User:Matthewedwards/Sandbox/Vatican Museums

Vatican Museums

[[File::Lightmatter vaticanmuseum.jpg|200px|upright=1.14]]
Established	1503
Location	Vatican City
Visitors	4,000,000 (2006)
Director	Francesco Buranelli
Website	mv.vatican.va/StartNew_EN.html

The Vatican Museums (Italian: Musei Vaticani) are the public art and sculpture museums in the Vatican City, which display works from the extensive collection of the Roman Catholic Church, including Michelangelo's Sistine Chapel ceiling and the Raphael Rooms. Pope Benedict XIV founded the museums in 1756, although Pope Julius II started the collection in 1503 with the Apollo Belvedere statue, and the first reference to an art collection in the Vatican Library dates back to the prefecture of Marcello Cervini, who would in 1555 become Pope Marcellus II. The number of visitors has increased over recent years; in 2005, 3.8 million people toured the museums. In 2006, that figure had risen to more 4.3 million, and the Vatican grossed US$65 million.

History

thumb|300px|right|Staircase of the Vatican Museum

The Vatican Museums originated in 1503 when Pope Julius II set the statue of Apollo in the inner coutyard of Pope Innocent VIII's Belvedere Palace. Three years later, on 14 January 1506, the sculpture of the marble Laocoön group was discovered in a vineyard near the basilica of Santa Maria Maggiore in Rome. Julius sent Giuliano da Sangallo and Michelangelo Buonarroti, who were working at the Vatican, to examine the discovery. On their recommendation, the Pope immediately purchased the sculpture from the vineyard owner. The Pope put the sculpture on display exactly one month after its discovery. Julius went on to place later discoveries such as the Venus Felix, the Nile, the Tiber and the Sleeping Ariadne in the gardens with Apollo and Laocoön. On 28 November 1534, Pope Paul III named Latino Giavanale Mannetto the first Commissioner for the conservation of ancient cultural goods.

In 1624 an edict, or legislature was issued by Cardinal Camerlenghi which "banned proprietors of works of art from selling them beyond the borders, and also threatened makers of wooden cases, packers, porters, waggoneers, muleteers, boatmen, frontier officials and guards who by act or omission further the forbidden traffic. [Additionally,] no excavations could be undertaken without the supervision of the Papal Commissioner, and any work of art accidentally found had to be … declared [immediately]. This edict was written during the Counter-Reformation period from 1560 to 1648, when the Papacy and other conservatives of the period attempted to reform the Catholic Church to retain its traditions against the innovations of Protestant theology and the more liberalizing effects of the Renaissance. This movement brought the growth of the Vatican collections to a standstill, although the study of antiquity turned to that of a historical and archaeological nature, rather than that of pure aesthetics. It was not until 1756, when Pope Benedict XIV founded the Christian Museum of the Library, that the teachings of the new approach began to manifest.

“ To increase the splendour of the City, and bear witness to the truth of religion through sacred Christian monuments. ” — Inscription over the entrance to the Christian Museum of the Library,

In 1767, Pope Clement XIII founded the Profane Museum "to preserve to monuments of Roman antiquity". Following his death in 1758, the new pope, Clement XIV and his successors Pius VI and Pius VII, began to build the museums as they are today, setting up the Pio-Clementine Museum (1771–93), the Chiaramonti Museum (1805–07), the Lapidary Gallery (1807–10), and the Braccio Nuovo gallery (1817–22).

The Treaty of Tolentino was signed on 19 February 1797 following France's invasion of Italy during the early stages of the French Revolutionary Wars. The Papal territory of Comtat Venaissin was formally ceded to France after five hundred years of occupancy. The treaty also called for the confiscation of art from the Vatican; over a hundred paintings and other masterpieces of the Pio-Clementine Museum, including the Laocoön Group and Apollo, were taken to the Musée Napoléon in Paris, France. During the French occupation of the Kingdom of Naples during the Second Coalition of the War, the Profane Museum lost its collection of gems, coins and medals. Following the defeat of Napoleon at the Battle of Waterloo in 1815, the confiscated masterpieces from the Pio-Clementine Museum were returned on 4 January and 11 August 1816. The collections from the Profane Museum, however were never returned.

