User:Tofu98/Spanky Alford/Bibliography

Initial Bibliography

“This Alabama guitarist should be a lot more famous” Matt Wake, February 13, 2019 AL.com

https://www.al.com/life/2019/02/this-alabama-guitarist-should-be-a-lot-more-famous.html

Includes useful quotes from interviews that provide context to how artists that worked with Spanky viewed his work. Also includes some of Spanky’s influences, and his connection to north Alabama.^[1]

2. “Eddie Spanky Alford” Discogs.com https://www.discogs.com/artist/567047-Eddie-Spanky-Alford

Includes many more works than those listed on the wikipedia page. Could have useful info on those adjacent wikipedia pages too.

^[2]

3."Singing Love Songs to Mr. Death": Racial Terror and the State of Erection in D'Angelo's "(Untitled) How Does It Feel?"

Aimé J. Ellis

https://muse-jhu-edu.libproxy.library.unt.edu/pub/103/article/450905

Although it does not explicitly mention Spanky, it has some adjacent cultural information that could prove useful to explaining the importance of Spanky’s collaboration on Dangelo’s records, since Spanky played on this track.

^[3]

4. Someone Has to Care By Christian Scharen · 2021

https://www.google.com/books/edition/Someone_Has_to_Care/Xs9OEAAAQBAJ?hl=en&gbpv=1&dq=Spanky+alford&pg=PA54&printsec=frontcover

Selection would benefit contextualizing Spanky’s contemporaries as well as his collaborators. ^[4]

5. Playing ChangesJazz for the New Century By Nate Chinen · 2018

https://www.google.com/books/edition/Playing_Changes/VHxnDwAAQBAJ?hl=en&gbpv=1&dq=Spanky+alford&pg=PA164&printsec=front cover

Talks about Spanky’s connection to the great Roy Hargrove, and other musicians. Describes the feel of the so called ‘Texas Cats’.

^[5]

6. Jazztime May 2001

Includes local north alabama legend ‘Ken Watters’, allows me to connect him more to Alabama scene

https://books.google.com/books?id=uScEAAAAMBAJ&pg=PA220&dq=Spanky+alford&hl=en&sa=X&ved=2ahUKEwic2Ib2w6D9AhVgkYkEHXcdDYQQ6AF6BAgDEAI#v=onepage&q=Spanky%20alford&f=false

Example has a simple line up from a local jazz festival. Mentions local legend Ken Watters, shows some more of Spanky’s connections to north Alabama.

^[6]

7. 33 ⅓ Voodoo by Pennick, Faith A.

https://web-p-ebscohost-com.libproxy.library.unt.edu/ehost/detail/detail?vid=7&sid=2cec8cd0-6e54-47e7-a965-2d243fd32d7b%40redis&bdata=JnNjb3BlPXNpdGU%3d#AN=A2111651&db=ram

Haven’t had a chance to crack the cover on this one yet. However I’m optimistic based on your recommendation that it might have a page or two dedicated to personnel and their roles on the record that would be useful.^[7]

8. Great God A'Mighty! the Dixie Hummingbirds

Celebrating the Rise of Soul Gospel Music By Jerry Zolten · 2022

https://www.google.com/books/edition/Great_God_A_Mighty_the_Dixie_Hummingbird/8pFwEAAAQBAJ?hl=en&gbpv=1&dq=Spanky+alford pg=PA322&printsec=frontcover

Provides additional context to Spanky’s gospel guitar roots. Also talks about Spanky’s skills as a teacher, which he had many students later in his life.^[8]

9. D'Angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption

Loren Kajikawa

https://www-jstor-org.libproxy.library.unt.edu/stable/10.5406/blacmusiresej.32.1.0137?searchText=d%27angelo+voodoo&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3Dd%2527angelo%2Bvoodoo&ab_segments=0%2FSYC-6744_basic_search%2Ftest-1&refreqid=fastly-default%3A4eb81a49f89f886d7f3fe7bf1e0373e4

Again, more cultural information. Not much direct information on Spanky but including adjacent information can help strengthen some of the Wikipedia entry.^[9]

10. Dilla Time The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm By Dan Charnas · 2022

https://www.google.com/books/edition/Dilla_Time/SBEqEAAAQBAJ?hl=en&gbpv=1&dq=Spanky+alford&pg=PT133&printsec=frontcover

Mentions Alford’s connection to other works, as well as why he was chosen for that particular recording session.

^[10]

Annotated Bibliography

Source 1: This Alabama guitarist should be a lot more famous^[1]

Question		Your Annotation
Who is the author?		Matt Wake
Who is the intended readership?		General AL.com readers
Why would it be considered a "good" source under Wikipedia guidelines?		Secondary source, includes many interview clips.
How and why is this source specifically useful and relevant your article		Adds lots of information regarding Spanky's later life in Alabama.

