User:Mockeyson/De Vere Kensington Ltd

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References

<Enlargers>,< darkroom> <Chromogenic color print> <Large format (photography)> <View camera> Www.gracesguide.co.uk De Vere (Kensington) Ltd

External links

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History.

De Vere (Kensington) Ltd was a company founded in 1947 to manufacture Professional Photographic Equipment, by two brothers Arthur and Harold Sparks with GFT Wagstaff who provided business, legal and financial help. The object of the business was to start manufacturing photographic enlargers and cameras in metal rather than wood that had been previously used. The name De Vere derived from a photographic studio in De Vere Gardens Kensington London W 8. The first factory was in Bellenden Road, Peckham, South London, followed by a move to Thalia Works, Thayers Farm Road, Beckenham, Kent in the mid fifties. In the 1960s a brand new factory was constructed with a government regional grant in Seven Brethren Bank, Barnstaple, North Devon. This factory featured an aluminium casting foundry to supply the raw castings used so much in the machines manufacture. Later another factory was opened nearby on the Pottington Industrial Estate. Expansion also took place in Beckenham with the purchase of offices on Beckenham Road to allow better use of the original Thayers Farm Road factory. Sales offices were then opened in USA, Canada and France to assist with export sales. This worldwide export success led to Arthur Sparks being awarded the MBE. During the eighties a move was made to a purpose built warehouse including offices in Addington from the various Beckenham buildings. Also at that time all production was moved to Devon where another industrial unit was opened at Mullacott Cross by The Hon. Alan Clark MP for Plymouth and Minister for Trade. Another similar unit was opened by Lord Lichfield the following year. When the company closed in 1992 turnover had exceeded £8 million. By then the dramatic change in the conventional photographic industry to digital imaging caused a collapse in sales and despite considerable restructuring and outside help the business was forced to close in September 1992.

Production: The main production centred on professional photographic enlargers for film sizes 35mm to 10 x 8 inches. Aerial machines were also made for 9.5inch and 320mm roll film.

One of the first of these all metal construction enlargers was delivered to the National Physical Laboratories in Teddington around 1950, considered a great success for the company. Adverts for these machines in an exhibition catalogue of about that time is available. Attach?

5 x 4 inch enlarging machines were the main production, firstly with the De Vere 54 followed by the De Vere 504 that featured 'Front of Bench' focussing controls for easy rapid and accurate operation. Many machines are still in operation by enthusiastic amateur photographers who appreciate the strong reliable design and operation. The most recent machines were 'closed loop' and 'autofocus' enlargers with computer control designed and made by ZBE in America.

Horizontal enlargers were designed that ran on track installed on the darkroom floor. The De Vere Mk 10 was an early version that sold to photo laboratories around the world. Remote controlled and later computer controlled models made for easy accurate focus. These horizontal machines were used for giant prints that could be combined to produce huge murals. As well as their advertising ability the pictures were used in false backdrops for feature films (Superman) and well known artists used the enlargers for large unique prints. (Bob Carlos Clarke, Gilbert and George, Leo Vala)

Cameras were also made. The majority were monorail 5 x 4 inch. Others 1/2 plate, 1/1 plate, and 10 x 8 inches. The De Vere 'Devon' monorail range were the last produced. The Mk4 and 480 were vertical cameras for artwork copying, accepting roll film with adapters, 5 x 4 inch, 1/2 plate, or 10 x 8 sheet film.

Very soon after the company was founded a contract was granted to De Vere for design and production of a aerial film processor from The Government and this was the start of a successful partnership until the companies demise. The MOD business was valuable to De Vere, and helped develope the product range.

De Vere Import business: Throughout its existence De Vere imported complimentary photographic machines and accessories. Film and paper processing machines from Germany by, Sitte and Mafi. Wing-Lynch one shot film processing machines from USA, Quickpoint slide mounts for 35mm film from Loersch in Germany, Rodenstock special optics enlarging and taking lenses from Germany, and many other small accessory items from all over the world including Japan, another area of export success.

Recent history: Following the 1992 closure limited production of the enlarger range was continued in UK by Odyssey Sales in Brighton, where a digital enlarger is now offered producing photographic prints and enlargements from digital files. The imported items remained being offered by competitors after the closure of De Vere, George Elliott in Westerham, Odyssey, and Lightwave. These same companies serviced the machines and supplied parts after 1992. eBay currently lists spares for some machines, lens panels and film / negative holders. There are frequent sales of the enlargers including the De Vere 32 / 302 / 203 roll film size.

Product Range: (approximate production dates)

Vertical Enlargers:

Mk Vl 1950, Mk VII 1950-1960, 32 1960 - 1970, 302 1970 - 1980, 203 1980 -1992, 54 1952 - 1960, 75 1960 - 1970, 705/705s 1965 - 1980, 507 1980 - 1992, 504 1970 - 1992, 101 1955 - 1966, 108 1955 - 1980, 5108 1980 - 1992, 512 1988 - 1992, 108S 1970 - 1992, 108AF 1972 - 1989, Vulcan 1989 - 1992

Copy Cameras:

MK IV 1955-1980, 480 1980-1992,

Horizontal machines:

MK VIII 1960 -1980, MK 10 1960 -1975, 508H 1980 -1992, 810H 1975 -1985, 1010H 1985 -1986, Metro 1986 -1992, 1010ET 1987 - 1992,

Cameras:

Devon Monorail 5x4, 7x5, 10x8. MK 2 Monorail 5x4, 1/2 plate, 1/1 plate, 10x8.

Notes... The later models type number generally referred to the maximum negative size in inches. I.e. 504 takes film size up to 5 x 4 inches. There were several chassis variants offered to most machines:- Bench, floor standing, wall mounting, extended chassis for both wall and floor standing. Many of the enlargers had a 'copy back' accessory to allow artwork to be copied.