arkansas Arts Center, Little Rock AR 1995 • Musesum of Arts & Design (American Craft Museum), New York, NY 1991 • Monterey Peninsula Museum of Art, Monterey, CA 1986 • San Francisco Museum of Modern Art, San Francisco, CA 1985 • Savaria Museum, Szombathely, Hungary 1980, 1984 • Government of India, commissioned by International Education, University of California, Berkeley, for Moraji Desai, Prime Minister 1978

References 1. Janet Koplos, Gyöngy Laky, Portfolio Series, Telos Art Publishing, England, 2003.

2. Introduction by Kenneth Trapp, Gyongy Laky (b. 1944) Fiber Art: Visual Thinking and the Intelligent Hand. Interviews by Harriet Nathan. Regional Oral History Office, Bancroft Library, University of California, Berkeley, CA. 2003, 248 pp. (Kenneth Trapp, Curator-in-charge, Renwick Gallery of the National Museum of American Art, Smithsonian Institution.)

3. Gabrielle Meneguzzi & Vincenzo Sponga, Humus Park: The Mind Opener, catalog for the exhibition, 5th International Land Art, Published by Commune di Pordenone, Italy, 2016 (pp 44-45 82-83)



Hi Rosalind! It's Josh, testing out the talk. Scaljosh (talk) 19:10, 25 March 2020 (UTC)scaljosh[reply]




List foundations? NEA, Calif Arts Council, East Bay Community Foundation, Crown Zellerbach

I'm trying something new

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Here's my talk page.

Women in Red

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Hi there, RosPost, and welcome to Women in Red. You seem to be progressing well with your new articles. If you have not already done so, you might find it useful to look through our Primer for creating women's biographies. Please let me know if you run into any difficulties or need assistance. Happy editing!--Ipigott (talk) 09:48, 11 March 2021 (UTC)[reply]

March 2021 at Women in Red

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1000 Women in Religion

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Just want to make sure you had the link for tomorrow. Thanks so much for signing up--RosPost 18:58, 19 March 2021 (UTC)[reply]

11:00 pacific time

Rosalind Hinton is inviting you to a scheduled Zoom meeting.

Join Zoom Meeting https://tulane.zoom.us/j/99510674922?pwd=L1loaktWemx5WUQ0RXhnbVgwR0VtUT09

Meeting ID: 995 1067 4922 Passcode: 249579

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Invitation to Local Wikimania Event in San Francisco this Friday

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Hello

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Hello Rosalind. I am practicing sending messages. @Lunatear Lunatear (talk) 19:20, 19 February 2024 (UTC)[reply]

Hi Lanatear, Welcome to Wikipedia. We are happy for you to join us on 2nd Mondays to edit and 4th Thursdays for the business meeting.
Here is the business meeting link:

Rosalind Hinton is inviting you to a scheduled Zoom meeting Topic: WiR planning session Time: This is a recurring meeting Meet anytime Join Zoom Meeting https://tulane.zoom.us/j/95434400202?pwd=N0lEQzFFTHZNRXk0NE44M3RxUWtkUT09 Meeting ID: 954 3440 0202 Passcode: 457211 One tap mobile +16694449171,,95434400202# US +16699006833,,95434400202# US (San Jose) Dial by your location +1 669 444 9171 US         +1 669 900 6833 US (San Jose)         +1 346 248 7799 US (Houston)         +1 719 359 4580 US         +1 253 205 0468 US         +1 253 215 8782 US (Tacoma)         +1 309 205 3325 US         +1 312 626 6799 US (Chicago)         +1 360 209 5623 US        +1 386 347 5053 US         +1 507 473 4847 US         +1 564 217 2000 US         +1 646 558 8656 US (New York)         +1 646 931 3860 US       +1 689 278 1000 US         +1 301 715 8592 US (Washington DC)         +1 305 224 1968 US Meeting ID: 954 3440 0202 Find your local number: https://tulane.zoom.us/u/aer9DwFgHt Join by Skype for Business

RosPost 16:37, 20 February 2024 (UTC)[reply]

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Women in Red May 2024

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Women in Red | May 2024, Volume 10, Issue 5, Numbers 293, 294, 305, 306, 307


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--Lajmmoore (talk 06:18, 28 April 2024 (UTC) via MassMessaging[reply]

Women in Red June 2024

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Women in Red | June 2024, Volume 10, Issue 6, Numbers 293, 294, 308, 309, 310


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--Lajmmoore (talk 07:06, 23 May 2024 (UTC) via MassMessaging[reply]

Women in Red August 2024

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Women in Red | July 2024, Volume 10, Issue 7, Numbers 293, 294, 311, 312, 313


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--Lajmmoore (talk 14:29, 30 June 2024 (UTC) via MassMessaging[reply]

Women in Red August 2024

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Women in Red | August 2024, Volume 10, Issue 8, Numbers 293, 294, 311, 313, 314, 315


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--Lajmmoore (talk 19:59, 25 July 2024 (UTC) via MassMessaging[reply]

September 2024 at Women in Red

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Women in Red | September 2024, Volume 10, Issue 9, Numbers 293, 294, 311, 316, 317


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--Rosiestep (talk) 19:03, 26 August 2024 (UTC) via MassMessaging[reply]

Women in Red October 2024

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Women in Red | October 2024, Volume 10, Issue 10, Numbers 293, 294, 318, 319, 320


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--Lajmmoore (talk 08:07, 29 September 2024 (UTC) via MassMessaging[reply]

Women in Red November 2024

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Women in Red | November 2024, Vol 10, Issue 11, Nos 293, 294, 321, 322, 323


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ArbCom 2024 Elections voter message

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Women in Red December 2024

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Women in Red | December 2024, Vol 10, Issue 12, Nos 293, 294, 324, 325


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--Lajmmoore (talk 18:46, 29 November 2024 (UTC) via MassMessaging[reply]