Source 2: Eddie Spanky Alford^[2]

Question		Your Annotation
Who is the author?		Uncredited, probably a la wikipedia
Who is the intended readership?		general audiences of discogs.com
Why would it be considered a "good" source under Wikipedia guidelines?		Includes established information, no primary sources
How and why is this source specifically useful and relevant your article		Provides many adjacent entries to other works Spanky has worked on.

Source 3: Eddie Spanky Alford^[3]

Question		Your Annotation
Who is the author?		Aimé J. Ellis
Who is the intended readership?		Academics
Why would it be considered a "good" source under Wikipedia guidelines?		From published academic journal, no original information
How and why is this source specifically useful and relevant your article		Although it does not explicitly mention Spanky, it has some adjacent cultural information that could prove useful to explaining the importance of Spanky’s collaboration on Dangelo’s records, since Spanky played on this track.

Source 4: Someone Has To Care^[4]

Question		Your Annotation
Who is the author?		Christian Scharen
Who is the intended readership?		Casual readers with specific interests in learning more about the Neo-soul musicians
Why would it be considered a "good" source under Wikipedia guidelines?		From published book, not a website. No original information
How and why is this source specifically useful and relevant your article		Selection would benefit contextualizing Spanky’s contemporaries as well as his collaborators.

Source 5: Someone Has To Care^[5]

Question		Your Annotation
Who is the author?		Nate Chinen
Who is the intended readership?		Casual readers with specific interests
Why would it be considered a "good" source under Wikipedia guidelines?		From published book, not a website. No original information
How and why is this source specifically useful and relevant your article		Talks about Spanky’s connection to the great Roy Hargrove, and other musicians. Describes the feel of the so called ‘Texas Cats’.

Source 6: Someone Has To Care^[6]

Question		Your Annotation
Who is the author?		Not listed
Who is the intended readership?		Casual readers with specific interests, subscribers to Jazztime
Why would it be considered a "good" source under Wikipedia guidelines?		Magazine entry with no original
How and why is this source specifically useful and relevant your article		Example has a simple line up from a local jazz festival. Mentions local legend Ken Watters, shows some more of Spanky’s connections to north Alabama.

Source 7: 33 1/3 Voodoo^[7]

Question		Your Annotation
Who is the author?		Pennick, Faith A.
Who is the intended readership?		Casual readers with specific interests
Why would it be considered a "good" source under Wikipedia guidelines?		Book with no original information
How and why is this source specifically useful and relevant your article		Haven’t had a chance to crack the cover on this one yet. However I’m optimistic based on your recommendation that it might have a page or two dedicated to personnel and their roles on the record that would be useful.

Source 8: Great God A'MightY! the Dixie Hummingbirds Celebrating the Rise of Soul Gospel Music^[8]

Question		Your Annotation
Who is the author?		Jerry Zolten
Who is the intended readership?		Casual readers with specific interests
Why would it be considered a "good" source under Wikipedia guidelines?		Book with no original information
How and why is this source specifically useful and relevant your article		Provides additional context to Spanky’s gospel guitar roots. Also talks about Spanky’s skills as a teacher, which he had many students later in his life.

Source 9: D'angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption^[9]

Question		Your Annotation
Who is the author?		Loren Kajikawa
Who is the intended readership?		Academics
Why would it be considered a "good" source under Wikipedia guidelines?		Academic article with no original information
How and why is this source specifically useful and relevant your article		Again, more cultural information. Not much direct information on Spanky but including adjacent information can help strengthen some of the Wikipedia entry.

Source 10: D'angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption^[10]

Question		Your Annotation
Who is the author?		Loren Kajikawa
Who is the intended readership?		Academics
Why would it be considered a "good" source under Wikipedia guidelines?		Academic article with no original information
How and why is this source specifically useful and relevant your article		Again, more cultural information. Not much direct information on Spanky but including adjacent information can help strengthen some of the Wikipedia entry.

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Bibliography

This is where you will compile the bibliography for your Wikipedia assignment. Add the name and/or notes about what each source covers, then use the "Cite" button to generate the citation for that source.

Example: Luke, Learie. 2007. Identity and secession in the Caribbean: Tobago versus Trinidad, 1889–1980.^[11]
- This is a book published by a university press, so it should be a reliable source. It also covers the topic in some depth, so it's helpful in establishing notability.
Example: Galeano, Gloria; Bernal, Rodrigo (2013-11-08). "Sabinaria , a new genus of palms (Cryosophileae, Coryphoideae, Arecaceae) from the Colombia-Panama border". Phytotaxa.^[12]
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Example: Baker, William J.; Dransfield, John (2016). "Beyond Genera Palmarum: progress and prospects in palm systematics". Botanical Journal of the Linnean Society.^[13]
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References

