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Gender Identity

Feminist Science Fiction offers authors the opportunity to imagine worlds and futures in which women are not bound by the standards, rules, and roles that exist in reality. Rather, the genre creates a space in which the gender binary might be troubled and different sexualities may be explored.

As Anna Gilarek explains, issues of gender have been a part of feminist discourse throughout the feminist movement, and the work of authors such as Joanna Russ and Marge Piercy explore and expose gender based oppression. Gilarek outlines two approaches to social critique via Feminist SF: the use of fantastical elements such as “invented worlds, planets, moons, and lands,” used to call attention to the ills of society by exaggerating them, or a more straightforward approach, “relying on realist techniques to convey the message about the deficiencies of our world and its social organization, in particular the continued inequality of women.” There are many examples of redefined gender roles and gender identity found in Feminist SF, ranging from the inversion of gendered oppression to the amplification of gender stereotypes and tropes. In the short story “The Matter of Seggri,” by Ursula Le Guin, traditional gender roles are completely swapped. Men are relegated to roles of athletes and prostitutes while women control the means of production and have exclusive access to education. In Margaret Atwood’s The Handmaid’s Tale, gendered oppression is exaggerated in a dystopian society in which women’s rights are stripped away and fertile women are relegated to the roles of handmaids who will bear children to further the human race.

Over the decades, SF and feminist SF authors have taken different approaches to criticizing gender and gendered society. Helen Merrick outlines the transition from what Joanna Russ describes as the “Battle of the Sexes” tradition to a more egalitarian or androgynous approach. Also known as the “Dominant Woman” stories, the “Battle of the Sexes” stories often present matriarchal societies in which women have overcome their patriarchal oppressors and have achieved dominance. These stories are representative of an anxiety that perceives women’s power as a threat to masculinity and the heterosexual norm. As Merrick explains, “And whilst they may at least hint at the vision of a more equal gendered social order, this possibility is undermined by figuring female desire for greater equality in terms of a (stereotypical) masculine drive for power and domination.” Examples of these types of stories, written in the 1920’s and 30’s through the 50’s, include Francis Steven’s “Friend Island” and Margaret Rupert’s “Via the Hewitt Ray”.

In the 1960s and 1970s, feminist SF authors shifted from the “Battle of the Sexes” writing more egalitarian stories and stories that sought to make the feminine more visible. Ursula Le Guin’s The Left Hand of Darkness portrayed an androgynous society in which a world without gender could be imagined. In James Tiptree Jr.’s short story “Houston, Houston, Do You Read?”, women are able to be seen in their full humanity due to the absence of men in a post-apocalyptic society. Joanna Russ’s works, including “When it Changed” and The Female Man are other examples of exploring femininity and a “deconstruction of the acceptable, liberal ‘whole’ woman towards a multiple, shifting postmodernist sense of female ‘selfhood’.”