User:LazyStarryNights/sandbox

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This is my Sandbox page.

Example Composition list

Moved to User:LazyStarryNights/List of compositions by Luigi Boccherini

Replaced Category:Types of musical groups by Category:Types of orchestras

Types of orchestras

Articles about the technical aspects of orchestras may be categorized in the main "Orchestras" category. [[:Category:Orchestra]] [[:Category:Aria]] https://wiki.riteme.site/w/index.php?title=Category:Types_of_orchestras&action=submit This category should contain types of orchestras. For specific orchestras there is category {{Commons cat|Orchestras}} and its subcategories. == Concertos == [[Category:Classical music groups| Orchestras]] [[Category:Types of musical groups]] Kategorie:Orchestertyp In diese Kategorie bitte nur Arten von Orchestern einordnen. Für die Orchester selbst gibt es die Kategorien [[:Kategorie:Orchester nach Besetzung]] und [[:Kategorie:Orchester nach Staat]]. [[Kategorie:Orchesterwesen|Typ]] [[Kategorie:Musikgruppen-Typ]] [[Orchestra]] and the various types of orchestra could need more fleshing out. Maybe more separate sections and/or articles could be created for the various types of orchestras. For example the French and German WP have this for chamber orchestra, which could be reused for here. Maybe I can do this later or others want to pick this up. For now I created a redirect page from chamber orchestra so I can reference it from other articles (eg [[List of compositions by Luigi Boccherini]] on which I'm currently working.

Merging

Open questions:

Why are there 2 Merging pages?
"After closing the merger proposal discussion, place the following template on the source page's talk page:" > The fact that result is either KEep or Merge (or else?) is not clear here. I started to type something in my own words.
Point 5 in How to merge could merge into earlier steps
Follow up on draft
Verify this one:

Wikipedia:Merging#Tagging multiple pages

... {{Merge from|OtherPage1|OtherPage2|OtherPage3|discuss=Talk:<destination page>#Merger proposal |date=November 2024}}

multiple pages issue {{Merge from|<source page>|discuss=Talk:<destination page>#Merger proposal|date=July 2013}} .. {{Merge from|OtherPage1|OtherPage2|OtherPage3|discuss=Talk:<destination page>#Merger proposal |date=July 2013}} {{Merge|Canarie (dance)|target=Canary (dance)|discuss=Talk:Canarie (dance)#Merger proposal|date=July 2013}} check Help:Merging#Performing the merger

Concertos

Cello and orchestra (Concertino (2 violins) and ripieno (2 oboes, 2 horns, 2 violins, violas, and basses))

Orchestra (Concertino (2 violins) and ripieno (2 oboes, 2 bassoons, 2 horns, 2 violins, violas, and 2 cellos))

Transition (music)

A short transition may also be termed bridge passage, while certain long transitions may be called transitional episode.^[1]

Metre vs Meter category

Wikipedia:Categories for discussion#How to use CfD

Also consider moving stuff from Meter (music) to lower section - eg origins or history

