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Opera-L is an electronic mailing list devoted to opera and related topics.
CLASSICAL MUSIC;Of Star Worship And Flame Wars
Julia Fischer interview: http://www.zeit.de/2011/31/Rettung-Julia-Fischer/seite-1
Debut with Chicago SO in 1992.[ 1]
http://www.telegraph.co.uk/news/obituaries/8396357/Yakov-Kreizberg.html
http://www.guardian.co.uk/music/2011/mar/21/yakov-kreizberg-obituary
"He was a musician of great elegance and passion, with an intense focus and a warm, lovable personality – not a series of qualities automatically found combined in the same person."
Stephen Hough, "The sad and too-early death of Yakov Kreizberg" The Telegraph Mar. 16, 2011.
I would say that the framework is prepared during the rehearsals – that is, the structure of how it is going to be presented....the conductor and the musicians will agree or lay the foundation for the performance. But then, of course ... every performance has a life of its own. It takes on a life of its own because at any given moment the direction of the performance can be changed by...the response of the musicians. You must remember that the musicians (as well as the conductor) on a different evening have a different pulse, they feel different things – sometimes they’re more calm, sometimes they’re more excited...and we’re talking about one hundred people – all of these things can change the direction in which the performance will take place.
Well, there is a plan so hopefully the changes – they’re not going to be structural changes – but, within the phrases, even within small segments there’s going to be a different approach and a different feeling, and the moment one phrase goes in a different direction from the way it was yesterday it will affect how the next phrase will be shaped....a different tempo will affect the next one. So in a way, that changes the structure too, to a certain degree. So it’s a very much living breathing organism – every performance – and no matter how much you can put into a preparation of it, and no matter how much you can agree “we’re going to do this, or we’re going to do that” – I can tell this from an experience of working with singers for many, many years (there it is especially acute) – you can agree on everything, exactly how everything is going to take place, but when you walk out in the pit in the middle of an opera performance, a human voice is so dependent on the body -- more than any instrument -- that things can go completely differently from what they were supposed to go. And you have to be on your toes at all times.
In Opera:
"Yakov Kreizberg conducted with a leaden hand, his textures thick and slow, as if there had never existed a lighter, more transparent approach toward Mozart's operas." Jochen Breiholz, "In Review: From Around the World--Berlin," Opera News 64, no. 5 (November 1999), p. 84-86.
"His direction in other repertoire, including Mozart, could sometimes seem unduly hard-pressed, and his Rosenkavalier for ENO (1994), for all its vigour, lacked an innate feel for the blend of voices and instruments." Barry Millington, "Yakov Kreizberg obituary," The Guardian March 21, 2011.
"His conducting style was large-scale and expressive but its neatness meant that it never compromised the passion of the performance. Interpretatively, he was his own man; even the presence of composers did not cow him and they would sometimes end up agreeing with his deviations from tempo and dynamic markings."[ 2]
"For example, last year with Yakov Kreizberg I learned a lot, especially the Russian repertoire, which is his specialty. "
In 2003, she was engaged to perform the Khachaturian Concerto with Kreizberg and the Philadelphia Orchestra. She'd never worked with that conductor before, but they immediately hit it off, and before she knew it, she and Kreizberg were recording that and two other Russian concertos for PentaTone. "I didn't want to record a CD," she says. "My manager had been trying to convince me to record for five years. I always said no because I'm too lazy; I just put it off into the future. But when we performed the Khachaturian Violin Concerto in Philadelphia, Yakov Kreizberg turned to me right away and asked if I'd like to record the Concerto. I loved working with him, but I just thought he was being polite. The next day he called me and said, 'So I think this is what we should be doing for this CD.' I said, 'Wait a second--what are you talking about?' He said, 'We can do it in May with the Russian National Orchestra, record the Khachaturian Concerto and some other Russian pieces.' (The couplings turned out to be concertos by Prokofiev and Glazunov.) I said, 'I'm not convinced that I should record a CD at all.' But he convinced me. It took him two months, but he really convinced me. I was scared of having to live with this recording to the end of my life and going to a studio and playing for eight hours a day, but the recording sessions were amazing and a lot of fun, and I'm more than happy with how the CD came out, and the response was amazing, too."
James Reel, "Talking with Violinst Julia Fischer," Fanfare 29, no. 1 (September-October 2005), p. 59.
"I did not look forward to this, for what can a Russian offer in this most Viennese music? As it turns out, quite a bit! His tempos are rather leisurely and he really has a Viennese feel for this music. A test is Tales From the Vienna Woods with its wonderful zither solo. Wilfried Scharf plays it with great feeling and Kreizberg and the Vienna Symphony accompany most elegantly."
Carl Bauman, "Strauss, J: Waltzes" American Record Guide, May 1, 2006.
"The performance reminds me very much of the old London Phil/Giulini (EMI, Nov/Dec 1996—not the super-charged account once issued on a Chicago Symphony fund-raising disc) but the sound is better...if you are looking for a less Beethovenian, less dramatic Seventh, you may like Kreizberg’s quiet, gentle end to the first movement, his songful II (where the SACD resolution brings out some lovely detail), and a III that’s lyrical rather than vehement. The finale strikes me as a bit too blowzy even for listeners who prefer less punchy articulation than I do. I’d like to hear what this team can do with the more pastoral Symphony 6..." Lawrence Hansen, American Record Guide , Sept. 1, 2009, p. 86.
"Throughout the New World Symphony, Kreizberg makes the most of dynamic contrasts without exaggerating them. He has a wonderful ear for orchestral color and achieves enviable instrumental blend and balances. The conductor lingers at the right places in the first movement's introduction, while the main body of that movement is dramatically propelled. At 13:52, Kreizberg's Largo is on the longer side...but it never bogs down (despite some very pregnant pauses in the chamber section after rehearsal number 5.) Perhaps the cross-rhythms in the Scherzo could have more snap, but they register clearly; the finale is knowingly shaped and--again--dramatically charged. Romeo and Juliet doesn't get as overheated as some other versions, but it's a beautifully paced performance and the return of the Big Tune is really quite stirring. As with the Dvorák, the conductor elicits clearly voiced yet luscious symphonic sonorities that serve the music well."
"...Kreizberg's thoughtful and superbly executed interpretation deserves a wide hearing."[ 3]
Concerning Shostakovch 5th: "Kreizberg clearly feels that the emotional core of the work is the Largo, but his approach is not at all heavy-handed. It is more of an elegiac lament characterized by transparent and fairly lightweight string sonorities. The ending of the movement, with its remarkably blended harp-celesta notes, is stunning. The first movement and especially its Mahlerian middle section are taken quickly, but Kreizberg effectively broadens the tempo at the climax reminiscent of Tchaikovsky's Manfred and The Tempest. The second movement is decidedly straight-laced. There is not much humor there. Both conductors play the finale in the Russian tradition. That is to say: very slowly. In the hands of Kreizberg , this is a screeching musical portrait of a hollow victory that the generally cool, transparent sound cannot mollify." - Lintgen
Concerning Shostakovich 9th: "The overall effect is a cool, crystalline clarity that is fine for the Ninth, but detracts from the dynamic impact inherent in Kreizberg 's Fifth...Kreizberg seems to be emulating Rostropovich without the interpretive excesses, and that should be ideal. Ultimately, the transparent sound works well in the softer, lightly orchestrated sections, but seriously detracts from the impact of Kreizberg's interesting interpretation of the Fifth Symphony." - Lintgen
"Kreizberg certainly makes an excellent case for his slower and slightly darker approach, but it eventually tends to drag and you just want him to get on with it. The remarkable and colorfully orchestrated tone poems based on the folk ballads of Karel Jaromir Erben obviously fuel Kreizberg 's dramatic instincts. He gives an electrifying account of the grisly events depicted in The Water Goblin. In fact, his performances of the three Dvorák tone poems he has recorded so far are second to none." -- Aerthur Lintgen, "Classical Recordings: Dvorak - Symphony No. 6 in D; 'The Water Goblin', Fanfare 32 no. 1 (Sept.-Oct. 2008), p. 144-145.
"Now, just at the dawn of the SACD era, we already have a first-rate new version of Schmidt's Fourth in superb surround sound from Yakov Kreizberg and the Netherlands Philharmonic on PentaTone. The recorded sound is a bit distant, but detailed (clear enough to reveal an occasional grunt from the podium). More important, Kreizberg 's performance breathes nicely, with a natural rubato that makes its effect over large musical paragraphs more than through individual phrases."[ 4]
"This could be a risky supposition but, on the basis of PentaTone's generous program, perhaps we should be eager to hear Yakov Kreizberg lead a complete Wagner opera. He achieves admirable orchestral balances, tempos are always apt, and--most critically--he nails the individual character of each work exactly so. Especially successful is the 20 minutes from Tristan, recorded at the Concertgebouw before an exceptionally quiet audience (the other pieces were recorded in Yakult Hall of the Beurs van Berlage ). Kreizberg generates plenty of tension in the act I Prelude, lingering over the ripe harmonies yet, despite some very pregnant pauses, never gets bogged down. The listener senses the air change with the first notes of the Liebestod: there's a tangible feeling of resolution and relief, similar to what you get at around 11:30 p.m. when you've experienced a complete performance in a theater. Just think of the time you save."Cite error: A <ref> tag is missing the closing </ref> (see the help page ).
Sharpe
"He belongs to the school that believes that slavish adherence to the composer's marking, other than the actual notes, is not always appropriate. The composer may believe passionately that his tempo indications, dynamic markings, and so forth, are the right ones, but there is a physicality involved in performance that may require adjustments."
