Jump to content

User:Mferras/My sandbox

From Wikipedia, the free encyclopedia

This information has been moved to main space following my peer review edits & updates

Local Literature

[edit]

There are few notable authors native to the Antigua. One author, James Carlisle, also served as Governor-General of Antigua and Barbuda from 1993-2007[1]. Jamaica Kincaid, a notable author, has published over 20 pieces of work[2]. Kincaid is largely influenced by her life both on the island and overseas in the United States. Kincaid's work reflects the circumstances of living in a former crown colony until Independence in 1981. She was educated under British colonial education, and as such has been described as a prominent anti colonialist author[3]. Born in 1949 and moving to the United States in 1966 at 17[4], Kincaid experiences of living under foreign control through, seeing Antigua’s transition to Independence and in an imperial country is expressed in some of her most notable books, Lucy and A Small Place

Jamaica Kincaid Themes of Tourism and Gender

[edit]

After her first collection was published with great success in 1983, Kincaid quickly began being thought of as one of the most important fiction writers of the new decade[5]. FFor many, Kincaid is considered to be a prominent postcolonial author, offering a novelistic approach to the history and contemporary life on the island[6]. Many of Kincaid's books focus around themes of modernity, postmodernity, and globalization and the relationship and affects of colonialism to the "native"[6]. Literary critics have suggested her work, "A Small Place" which has been described as "postcolonial literary text about the impact of tourism in the Caribbean nation of Antigua"[7], focuses on the "exploitation of the Caribbean islands by colonialism and the neocolonialist abuses of the tourism industry"[8]. KKincaid's work as been associated by literary critics with Gayatri Chakravorty Spivak's argument that literature is an agent of change. Doing so, suggests her works aims to challenge the asymmetry is actions surrounding imperialism, colonialism, and tourism[9]. Kincaid also largely focuses her writing on gender often alluding to a discourse of female gender and colonial relations, especially those of black women. She reveals the importance of place, time, and positionality in the representation of race, class and gender[10].

Writing Style

[edit]

Much of Kincaid's work has been deemed autobiographical and influenced by Subaltern Studies, including "A Small Place", and "Lucy"*. It as been argued from multiple literary critics, that Kincaid uses the capacities of autobiography[8] to express a consciousness of marginalized groups in a postcolonial setting[11].

Critiques

[edit]

Kincaid's pointed style of writing is largely critiqued as an attack on colonialism and corruption[12] that has been said to "back readers into the corner". Kincaid has also been critiqued for imposing mythical ideas of "noble enslavement" of Antiguans as an attempt to escape from common ideas of humanity and consequences [12]. Kincaid constructs her texts to positions Antiguan's as powerless and thus evading their true lack of eloquence and power. For critics, both literary and postcolonial, this becomes and issue because it tends to dismiss or lessen the actions of subjects such as for example to corruption and organized crime within Antigua and Barbuda's government[13].


References

  1. ^ "Government of Antigua and Barbuda". 2007-09-27. Archived from the original on 2007-09-27. Retrieved 2017-11-13.
  2. ^ "Jamaica Kincaid". Wikipedia. 2017-10-24.
  3. ^ Hunter, Brian; Palgrave Connect (1996). The Statesman's Year-book : A Statistical, Political and Economic Account of the States of the World for the Year 1996-1997 (133 ed.). London: Macmillan. p. 89. ISBN 9780230271258. OCLC 609405750.
  4. ^ Farrior, Angela D. "Writers of the Caribbean - Jamaica Kincaid". core.ecu.edu. Retrieved 2017-11-13.
  5. ^ Kincaid, Jamaica; Kreilkamp, Ivan (1996). Hunter, Jeffrey (ed.). "An Interview with Jamaica Kincaid". Contemporary Literary Criticism. 137. Publishers Weekly: 54–56.
  6. ^ a b Aydemir, Murat (1988). The Ideologies of Lived Space in Literary Texts, Ancient and Modern. Klooster, Jacqueline, Heirman, Jo Gaby Marc. p. 221. ISBN 9789038221021. OCLC 959619683.
  7. ^ Osagie, Iyunolu; Buzinde, Christine N. "Culture and Postcolonial Resistance: Antigua in Kincaid's A Small Place". Annals of Tourism Research. 38 (1): 210–230. doi:10.1016/j.annals.2010.08.004.
  8. ^ a b Braziel, Jana Evans (2009). Caribbean Genesis : Jamaica Kincaid and the Writing of New Worlds. Albany: State University of New York Press. p. 3. ISBN 9780791476536. OCLC 317416166.
  9. ^ Larkin, Lesley (2012-04-01). "Reading and Being Read: Jamaica Kincaid's A Small Place as Literary Agent". Callaloo. 35 (1): 193–211. doi:10.1353/cal.2012.0009. ISSN 1080-6512. S2CID 163049708.
  10. ^ Moira, Ferguson (1993). Colonialism and Gender Relations from Mary Wollstonecraft to Jamaica Kincaid : East Caribbean Connections. New York: Columbia University Press. p. 7. ISBN 0231082223. OCLC 27013047.
  11. ^ Moira, Ferguson (1994). Jamaica Kincaid : Where the Land Meets the Body. Charlottesville: University Press of Virginia. p. 7. ISBN 0813915201. OCLC 29878359.{{cite book}}: CS1 maint: date and year (link)
  12. ^ a b Byerman, Keith E. (1995). "Anger in a Small Place: Jamaica Kincaid's Cultural Critique of Antigua". College Literature. 22 (1). The Johns Hopkins University Press: 91–102. JSTOR 25112166.
  13. ^ Griffith, Ivelaw L. (1997). "Illicit Arms: Trafficking Corruption, and Governance in the Caribbean". Dickinson Journal of International Law. 15 (3): 494.