User:Tenorsalih/Chest voice/Bibliography

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Bibliography

Howell, Ian, "Necessary Roughness in the Voice Pedagogy Classroom", VOICEprints, the NYSTA e-jurnal. May/June, 2017; Vol. 14, no. 5:4-7.
- This article discusses the auditory roughness produced by singing and presents graphics of harmonics of the fundamental voice. For every singer it could be interesting to see their pitch construct and formants via softwares

Herbst, C. T., Švec, J. G., "Adjustment of Glottal Configurations in Singing", Journal of Singing, January/February, 2014; 70: 301-308.
- This paper talks about falsetto and chest register under abducted and adducted scenarios and constructs a chart. I think this could be very interesting for singers to see how glottal configuration affect their singing. The paper also discusses closed quotient ratios under these scenarios.

Herbst, C. T., Ternström, S., Švec, J. G., "Investigation of Four Distinct Glottal Configuration in Classical singing - A Pilot Study", Journal of Acoustical Society of America, March 2009; 125, no. 3, 104-109.
- This paper suggest closed quotients of the vocal cords can determine the technique we use in singing. For example a result around %65 and above indicates a full chest voice is used.

The subsection "Laryngeal registration understanding" needs a reference. I think the second paper I list above could be a good source.
The following sentence could be added to the same subsection: "The ratio of closed quotient can be detected by EGG (Electroglottographic) signals and resulting outcome can determine if the voice is constructed via full chest singing, for example a result of %65 and above can be viewed as a full chest." and the third reference above can be cited.

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