Duffie
"There is no such thing as an authentic interpretation...a piece of music will only live if it is recreated by a creative mind"
[ edit ]
Cue name
Instrumentation
Description of Action
Prelude
2 flute, bass flute, 2 clarinets, 3 bass clarinets, 3 bassoons, contra bassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion (2 players), double basses
-
Newsreel
-
Newsreel
Rain (Susan in Nightclub)
3 flutes, 2 clarinets, 2 bassoons, contra bassoon, celesta, harp, vibraphone, violin 1 (divided into 3), violin 2 (divided into 2)
-
Litany
2 flutes, 2 clarinets, 2 bass clarinets, contra bassoon, 2 horns, 3 trumpets, 3 trombones, tuba, harp
-
Manuscript Reading and Snow Picture
flutes, oboe, 2 clarinets, bass clarinet, 2 bassoons, 3 trumpets, 3 trombones, timpani, glockenspiel, triangle, celesta, harp, strings
-
Mother Sacrifice
clarinet, horn, strings
-
Charles Meets Thatcher
2 flutes, oboe, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, timpani, 2 vibraphones, Hammond organ, strings
-
(Montage sequence with Thatcher)
2 flutes, 2 oboes, 2 clarinets, 2 bass clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, percussion (2 players): glockenspiel, triangle, timpani, strings
-
Dissolve
clarinet, 4 horns, 3 trombones, tuba, timpani, double basses
-
2nd Manuscript (not used)
flute, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, celesta, harp, double basses
-
Thanks
oboe, 2 clarinets, horn, 3 trumpets, 3 trombones
-
Bernstein's Narrative
flute, 2 clarinets, strings
-
("Ragtime")
piccolo, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 2 trombones, tuba, percussion (snare drum), piano, double basses
-
Hornpipe Polka
2 clarinets, 2 bassoons, bass clarinet, contrabass clarinet, chimes, blocks
-
New Hornpipe Polka
2 piccolos, 2 oboes, 2 clarinets, 2 bassoons, chimes, blocks, harp, celesta, strings
-
Carter's Exit (not used)
2 flutes, bass flute, 2 oboes, 2 clarinets, bass clarinet, 2 bassoons, horn, trumpet, vibraphone, 6 solo violins
-
("Overture")
piccolo, flute, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, 2 percussionists (glockenspiel, wood blocks, snare drum, bass drum), celesta/piano, 2 harps, strings
-
Kane's Return
2 flutes, 2 oboes, 2 clarinets, 2 bassoon, 2 horns, 2 trumpets, trombone, timpani, strings
-
Collecting Statues
2 oboes, 2 clarinets, 1 trumpet, strings
-
Valse Presentation
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 harons, 2 trumpets, celesta, harp, strings
-
Sunset Narrative
2 flutes, oboe, English Horn, clarinet, 2 bassoons, 2 horns, trumpet, cymbal, strings
-
Theme and Variations
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 turmpets, 3 trombones, harp, celesta, strings
-
Kane and Susan
oboe, harp, violas (divisi into 3), and violoncellos (divisi into 3)
-
Susan's Room
2 flutes, 2 clarinets, harp, strings
-
Mother Memory
2 flutes, 2 clarinets, 2 bassoons, strings
-
The Trip - Version A
piccolo, 2 clarinets, 2 bass clarinets, Hammond organ, bass drum
-
The Trip - Version B
piccolo, 2 clarinets, 2 bassoons, Hammond organ, vibraphone, 2 horns, 2 trombones, bass drum
-
Geddes Departure - Version A
2 flutes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, violins (divisi in 3), double basses, Hammond organ
-
Geddes Departure - Version B
3 flutes, 2 clarinets, 2 bassoons, Hammond organ
-
[Susan Wedding - from Wells Raises Kane]
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, 2 percussionists (cymbals..), celesta, harp, strings
-
Salaambo's Aria
2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 2 trombones, tuba, timpani, 2 percussionists (cymbal, bass drum, harp, soprano, strings
-
Leland's Dismissal
2 English horns, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, tuba, 2 timpani, bass drum, double basses, Hammond organ
-
New Dawn Music
2 flutes, 2 clarinets, bassoon, horn, vibraphone, strings (without double basses)
-
Opera Montage
piccolo, flute, oboe, English horn, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 2 trombones, tuba, timpani, cymbal, snare drum, strings
-
Xanadu
flutes, 2 clarinets, bass clarinet, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, timpani, bass drum, tam tam, 2 vibraphones, strings
-
Jigsaws "Perpetual Motion"
2 flutes, 2 clarinets, 4 horns, wood blocks, strings
-
Second Xanadu
2 flutes, 2 clarinets, bass clarinet, 4 horns, 3 trumpets, timpani, vibraphone, strings
-
Kane's Picnic
2 bassoons, 3 trumpets, 3 trombones, tuba, snare drum, violoncellos, double basses, piano
-
Susan Leaves
2 bass flutes, 2 clarinets, 4 horns, timpani, violoncellos, double basses
-
El Rancho
2 flutes, 2 clarinets, basson, 4 horns, 3 trumpets, 3 trombones, vibraphone, cymbals, timpani, strings
-
The Glass Ball
2 bass flutes, 2 clarinets, bass clarinet, 2 bassons, 4 horns, 3 trombones, bass drum, harp, strings
-
Finale
piccolo, flute, 2 oboes, 2 clarinets, bass clarinet, 2 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, cymbals, bass drum, tam tam, harp, celesta, strings
-
Also these cues:
Xanadu music
3 flutes, 2 clarinets, 3 bass clarinets, 2 bassoons, contrabassoon, 3 trumpets, 3 trombones, vibraphone, bass drum, violins (divisi into 3), 2 double basses
-
The Night (Xanadu)
3 alto flutes, 2 clarinets, 3 bass clarinets, 3 bassoons, contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, vibraphone, double basses
-
List of Columbia Workshop shows [ edit ]
Date
Title
Writer
Adaptation
Director/Producer
Music
Remarks
July 18 , 1936
A Comedy of Danger
Richard Hughes
-
Myron Safler
-
First show
The Finger of God
Percival Wilde
July 25 , 1936 Broadway Evening
Leopold Proser
-
Irving Reis
-
-
August 1 , 1936 Technical Demonstration
-
-
Irving Reis
-
-
Cartwheel
Vic Knight
August 8 , 1936 Experiment
Mary Parkington
-
Irving Reis
-
-
Highway Incident
Brian J. Byrne
August 15 , 1936 Case History
Milton M. E. Geiger
-
Irving Reis
-
Fantasy of pilot in airline crash
date
title
author
adaptor
director/producer
music
remarks
http://wiki.riteme.site/wiki/List_of_The_Shadow_episodes#Season_1:_.281937_.E2.80.94_1938.29
Lost operas from Scarabocchio [ edit ] This list of lost operas has been extracted from the works lists of the OperaGlass website (ed. Rick Bogart).
Explanatory Notes and Abbreviations
The lines have been left in their original raw html forms, with a rough-and-ready wikilink added on the composer name. The list is ordered by birth year (or 30 years before the first lost opera where no birth year was given).
year | composer | title | date of first performance |theater of premiere |city of first performance 1550 : Cavalieri, Emilio de' La disperazione di Fileno (carn.1590 Firenze) [lost] |Satiro (carn.1590 Firenze) [lost] |Il giuoco della cieca (29.10.1595 Firenze PP) [lost] |La contesa fra Giunone e Minerva (5.10.1600 Firenze) [lost]
1550 : Bati, Luca Il rapimento di Cefalo (9.10.1600 Firenze) [+ G. Caccini ] [lost]
1559 : Pace [Paci], Pietro La Delinda () [lost]
1567 : Monteverdi [Monteverde], Claudio (Giovanni [Zuan] Antonio) L'Arianna (28.5.1608 Mantova) [lost] |Le nozze di Tetide (1616 inc) [lost] |Andromeda (1620 inc) [lost] |Apollo (inc) [lost] |La finta pazza Licori (1627; np) [lost] |Gli amori di Diana e di Endimione (1628 Parma) [lost] |Mercurio e Marte (1628 Parma) [lost] |Proserpina rapita (1630 Venezia) [lost] |Le nozze d'Enea con Lavinia (1641 Venezia) [lost]
1587 : Caccini [Signorini], Francesca La Cecchina (18.9.1587 Firenze - c.1640 Firenze?)|Il ballo delle zigane (24.2.1615 Firenze PP) [lost]
1594 : Olivo [Olivi], Simpliciano [Sempliciano] ? (23.2.1664) [lost]
1595 : Rovetta, Giovanni Ercole in Lidia (1645) [lost] |Argiope (1649) [lost]
1600 : Sances [Sancies; Sanci; Sanes], Giovanni Felice Ermiona (11.4.1636 Padova) [lost]
1602 : Marazzoli, Marco Marco dell'Arpa (c.1602/8 Parma - 26.1.1662 Roma)|Gli amori di Giasone e d'Issifile (1642 Venezia SGP) [lost]
1603 : Ferrari, Benedetto dalla Tiorba; della Tiorba (1603/4? Reggio Emilia - 22.10.1681 Modena)|La finta savia (carn.1643 Venezia N) [et al. ] [lost] |Enone abbandonata () [lost] |Egisto (1651 Piacenza) [lost] |Gli amori di Alessandro Magno, e di Rossane (1656 Bologna) [lost]
1605 : Bertali [Bertalli, Berthali, Bartali, Barthali, Bertaldi], Antonio Il rè Gelidoro (1659 Wien) [lost] |Gli amori di Apollo con Clizia (1661 Wien) [lost] |Cibele ed Atti (1666 Wien) [lost]
1605 : Dassoucy [Assoucy, D'Assoucy, Coypeau, Coipeau, Couppeau], Charles [d'] Les Amours d'Apollon et de Daphné (1650) [lost]
1605 : Sacrati, Francesco La Delia (20.1.1639 Veneza SGP) [lost] |La finta pazza (14.1.1641 Venezia N) [lost] |Bellerofonte (1642 Venezia N) [lost] |Venere gelosa (1643 Venezia N) [?] [lost] |L'Ulisse errante (1644 Venezia SGP) [lost] |La Semiramide in India (1648 Venezia SC) [?] [lost] |L'isola di Alcina (1648 Bologna) [lost] |Ergasto (1650 Venezia) [?] [lost; =? Lecasto consecrate]
1605(est) : Cecchini, Angelo Primavera urbana col trionfo d'Amor pudico (1635 Roma) [lost] |La baccante, overo Il trionfo dell'autunno (c.1638 Roma) [lost] |L'intemperie d'Apollo (2.1638 Roma) [Il prencipe indisposto] [lost] |La sincerità trionfante, overo L'Erculeo ardire (1.1639 Roma) [lost]
1612 : Tozzi, Vincenzo Il ratto d'Elena (1657 Messina) [lost]
1612(est) : Fontei [Fonte, Fonteio], Nicolò Sidonio e Dorisbe (1642 Venezia SM) [lost]
1615 : Mollier [Molière], Louis de Les Amours de Céphale et d'Aurore (1677) [lost] |Andromède (1678) [lost]
1616 : Förster, Kaspar Der lobwürdige Cadmus (25.9.1663 København) [lost]
1616 : Ziani, Pietro Andrea Marcello in Siracuse (1673 Napoli SB) [lost] |La Cleandra (1678 Bologna) [?] [lost]
1620 : Cazzati, Maurizio I gridi di Cerere (1652 Ferrara) [lost] |Il carnevale esigliato (1652 Ferrara) [lost] |Ercole effeminato (1654 Bergamo) [lost] |Le gare de' fiumi (1658 Bologna) [lost] |Le gare d'Amore e di Marte (1662 Bologna) [lost]
1621 : Locke [Lock], Matthew Cupid and Death (26.3.1653) [+ C. Gibbons ] [lost]
1622 : Fedeli, Carlo Ermelinda (1679 Venezia) [lost] |Don Chisciotte della Mancia (1680 Venezia) [lost]
1622 : Bernabei [Barnabei], Ercole +3 [lost]
1626 : Legrenzi, Giovanni Nino il giusto (1662 Ferrara) [lost] |L'Achille in Sciro (1663 Ferrara) [lost] |Tiridate (1668 Venezia SSv) [rev. Zenobia e Radamisto ] [lost] |Adone in Cipro (1676 Venezia SSv) [lost] |L'Ottaviano Cesare Augusto (1682 Mantova) [lost] |L'anarchia dell'imperio (1684 Venezia SSv) [lost] |Publio Elio Pertinace (16846 Venezia SSv) [lost] |Ifianassa e Melampo (1685 Pratolino) [lost]
1628 : Cambert, Robert La Pastorale (4.1659 Issy) [lost] |Ariane, ou Le mariage de Bacchus (1661; np) [lost] |Adonis (1662; np) [lost] |Ariane, ou Le mariage de Bacchus [rev] (30.3.1674 London) [+ Grabu ] [lost]
1628 : Capricornus [Bockshorn], Samuel Friedrich Komödie (18.5.1665 Stuttgart?) [lost]
1629 : Amato [D'Amato. De Amato, Di Amato], Vincenzo Isaura (1664 Palermo) [lost] |L'Aquila (1666) [lost]
1630 : Sartorio [Sertorio], Antonio L'Ermengarda regina de' Longobardi (26.12.1669 Venezia SGP) [lost] |Alcina (1674; np) [lost] |I duo tiranni al soglio (15.1.1679 Venezia SSv) [lost]
1630 : Alfiero [Alfieri], Giuseppe La fedeltà trionfante (1655 Napoli SB) [lost] |Il trionfo della pace (1658 Napoli) [?] [lost]
1630(est) : Castrovillari, Daniele da [di] Gl'avvenimenti d'Orinda (1660 Venezia) [?] [lost] |La Pasife (1661 Venezia) [?] [lost]
1630(est) : Carpani, Giovanni Antonio Santa Cecilia (1660 Roma: Cat. San Pietro) [lost]
1631 : Sportonio, Marc'Antonio Elena (carn.1661 Palermo) [lost] [+ Cavalli ]|La Flavia Imperatrice (3.1669 Palermo) [lost] |Caligola (1675? Palermo?) [?] [lost] |La Fiordispina (1678 Palermo) [lost]
1634 : Draghi, Antonio Ipermestra (spr.1671 Wien) [et al. ] [lost] |Le nozze di Mercurio (1685 Wien) [et al. ] [lost]
1635 : Agostini [Augustini], Pietro Simone [Piersimone] Il Tolomeo (1658 Venezia) [lost] |La regina Floridea (1669? Milano D) [Floridea] [+ Rossi, Busca ] [lost] |Ippolita, reina delle Amazoni (1670 Milano D) [+ Busca, P.A. Ziani ] [lost] |Eliogabolo (28.1.1670 Genova) [lost] |La costanza di Rosmonda (1670 Genova) [lost]
1636(est) : Pallavicino [Pallavicini], Carlo Aureliano (25.2.1666 Venezia SM) [lost] |Il tiranno humiliato d'amore, ovvero Il Meraspe (12.12.1667 Venezia SGP) [lost] |Ercole in Tebe (1672 Napoli) [lost] |Licinio imperatore (1684 Venezia SGG) [lost] |Ricimero re de' vandali (1684 Venezia SGG) [lost] |Massimo Pupieno (28.12.1684 Venezia SGP) [lost] |Penelope la casta (28.1.1685 Venezia SGG) [lost] |Amore inamorato (1686 Venezia SGG) [lost] |La Didone delirante (1686 Venezia SGP) [lost] |Antiope (14.2.1689 Dresden) [+ N.A. Strungk ] [lost]
1638 : Viviani, Giovanni Buonaventura Zenobia (1678 Napoli) [lost]
1639 : Melani, Alessandro S. Dinna (1687 Roma) [+ Pasquini, Scarlatti ] [lost]
1639 : Masini, Antonio L'Eumene (1666 Ferrara) [lost]
1640 : Leopold I, Giudizio d'amore () [lost?] |Del silenzio profondo () [lost?] |Rimbomba mia tromba () [lost?] |L'amoroso gidizio () [lost?] |Die Ergetzungstund der Sclavinnen aus Samien (1685 Wien) [lost?] |? (1686 Wien) [comedy] [lost?]
