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User:Yayita8i8/Chinese literature/Bibliography

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You will be compiling your bibliography and creating an outline of the changes you will make in this sandbox.


Bibliography

[edit]

Edit this section to compile the bibliography for your Wikipedia assignment. Add the name and/or notes about what each source covers, then use the "Cite" button to generate the citation for that source.

  1. A.p, Bissenbayeva, Abdurakyn N, and Luo X.m. 2019. “Features of the Chinese Network Literature.” Вестник КазНУ. Серия Филологическая 173 (1): 161–66. https://doi.org/10.26577/EJPh.2019.v173.i1.ph3.[1]
    • Journal: Academic journal focused on philology.
    • Reliability: High, as it's peer-reviewed.
    • Summary: Analyzes characteristics and trends in Chinese network literature, providing insights into how the digital age influences literary production in China.
  2. Feng, Jin. 2013. Romancing the Internet: Producing and Consuming Chinese Web Romance. BRILL.[2]
    • Type: Academic book by a reputable publisher.
    • Reliability: High, as it undergoes rigorous review.
    • Summary: Examines the phenomenon of Chinese web romance, highlighting the interplay between production and consumption in the digital literary market.
  3. Hao, Ling. 2023. “Reading Global Literature with Chinese American Children: Connections, Disconnections, and Misconnections.” Talking Points 35 (1): 11–18. https://doi.org/10.58680/tp202332706.[3]
    • Journal: Peer-reviewed academic journal.
    • Reliability: High.
    • Summary: Discusses the impact of global literature on Chinese American children, touching on the cultural exchange and adaptation evident in online literature.
  4. Hockx, Michel. 2005. “Virtual Chinese Literature: A Comparative Case Study of Online Poetry Communities.” The China Quarterly 183 (September):670–91. https://doi.org/10.1017/S030574100500041X.[4]
    • Journal: The China Quarterly, a peer-reviewed journal.
    • Reliability: High.
    • Summary: Investigates online poetry communities in China, providing comparative insights into virtual literary spaces and their cultural significance.
  5. Liu, Xiping, and Changxuan Wan. 2019. “What Are You Reading: A Big Data Analysis of Online Literary Content.” In Data Mining and Big Data, edited by Ying Tan and Yuhui Shi, 23–33. Singapore: Springer. https://doi.org/10.1007/978-981-32-9563-6_3.[5]
    • Type: Peer-reviewed book chapter.
    • Reliability: High.
    • Summary: Utilizes big data to analyze trends in online literary content, highlighting the evolving landscape of Chinese digital literature.
  6. Luo, Wei. 2023. “The Power of Qing: The Guardian Web Series and Queer Worldmaking in Chinese Danmei.” Women’s Studies in Communication 46 (4): 392–414. https://doi.org/10.1080/07491409.2023.2261190.[6]
    • Journal: Peer-reviewed academic journal.
    • Reliability: High.
    • Summary: Explores queer themes in the Chinese Danmei genre, emphasizing how online literature and media contribute to queer worldmaking.
  7. Miller, J. Hillis. 2008. “Reading (about) Modern Chinese Literature in a Time of Globalization.” Modern Language Quarterly 69 (1): 187–94. https://doi.org/10.1215/00267929-2007-031.[7]
    • Journal: Peer-reviewed academic journal.
    • Reliability: High.
    • Summary: Discusses the impact of globalization on modern Chinese literature, with insights applicable to the development of online literary forms.
  8. “Online Crisis Communication in a Post-Truth Chinese Society: Evidence from Interdisciplinary Literature.” 2019. Public Relations Review 45 (4): 101826. https://doi.org/10.1016/j.pubrev.2019.101826.[8]
    • Journal: Peer-reviewed academic journal.
    • Reliability: High.
    • Summary: Examines crisis communication in digital contexts, relevant for understanding narrative strategies in Chinese online literature.
  9. Ren, Xiang, and Lucy Montgomery. 2012. “Chinese Online Literature: Creative Consumers and Evolving Business Models.” Edited by Hye‐Kyung Lee. Arts Marketing: An International Journal 2 (2): 118–30. https://doi.org/10.1108/20442081211274002.[9]
    • Journal: Peer-reviewed academic journal.
    • Reliability: High.
    • Summary: Analyzes the business models and consumer creativity in Chinese online literature, highlighting the economic aspects of digital storytelling.
  10. Tian, Xiaoli, and Michael Adorjan. 2016. “Fandom and Coercive Empowerment: The Commissioned Production of Chinese Online Literature.” Media, Culture & Society 38 (6): 881–900. https://doi.org/10.1177/0163443716646172.[10]
    • Journal: Peer-reviewed academic journal.
    • Reliability: High.
    • Summary: Investigates the relationship between fandom and online literature production, providing insights into the socio-cultural dynamics of Chinese digital narratives.
  11. Wang, Yuxi. 2017. “Globalization of Chinese Online Literature: Understanding Transnational Reading of Chinese Xuanhuan Novels Among English Readers.” Inquiries Journal 9 (12). http://www.inquiriesjournal.com/articles/1716/globalization-of-chinese-online-literature-understanding-transnational-reading-of-chinese-xuanhuan-novels-among-english-readers.[11]
    • Journal: Open-access journal, not necessarily peer-reviewed.
    • Reliability: Medium, check references for credibility.
    • Summary: Explores the international reach of Chinese online literature, focusing on the transnational appeal of Xuanhuan novels among English-speaking readers.
  12. Xiaoming, Kewen Zhang, Hao. 1999. “The Internet and the Ethnic Press: A Study of Electronic Chinese Publications.” The Information Society 15 (1): 21–30. https://doi.org/10.1080/019722499128646.[12]
    • Journal: Peer-reviewed academic journal.
    • Reliability: High.
    • Summary: Analyzes the role of the internet in the ethnic Chinese press, relevant for understanding the broader context of Chinese online literature.
  13. Yang, Ling, and Yanrui Xu. 2016. “Danmei, Xianqing, and the Making of a Queer Online Public Sphere in China.” Communication and the Public 1 (2): 251–56. https://doi.org/10.1177/2057047316648661.[13]
    • Journal: Peer-reviewed academic journal.
    • Reliability: High.
    • Summary: Explores the creation of a queer online public sphere in China through Danmei literature, highlighting its social and cultural impact.
  14. Zheng, Xiqing. 2024. “Chinese Media Production and Fandom between Queerbaiting and ‘Survival Instincts.” Media, Culture & Society 46 (7): 1437–53. https://doi.org/10.1177/01634437241241964.[14]
    • Journal: Peer-reviewed academic journal.
    • Reliability: High.
    • Summary: This article explores how Chinese media production navigates queerbaiting and survival instincts within fandoms, highlighting the tension between commercial interests and fan engagement in queer content.

