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User:Ramblinman1/Jakub Schikaneder/Bibliography

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Bibliography

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Clegg, Elizabeth. “Schikaneder, Jakub.” Grove Art Online. 2003. Oxford University Press, https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000076546[1]

  • Clegg provides a chronological overview of Schikaneder’s teaching career, his contributions to the National Theatre, and specific details of specific works including his famous Murder in the Block. Clegg also depicts the different thematic moods and approaches Schikaneder pursued in his painting, capturing an evolution in his chosen themes to paint. I plan to use this source to provide information within my planned “Education and Emerging Artist” section, as well as the “Style and Work” section, since the article provides meaningful detail behind his stylistic techniques.

Filip, Aleš. "The Seductive English Influences: The Pre-Raphaelite Inspiration in Czech Painters." Art/Umění, vol. 71, no. 4, 2023, pp. 356–373, https://proxy.library.georgetown.edu/login?url=https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,uid&db=aft&AN=176515540&site=ehost-live&scope=site[2]

  • Filip’s article briefly explains Schikaneder’s rejection of the Pre-Raphaelite artistic tradition, as well as his stay in England in 1895. The article also comments on his favorite nocturn painter. I plan to use this information within his “education and emerging artist” and career sections to provide a more detailed and nuanced description of Schikaneder’s artistic inspiration and career path.

"Jakub Schikaneder - Drowned.", 1893. National Gallery Prague, https://sbirky.ngprague.cz/en/dielo/CZE:NG.K_55116.[3]

  • The National Gallery Prague describes Schikaneder’s painting style as well as a specific description of his work “Drowned” and an analysis of the painting’s female subject. I plan to use this source to potentially add a subtitle and description to this painting within the Wikipedia article, as well as offer more information to his “Style and Work” subsection.

"Jakub Schikaneder: 69 Artworks at Auction.” MutualArt, https://www.mutualart.com/Artist/Jakub-Schikaneder/DE6C5490A34DAAAE.[4]

  • This artistic gallery source shares different pieces of Schikaneder’s work and mentions his features at key galleries and museums like the National Gallery of Prague. I plan to use this information under his legacy section, as it provides knowledge about the places and times his artwork has been featured in different galleries.  

Price, Dylan. "In the Presence of "Gypsiness": Dvořák, Ecocriticism, Stimmung." Journal of Austrian Studies, vol. 56 no. 2, 2023, p. 87-96. Project MUSE, https://dx.doi.org/10.1353/oas.2023.0027.[5]

  • This journal piece written by Dylan Price mentions Schikaneder’s choice in portraying hazy glow and colored perception of place within his art. I plan to use this information to provide a deeper and more meaningful description of Schikaneder’s stylistic portrayal of light and time within his “style and work” section.

Ungrova, Zdislava. A Quiet Valley at Roztoky: Testimony of Singularity in the Landscape Imagery of Zdenka Braunerová, University of South Florida, United States -- Florida, 2019. ProQuest.[6]

  • Ungrova’s dissertation provides insight into Schikaneder’s mentorship and inspiration by the late nineteenth-century Parisian art scene and his stay within Paris. I intend to use this information within his “education and emerging artist” section to provide a more diverse account of his artistic inspiration.

Royt, Jan, Karla Huebner, Jiří T. Kotalik, Ivo Kořán, Ivo Krsek, Olga Herbenová, Dagmar Tučná, Olga Drahotová, J. Brožová, Alena Adlerová, Libuše Urešová, Helena Koenigsmarková, Věra Vokáčová, Annamaria Giusti, Vladimír Hrubý, and Tomáš Pergler. "Czech Republic." Grove Art Online.  October 02, 2012. Oxford University Press,  https://www.oxfordartonline.com/groveart/view/10.1093/gao/9781884446054.001.0001/oao-9781884446054-e-7000020982[7]

  • This article about the Czech Republic provides historical context about the role of impressionism within Bohemia and trends in fin-de-siècle Czech art. The article also asserts Schikaneder’s relationship to the artistic movement of Symbolism. I plan to use this information within Schikaneder’s “style and work” section to provide historical context of the larger artistic movements Schikaneder was involved in.