1640 : Boretti, Giovanni Antonio Alessandro amante (28.1.1668 Venezia SM) [lost] |Dario in Babilonia (24.1.1671 Venezia SSv) [lost] |Domitiano (27.12.1672? Venezia?; np?) [lost]
1642 : Schmezer [Schmetzer], Georg Pieris vindicata, oder Die vermeinte Braut-Heimführung (1668) [lost] |Davidis polytecni infelix felicitas oder Davids Kinder-Lied und Freud (1687) [lost]
1642 : Gautier, Pierre Gaultier de Marseille (1642? La Ciotat - 1696 at sea, c. Sète)|Le Triomphe de la paix (28.1.1685 Marseilles) [lost] |Le Jugement du soleil (5.2.1687 Marseilles) [lost]
1642 : Cherici [Chierici, Clerici], Sebastiano L'Egelinda (1699 Pistoia) [lost]
1642(est) : Fusetto [Fusetti], Giovanni [Gian] Paolo Iphide greca (14.1.1672 Udine) [et al. ] [lost]
1644 : Stradella, Alessandro La rosaura (1688 Roma DP) [?] [lost]
1644 : Biber, Heinrich (Ignaz Franz von) Alessandro in Pietra (1689) [lost]
1645 : Löhner, Johann Der gerechte Zaleukus (1687) [lost]
1645 : Charpentier, Marc-Antoine Les Amours d'Acis et de Galatée (1678) [lost] |Le Retour du printemps () [lost] |Le Jugement de Pan () [lost] |Philomèle () [+ Duc de Chartres ] [lost]
1646 : Bonini, Francesco Gli sdegni d'Amore (1646 Bologna) [lost]
1647 : Philidor [Danican], André Danican l'ainé (c.1647 Versailles - 11.8.1730 Dreux)|La Princesse de Crète (1688 Marly) [lost]
1647 : Bassani [Bassano, Bassiani], Giovanni Battista L'amorosa preda di Paride (1683 Bologna) [lost] |Falaride tiranno d'Agrigento (1683 Venezia) [lost] |Alarico, re dè Goti (1685 Ferrara) [lost] |Vitige (1686 Ferrara) [lost] |Il trionfo di Venere in Ida (1688 Ferrara) [lost] |La Ginerva, infanta di Scozia (1690 Ferrara) [lost] |Il coccio Nerva (1691 Ferrara) [lost] |Gli amori tra gl'odii (1693 Verona) [lost]
1647(est) : Oudot, Claude Les Amours de Titon et l'Aurore (1677 Sceaux) [lost]
1648 : Capelli [Capello, Cappelli, Capella], Giovanni Maria I rivali generosi (1710 Reggio Emilia) [+ Monari, Pistocchi ] [lost?] |L'amore politico e generoso della regina Ermengarda (1713 Mantova) [+ Gasparini ] [lost?] |L'Eudamia (1718 Colorno, Param) [lost?] |Nino (1720 Reggio Emilia) [+ Gasparini, Bononcini ] [lost?] |Giulio Flavio (1722 Venezia) [lost?] |Mitridate re di Ponto (1723 Venezia) [lost?] |Il Venceslao (1724 Parma) [lost?] |I fratelli riconosciuti (1726 Parma) [lost?] |Erginia mascherata (1727 Rovigo) [lost?]
1648 : Degli Antoni [Antonii], Pietro L'inganno fortunato (1671) [et al. ] [lost] |Atide (1679) [+ G.F. Tosi, G.A. Perti ] [lost]
1649 : Krieger [Kriger, Krüger, Krugl, Kriegher], Johann Philipp [Giovanni Filippo] Die bewährte Liebes-Cur () [lost] |Schieffers Comoedia () [lost]
1650 : Amodei, Cataldo La sirena consolata (1692 Napoli) [lost]
1650 : Partenio [Partenico], Gian [Giovanni] Domenico La costanza trionfante (1673 Venezia SM) [lost]
1651 : Krieger [Kruger, Kriegher], Johann [Giovanni] Die sicilianische Argenis (1683) [lost] |Der verfolgte David (1683) [lost] |Nebucadnezar (1684) [lost] |Der politische Quacksalber (1684) [lost] |Der schwedische Regner (1684) [lost] |Die vierte Monarchie (1684) [lost]
1651(est) : Policci, Giovanni Battista Amalasunta in Italia (1681 Parma) [lost]
1651(est) : Cattani, Lorenzo Quinto Lucrezio proscritto (20.10.1681 Firenze) [lost] |Il Conte di Cutro (12.11.1682 Firenze) [lost] |Il pellegrino (1685) [lost] |Gneo Marzio Coriolano (25.5.1686 Firenze) [lost] |La pietà di Sabina (< 1690; np) [lost]
1653 : Pollarolo, Carlo Francesco I delirii per amore (1685 Brescia) [lost] |Il Licurgo, ovvero Il cieco d'acuta vista (1686 Venezia) [lost] |Il demone amante, overo Giugurta (1686 Venezia) [lost] |Enea in Italia (1686 Milano) [lost] |La costanza gelosa negl'amori di Cefalo e Procri (1688 Verona) [lost] |Alarico re de Gotti (1689 Verona) [lost] |Antonino e Pompeiano (1689 Brescia) [lost] |Alboino in Italia (1691 Venezia) [lost] [+ Tosi? ]|Il moto delle stelle osservato da Cupido (1691 Padova) [lost] |La pace fra Tolomeo e Seleuco (1691 Venezia) [Il Seleuco] [lost] |Venere travestita (1691 Rovigo) [lost] |L'Ibraim Sultano (1692 Venezia) [lost] |Iole regina di Napoli (1692 Venezia) [lost] |Marc'Antonio (1692 Genova) [lost] |Gli avvenimenti di Erminda e di Clorinda sopra il Tasso (1693 Venezia) [lost] |Amage regina de' Sarmati (1694 Venezia) [lost] |La schiavitù fortunata (1694 Venezia) [lost] |Falsirena (1695 Ferrara) [lost] |Ercole in cielo (1696 Venezia) [lost] |Amor e dovere (1697 Venezia) [lost] |Circe abbandonata da Ulisse (1697 Venezia) [lost] |La forza d'amore (1697 Venezia) [lost] |Marzio Coriolano (1697 Venezia) [lost] |L'Oreste in Sparta (1697 Reggio Emilia) [lost] |I regge equivoci (1697 Venezia) [lost] |L'enigma disciolto (1698 Reggio Emilia ) [Gli amici rivali] [lost] |L'Ulisse sconosciuto in Itaca (1698 Reggio Emilia) [lost] |Il giudizio di Paride (1699 Venezia) [lost] |L'oracolo in sogno (1699 Mantova) [+ Caldara, Quintavalle ] [lost] |L'inganno di Chirone (1700 Milano) [lost] |Lucio Vero (1700 Venezia) [lost] |Il delirio comune per l'incostanza dei genii (1701 Venezia) [lost] |Ascanio (1702 Milano) [lost] |L'odio e l'amore (1703 Venezia) [lost] |Venceslao (1703 Venezia) [lost] |L'eroico amore (1704 Bergamo) [et al. ] [L'Alcibiade ovvero La violenza d'amore; L'amante impazzito] [lost] |La fortuna per dote (1704 Venezia) [lost] |Il giorno di notte (1704 Venezia) [lost] |Il Dafni (1705 Venezia) [lost] |La fede ne' tradimenti (1705 Venezia) [lost] |Filippo re della Grecia (1706 Venezia) [lost] |Flavio Bertarido re dei Langobardi (1706 Venezia) [lost] |La vendetta d'amore (1707 Rovigo) [lost] |L'Ergisto (1708 Rovigo) [lost] |Ginevra principessa di Scozia (1708 Pratolino) [Ariodante] [lost] |Il falso tiberino (1708 Venezia) [lost] |La ninfa riconosciuta (1709 Vicenza) [lost] |Amor per gelosia (1710 Roma) [lost] |Il Constantino Pio (1710 Roma) [lost] |Engelberto o La forza dell'innocenza (1711 Brescia) [lost] |Eraclio (1712 Roma) [et al. ] [lost] |L'infedelità punita (1712 Venezia) [lost] |Peribea in Salamina (1712 Padova, Vicenza) [lost] |Publio Cornelio Scipione (1712 Venezia) [lost] |Spurio postumio (1712 Venezia) [lost] |Il trionfo della constanza (1714 Vicenza) [lost] |Tetide in Sciro (1715 Vicenza) [lost] |Il germanico (1716 Venezia) [lost] |L'innocenza riconosciuta (1717 Venezia) [lost] |L'amore in gara col fasto (1718 Rovigo) [lost] |Farnace (1718 Venezia) [lost] |Il pescatore disingannato (1721 Venezia) [lost] |L'Arminio (1722 Venezia) [lost]
1653 : Muffat, Georg Marina Armena (5.9.1679 Salzburg) [lost] |Königin Mariamne (9.1680 Salzburg) [lost]
1653 : Ziani, Marc'Antonio [Marco Antonio] L'Inganno regnante, overo L'Atanagilda Regina di Gotia (1688 Venezia SGP) [lost] |Il gran Tamerlano (1689 Venezia SGP) [lost] |La Falsirena (1690 Venezia SA) [Marte deluso] [lost] |Creonte (1690 Venezia SA) [lost] |L'amante eroe (1691 Venezia SSv) [Alessandro amante eroe] [lost] |La Virtù trionfante dell'Amore e dell'Odio (1691 Venezia SSv) [lost] |Gl'amori ministri della fortuna (1694 Milano D) [rev. La Virtù trionfante ?] [lost] |L'Amore figlio del Merito (1694 Venezia SA) [lost] |La moglie nemica (1694 Venezia SSv) [lost] |Il Domizio (1696 Venezia SA) [lost] |La finta pazzia d'Ulisse (1696 Venezia SSv) [lost] |I rivali generosi (1697 Venezia SSv) [Belisario in Ravenna, ovvero I rivali generosi] [lost] |La ninfa bizarra (1697 Venezia T Dolo) [lost] |Eumene (1697 Venezia SA) [lost] |Odoardo (1698 Venezia SA) [lost] |L'Egisto Rè di Cipro (1698 Venezia SC) [lost] |Il Teodosio (1699 Venezia SC) [lost] |Gl'amori tra gli odii, o sia Ramiro in Norvegia (1699 Venezia SC) [lost] |Il duello d'amore e di vendetta (1699 Venezia SSv) [L'odio placato] [lost] |La pace generosa (1700 Venezia SSv) [lost] |Il Temistocle (9.6.1701 Wien H) [lost] |Gli ossequi della notte (22.7.1701 Wien F) [lost] |La fuga dell'Invidia (15.11.1701 Wien H) [lost] |Il Romolo (9.6.1702 Wien H) [lost] |Introduzione per musica al problema d'un accademia (1707 Wien H) [lost] |Introduzione per musica per una altra accademia (1707 Wien H) [lost] |Amor tra nemici (1714 Wien) [lost]
1653(est) : Conradi, Johann Georg Templum Martis oder Auffzug (1683 Ansbach) [lost]
1654 : Steffani [Staffani; Steffano; Stefani; Stephani], Agostino ? (1682 München) [serenata per le nozze Gräfin von Preysing] [lost]
1655 : Lanciani, Flavio Carlo Il visir amante geloso (1685 Todi) [lost] |La forza del sangue (1686 Roma) [lost] |L'amante del suo nemico (1688 Roma) [lost]
1655 : Bitti, Martino I trionfi di Giosuè (1703 Firenze) [Giosuè in Gabaon] [et al. ] [lost] |Sara in Egitto (1708 Firenze) [L'onesta oambattuta di Sara] [et al. ] [lost]
1656 : Moreau, Jean-Baptiste Les Bergers de Marly (1687) [lost] |Jonathas (1688) [lost] |Judith () [lost] |Absalon (1702) [lost] |Débora (1706) [lost] |Le feu de joye () [lost] |Zaïre () [lost]
1656(est) : Orgiani, Teofilo Il vitio depresso e la virtù coronata (24.11.1686 Venezia SA) [lost] |Il Dioclete (18.1.1687 Venezia SA) [lost] |Le gare dell'Inganno e dell'Amore (1689 Venezia SM) [lost] |Il tiranno deluso (1691 Vicenza) [rev. Il Roderico (anon )] [lost] |Amori di Rinaldo con Armida (1697 Brescia) [lost] |Li avenimenti di Rinaldo con Armida (18.12.1698 Udine) [rev. L'Armida (anon )] [Li amori e incanti d'Armida con Rinaldo] [lost; =? Amori di Rinaldo con Armida] |La maga trionfante (1700 Este) [lost; =? Li avenimenti di Rinaldo con Armida] |Onor al cimento (1703 Venezia SF) [lost; =? Amori di Rinaldo con Armida] |La fedeltà nell'amore (1707 Vicenza) [Le vicende d'Amore] [lost] |Armida Regina di Damasco (aut.1711 Verona) [lost; =? Li avenimenti di Rinaldo con Armida; =? Armida in Damasco (Rampini )] |Euridice (1712 Padova) [lost]
