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User:Oiloncanvas202/Interior of a Mosque/Bibliography

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Ali, Isra. “The Harem Fantasy in Nineteenth-Century Orientalist Paintings.” Dialectical Anthropology 39, no. 1 (March 2015): 33–46. https://doi.org/https://www.jstor.org/stable/43895901.

Brown, Jack Perry. “The Return of the Salon: Jean Leon Gerome in the Art Institute.” Art Institute of Chicago Museum Studies 15, no. 2 (1989): 154–73. https://doi.org/10.2307/4113019.

Cooke, Peter. “Gustave Moreau and the Reinvention of History Painting.” The Art Bulletin 90, no. 3 (September 2008): 394–416. https://doi.org/https://www.jstor.org/stable/20619619.

Gérôme , Jean-Léon. “Interior of a Mosque.” Oil on Canvas, 1890. Memorial Art Gallery. Rochester, NY.

“Islamic Color Symbolism - (Intro to Visual Thinking) - Vocab, Definition, Explanations.” Fiveable. Accessed October 17, 2024. https://library.fiveable.me/key-terms/introduction-to-visual-thinking/islamic-color-symbolism#.

“Jean-Léon Gérôme: Cultural Interactions in the Age of Change.” Pera Museum. Accessed October 9, 2024. https://www.peramuseum.org/blog/jean-leon-gerome-cultural-interactions-in-the-age-of-change/1549.

“Mag History.” Memorial Art Gallery, April 18, 2023. https://mag.rochester.edu/about/mag-history/.

Mickel, Emmanuel  J. “Orientalist Painters and Writers at the Crossroads of Realism.” Nineteenth-Century French Studies23, no. 1/2 (Winter 1994): 1–34. https://doi.org/https://www.jstor.org/stable/23537316.

Needham, Gerald. “Orientalism in France.” The Crisis in the Discipline 42, no. 4 (Winter 1982): 338–41. https://doi.org/https://doi.org/10.2307/776696.

Vors, Frédéric. Jean Léon Gérôme 1, no. 4 (September 1879): 70–71.