User:NiklasWinterGuitarist/sandbox
Niklas Winter
[edit]Biography
[edit]Niklas Winter | |
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| Born | 1969 Turku, Finland |
| Occupation(s) | Jazz guitarist and Composer |
| Website | https://www.niklaswinter.com/ |
Niklas Winter is a jazz guitarist and composer born in Turku, Finland. He has made nine albums since 1999 as a leader, and many more as a co-leader and sideman, having recorded with Kenny Wheeler, Lars Jansson, Severi Pyysalo and many others.
Winter studied guitar at the Turku Conservatory during 1985-1990 and later, at Berklee College of Music in the mid-’90s.
Later collaborations include guitar duos with Jesse Van Ruller, Ulf Wakenius, Lorenzo Cominoli, Teemu Viinikainen, and with vibraphonist Severi Pyysalo.
Band projects include Niklas Winter Trio & Quartets, Winter’s Jazz Workshop and Niklas Winter Graduale Aboense featuring Henry Lowther and a voice ensemble.
Winter has played concerts with the Turku Philharmonic Orchestra in productions with Kiri Te Kanawa and in Mikko Heiniö’s Opera, Erik XIV.
He has performed at the London Jazz Festival, Pori Jazz Festival, Tampere Jazz Festival, Copenhagen and Aarhus Jazz Festivals, Orta and Nuoro Jazz Festivals, Turku Music Festival, Viapori Jazz Festival and the Yokohama Jazz Promenade, among many other performances around the world.
Since the year 2000, Winter has also composed music for television documentaries for the Finnish Broadcasting Company, YLE.
As of 2010, Winter has been a guitar instructor at the Jyväskylä University of Applied Sciences.
Niklas has led workshops at the Chugye University for The Arts in 2019, Aarhus University in 2019, the Guildhall School of Music and Drama in 2016 and at the Beijing Central Conservatory in 2008 and 2011 to name a few.
In 2000, Winter received the Young Arts Award, and in 2001 the Aboa Price. In 2006 Winter received the Western Cultural Award by Svenska Kulturfonden.
Winter started his jazz record label, Abovoice, in 2000. Today, the catalog consists of 18 releases. The label received a Finnish Jazz Grammy in 2003 with André Sumelius’ album, Kaira.
Discography
[edit]| 2021 | The Lighthouse (Abovoice-1021) | Niklas Winter & Lorenzo Cominoli |
| 2018 | You (Abovoice-1020) | Winter & Hess & Huntley |
| 2017 | Another Way Home (Abovoice-1019) | Cleo & Winter |
| 2010 | Eight Songs Seven Keys (Abovoice-1016) | Niklas Winter & Teemu Viinikainen |
| 2008 | Beautopia (King Records, KICJ529 / Abovoice) | Niklas Winter |
| 2006 | Live in Stockholm (Abovoice-1013) | Niklas Winter Quartet |
| 2002 | Piae Cantiones (Abovoice-1011) | Niklas Winter Quartet & Camerata Aboensis |
| 2001 | Saknad (Abovoice-1008) | Winter’s Jazz Workshop |
| 1999 | Hypnosis (Silence-0001) | Winter’s Jazz Workshop |
| 2000 | Silent Knowledge (Abovoice-1006) | Scandinavian Jazz Quartet Feat. Nikolaj Hess |
| 1997 | A Night In Bilbao (Music Mecca) | Scandinavian Jazz Quartet Feat. Lars Jansson |
| 1994 | New Deal (Intermusic) | Scandinavian Jazz Quartet |
| 2017 | Valo (Abeat Records) | Max de Aloe Baltic Trio |
| 2014 | Ostrobothnian Tales (Drumvoice Records) | West Yard Jazz Quartet |
| 2000 | Answer (Silence-00002) | Jan Simons Band Feat. Kenny Wheeler |
| 1995 | Hägringar (Seepra 802114) | Mecki Knif |
| 1994 | Nattfågel (NILCD-1) | Nilla Hansson, Niklas Winter, Lauri Antila |
What they say?
[edit]Winter has a fresh, modern sound. This is original and very exciting music and Niklas Winter Quartet has surely been a great experience at many festivals. Tor Hammerø /Jazznyt (Norway)
Winter is a true sophisticated original on the guitar in Finland. Timo Vähäsilta/Rytmi (Finland)
Niklas Winter’s poetic playing shows great knowledge of improvisational skills. Jörgen Östberg /Orkester Journalen (Sweden)
" In Winter's playing listener can hear plainness and intelligence. Winter's improvisations and harmonies look back to the history of jazz but also expresses the atmosphere of today." Hiroki Sugita/Jazz Life (Japan)
Trust in fact, was key, as was a fundamental sense of good time. Without a drummer or a bassist, and with the two guitarists sometimes dissolving into spare sections where time was, at best, suggested, it became even more essential that the two could internalize that time and know where it was, without it being explicitly there. It's in the context of the duo that an artist is at his/her most exposed; not only are their abilities, instincts and improvisational élan laid bare, but their communication skills—or lack thereof—are impossible to disguise. Viinikainen and Winter needn't have worried, as it was clear, from their Tampere Jazz Happening performance, that this was a duo communicating at a very deep level, playing relatively quiet music that was, nevertheless, thoroughly captivating.JOHN KELMAN / ALL ABOUT JAZZ (USA)