1657 : Erlebach, Philipp Heinrich Die Plejades oder Das Siebengestirne (1693) [lost] |Die siegende Unschuld unter dem Beispiele Hunonis, Grafen zu Oldenburg (1702) [lost] |Der erfreute Schäfer-Gesellschaft (1702) [lost] |Der wahrsagende Wunderbrunnen (1704) [lost]
1657(est) : Porfirii [Porfiri], Pietro Zenocrate ambasciatore a' Macedoni (1687 Venezia SM) [lost] |Lo schiavo fortunato in Algeri (1688 Treviso) [lost] |Il Vespasiano (1.6.1692 Fabriano) [+ Pallavicino ] [lost] |La forza del sangue, o vero Gl'equivoci gelosi (1696 Mondolfo, c. Senigallia) [+ Lanciani ] [lost] |L'Isfile amazzone di Lenno (1697 Pesaro) [lost] |La Leucippe (20.6.1709 Senigallia) [lost]
1659 : Schwartzkopff, Theodor Paridis Urteil (1686 Stuttgart) [lost] |Endymion (1688 Stuttgart) [lost] |Amalthea (1697 Stuttgart) [?] [lost] |Serenata (1721 Ludwigsburg) [lost]
1660 : Campra, André La Feste de l'Isle-Adam (1722 Paris O) [lost] |Les Muses rassemblées pat l'Amour (2.1724 Aix) [lost] |Les Sauvages (14.9.1729 Paris O) [lost]
1660 : Ballaroti, Francesco Dialogo musicale fra Nettuno e Bergamo (1688 Bergamo) [lost] |Il merito fortunato (1691 Bergamo) [lost] |Aiace (1694 Milano) [+ Lonati, Magni ] [lost] |Ariovisto (1699 Milano) [+ Perti, Magni ] [lost] |La caduta dei Decemviri (1699 Reggio Emilia) [lost] |Esione (1699 Torino) [lost] |Alciade, overo L'Eroico amore (1709 Bergamo) [La violenza d'amore] [+ Gasparini, Pollarolo ] [lost] |Il cuor del leone, o sia La stella di prima grandezza (? Milano) [lost]
1660 : Finger, Gottfried [Godfrey] Der Sieg der Schönheit über die Helden (1706 Berlin) [+ A. Stricker, J.B. Volumier ] [lost]
1660 : Matho [Matant; Matau; Mathau; Matheau; Matos; Matot; Mattan], Jean-Baptiste Coronis (1689 Versailles) [lost?] |Le Prince de Catay (17.8.1704 Châtenay) [lost] |La Fine mouche (8.3.1706 Clagny) [lost?] |L'Hôte de Lemnos (8.8.1707 Châtenay) [lost]
1660 : Kuhnau [Kuhn, Cuno], Johann Orpheus (? Weissenfels?) [lost] |? () [Singspiel] [lost] | ? (1683) [dramma per musica] [lost]
1661 : Perti, Giacomo [Jacopo] Antonio Atide (23.6.1679 Bologna) [+ G.F. Tosi, P. degli Antoni ] [lost] |Marzio Coriolano (20.1.1683 Venezia) [lost] |L'incoronazione di Dario (13.1.1686 Bologna) [lost] |Dionisio Siracusano (carn.1689 Parma) [lost] |Brenno in Efeso (1690 Venezia) [lost] |Il Pompeo (carn.1691 Genova) [lost] |La forza della virtù (25.5.1694 Bologna) [lost] |Laodicea e Berenice (1695 Venezia) [lost] |Penelope la casta (25.1.1696 Roma) [lost] |Fausta restituita all'impero (19.1.1697 Roma) [lost] |Apollo geloso (16.8.1698 Bologna) [lost] |Ariovisto (9.1699 Milano) [+ P. Magni, F. Ballarotti ] [lost] |La prosperità di Elio Sejano (carn.1699 Milano) [+ A. Vanelli, F. Martinenghi ] [lost] |Dionisio rè di Portogallo (9.1707 Pratolino) [lost] |Il fratricida innocente (19.5.1708 Bologna) [lost] |Ginevra principessa di Scozia (aut.1708 Pratolino) [lost] |Berenice regina d'Egitto (9.1709 Pratolino) [lost] |Rodelinda regina de' Longobardi (aut.1710 Pratolino) [lost] |Lucio Vero (spr.1717 Bologna) [lost] |L'inganno trionfante in amore () [rev. Laodicea e Berenice ] [lost] |Il Venceslao () [rev. Il fratricida innocente ] [lost]
1661 : Desmarets [Desmarest, Desmarestz, Desmarais], Henri Endymion (16.3.1682 Versailles) [lost]
1662 : Bousset, Jean-Baptiste +1 [lost]
1662(est) : Griffini, Giacomo Endimione (24.11.1692 Lodi) [+ P. Magni ] [lost] |La Gosmena (1693 Lodi) [lost] |L'Arione (1694 Milano) [et al. ] [lost] |La fortunata sventura di Medoro, o La pazzia d'Orlando (1697 Lodi) [lost]
1663 : Albergati (Capacelli), Pirro ? (27.8.1692 Bologna) [serenata] [lost] | Gli amici (16.8.1699 Bologna) [lost] |Il principe selvaggio (1.1712 Bologna) [lost]
1663(est) : Petersen, David Amaryllis (1693) [lost]
1664 : Pez [Petz], Johann Christoph In solo Deo unica quies (1684) [lost] |Viriles constantia (1686) [lost] |Jonathus Machabaeus (1686) [lost] |Il giudizio di Marforio (1695) [lost] |Il riso d'Apolline (1701) [lost] |Matthias e captivo rex (1702) [lost] |Guilelmus e Duce (1703) [lost] |Aquitaniae Eremita (1703) [lost] |Tamerlanes (1706) [lost]
1664 : Stupan von Ehrenstein, Johann Jakob Martis exilium, e pacis reditus (31.7.1709 Wien) [lost] |Radimirus ex reo rex (1710) [lost]
1665 : Battistini, Giacomo Antonio in Roma (carn.1695 Novara) [+ A. Besozzi, D. Erba ] [lost] |Antioco (carn.1698 Novara) [lost]
1665 : Lully, Jean-Baptiste ii (6.8.1665 Paris - 3.1743 Paris)|Eglogue (10.1697 Fontainebleau) [lost]
1665 : Mancia [Manza], Luigi ? (28.5.1708 Brescia) [serenata] [lost]
1665(est) : Fasoli, Francesco Anfitrione di Plauto (1695 Torino) [+ A.D. Lignani ] [lost]
1666(est) : Ruggieri [Ruggeri], Giovanni Maria La Clotilde (win.1696 Venezia SC) [Amar per vendetta] [lost?] |La Mariamme (aut.1696 Venezia SGP) [lost?] |La saggia pazzia di Giunio Bruto (aut.1698 Venezia SGP) [lost?] |Milciade (carn.1699 Venezia SGP) [lost?] |Armida abbandonata (aut.1707 Venezia SA) [lost?] |Arremone (1708 Venezia SA) [et al. ] [lost?] |Arato in Sparta (carn.1709 Venezia SA) [lost?] |Non son quella, è la diffesa (aut.1710 Venezia SA) [lost?] |L'ingannator ingannato (aut.1710 Venezia SS) [lost?] |Elisa (aut.1711 Venezia SA) [lost?] |Le gare di politica e d'amore (aut.1711 Venezia SS) [lost?] |Arsinoe vendicata (carn.1712 Venezia SA) [lost?]
1667 : Bronner, Georg [Jürgen] Echo und Narcissus (1693 Hamburg) [lost] |Venus oder Die siegende Liebe (1694 Hamburg) [lost] |Procris und Cephalus (1701 Hamburg) [lost] |Der Tod des grossen Pans (1702 Hamburg) [+ J. Mattheson ] [lost] |Victor Herzog der Normannen (1702 Hamburg) [+ J.C. Schiefferdecker, Mattheson ] [lost] |Berenice (1702 Hamburg) [?] [lost]
1668 : Schweizelsperg [Schweizelsberg; Schweizelsperger], Casimir [Caspar] Der verstellte Dorindo (1712 Durlach) [?] [lost] |Die in ihrem Christentum standhaft gebliebene Märtyrerin Margaretha (c.1714 Durlach) [?] [lost] |Artemisia und Cleomedes (1716 Durlach) [lost] |Die unglückselige Liebe zwischen der egyptischen Königin Cleopatra und die romischen Trium-Vir Antonio (1716 Durlach) [lost] |Diomedes (1717 Durlach) [lost]
1669 : Marchand, Louis Pyrame et Thisbé () [lost]
1670 : Boxberg, Christian Ludwig Orion (1697 Ansbach) [lost] |Die verschwiegene Treue (1698 Ansbach) [lost] |Amyntas und Phyllis (1700 Leipzig) [lost]
1670 : Bononcini, Giovanni La nemica d'amore (10.8.1692 Roma PC) [lost] |Enea in Caonia (1711; np?) [lost] |Amore per amor (24.6.1732 London H) [lost]
1670 : Wilderer, Johann Hugo von Coronide (1722 Heidelberg) [lost]
1672(est) : Vignati, Giuseppe Amor per virtù (carn.1702 Torino TR) [lost] [?]|Ambleto (28.8.1719 Milano D) [+ C. Baliani, G. Cozzi ] [lost] |Porsena (26.12.1719 Milano D) [lost] |Aquilio in Siracusa (28.8.1720 Milano D) [lost] |Nerone (26.12.1734 Milano D) [lost] |I rivali generosi (Asc.1726 Venezia SS) [lost] |Girita (1.1727 Milano D) [lost]
1674 : Philip de Bourbon, Philomèle (1694 Paris PR) [+ M.A. Charpentier ] [lost]
1675 : Coletti, Agostino Bonaventura Bruto e Cassio (1699 Lucca) [lost] |Muzio Scevola (1723 Lucca) [lost] |Codro re d'Atene (1723 Lucca) [lost] |Timoleonte cittadino di Corinto (1726 Lucca) [lost]
1675 : Grünewald [Grunewald], Gottfried Der ungetreue Schäfer Cardillo (1703 Leipzig) [lost] |Germanicus (1704 Leipzig) [lost]
1675 : Lacoste, Louis de Pomone () [lost]
1676 : Pollarolo, (Giovanni) Antonio L'Aristeo (1700 Venezia) [lost] |Griselda (1701 Venezia) [lost] |Demetrio e Tolomeo (1702 Venezia) [lost] |Nerone fatto Cesare (1715 Venezia) [lost] |Leucippo e Teonoe (1719 Venezia) [lost] |La figlia che canta (1719 Venezia) [?] [lost] |Lucio Papirio dittatore (1721 Venezia) [lost] |Venceslao (1721 Venezia) [et al. ] [lost] |Turia Lucrezia (1728 Venezia) [lost] |Labbandono di Arminda (1729 Venezia) [lost] |Sulpizia fedele (1729 Venezia) [lost]
1676(est) : Monza, Carlo Antonio Paride ed Ida (1706 Venezia SA) [+ A.B. Coletti ] [lost] |Alessandro in Susa (1708 Venezia SGG) [lost] |Sidonio (13.1.1714 Napoli F) [lost] |La Circe in Italia (carn.1717 Roma P) [lost] |Carlo in Allemagna (c.1719) [lost] |La Floridea regina di Ciprio (carn.1723 Ancona) [lost] |Cambise (1724 Messina) [lost] |Tamerlano () [lost]
1677 : Clari, Giovanni Carlo Maria Il savio delirante (27.1.1695 Bologna) [lost]
1678 : Vivaldi, Antonio (Lucio) Nerone fatto Cesare (carn.1715 Venezia SA) [lost] |La costanza trionfante degl'amori e de gl'odii (carn.1716 Venezia SM) [Artabano, Re de' Parti; L'Artabano; Doriclea?] [lost] |Tieteberga (aut.1717 Venezia SM) [lost] |Scanderbeg (22.6.1718 Firenze P) [lost] |La Candace o siano Li veri amici (carn.1720 Mantova) [lost] |Filippo Re di Macedonia (carn.1721 Venezia SA) [+ Boneveni ] [lost] |La Silvia (26.8.1721 Milano D) [lost] |L'inganno trionfante in amore (aut.1725 Venezia SA) [lost] |Cunegonda (carn.1726 Venezia SA) [lost] |La Fede tradita e vendicata (carn.1726 Venezia SA) [lost] |Ipermestra (carn.1727 Firenze P) [lost] |Siroe, Re di Persia (5.1727 Reggio) [lost] |Rosilena ed Oronte (17.1.1728 Venezia SA) [lost] |Argippo (aut.1730 Praha Sporck) [lost] |Alvilda, Regina de' Goti (spr.1731 Praha Sporck) [et al. ] [lost] |L'odio vinto dalla costanza (carn.1731 Venezia SA) [+ Galeozzi ] [rev. La costanza trionfante ] [lost] |Semiramide (carn.1732 Mantova) [lost] |Motezuma (aut.1733 Venezia SA) [lost] |L'Adelaide (carn.1735 Verona) [=? L'Atenaide ] [lost] |Aristide (5.1735 Venezia SS) [lost] |Ginevra, Principessa di Scozia (1.1736 Firenze P) [lost] |Didone (4.1737 London) [et al. ] [lost] |Il giorno felice (1737 Wien) [rev. La fida ninfa ] [lost] |L'oracolo in Messenia (carn.1738 Venezia SA) [lost] |Feraspe (aut.1739 Venezia SA) [lost]
1679 : Scarlatti, Pietro Filippo Clitarco (1728 Napoli SB) [lost?]
