User:QuintonHogshead/Mules and Men

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Summary

Frame Stories

Hurston adopts a semi-autobiographical narration of someone who is sent out to collect Black folklore from Hurston’s real home town of Eatonville, Florida. Huston chose Eatonville as the location for her Folklore collection because she knew the people there would not consider her diploma or credentials and treat her as another local. Huston’s frame story persona records not the folktales themselves, but rather context in which Hurston supposedly heard the stories. She describes life in Eatonville township and the daily life of its Black population as they play games such as “Florida-Flip,” as they go to work in the lumber mill and fall in love. The dialogue of Hurston’s frame stories is vernacular, recording the way people spoke in Eatonville at the time. When B. Mosely asks Hurston, “are you going to stay a while, Zora?” Hurston records it as, “You gointer stay awhile, Zora?”

Hurston’s frame stories are often broken up by Folktales, as the characters in Eatonville stop what they’re doing to tell a folktale that is applicable to the situation at the time. Black men on the way to work in the difficult conditions of a sawmill tell stories about John, an enslaved man who outwitted the devil, his white master, and tried to trick God himself. This is the central narrative conceit of Mules and Men and forms the basis of the work.

In part two of Mules and Men, Hurston travels to New Orleans to collect folk tales, learning from various practitioners of hoodoo, each with their own specialties. Unlike in part one of Mules and Men, part two does not flip back and forth between frame stories and independent folk tales. Instead, the section is seen entirely through the Hurston’s authorial persona, recounting the events of each hoodoo ritual with a first person perspective. Often, Huston will help or participate in the ritual itself.

Folklore

Mules and Men contains over seventy different folktales from across the Black tradition. Most of them concern racism, slavery, or oppression, and feature weaker characters that trick stronger characters. Several of the most prominent stories in Mules and Men are listed below.

Ole Massa and John Who Wanted to Go to Heaven – John is an enslaved man who features in several stories. In one, he prays to God for deliverance. His master overhears him, and decides to dress up in a sheet to trick John into coming with him. John realizes the trick, and when his master comes to his door, tells ‘God’ that he’s too dirty and he needs to change his pants and his shirt. Then he tells ‘God’ that “yo’ countenance is so bright Ah can’t come out to you.” And asks ‘God’ to take several steps backwards. When ‘God’ does this, John runs away.

How the Gator Got Black – Brer Gator is lounging in the sun, with white skin and coal-colored eyes. Brer Rabbit comes out of the bush, and tracks mud all over Brer Gator’s albino skin. When Brer Gator gets mad, Brer Rabbit tells him to wait for a moment and he’ll show Brer Gator what real trouble is. Brer Gator goes back to sleep, and Brer Rabbit lights a fire all around Brer Gator. The smoke blackens Brer Gator’s skin, and reddens his eyes, and this is why alligators are colored the way that they are.

“You Think I’m Gointer Pay You But I Ain’t” – A Black man is employed in a lumberyard, but is too lazy to do his work. Whenever his employer comes by, he says “Klunk, Klunk, you think Ah’m workin’ but Ah ain’t.” When the Black man goes to collect his money, his employer says, “Clink, Clink you think I’m gointer pay you,  but I ain’t.”

Hoodoo

Ritual to Get a Man – Write the name of the man you want and his wife nine times on a small piece of paper and stick it in a lemon. Cut a hole in the stem of the lemon and pour gun powder into the hole. Wrap the lemon in salt, and bury in the married couple’s yard. The bloom end must be buried downward. The couple will split.

Initiation Ceremony ­­– Remain inside for five days, abstaining from sexual intercourse and not eating or drinking anything aside from water. Enter a room with a hoodoo elder while dressed in white. Light a black candle at each of the white candles. Then knock down all of the candles. Then pinch out the black candle.

To Punish – write the man’s name on a piece of paper and put it in a sugar bowl. Add red pepper, black one nail, fifteen cents of ammonia and two door keys. Leave one key on the side of the bowl. Every day at noon, turn the key against the side of the bowl, adding vinegar.

To Help a Person in Jail – Collect dirt from the graves of nine children. In the alter room, add three teaspoons of sugar and sulphur. Turn a set of underclothes and a set of tan socks inside out, and cover with graveyard dirt. Go the jail house and read the Thirty-fifth Pslam every day. When the course comes to trial, have the accused wear the clothes sprinkled with graveyard dirt. Write the prisoner’s name, the judge’s name, and the district attorney’s name three times and have the accused wear it in his shoe. Cover his clothes in rose geranium, lavender oil and verbena oil. Rub down the jury box. Take a beef tongue and split it using nine needles and nine pins. Pin the names of the opposition witnesses with the split tongue and some red pepper. Smoke them in a chimney for 36 hours. Ask the spirits for power more equal to a man.

References

Cotera, María Eugenia. Native Speakers : Ella Deloria, Zora Neale Hurston, Jovita González, and the Poetics of Culture. 1st ed. Austin: University of Texas Press, 2008. Print.