In the first quarter of the 19th Century, two edicts were written regarding the safeguarding and conservation of antiquities and works of art. These reinforced a Pontifical order from the 15th Century intended to limit the destruction of ancient Roman monuments and the dispersion of classical works, and the edicts of 1624. On 1 October, 1802, the Edict of the Camerlengo of S.R.C. Cardinal Doria Pamphilj (Doria Pamphilj Edict) included a Chirograph written by Pope Pius VII which stated that the Museums must "see that the Monuments, and beautiful works of Antiquity … be conserved as real prototypes, and as examples of the Beautiful, in a religious manner and for public instruction and may be further increased with the discovery of other rare pieces" On 7 April 1820, the Edict of Cardinal Carmerlengo Bartolomeo Pacca (Pacca Edict) was written, which regulated archaeological excavations and assured the Vatican's right of first choice to procure art from public collections, and placed an embargo on the exportation of art from Italy.

{{cquote|Any Superior, Administrator or Rector, or individual who directs public buildings and places, ecclesiastical or secular alike, including Churches, Oratories, Convents, where collections of Statues and Paintings are preserved, Museums of Sacred and secular Antiquities, and even one or more precious artistic Objects of Rome and of the State, without person of exception, even if privileged or very privileged, should present a very exact and distinct Note of the objects mentioned above in double copy, with a description of each piece.|20|20|Excerpt from the Pacca Edict|}

The enforcement of the Edicts helped secure artefacts found at the excavations carried out in Southern Etruria in the early 19th Century. Pope Gregory XVI opened the Gregorian Etruscan Museum on 2 February 1837. When Jean-François Champollion deciphered the Egyptian hieroglyphics in 1822, interest in Egyptian artefacts was stimulated. The Pope opened the Gregorian Egyptian Museum on 2 February 1839. On 14 May 1844, the Pope opened his third museum, the Gregorian Profane Museum in the Lateran Palace, which displayed classic antiquities which were continually being procured by the Vatican.

In 1870 the Papal States were disestablished due to the unification of Italy. Although Rome was declared the capital city of Italy in March 1861, the Italian government could not take control of the city because Napoleon III kept a French garrison in Rome protecting Pope Pius IX. In July 1870, the garrison was recalled when the Franco-Prussian War broke out and Napoleon needed to defend France. By September, Italy had declared war on the Papal States.

Pinacoteca Vaticana

The collection was first housed in the Borgia Apartment, until Pope Pius XI ordered construction of a proper building. The designer was Luca Beltrami. The museum has works of art of painters including Michelangelo, Raphael and Fra Angelico.

Contemporary art museum

The contemporary museum houses paintings from artists like Carlo Carrà and Giorgio de Chirico.

Sculpture museums

The group of museums includes several sculpture museums surrounding the Cortile del Belvedere.

Museo Pio-Clementino

Pope Clement XIV founded the Pio-Clementino Vatican museum in 1771, and originally it contained the Renaissance and antique works. The museum and collection were enlarged by Clement's successor Pius VI. Today, the museum houses works of Greek and Roman sculpture.

There are 54 galleries, or "salas" in total, with the Sistine Chapel, notably, being the very last sala within the Museum - visitors need to proceed through the other 53 salas before earning their reward with access to the Sistine. Some notable galleries are:

• Sala a Croce Greca: which houses the sarcophagus of Constance and Saint Helen, daughter and mother of Constantine the Great.
• Sala Rotonda: holding several ancient mosaics and statues.
• Gallery of the Statues (Galleria delle Statue): Houses, as says its name, important statues like Ariadne sleeping and Meandrus. It also houses the Barberini Candelabrums.
• Bust Gallery (Galleria dei Busti): Several busts are displayed.
• Mask Cabinet (Gabinetto delle Maschere): The name comes from the mosaic in the floor of the gallery, found in Villa Adriana, which represents several masks. Along the walls, several famous statues are shown like the Three Graces.
• Sala delle Muse: Houses the group statues of Apollo and the nine muses. Statues from important Greek sculptors are exhibited.
• Sala degli Animali: So named because of the several statues of animals that it houses.