1680 : Canuti, Giovanni Antonio Muzio Scevola (Tas.1723 Lucca) [lost] |Rodelinda (1724 Lucca) [lost] |Codro re d'Atene (Tas.1726 Lucca) [lost] |Timoleonte cittadino di Corinto (Tas.1729 Lucca) [lost] |Luicio Giunio Bruto (Tas.1729 Lucca) [lost]
1680 : Galliard, John Ernest [Johann Ernst] Decius and Paulina (22.3.1718 London LI) [lost] |Oedipus (1722? London LI) [+ Purcell ] [lost] |The Nuptial Masque (16.3.1734 London CG) [lost] |Oreste e Pilade (inc) [lost]
1680 : Dornel, Louis-Antoine Les Élèves d'Apollon (1729 Paris: Concert Français) [lost]
1681 : Conti, Francesco Bartolomeo Clotilde (carn.1706? Wien) [lost] |Vespetto e Milo (1717 Dresden) [intermezzo: Giove in Argo (Lotti )] [lost] |L'ammalato immaginario (1727 Perugia) [lost]
1681 : Mattheson, Johann Die Plejades oder Das Sieben-Gestirne (1699 Hamburg) [lost] |Der edelmüthige Porsenna (1702 Hamburg) [lost] |Victor, Hertzog der Normannen (1702 Hamburg) [+ Schiefferdecker, Bronner ] [lost] |Le Retour du siècle d'or (1705 c. Plön, Holstein) [lost] |Boris Goudenow (1710 Hamburg) [lost] |Die geheimen Begebenheiten Henrico IV (1711 Hamburg) [lost] |Nero (1723 Hamburg) [rev. (Orlandini )] [lost]
1684 : Durante, Francesco La cerva assetata, ovvero L'anima nelle fiamme della gloria (18.2.1791 Napoli) [lost]
1685 : Scarlatti, (Giuseppe) Domenico Silvia (27.1.1710 Roma: P Zuccari) [lost] |Ifigenia in Aulide (11.1.1713 Roma: P Zuccari) [lost] |Ifigenia in Tauri (15.2.1713 Roma: P Zuccari) [lost] |Amor d'un ombra e gelosia d'un aura (20.1.1714 Roma: P Zuccari) [lost] |La Dirindina (1715; np) [intermezzo: Ambleto ] [lost] |Intermedi pastorale (carn.1715 Roma Ca) [intermezzo: Ambleto ] [lost] |Berenice, regina d'Egitto, ovvero Le gare d'amore e di politica (carn.1718 Roma Ca) [+ Porpora ] [lost] |Didone abbandonata (1724 Roma) [?] [lost]
1686 : Tonelli [De' Pietri], Antonio Lucio Vero (1731 Bologna, Carpi) [lost] [+ Canoppo e Lisetta, Ferrari ] [lost]
1686 : Marcello, Benedetto La fede riconosciuta (1707 Vicenza) [?] [lost] |Calisto in Orsa (1725) [?] [lost]
1686(est) : Trost, Johann Baptist Matthäus Die bestürzte Königin in Schottland Maria Stuart (1716?) [?] [lost] |Die enthauptete Königin in Schottland Maria Stuart (1716) [?] [lost] |Rhea Sylvia (1716 Durlach) [lost] |Ademarus (1718 Durlach?) [lost] |+? [lost]
1688 : Fasch, Johann Friedrich Clomire (1711 Naumburg, Zeitz) [lost] |Lucius Verus (1711 Zeitz) [Berenice] [lost] |Die getreue Dido (1712 Naumburg) [lost] |Margenis (carn.1715 Bayreuth) [lost]
1688 : Predieri, Luca Antonio La Partenope (28.10.1710 Bologna) [lost] |Astarte (1715 Roma Ca) [lost] |Il pazzo per politica (1717 Livorno) [lost] |La fede ne' tradimenti (1718 Firenze P) [lost] |Merope (1718 Livorno) [lost] |Il duello d'amore e di vendetta (1718 Livorno) [lost] |Il trionfo della virtù (1719 Firenze P) [lost] |Il trionfo di Solimano, ovvero Il trionfo maggiore è vincere se stesso (1719 Firenze P) [lost] |La finta pazzia di Diana (1719 Firenze P) [lost] |Anagilda (1719 Torino) [lost] |Tito Manlio (1721 Firenze P) [lost] |Sofonisba (1722 Roma Al) [lost] |Scipione (1724 Roma Al) [lost] |Cesare in Egitto (1728 Roma Ca) [lost] |Eurene (1729 Milano) [lost] |Sirbace (2.7.1730 Pistoia) [rev. Eurene ] [lost] |Scipione il giovane (1731 Venezia SGG) [lost] |Alessandro nell'Indie (1731 Milano) [lost] |La serva padrona (1732 Firenze P) [lost] |Il sogno di Scipione (1.10.1735 Wien) [lost] |Zoe (1736 Venezia SC) [lost] |Ipermestra (1744 Wien) [+ Hasse ] [lost] |Armida placata (1750 Wien B) [et al. ] [lost]
1690 : Chelleri [Kelleri, Keller, Cheler], Fortunato La Griselda (1707 Piacenza) [lost] |Alessandro il grande (1708 Cremona) [lost] |Zenobia in Palmira (1709 Barcelona) [lost] |L'innocenza giustificata (1711 Milano T Provvisorio) [lost] |Atalanta (carn.1713 Ferrara) [lost] |La caccia in Etolia (28.5.1715 Ferrara) [lost] |Ircano innamorato (28.5.1715 Ferrara) [lost] |Alessandro fra gli Amazzoni (aut.1715 Venezia SA) [lost] |Penelope la casta (carn.1716 Venezia SA) [lost] |Alessandro severo (carn.1718 Firenze Infuocati) [lost] |Amalassunta, regina di Goti (26.12.1718 Venezia SA) [lost] |La pace per amore (carn.1719 Venezia SM) [+ G.M. Buini ] [lost] |Tamerlano (carn.1720 Treviso) [lost] |Arsacide (28.12.1720 Venezia SM) [lost] |Petronio e Dorise (28.12.1720 Venezia SM) [?] [intermezzo: Arsacide ] [lost] |Il Temistocle (6.1721 Padova) [lost] |L'innocenza difesa dai numi (carn.1722 Venezia SA) [rev. L'innocenza giustificata ] [lost] |L'amor tirannico (5.1722 Venezai SS) [lost] |L'amore della patria superiore ad ogni altro (1722 Venezia) [lost] |Zenobia e Radamisto (1722 Venezia) [lost] |Pastorale serenata (1722 Würzburg) [lost] |Il nemico amante (carn.1724 Venezia SM) [rev. La pace per amore ] [lost]
1690 : Giai [Giaii, Giaij, Giay], Giovanni Antonio ? (1727 Malta) [serenata] [lost] | ? (1729 Malta) [serenata] [lost]
1690 : Stölzel [Stöltzel; Stözl], Gottfried Heinrich Narcissus (1711/12 Wroclaw) [lost] |Valeria (1712 Naumburg) [lost] |Rosen und Dornen der Liebe (1713 Gera) [lost] |Artemisia (1713 Naumburg) [lost] |Orion (1713 Naumburg) [lost] |Venus und Adonis (1715-17 Praha) [Adonis] [lost] |Das durch Liebe besiegte Glück (1715-17 Praha) [lost] |Diomedes (1718 Bayreuth) [lost] |Der Musenberg (1723 Gotha) [lost] |Die beglückte Tugend (1723 Gotha) [lost] |Die Ernde der Freuden (1727 Gotha) [lost] |Venus und Adonis [rev] (1728-30 Altenburg) [lost] |Thersander und Demonassa oder die glückliche Liebe (1733 Gotha) [lost] |Narcissus [rev] (1734-35 Gotha) [?] [lost] |Die gekrönte Weisheit (1742 Gotha) [lost]
1690 : Bergiron [Bergiron de Briou], Nicolas-Antoine, Les Vendanges de Neuville (15.4.1722 Lyon) [lost] |Aréthuse (1722-3) [lost] |La Chasse (10.2.1723 Lyon) [lost] |L'Apothéose d'Hercule () [lost] |La Pastorale () [lost] |La Fête marine () [lost] |Le Désespoir () [lost] |? () [lost]
1691 : Plánický [Planitzky, Planiczky, Planiciczky], Josef Antonín [Joseph Anton] Zelus divi corbiniani ecclesiae frisingensis fundamentum (7.10.1724 Freising) [lost]
1695 : Deichel, Joseph Christoph In funere vita (1725 Eichstätt) [lost] |Ulferus (1725 Eichstätt) [lost] |Antonio tre volte glorioso giubileo prete infulato (8.9.1729 Eichstätt) [lost] |Punita negligentia (1734 Eichstätt) [lost] |Sacra lectio (1735 Eichstätt) [lost] |Heylsame Betrachtung (1745 Eichstätt) [lost]
1696 : Hurlebusch, Conrad Friedrich L'innocenza difesa (1722? Braunschweig) [lost] |Arminio (c.1725 Stockholm?) [lost] |Gunderich (carn.1726 Bayreuth?) [lost] |Dorinda (carn.1726 Bayreuth?) [lost] |Etearchis (carn.1726 Bayreuth?) [lost] |Flavio Cuniberto (1727? Braunschweig) [lost]
1697 : Platti, Giovanni Benedetto Arianna (1729 Würzburg) [lost?]
1697 : Prowo, Pierre Jahrmarkt von St Germain (1738) [et al. ] [lost]
1697(est) : Bencini, Giuseppe Il Nerone (1727 Firenze) [?] [lost]
1698 : Broschi [Brosca], Riccardo La vecchia sorda (aut.1725 Napoli F) [lost] |L'isola di Alcina (1728 Roma T) [Bradamante nell'isola d'Alcina] [lost] |Ezio (carn.1731 Torino TR) [lost] |Arianna e Teseo (28.8.1732 Milano D) [lost] |Adriano in Siria (1735 Milano D) [lost] |Nerone (1735 Roma T) [?] [lost] |Demetrio (30.6.1738 Napoli SC) [+ L. Leo et al. ] [lost?]