Canzone / Canzona

Passamezzo

The '''passamezzo''' (also ''Pass’e mezzo, Passo e mezzo'')) is a [[dance]] of the [[16th century|16th]] and early [[17th century|17th]] centuries.<ref>[http://imslp.org/index.php?title=Category:Passamezzos Passamezzos] at IMSLP.</ref> It was an originally [[Italy|Italian]] dance in [[duple time]] resembling the [[pavane]] but about twice as fast. The term can also refer to the music of this dance.<ref>"Passamezzo." Merriam-Webster.com. Merriam-Webster, n.d. Web. 8 Aug. 2013. <http://www.merriam-webster.com/dictionary/passamezzo></ref> http://www.answers.com/topic/passamezzo-music http://but.unitbv.ro/BU2010/Series%20VIII/BULETIN%20VIII%20PDF/ART%20STUDIES/01_Kovacs%20G.pdf http://books.google.nl/books?id=w9aVFqaOGHAC&pg=PA194&lpg=PA194&dq=passamezzo+dance&source=bl&ots=jWjZV-Or0F&sig=JK6mtS0AMJ0fVqhcU4VzaG5yZRA&hl=en&sa=X&ei=Eg8EUujnAYjPtAb334HQCw&redir_esc=y#v=onepage&q=passamezzo%20dance&f=false etc etc google is fulll of this The ''Passamezzo'' (Italian, also Pass'e mezzo, Passo e mezzo ) was an Italian geradtaktiger walking dance of the 16th and 17 Century, similar to the Pavane . Part of the term was used synonymously with Pavane, some of Passamezzo was a separate dance, slightly faster than the Pavane. As with the Pavane Gaillarde was also the Passamezzo regularly with a quick Nachtanz, the saltarello connected. Characteristic of the Passamezzo is the variation of the melody over a given bass line ( basso ostinato ). Were two predominant harmonic models: the Passamezzo Antico in minor and Passamezzo Moderno in major . Both models were probably formed around 1540. In the printed collections of the 16th Century about 121 pieces are titled as Passamezzo. Of which use 40 and 35, Antico Moderno scheme. In the 17th Century were almost exclusively used these two models as a basis for composition Der '''Passamezzo''' (ital., auch ''Pass’e mezzo, Passo e mezzo'') war ein geradtaktiger italienischer [[Schreittanz]] des 16. und 17. Jahrhunderts, ähnlich der [[Pavane]]. Teils wurde der Begriff gleichbedeutend mit Pavane verwendet, teils war der Passamezzo ein eigener Tanz, etwas schneller als die Pavane. Wie die Pavane mit der [[Gaillarde]] wurde auch der Passamezzo regelmäßig mit einem schnellen Nachtanz, dem [[Saltarello]] verbunden. Charakteristisch für den Passamezzo ist die Variation der [[Melodie]] über einer gegebenen [[Basslinie]] ([[Basso ostinato]]). Vorherrschend waren zwei harmonische Modelle: der ''Passamezzo Antico'' in [[Moll]] und der ''Passamezzo Moderno'' in [[Dur]]. Beide Modelle entstanden wahrscheinlich um 1540. In den gedruckten Sammlungen des 16. Jahrhunderts sind etwa 121 Stücke als Passamezzo betitelt. Davon verwenden 40 das Antico- und 35 das Moderno-Schema. Im 17. Jahrhundert wurden fast ausschließlich diese beiden Modelle als Kompositionsgrundlage verwendet. ==See also== *[[Passamezzo antico]] *[[Passamezzo moderno]] ==Notes== {{Reflist}} [[Category:Dance forms in classical music]] [[Category:Dances]] [[Category:Early dance]] [[Category:Historical dance]] [[Category:Italian dances]] {{dance-stub}}

Double aria

http://www.britannica.com/EBchecked/topic/87462/cabaletta

http://www.metoperafamily.org/uploadedFiles/MetOpera/about_the_met/Met_in_Schools/Educator_Guides/Lucia_di_Lammermoor/CADoubleAria2.pdf

The double aria is a standard feature of 19th-century opera. In its first part, the cavatina (“cah-vah-TEEN-ah”), a character will generally express a thoughtful, somber, or sad feeling about his or her situation. Then something happens on stage. News might arrive. Another character might express an opinion, take action, or try to prevent an action. In light of this event, the first character’s feelings change. She may become decisive, angry, or happy. He may turn his thoughts to a different aspect of his situation—a more hopeful or pleasant aspect. This second emotional state is expressed in the second part of the double aria, the cabaletta (“cah-bah-LET-tah”) generally a peppier, more optimistic piece of music than the cavatina.

Double aria refers to an aria which consists of two parts. The first part, or cavatina, is usually slow and the second, or cabaletta is faster. There is often recitative between the two parts.^[2]

Notes

^ Stein, Leon (1979). Structure & Style, The study and analysis of musical forms, Expanded edition, p.59. ISBN 0-87487-164-6
^ www.operaamerica.org, Glossary: Double aria

{{stub}} [[Category:Song forms]] [[Category:Opera terminology]]

Talk:Galante music, Talk:Galant

todo

[1] Stein, Leon (1979). Structure & Style, The study and analysis of musical forms, Expanded edition, p.59. ISBN 0-87487-164-6

[2] www.operaamerica.org, Glossary: Double aria

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