References

[edit]
  1. ^ Bissenbayeva, A.P.; Abdurakyn, N.; Luo, X.M (2019). "Features of the chinese network literature". Eurasian Journal of Philology: Science and Education. 173 (1). doi:10.26577/EJPh.2019.v173.i1.ph3.
  2. ^ Feng, Jin (2013-08-15). Romancing the Internet. BRILL. ISBN 978-90-04-22205-2.
  3. ^ Hao, Ling (2023-10-01). "Reading Global Literature with Chinese American Children: Connections, Disconnections, and Misconnections". Talking Points. 35 (1): 11–18. doi:10.58680/tp202332706. ISSN 1522-6115.
  4. ^ hockx, michel (2005-09). "virtual chinese literature: a comparative case study of online poetry communities". The China Quarterly. 183: 670–691. doi:10.1017/S030574100500041X. ISSN 0305-7410. {{cite journal}}: Check date values in: |date= (help)
  5. ^ Liu, Xiping; Wan, Changxuan (2019), Tan, Ying; Shi, Yuhui (eds.), "What Are You Reading: A Big Data Analysis of Online Literary Content", Data Mining and Big Data, vol. 1071, Singapore: Springer Singapore, pp. 23–33, doi:10.1007/978-981-32-9563-6_3., ISBN 978-981-329-562-9, retrieved 2024-10-11 {{citation}}: Check |doi= value (help)
  6. ^ Luo, Wei (2023-10-02). "The Power of Qing : The Guardian Web Series and Queer Worldmaking in Chinese Danmei". Women's Studies in Communication. 46 (4): 392–414. doi:10.1080/07491409.2023.2261190. ISSN 0749-1409.
  7. ^ Miller, J. Hillis (2008-03-01). "Reading (about) Modern Chinese Literature in a Time of Globalization". Modern Language Quarterly. 69 (1): 187–194. doi:10.1215/00267929-2007-031. ISSN 0026-7929.
  8. ^ Cheng, Yang; Lee, Chia-Jui (2019-11). "Online crisis communication in a post-truth Chinese society: Evidence from interdisciplinary literature". Public Relations Review. 45 (4): 101826. doi:10.1016/j.pubrev.2019.101826. {{cite journal}}: Check date values in: |date= (help)
  9. ^ Ren, Xiang; Montgomery, Lucy (2012-10-19). Lee, Hye‐Kyung (ed.). "Chinese online literature: creative consumers and evolving business models". Arts Marketing: An International Journal. 2 (2): 118–130. doi:10.1108/20442081211274002. ISSN 2044-2084.
  10. ^ Tian, Xiaoli; Adorjan, Michael (2016-09). "Fandom and coercive empowerment: the commissioned production of Chinese online literature". Media, Culture & Society. 38 (6): 881–900. doi:10.1177/0163443716646172. ISSN 0163-4437. {{cite journal}}: Check date values in: |date= (help)
  11. ^ Wang, Yuxi (2017). "Globalization of Chinese Online Literature: Understanding Transnational Reading of Chinese Xuanhuan Novels Among English Readers". Inquiries Journal. 9 (12).
  12. ^ Xiaoming, Kewen Zhang, Hao (1999-02). "The Internet and the Ethnic Press: A Study of Electronic Chinese Publications". The Information Society. 15 (1): 21–30. doi:10.1080/019722499128646. ISSN 0197-2243. {{cite journal}}: Check date values in: |date= (help)CS1 maint: multiple names: authors list (link)
  13. ^ Yang, Ling; Xu, Yanrui (2016-06). "Danmei , Xianqing, and the making of a queer online public sphere in China". Communication and the Public. 1 (2): 251–256. doi:10.1177/2057047316648661. ISSN 2057-0473. {{cite journal}}: Check date values in: |date= (help)
  14. ^ Zheng, Xiqing (2024-10). "Chinese media production and fandom between queerbaiting and "survival instincts"". Media, Culture & Society. 46 (7): 1437–1453. doi:10.1177/01634437241241964. ISSN 0163-4437. {{cite journal}}: Check date values in: |date= (help)