1699 : Deichel, Joseph Anton Voto musico (4.12.1736 Eichstätt) [lost] |Musicalisches Gespräch des heiligen Alexius (1741 Eichstätt) [lost] |Le belleze, che sono né tre pomi d'Antonio (12.1752 Eichstätt) [lost] |Celebratio Deo sacri Eustettensi Hiimenaei (1758 Eichstätt) [lost] |Il enclado ovvero Finat nuove mascerata di Carnovale (1768 Eichstätt) [lost]
1700 : Seedo [Sidow; Sydow] Venus, Cupid and Hymen (21.5.1733 London DL) [lost] |The Author's Farce (15.1.1734 London DL) [rev] [et al. ] [lost]
1701 : Caroli, Angelo Antonio Amor nato tra l'ombre (carn.1723 Bologna) [lost] |Il dolor di Cerere nel ratto (1735) [lost] |Il Demetrio re della Siria (carn.1742 Bologna) [lost] |San Marino sul monte Titano (? Bologna) [lost]
1702 : Almeida, Francisco António de La finta pazza (carn.1735 Lisboa) [lost] |La virtù trionfanti (1738 Lisboa) [lost]
1702 : Eberlin [Eberle], Johann Ernst Demofoonte (1759) [lost] |Demetrio (1760) [lost] |Ipermestra (1761) [lost]
1703 : Lampe, John Frederick Dione (23.2.1733 London LT) [lost]
1704 : Manna, Cristoforo La trionfo d'ammore o pure chi dura vence (spr.1729 Napoli F) [lost]
1705 : Royer, Joseph-Nicolas-Pancrace Myrtil et Zélie (20.6.1750 Versailles) [lost?] |Prométhée et Pandore (5.10.1752 Paris*) [lost?]
1708(est) : Chiarini, Pietro Argenide (aut.1738) [lost] |Statira (5.1741 Venezia SS) [lost] |Il finto pazzo (5.1741 Venezia SS) [intermezzo: Statira ] [+ G. Latilla ] [lost] |Amor fa l'uomo cieco (1742 Genova) [rev. Il finto pazzo ] [intermezzo: Artaserse ] [lost] |I fratelli riconosciuti (1.1743 Verona) [lost] |Meride e Selinunte (carn.1743/4 Venezia SGG) [lost] |Alessandro nell'Indie (carn.1744/5 Verona) [lost] |La donna dottoressa (1754 Cremona) [lost]
1709 : Béthizy, Jean Laurent de L'Enlêvement d'Europe (1739 Versailles) [lost]
1710 : Alberti, Domenico Temistocle () [?] [lost]
1710 : Arne, Thomas Augustine Harlequin's Orpheus, or The Magical Pipe (3.3.1733 London DL) [lost] |Neptune and Amphitrite (31.1.1746 London DL) [masque: The Tempest ] [lost] |The Muses' Looking Glass (9.3.1749 London CG) [masque: War, Peace, and Plenty ] [lost] |The Temple of Peace (1749 Dublin) [et al. ] [lost] |Phoebe at Court (22.2.1776 London KT) [lost]
1710(est) : Du Grain [du Grain, Dügren], Jean [Johann Jeremias] Der Winter (23.2.1740 Gdansk) [lost]
1711 : Bonno [Bon, Bonno], Giuseppe [Josephus, Josef] (Johannes Baptizta) Danae (1744; np?) [lost] |Ezio (1749; np?) [lost] |Didone abbandonata (1752; np?) [lost] |Complimento (1761) [lost]
1711 : Boyce, William The Roman Father (24.2.1750 London DL) [lost]
1712 : Stanley, John The Tears and Triumphs of Parnassus (17.11.1760 London DL) [lost]
1714 : Jommelli [Jomelli], Nicolò [Niccolò] Il giardino incanto (1755 Stuttgart) [lost] |Enea nel Lazio (30.8.1755 Stuttgart) [lost] |Tito Manlio (6.1.1758 Stuttgart) [lost] |Endimione ovvero Il trionfo d'amore (spr.1759 Stuttgart) [lost] |Nitteti (11.2.1759 Stuttgart) [lost] |Alessandro nell'Indie (11.2.1760 Stuttgart) [lost] |L'isola disabitata (4.11.1761 Ludwigsburg) [lost] |Il trionfo d'amore (16.2.1763 Ludwigsburg) [lost] |Il re pastore (4.11.1764 Ludwigsburg) [lost] |La pastorella illustre (4.11.1764 Ludwigsburg) [lost] |Le cinesi (1765 Ludwigsburg) [lost] |La clemenza di Tito (6.1.1765 Ludwigsburg) [lost] |Il matrimonio per concorso (4.11.1766 Ludwigsburg) [lost] |La pellegrina () [lost]
1715 : Zonca [Zonka; Zonga], Giuseppe [Joseph] Il re pastore (1760 München H) [lost]
1716 : Giardini [Degiardino], Felice (de') Rosmira (30.4.1757 London KT) [lost] |Il re pastore (7.3.1765 London KT) [lost] |Sappho (c.1778) [?] [lost]
1717 : Mazzoni, Antonio (Maria) Siroe, re di Persia (1746 Fano) [lost] |L'Issipile (1747 Macerata) [lost] |La Didone abbandonata (1753 Bologna) [lost] |Il Demofoonte (1754 Parma) [lost] |Ifigenia in Tauride (1756 Treviso) [lost] |Il viaggiatore ridicolo (1757 Parma) [lost] |Arianna e Teseo (1758 Napoli SC) [lost] |L'Eumene (1759 Torino TR) [lost] |Le stravaganze del caso (1760 Bologna) [lost] |L'astuto ciarlatano (1760 Bologna) [lost] |Adriano in Siria (1760 Venezia SGG) [lost] |Il mercante fallito (1762 Roma P) [lost] |Nitteti (1764 Napoli SC) [lost] |L'Inglese in Italia (1769 Bologna) [lost]
1717 : Gibert, Paul-César Deucalion et Pyrrha (29.4.1772 Paris SG) [lost]
1717 : La Garde [Lagarde, Garde], Pierre de L'Impromptu de la cour de marbre (28.11.1751 Bellevue) [lost]
1718 : Pasquale, Niccolò The Enraged Musician, or The Tempest Rehearsed (c.13.1.1753 Edinburgh) [lost]
1718 : Camerloher [Camerlocher, Cammerlocher], Placidus Cajetan von Melissa tradita () [lost] |+19 [lost]
1718(est) : Prota, Tommasso La moglie padrona (1748 Napoli N) [lost] |L'abate, ossia Il poeta moderno (1752 Malta) [lost] |Il cicisbeo burlato (1.1764 Bologna) [lost]
1719 : Krause, Christian Gottfried Der lustige Schulmeister (1766 Berlin) [lost]
1720 : Bury [Buri], Bernard de La Parque vaincue (1751 Versailles) [lost?]
1720 : Scolari, Giuseppe Il Pandolfo (aut.1745 Venezia SS) [lost] |La fata maravigliosa (carn.1745-6 Venezia SC) [lost] |L'Olimpiade (carn.1746-7 Venezia SM) [lost] |Il vello d'oro (carn.1748-9 Venezia SC) [lost] |Alessandro nell'Indie (carn.1749 Vicenza) [lost] |Il chimico (23.9.1750 Barcelona) [lost] |Didone abbandonata (30.5.1752 Barcelona) [lost] |Adriano in Siria (carn.1753-4 Venezia SS) [lost] |Statira (Asc.1756 Venezia SS) [lost] |L'Andromaca (20.1.1757 Lodi) [lost] |Il ciarlatano (aut.1759 Venezia SM) [Il finto cavaliero] [lost] |La buona figluola maritata (24.4.1762 Murano) [lost] |Didone abbandonata [rev] (carn.1763 Ferrara) [lost] |Il tuttore burlato (aut.1764 Rovigo) [+ G.M. Rutini ] [rev. I matrimoni in maschera ] [lost] |Il ciarlone (carn.1765 Roma V) [lost] |La schiava riconosciuta (sum.1765 Bologna) [+ Piccinni ] [lost] |La schiava riconosciuta [rev] (1766 Venezia) [et al.? ] [lost] |L'Arcifanfano (9.1768 Lisboa) [lost] |Il Bejglierbej di Caramania (sum.1771 Lisboa) [lost] |Eponina (20.1.1772 Cádiz) [lost]
1720 : Agricola, Johann Friedrich La ricamatrice divenuta dama (1.11.1751 Berlin) [lost] |Amor e Psiche (10.1767 Berlin?) [lost] |Il re pastore (9/10 1770? Berlin?) [lost] |Oreste e Pilade (1772 Berlin?) [lost] |I greci in Tauride (3.1772 Potsdam) [rev. Oreste e Pilade ] [lost]
1720 : Schmid [Schmidt], Johann Michael Regina Saba Salomonis hospita (1753) [lost]
1721 : Gasparini, Quirino Mitridate re di Ponto (31.1.1767 Torino TR) [lost]
1722 : Benda, Georg (Anton) [Jirí Antonín] Il buon marito (29.10.1766 Gotha) [lost] |Il maestro di capella (25.4.1767) [Il nuovo maestro di capella] [lost]
1723 : Scarlatti, Giuseppe Arminio in Germania (24.6.1741 Firenze P) [lost]
1724 : Serini, Giovanni Battista La fortunata sventura (1740 Bergamo) [lost]
1725 : Stalder, Joseph Franz Xaver Dominik Hans und Trini (? Luzern) [lost]
1726 : Philidor [Danican], François-André Danican Le Retour du printemps (12.1756 Paris?) [rev. (M.A. Charpentier )] [lost] |Le Pèlerins de la Mecque (1758 Paris SL) [rev. (J.C. Gillier )] [lost] |L'Huître et les plaideurs, ou Le Tribunal de la chicane (17.9.1759 Paris SL) [lost] |Le Quiproquo, ou Le Volage fixé (6.3.1760 Paris CI) [lost] |Protogène (1779 inc) [lost] |Le Mari comme il faudrait tous, ou La Nouvelle école des maris (12.11.1788 Paris B) [lost] |Bélisaire (3.10.1796 Paris Fav) [+ H.M. Berton ] [lost]
1727 : Haindl [Heindl], Franz Sebastian Der Kaufmann von Smyrna (< 1770 Innsbruck) [lost]
1728 : Bachschmidt [Bachschmid], (Johann) Anton (Adam) Erstickter Neid und Eifersucht (1762) [lost] |Die Liebe zum Vaterland (1766) [lost] |L'eroe cinese (1775) [lost] |Demetrio (1777) [lost] |Ezio (1780) [lost]
1728 : Asplmayr [Aspelmayr, Aspelmeier, Asplmyer, Aschpellmayr, Appelmeyer], Franz Die Kinder der Natur (1778 Wien) [lost] |Frühling und Liebe (1778 Wien) [lost] |Orpheus und Euridice (1780 Wien) [lost] |Montgolfier, oder die Luftkugel () [lost]
1728 : Chrétien [Crétien, Chrestien], Jean-Baptiste Iris, ou L'Orage dissipé (2.10.1752 Fontainebleau) [lost] |Les Précautions inutiles (23.7.1760 Paris SL) [lost]
1729 : Volkov, Feodor (Grigorievich) Taniusha, ili Schastilvagya vstrecha (20.12.1756) [?] [lost?]