[[:Image:Statue-Augustus.jpg|thumb|left|The Prima Porta Augustus.]]

Museo Chiaramonti

This museum is named after Pope Pius VII Chiaramonti, who founded it in the early 1800s. The museum consists of a large arched gallery in which sides are exhibited several statues, sarcophaguses and friezes. The New Wing, Braccio Nuovo built by Raphael Stern, houses important statues like The Prima Porta Augustus and The River Nile. Galeria Lapidaria is another part of Chiaramonti museum, with more than 3,000 stone tablets and inscriptions, which is the world's greatest collection of its kind. However, it is opened only by special permission, usually for reasons of study.

Museo Gregoriano Etrusco

Founded by Pope Gregory XIII in 1836, this museum has eight galleries and houses important Etruscan pieces, coming from archaeological excavations. The pieces include: vases, sarcophagus, bronzes and the Guglielmi Collection.

Museo Egiziano

Founded by Pope Gregory XVI, this museum houses a grand collection of Ancient Egyptian material. Such material includes papyruses, the Grassi Collection, animal mummies, and the famous Book of the Dead.

Works in the Vatican museums

thumb|right|180px|Gallery of Maps

• Several paintings by Caravaggio including the majestic Entombment (1602 - 1603)
• Leonardo da Vinci's portrait of Saint Jerome;
• Works by painters Fra Angelico, Giotto, Raphael, Nicolas Poussin and Titian;
• The red marble papal throne, formerly in the Basilica di San Giovanni in Laterano;
• Roman sculpture, tombstones, and inscriptions, including the epitaph of Lucius Cornelius Scipio Barbatus;
• The massive collection of works by the master Raphael including the masterpiece The School of Athens
• The Niccoline Chapel
• The Sistine Chapel
• The Gallery of Maps: topographical maps of the whole of Italy, painted on the walls by friar Ignazio Danti of Perugia, commissioned by Pope Gregory XIII (1572–1585). This gallery is situated at the west side of the Belvedere Courtyard. It is 120 m long. It took Ignazio Danti three years (1580–1583) to complete the 40 panels. The decorations on the vaulted ceiling is the work of a group of Mannerist artists (such as Cesare Nebbia and Girolamo Muziano).

Wide image

References

General

• Francesco Papafava (Editor). Guide to the Vatican Museums and City. Translated by J. Zweng. Vatican City: Pontifical Monuments, Museums and Galleries. ISBN 978-8-88-692777-4. {{cite book}}: |author= has generic name (help); Check |isbn= value: checksum (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)

• Brown, G. Baldwin. "Monument Administration in the Various European Countries: Italy". The Care of Ancient Monuments (Google Books). Cambridge: Cambridge University Press. Retrieved 2008-03-25.

• Kirk, Terry. "Napoleon in Italy, 1800–1815". The Architecture of Modern Italy :The Challenge of Tradition, 1750–1900 (Google Books). Vol. 1. Princeton, New Jersey: Princeton Architectural Press. ISBN 1-568-98420-0. Retrieved 2008-03-25. {{cite book}}: Unknown parameter |origmonth= ignored (help)

• Emiliani, A. Leggi bandi e provvedimenti per la tutela dei beni artistici e culturali negli antichi stati italiani 1571–1860 (in Italian). Bologna.{{cite book}}: CS1 maint: unrecognized language (link)

• Mariotti. La Legislazione delle Belle Arti, Roma (in Italian). {{cite book}}: |format= requires |url= (help)CS1 maint: unrecognized language (link)

External links

• Vatican Museums official website
  • English information