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Edward Foreman, 1937 -[1] is an operatic bass, and scholar of singing technique. He was founder and editor of the Pro Musica Press (Minneapolis, USA), which reprinted historical treatises in facsimile and transcription, and also translated historical them.[2]

His books include (all published by Pro Musica Press, Minneapolis):

Transformative Voice, 1996

Voice without technique, a manual for singers and teachers, 1998

R M Bacon, Elements of Vocal Science, 1966

Mancini, Gianbattista, Practical reflections on figured singing (1774 & 1777) 1967

The Porpora Tradition, (Corri, The singer’s preceptor Vols 1&2, 1811 and Nathan, Musurgia Vocalis 1816) 1968

Tosi, Pierfrancesco: Opinions of singers, Ancient and Modern, or Observations on Figured Singing, 1993

Pellegrini, Anna Maria, Grammar, or, Rules for singing well, 2001

Late renaissance singing : Giovanni Camillo Maffei, Discourse on the voice and the method of learning to sing ornamentation, without a teacher (1562) ; Lodovico Zacconi, the practice of music, book one, chapters LVIII-LXXX (1592) ; Giovanni Battista Bovicelli, Rules, passages of music (1594); Giovanni Luca Conforto, Brief and easy method ... (1603?)with English translation 2001

Authentic Singing, Being The History and Practice Of the Art of Singing And Teaching in Two Volumes , 2001

The Art of bel canto in the Italian Baroque: A study of the original sources, 2006

A bel canto Method or How to Sing Italian Baroque Music Correctly Based on the Primary Sources 2006

  1. ^ http://id.loc.gov/authorities/names/n87812140.html
  2. ^ OGDON, Beverly J.. Bel canto training in Niccolo Porpora's England with a twentieth century rationale. The Phenomenon of Singing, [S.l.], v. 2, p. 170-176, apr. 2013. Available at: <http://journals.library.mun.ca/ojs/index.php/singing/article/view/672>. Date accessed: 04 May. 2018.