1729 : Maldere, Pierre van Les Amours champêtres (5.11.1758 Wien S) [lost] |La Bagarre (10.2.1763 Paris TI) [+ Philidor ] [lost] |Le Médecin de l'amour (1766 Bruxelles) [lost] |Le Soldat par amour (4.11.1766 Bruxelles) [+ I. Vitzthumb ] [lost]
1729 : Monsigny, Pierre-Alexandre Le Nouveau monde (1763; np) [lost] |Le Bouquet de Thalie (25.12.1764 Bagnolet) [lost] |Philémon et Baucis (1766 Bagnolet) [lost]
1729(est) : Standfuss, J. [Johann?] Johann Tröbs oder Der vergnügte Bauernstand (17.9.1759 Hamburg) [Der stolze Bauer Johann Tröbs] [lost]
1730 : Fenaroli, Fedele I due sediarii (1759 Napoli) [lost] |La disfatta degli Amaleciti (1780 Chieti) [lost]
1731 : Pugnani, (Giulio) Gaetano (Gerolamo) Tamas Kouli-Kan nell'India (1.2.1772 Torino TR) [lost] |Aurora (1775 Torino) [lost]
1731 : Vachon [Vasson, Waschon], Pierre Ésope à Cythère (1762? Bordeaux?; 15.12.1766 Paris CI) [+ J.-C. Trial ] [lost]
1732 : Herbain, Il geloso (1751 Roma) [lost] |Il trionfo del Giglio (1751 Bastia) [lost]
1732 : Haydn, (Franz) Joseph Der krumme Teufel (29.5.1753 Wien) [lost]
1732 : Beaumarchais [Caron], Pierre-Augustin [Caron de] Le Barbier de Séville (c.1773) [lost]
1733 : Fracassini, Aloisio Lodovico Il natal di Giove () [lost]
1733 : Swieten, Gottfried (Bernhard) van (29.10.1733 Leiden - 29.3.1803 Wien)|La Chercheuse d'esprit () [lost]
1734 : Gossec, François-Joseph Berthe (18.1.1775 Bruxelles) [+ F.-A. Philidor, Vitzthumb, Botson? ] [lost]
1734 : Zupan [Suppan], Jakob Belin (1782) [lost]
1734 : Santos, Luciano Xavier dos Gli orti esperide (1764) [lost]
1735 : Schweitzer, Anton Walmir und Gertraud (1769) [lost] |Der lustige Schuster (1770) [lost] |Herkules auf dem Oeta (1771) [lost] |Die Stufen des menschlichen Alters (1771) [lost] |Pygmalion (13.5.1772 Weimar) [lost] |Erwin und Elmire (1775) [lost] |Das Fest der Thalia (1775) [lost]
1735 : Alexandre [Alessandro], Charles-Guillaume Le Triomphe de l'amour conjugal (16.3.1755 Paris Tui) [lost] |La Conquët du Mogol par Thamas Kouli-Kan, Roi de Perse, et son triomphe (4.4.1756 Paris Tui) [lost]
1735 : Wolf, Ernst Wilhelm +10 [lost]
1735 : Berg, George [Georg?] Antigono (13.2.1764 London StJ) [lost]
1735 : Toeschi [Toesca de Castellamonte; von Toeska], Johann (Baptist) [Maria] Christoph Dirmel und Laura (1784 München) [lost]
1735 : Schobert, Johann [Jean] Le Garde-chasse et le braconnier (18.1.1766 Paris TI) [lost]
1735 : Röllig, Karl [Carl] Leopold Clarisse, oder Das unbekannte Dienstmädchen (10.10.1771 Hamburg) [lost]
1737 : Giroust, François Rosemonde (1781) [lost]
1737 : Schwindl [Schwindel], Friedrich +6 [lost]
1737 : Beckmann, Johann Friedrich Gottlieb Lukas und Hännchen (1768 Braunschweig) [lost]
1737 : Esser, (?Karl) Michael (Nikolaus?) Die drei Pächter (1783 Berlin) [lost]
1737 : Haydn, (Johann) Michael Titus, der standhafte Christ (< 31.8.1774) [lost]
1738 : Reindl, Constantin +9 [lost]
1738 : Zanotti, Giovanni (Calisto Andrea) L'Olimpiade (carn.1767 Bologna) [lost]
1738 : Kohaut [Kohault, Kohout], (Wenzel) Josef (Thomas) La Closière, ou Le Vin nouveau (10.11.1770 Fontainebleau) [lost]
1738(est) : Rush, George The Statesman Foiled (8.7.1768 London H) [lost]
1738(est) : Davesne [d'Avesne, Davesnes], Pierre Just Le Faux derviche (c.1768) [lost] |Justine et Mathurin (c.1768) [lost] |Le Triomphe des arts (c.1768) [lost]
1739 : Vanhal [van Hal, Vanhall, Wanhal], Johann Baptist [Jan Krtitel; Jan Ignatius] Il Demofoonte (1770 Roma) [lost] |Il trionfo di Clelia (1770 Roma) [lost]
1739 : Saint-Georges [Saint-George], Joseph Boulogne La Chasse (12.10.1778 Paris CI) [lost] |La Fille garçon (18.8.1787 Paris CI) [lost] |Le Marchand de marrons (1788 Paris B) [lost] |Guillaume tout coeur (1790) [lost]
1739 : Dittersdorf, Karl Ditters von ? (c.1767 Grosswardein) [lost] | Il viaggiatore americano in Joannesberg (1.5.1771 Johannisberg) [lost] |Il barone di rocca antica (1776 Johannisberg) [lost] |I visionari (1776 Johannisberg) [lost]
1740 : Légat de Furcy [Furci, Fursy, Legal Defurcy], Antoine Philire (np) [lost] |Le Saut de Leucade ou Les Désespérés (np) [lost] |Palmire ou Le Prix de la beauté (np) [lost] |Les Rendez-vous (np) [lost] |Le Jardinier de Sidon (np) [lost] |Apollon et Daphné (inc; np) [lost]
1740 : [[Marcello Marcello da Capua Bernardini|Bernardini, Marcello Marcello da Capua ]] (c.1740? Capua? - > 1799)|Le donne ridicole (carn.1759 Roma) [?] [lost]
1740 : Carter, (Charles) Thomas True Blue (1787 London Rty) [lost]
1741 : Zimmermann, Anton Narcisse et Pierre (1772 Bratislava) [lost] |Die Wilden (13.12.1777 Bratislava) [lost]
1741 : Ruloffs, Bartholomeus Komst van Willem den Eersten, Prins van Oranje te Leyden (1780) [lost]
1741 : Veichtner, Franz Adam Scipio (30.6.1778 Mitau) [lost]
1741 : Barthélémon, François-Hippolyte A Pasticcio (19.3.1773 London CG) [+ Arne, J.C. Bach, Giordani ] [lost]
1741 : Frischmuth, Johann Christian Die kranke Frau (1773?) [lost] |Der Kobold () [lost]
1741 : Pichl [Pichel], Václav [Venceslaus, Wenzel] Das Schnupfluch (1774 Pest) [lost] |Der Krieg (1776) [lost] |+11 [lost]
1741(est) : Bates, William [Jack Catch] The Gamester (1771 London Grotto Gardens) [lost] |The Device, or The Marriage-office (5.5.1777 London CG) [lost] |Second Thought Is Best (30.3.1778 London DL) [lost]
1744 : Brunetti [Bruneti], Gaetano [Caetano, Cayetano] El Faetón () [lost] |El Jason (4.10.1768 Madrid) [lost]
1744 : Seckendorff, Karl Siegmund von (26.11.1744 Erlangen - 26.4.1785 Ansbach)|Die Laune des Verliebten (20.5.1779 Weimar) [lost] |Jery und Bätely (12.7.1780 Weimar) [lost]
1745 : Stamitz, Carl (Philipp) Der verliebte Vormond (< 1787) [lost] |Dardanus (c.1800) [Dardanens Sieg, oder der Triumph der Liebe und Tugend] [lost]
1745 : Böcklin von Böcklinsau, Franz Friedrich Siegmund August von, Der Amtmann von Kleefeld (c.1780) [lost] |Der Zauberer (c.1780) [lost] |Die Wilddiebe (c.1780) [lost] |Das Orakel (c.1783) [lost] |Der Abend im Garten (c.1783) [lost] |Hüon und Armand (c.1790) [lost] |Phädon und Naide (c.1790) [lost]
1745 : Michl [Michelini], Joseph (Christian) Willibald L'amante deluso (27.11.1773 München) [lost] |Milton und Elmire (6.6.1785 München) [lost] |Der König auf der Jagd (8.8.1785 München) [lost] |Fremor und Meline () [?] [lost] |Der König und der Pachter () [?] [lost] |Der Jahrmarkt () [?] [lost]
1745 : Carvalho, João de Sousa La Nitteti (carn.1766 Roma D) [lost]
1745 : Pelissier [Pelesier, Pellesier], Victor Ariadne Abandoned by Theseus in the Isle of Naxos (1797 New York) [lost] |The Fourth of July, or The Temple of American Independence (4.7.1799 New York) [lost]
1746 : Bárta [Barrta, Bartha, Bartta], Josef La diavolessa (18.7.1772 Wien B) [lost]
1746(est) : Borghese [Borghesi, Borghesy], Antonio D. R. The Fair Venetian (18.3.1776 Dublin) [lost] |Der unvermuthete glückliche Augenblick (21.7.1783 Riga) [lost] |La Basoche (31.10.1786 Paris B) [Le Roi de la basoche] [lost]
1747 : Robineau, Alexandre-Auguste (23.4.1747 Paris - 13.1.1828 Paris)|Stratonice (1791 Paris) [lost]
1747 : Schulz [Schultz], Johann Abraham Peter Das Opfer der Nymphen (1774) [lost?] |La Vérité (1785 Rheinsberg) [lost?] |Panomphée (c.1785) [lost] |Minona oder Die Angelsachsen (1786 Hamburg) [lost]
1747 : Kozeluch [Kotzeluch, Kozeluh], Leopold [Jan Antonin, Ioannes Antonius] +5 [lost]
1748 : Neefe, Christian Gottlob Zemire und Azor (5.3.1776 Leipzig) [Was vermag ein Mädchen nicht] [lost]
1748 : Rheineck, Christoph Le Nouveau Pygmalion (9.8.1774 Lyon) [lost]
1748 : Barrière, Etienne-Bernard-Joseph Le Bailli bienfaisant (1775 Valenciennes) [lost]
1748 : Seydelmann [Seidelmann], Franz Das tartarische Gesetz (c.1779 Dresden) [lost] |Le fils reconnaisant (25.4.1795) [lost; =? Der Soldat]
1748 : Schuster, Joseph Il bon ton (1780 Venezia SM) [lost?]