"Schikaneder, Jakub or Jacob." Benezit Dictionary of Artists.  October 31, 2011. Oxford University Press, https://www.oxfordartonline.com/benezit/view/10.1093/benz/9780199773787.001.0001/acref-9780199773787-e-00163131[8]

  • This overview of Schikander details his evolution of the subjects and themes he chose to paint in respect to the larger Impressionism movement and fin-de-siècle Symbolism. The article also provides auction records of Schikaneder’s paintings and mentions how his work remained unknown to the public then only later rediscovered in the end of the 20th century. I plan to use the information about his artistic influence, thematic approaches, and subject matter within his “style and work” section to fill the information gap regarding artistic movement and inspiration. I plan to use the information about his art’s social acceptance within his “legacy” section to provide more detail of his influence as an artist.

Vlček, Tomáš. "National Sensualism: Czech Fin-De-Siècle Art." Intellectuals and the Future in the Habsburg Monarchy 1890–1914. Edited by László Péter, and Robert B. Pynsent. Palgrave Macmillan UK, London, 1988, https://doi.org/10.1007/978-1-349-19169-7_7[9]

  • Vlček situates Schikaneder into the social and historical context of central Europe. A description of Schikander’s A Murder in the Block, the influence of his teacher Gabriel Max upon his artistic portrayal of death, Berlin's rejection of his work, and his influence on the literary work of Schaer are all also provided within the article. I plan to use this information across the “education and emerging artist” section, the “legacy” section, and his “style and work” section to provide a more historically grounded account of Schikaneder’s work and influence which the Wikipedia article currently lacks.

Vlček, Tomáš. Schikaneder: Jakub Schikaneder, 1855-1924: Prague Painter of the Turn of the Century. National Gallery in Prague, 1998.[10]

  • Vlček provides a wonderful account of Schikaneder’s life, from his path to art, the reception of his programmatic work, perfecting his style, rituals and paintings, and the end of his career. I plan to use the information within this book across all of the article’s sections, especially that of his early life, artistic education, and different periodic evolutions of his artistry.

References

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  1. ^ "Schikaneder, Jakub". Grove Art Online. doi:10.1093/gao/9781884446054.article.t076546. Retrieved 2024-11-19.
  2. ^ Filip, Aleš (2023). "The seductive English influences: the Pre-Raphaelite inspiration in Czech painters". Umění. 71 (4): 356–373. doi:10.54759/ART-2023-0404. ISSN 0049-5123.
  3. ^ lab.SNG (1893). "Jakub Schikaneder - Drowned". Web umenia. Retrieved 2024-11-19.
  4. ^ "Jakub Schikaneder | 69 Artworks at Auction | MutualArt". www.mutualart.com. Retrieved 2024-11-19.
  5. ^ Price, Dylan (2023). "In the Presence of "Gypsiness": Dvořák, Ecocriticism, Stimmung". Journal of Austrian Studies. 56 (2): 87–96. doi:10.1353/oas.2023.0027. ISSN 2327-1809.
  6. ^ Ungrova, Zdislava (2019). "A Quiet Valley at Roztoky: Testimony of Singularity in the Landscape Imagery of Zdenka Braunerová".
  7. ^ "Czech Republic". Grove Art Online. doi:10.1093/gao/9781884446054.article.t020982. Retrieved 2024-11-19.
  8. ^ "Schikaneder, Jakub or Jacob". Benezit Dictionary of Artists. doi:10.1093/benz/9780199773787.article.b00163131. Retrieved 2024-11-19.
  9. ^ Vlček, Tomáš (1988), Péter, László; Pynsent, Robert B. (eds.), "National Sensualism: Czech Fin-de-Siècle Art", Intellectuals and the Future in the Habsburg Monarchy 1890–1914, London: Palgrave Macmillan UK, pp. 107–128, doi:10.1007/978-1-349-19169-7_7, ISBN 978-1-349-19169-7, retrieved 2024-11-19
  10. ^ Vlček, Tomáš; Schikaneder, Jakub; Národní Galerie v Praze; Valdštejnský Palác, eds. (1998). Jakub Schikaneder: Maler Prags um die Jahrhundertwende ; thematischer Führer durch die retrospektive Ausstellung Nationalgalerie Prag - Sammlung Alte Meister in der Wallensteiner Reithalle (Waldstein-Palais) in Prag 15.5.1998 - 10.1.1999. Prag: Nationalgalerie Prag. ISBN 978-80-7035-169-7.

Outline of proposed changes

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