^ ^a ^b Wake, Matt (February 13, 2019). "This Alabama guitarist Should be a lot more famous".
^ ^a ^b "Eddie Spanky Alford".
^ ^a ^b Ellis, Aime. ""Singing Love Songs to Mr. Death": Racial Terror and the State of Erection in D'Angelo's "(Untitled) How Does It Feel?"". JSTOR. 43. {{cite journal}}: line feed character in |title= at position 35 (help)
^ ^a ^b Scharen, Christian (2021). Someone Has to Care. p. 54.
^ ^a ^b Chinen, Nate (2018). Playing ChangesJazz for the New Century. p. 164.
^ ^a ^b "Jazz & Blues Festival Guide". Jazztimes: 220.
^ ^a ^b Penneck, Faith. 33 1/3 Voodoo.
^ ^a ^b Zolten, Jerry (2022). Great God A'Mighty! the Dixie Hummingbirds Celebrating the Rise of Soul Gospel Music. p. 322. {{cite book}}: line feed character in |title= at position 43 (help)
^ ^a ^b Kajikawa, Loren. "D'Angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption". JSTOR. 32 (1).
^ ^a ^b Charnas, Dan (2022). Dilla Time The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm.
^ Luke, Learie B. (2007). Identity and secession in the Caribbean: Tobago versus Trinidad, 1889–1980. Kingston, Jamaica: University of the West Indies Press. ISBN 978-9766401993. OCLC 646844096.
^ Galeano, Gloria; Bernal, Rodrigo (2013-11-08). "Sabinaria , a new genus of palms (Cryosophileae, Coryphoideae, Arecaceae) from the Colombia-Panama border". Phytotaxa. 144 (2): 27–44. doi:10.11646/phytotaxa.144.2.1. ISSN 1179-3163.
^ Baker, William J.; Dransfield, John (2016). "Beyond Genera Palmarum : progress and prospects in palm systematics". Botanical Journal of the Linnean Society. 182 (2): 207–233. doi:10.1111/boj.12401.

[:0-1] Wake, Matt (February 13, 2019). "This Alabama guitarist Should be a lot more famous".

[:1-2] "Eddie Spanky Alford".

[:2-3] Ellis, Aime. ""Singing Love Songs to Mr. Death": Racial Terror and the State of Erection in D'Angelo's "(Untitled) How Does It Feel?"". JSTOR. 43. {{cite journal}}: line feed character in |title= at position 35 (help)

[:3-4] Scharen, Christian (2021). Someone Has to Care. p. 54.

[:4-5] Chinen, Nate (2018). Playing ChangesJazz for the New Century. p. 164.

[:5-6] "Jazz & Blues Festival Guide". Jazztimes: 220.

[:6-7] Penneck, Faith. 33 1/3 Voodoo.

[:7-8] Zolten, Jerry (2022). Great God A'Mighty! the Dixie Hummingbirds Celebrating the Rise of Soul Gospel Music. p. 322. {{cite book}}: line feed character in |title= at position 43 (help)

[:8-9] Kajikawa, Loren. "D'Angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption". JSTOR. 32 (1).

[:9-10] Charnas, Dan (2022). Dilla Time The Life and Afterlife of J Dilla, the Hip-Hop Producer Who Reinvented Rhythm.

[11] Luke, Learie B. (2007). Identity and secession in the Caribbean: Tobago versus Trinidad, 1889–1980. Kingston, Jamaica: University of the West Indies Press. ISBN 978-9766401993. OCLC 646844096.

[12] Galeano, Gloria; Bernal, Rodrigo (2013-11-08). "Sabinaria , a new genus of palms (Cryosophileae, Coryphoideae, Arecaceae) from the Colombia-Panama border". Phytotaxa. 144 (2): 27–44. doi:10.11646/phytotaxa.144.2.1. ISSN 1179-3163.

[13] Baker, William J.; Dransfield, John (2016). "Beyond Genera Palmarum : progress and prospects in palm systematics". Botanical Journal of the Linnean Society. 182 (2): 207–233. doi:10.1111/boj.12401.

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Initial Bibliography

Annotated Bibliography

Source 1: This Alabama guitarist should be a lot more famous[1]

Source 2: Eddie Spanky Alford[2]

Source 3: Eddie Spanky Alford[3]

Source 4: Someone Has To Care[4]

Source 5: Someone Has To Care[5]

Source 6: Someone Has To Care[6]

Source 7: 33 1/3 Voodoo[7]

Source 8: Great God A'MightY! the Dixie Hummingbirds Celebrating the Rise of Soul Gospel Music[8]

Source 9: D'angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption[9]

Source 10: D'angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption[10]

Bibliography

References

Source 1: This Alabama guitarist should be a lot more famous^[1]

Source 2: Eddie Spanky Alford^[2]

Source 3: Eddie Spanky Alford^[3]

Source 4: Someone Has To Care^[4]

Source 5: Someone Has To Care^[5]

Source 6: Someone Has To Care^[6]

Source 7: 33 1/3 Voodoo^[7]

Source 8: Great God A'MightY! the Dixie Hummingbirds Celebrating the Rise of Soul Gospel Music^[8]

Source 9: D'angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption^[9]

Source 10: D'angelo's Voodoo Technology: African Cultural Memory and the Ritual of Popular Music Consumption^[10]