Outline of proposed changes

[edit]

Click on the edit button to draft your outline.

Introduction:

  • Define Chinese online literature and its key characteristics.[1]
  • Briefly mention its historical emergence and growing popularity.[2]

Historical Development:

  • Trace the origins of Chinese online literature, including early platforms and influential works.[3]
  • Mention the role of the internet in providing a space for creative expression and alternative voices.[4]
  • Explain the impact of government policies and censorship on the development of online literature.[5]

Business Models and Platformization/Platform Economy:

  • Describe the different business models that have emerged in Chinese online literature (Freemium models, Subscription models.)[2]
  • "Pirate" websites[6]
  • Commissioned production[7]
  • Explain the concept of platformization and how it shapes the production, distribution, and consumption of online literature.[8]
  • Discuss the role of major internet companies like Tencent and Alibaba in shaping the industry.[1]

Fandom and Reader Participation:

  • Emphasize the importance of fan communities in the success of Chinese online literature.[2]
  • Explain how fan communities engage with online literature through activities like:
  • Commenting
  • Voting
  • Sending virtual gifts and financial support to authors
  • Writing fan fiction[9]
  • Discuss the concept of “data fans” and their role in the attention economy [4]

Genres and Themes:

  • Explore popular genres in Chinese online literature:
  • Danmei (boys' love)
  • Xianxia (Chinese fantasy)
  • Other relevant genres
  • Discuss the influence of social norms and censorship on content creation, particularly for genres like danmei.[5]

Globalization and Transnational Fandom:

  • Explain the growing popularity of Chinese online literature beyond China.[6]
  • Discuss the role of translation platforms like Wuxiaworld in disseminating Chinese online literature to international audiences.[6]
  • Explore the motivations and reading experiences of international readers of Chinese online literature.[11]
  • Impact on Traditional Publishing and Media:
  • Discuss the relationship between online literature and traditional publishing in China.[1]
  • Explain how online literature has influenced the print publishing industry and led to adaptations across various media:
  • Television series
  • Films
  • Animation
  • Manga
  • Radio drama

Future Trends and Challenges:

  • Consider potential future trends in Chinese online literature.[4]
  • Discuss challenges facing the industry, including:
  • Censorship
  • Copyright issues
  • Sustainability of business models[3]
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  3. ^ a b Cite error: The named reference :2 was invoked but never defined (see the help page).
  4. ^ a b c Cite error: The named reference :4 was invoked but never defined (see the help page).
  5. ^ a b Cite error: The named reference :10 was invoked but never defined (see the help page).
  6. ^ a b c Cite error: The named reference :8 was invoked but never defined (see the help page).
  7. ^ Cite error: The named reference :7 was invoked but never defined (see the help page).
  8. ^ a b Cite error: The named reference :3 was invoked but never defined (see the help page).
  9. ^ Cite error: The named reference :1 was invoked but never defined (see the help page).
  10. ^ Cite error: The named reference :9 was invoked but never defined (see the help page).
  11. ^ Cite error: The named reference :5 was invoked but never defined (see the help page).
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