1748 : Lidón, José El baron de Illescas () [lost]
1749 : Kerpen, Hugo Franz Karl Alexander von (27.3.1749 Engers? - 31.12.1802 Heilbronn)|Der Schiffbrüch (1780) [lost] |Cephalus und Procris (1781 Mainz) [lost] |Adelheid von Ponthieu (1782 Mainz) [lost] |Die Räthsel (1790 Mainz) [lost] |Claudine von Villa bella () [lost]
1749 : Schubaur, Johann Lukas Melide oder Der Schiffer (24.9.1782 München N) [lost] |Das Lustlager (1784 München N) [lost]
1749 : Navoigille, Julien le cadet (c.1749 Givet - > 1811 Paris?)|L'Orage, ou Quel guignon (1793 Paris P) [lost] |Les Honneurs funêbres, ou Le Tombeau des sans-culottes (1793 Paris P) [lost] |La Naissance de la pantomime (1798 Paris P) [lost] |L'Héroine suisse, ou Amour et courage (1798 Paris P) [lost] |Empire de la folie, ou La Mort et l'apothéose de Don Quichotte (1799 Paris P) [+ Baneux ] [lost]
1749 : Saint-Amans [Saint-Amand; Saint-Amant], Louis Joseph (Claude) Alvar et Mancia, ou Le Captif de retour (13.6.1770 Paris TI) [lost] |La Coquette du village, ou Le Baiser pris et rendu (19.9.1771 Paris TI) [lost] |Le Médecin de l'amour (1773 Paris TI) [lost] [rev. (J.L. Laruette )]|La Forêt enchantée (1774; np) [lost] |Le Faux vieillard (1774; np) [lost] |Oroés (1776; np) [lost] |Daphnis et Thémire (1778 Bruxelles) [lost] |L'Occasion (1778/80 Bruxelles) [lost] |La Fausse veuve (1778 Bruxelles) [lost] |Psyché et l'Amour (1778 Bruxelles) [lost] |La Rosière de Salency (1778 Bruxelles) [lost] |Emirène (< 1780; np) [lost] |La Fête de Flore (1784 Paris O) [lost] |Le Prix de l'arc (1785 Paris: T de la Cour) [lost] |La Fée Urgèle (1788; np) [lost] |Scène d'Alcyone (1789; np) [lost] |Laurence (1790 Strasbourg) [lost?] |L'Heureux démenti (1794 Tours?) [lost] |Aspasie (1795 Paris) [lost] |Le Pauvre homme (1797 Paris JA) [lost] |La Tireuse de cartes (1799 Paris JA) [lost] |L'Isle déserte (1801 Paris JA) [lost] |Chacun à son plan (1802 Paris PSM) [lost] |La Leçon littéraire (1807; np) [lost]
1749 : Urbani, Peter Il trionfo di Clelia (1785? Dublin) [lost]
1750 : Salieri, Antonio La vestale (1768 Wien) [lost] |Die Generalprobe (inc) [lost] |Das Posthaus (inc) [lost]
1750 : Türk, Daniel Gottlob Pyramus und Thisbe (1784) [lost]
1750 : Kürzinger, Paul Ignaz Die Illumination (1787 Wien) [lost]
1750 : Lessel, Wincenty Ferdynand Matka spartanka (1787 Pulowy) [lost] |Troiste wesele (1787 Pulowy) [lost] |Cyganie (1787 Pulowy) [lost] |Piast (1800 Pulowy) [lost] |Pantomima (1805 Pulowy) [lost] |I plotka czasem sie przyda (1805 Pulowy) [lost] |I plotka czasem sie przyda (2) (1818 Sieniawa) [lost] |Domek na goscincu (1818 Sieniawa) [lost] |Pielgrzym z Dobromila (31.3.1819 Sieniawa) [lost] |Piast [rev] (27.1.1820 Sieniawa) [lost] |Przjazd pozadany (31.3.1820 Sieniawa) [lost]
1750(est) : Antoine [Anthoin], Ferdinand d' Il mondo alla roversa (c.1780) [lost] |Das tartarische Gesetz (9.1.1782 Bonn) [lost] |Das Mädchen in Eichthale (2.1.1783 Bonn) [lost] |Otto der Schütz (1792 Bonn?) [lost] |Ende gut, alles gut (9.5.1792 Bonn) [lost] |Der Fürst und sein Volk (1793?) [lost]
1751 : Bortnyansky, Dmitry (Stepanovich) Creonte (26.11.1776 Venezia SB) [lost] |Don Carlos (1786 St. Peterburg) [lost]
1752 : Reichardt, Johann Friedrich Sakuntala (1812) [et al. ] [lost]
1752 : Guichard, Louis-Joseph Nicette et Colin, ou Le fat dans les départements (1799 Paris) [lost]
1754 : Dutillieu [Dutilleu, Du Tilleul], Pierre Il trionfo d'amore (14.11.1791 Wien B) [lost] |La superba corretta (30.4.1795 Wien B) [lost] |Il nemico delle donne (17.8.1797 Wien B) [lost]
1755 : Gresnick [Gresnich, Gressenicht], Antoine-Frédéric Eponine et Sabinus (1796 Paris Lou) [lost] |Les Extravagances de la vieillesse (1796 Paris Mt) [lost] |Le Tuteur original (21.3.1799 Paris AA) [lost] |Le Rêve (27.1.1799 Paris Fav) [lost] |Léonidas, ou Les Spartiates (15.8.1799 Paris O) [+ L. Persuis ] [lost] |La Foret de Brama (np) [lost]
1756 : Lacépède, Bernard Germain Etienne Médard de la Ville-sur-Illon, Armide (1777) [lost]
1756 : Hatas, Heinrich Christoph Der Barbier von Bagdad () [lost] |Der ehrliche Schweizer () [lost]
1756 : Wranitzky [Vranický, Wraniczky. Wranizky], Paul [Pavel] Der dreifache Liebhaber (c.1790/1 Wien) [lost] |Rudolf von Felseck (6.10.1792 Wien B) [Die Schwarzthaler Mühle; La tempesta] [lost] |Johanna von Montfaucon (25.1.1799 Wien Kt) [lost]
1756 : Mozart, (Johann Chrysostom) Wolfgang Amadeus Semiramis (?11.1778 Mannheim) [?] [lost]
1758 : Schack [Cziak, Schak, Zák, Ziak], Benedikt (Emanuel) Kaspar der Krautschneider (21.4.1785 Wien L) [?] [lost] |Don Chisciotto (c.1785 Wien) [?] [lost] |Der Luftballon (9.1786 Kempten) [lost] |Lorenz und Suschen (?1788.04.18 Regensburg) [lost] |Der Krautschneider (?3.5.1788 Regensburg) [lost; =? Kaspar der Krautschneider] |Jakob und Nannerl, oder Der angenehme Traum (25.7.1789 Wien Wd) [?] [lost] |Der Fall ist noch weit seltner, oder Die geplagten Ehemänner (10.5.1790 Wien Wd) [lost; =? Lilla] |Die Wiener Zeitung (12.1.1791 Wien Wd) [+ Gerl ] [lost] |Anton bei Hofe, oder Das Namensfest (4.6.1791 Wien Wd) [?] [lost] |Das Schlaraffenland (23.6.1792 Wien Wd) [+ Gerl ] [lost] |Der Renegat, oder Anton in der Türkei (15.9.1792 Wien Wd) [?] [lost] |Die Antwort auf die Frage: Was begehrt das Frauenzimmer? (16.12.1792 Wien Ls) [lost] |Der eifersüchtige Bauer, oder Der Schulmeister im Offenloch (27/28.1.1793 Wien Ls) [lost] |Der beiden Lieschen zweiter Teil, oder Der Schulmeister im Offenloch (29.1.1793 Wien Ls) [lost; =? Der eifersüchtige Bauer] |Die beiden Nannerln, oder Das chinesische Feuerwerk zu Ehren der Nannerln (26.7.1794 Wien Wd) [lost] |Frage und Antwort, oder Ein altes Haus kann auch was Gutes stiften (1794 Graz) [Ein altes Weib kann auch was Gutes stiften] [lost] |Der Zauberbrief (1.1.1795 Wien J) [lost] |Das Häuschen im Walde, oder Antons Reise nach seinem Geburtsort (6?.1.1795 Wien Wd) [?] [lost]
1758 : Vandenbroek, Othon Joseph Tircis et Céphise ou Le Lotto d'amour (6.7.1782 Maastricht) [lost] |Les Étrennes de la nouvelle année (1783 Maastricht) [lost] |La Ressemblance supposée (c.1789 Paris B) [lost] |Colin et Colette (c.1789 Paris B) [lost] |Le Codicile ou Les héritiers (c.1790 Paris B) [lost] |Les Incas ou Les Espagnoles dans la Floride (1797 Paris TC) [lost] |Le Génie Asouf (1798 Paris TC) [lost] |C'est le Diable ou La Bohémienne (1798 Paris AC) [lost] [=? La fontaine merveilleuse] |L'Anniversaire ou La Fête de la souveraineté (20.3.1798 Paris AC) [lost]
1759 : Darcis [d'Arcis, s'Arcy], François-Joseph L'Intendant (7.1778 Moskva, Grand T) [lost]
1759 : Paradis [Paradies], Maria Theresia von Ariadne und Bacchus (20.6.1791 Laxenburg) [lost] |Rinaldo und Alcina, Die Insel der Verführung (30.6.1797 Praha St) [lost]
1760 : Sander, F. [J.] S. Der Triumph der Eintracht (25.9.1795 Wroclaw) [lost]
1761 : Volanek [Wolanek, Wollaneck, Wollanek], Antonín [Anton] (Josef Alois) Die Maskerade im Serail oder Die grosse Löwenjagd (1792 Praha) [lost] |Der Schuster-Feierabend oder Kasperl, die fressende Schildwache (9.9.1792 Wien Landestheater) [lost] |Die Überraschung (20.12.1797 Leipzig) [lost]
1761 : Alday, François l'aîné (c.1761 Mahón, Menorca - > 1835 Lyon?)|Geneviève de Brabant (23.11.1791 Paris Lou) [lost]
1761 : Cimador [Cimadoro], Giambattista [Giovanni Battista; J. B.] Ati e Cibele (spr.1789 Venezia Acad Rinnovati) [lost] |Il ratto di Proserpina (carn.1791 Venezia Acad Rinnovat) [lost]
1762 : Wanski, Jan Powstanie (c.1786) [lost] |Pasterz nad Wisla (c.1786) [lost] |Kmiotek (1787 Radommicko, c. Poznan) [lost]
1763 : Gyrowetz [Gyrowez; Gürowetz; Jirovec, Vojtech Matyás], Adalbert (Mathias) Semiramis (1791) [lost]
1763 : Danzi, Franz (Ignaz) Der Triumph der Treue (2.1789 München H) [lost] |Der Quasi-Mann (8.1789 München H) [lost] |El Bondocani (1802 München) [lost] |Iphigenie in Aulis (27.1.1807 München ) [lost?] |Dido (1811 Stuttgart) [lost]
1763 : Davy, John A Pennyworth of Wit, or The Wife and the Mistress (18.4.1796 London SW) [lost] |The Caffres, or Buried Alive (2.6.1802 London CG) [lost] |The Miller's Maid (25.8.1804 London LT) [lost]
1764 : Campbell, Alexander ? (c.1795) [lost]
1764 : Eler, André-Frédéric L'Habit de la duchesse de Grammont (8.1.1801 Paris) [lost]
1764 : Grosheim, Georg Christoph Les Esclaves d'Alger (14.10.1808 Kassel) [lost]
1764 : Kalcher [Kalchner], Johann Nepomuk Der Macht der Liebe und des Weins () [lost?]
1765 : Eberl, Anton (Franz Josef) Die Marchande des Modes (27.2.1787 Wien L) [lost] |Graf Balduin von Flandern (1788 Wien L) [lost] |Die Hexe Megäre (pt. iii) (< 1791) [lost] |Die Zigeuner (1793 Wien Ls) [lost] |Pyramus und Thisbe (7.12.1794 Wien N) [lost] |Der Tempel der Unsterblichkeit (1799) [lost] |Erwine von Steinheim (23.5.1801 Wien Wd) [lost]
1765 : Mazzinghi, Joseph Il tesoro (14.6.1796 London KT) [lost?]
1765 : Pfeffinger, Philippe-Jacques Zaire (1809; np) [lost]
1767 : Hiller, Friedrich Adam Adelstand und Röschen (1796 Schwerin) [lost] |Das Schmuckkästchen (1804 Königsberg) [lost] |Die drei Sultaninen (1809 Königsberg) [lost]
1767 : Berton, Henri-Montan Le Premier navigateur (1786?) [?] [lost] |Les Brouilleries (1.3.1790 Paris Fav) [lost] |Les Deux sous-lieutenants (19.5.1792 Paris Fav) [lost] |Tyrtée (1793; np) [lost] |Le Dénouement (1798 Paris Fav) [lost] |L'Amour bizarre, ou Les Projets dérangés (30.8.1799 Paris Fav) [lost]
1768 : Toeschi [Toesca de Castellamonte; Toesca von Castellamonte], Karl Theodor ? (1822 Stuttgart) [lost]
1770 : Reicha [Rejcha], Antoine(-Joseph) [Antonin, Anton] Armide (c.1787) [lost] |L'Ermite dans l'île Formose (1798?) [lost] |Télémaque (1801? inc) [lost] |Olinde et Sophronie (c.1819 inc) [lost?]
1770 : Ebers, Carl Friedrich +4 [lost]
1772 : Puccini, Domenico (Vincenzo Maria) La scuola dei tutori (1813 Lucca) [lost]
1775 : Ebell, Heinrich Carl Der Schutzgeist (1798 Berlin) [lost?] |Le Déserteur (c.1800 Berlin) [lost?] |Melida (c.1800 Berlin) [lost?] |Selico und Berissa (1800 Berlin) [lost?] |Anacreon in Jonien (1800) [lost?] |Der Bräutigamspiel (1801 Wroclaw) [lost?] |Das Fest der Liebe (c.1802 Wroclaw) [lost?] |Die Gaben des Genius (c.1803 Wroclaw) [lost?] |Das Fest im Eichthale (c.1807 Wroclaw) [lost?] |Anacreon in Jonien [rev] (1810 Wroclaw) [lost?]
1776 : Hoffmann, E(rnst) T(heodor) A(madeus) [Wilhelm] Scherz, List und Rache (1802? Poznán) [lost] |Die ungebetenen Gäste oder Der Kanonikus von Mailand (1805 Warszawa) [Die ungeladenen Gäste] [lost] |Roderich und Kunigunde, oder Der Eremit vom Berge Prazzo, oder Die Windmühle von der Westseite, oder Die triumphierende Unschuld (23.2.1812 Bamberg) [lost] |Thassilo (22.10.1815 Berlin) [lost] |Der Liebhaber nach dem Tode (1822 inc) [lost]
1777 : Davïdov, Stepan Ivanovich Prazdnik zhatvï (1824) [lost]
1778 : Barbosa de Araújo, Damião A intriga amorosa (1810? Salvador) [lost]
1778 : Sor [Sors], (Joseph) Fernando (Macari) Don Trastullo (inc) [lost]
1778 : Hummel, Johann Nepomuk Die beyden Genies (1805) [lost] |Attila (c.1827 inc) [lost]
1785 : Kurpinski, Karol (Kazimierz) Pygmalion (c.1800-6) [lost]
1786 : Weber, Carl Maria (Friedrich Ernst) von Die Macht der Liebe und des Weins (1798; np) [lost]
1788 : Drake, Erik Berggrubben (1817/18) [lost]
1789 : Damse, Józef Diabel kulawy (5.9.1846 Warszawa) [lost]
1791 : Beaulieu [Martin, Martin-Beaulieu], (Marie-)Désiré Anacréon (1818) [lost] |Psyché et l'amour (1833) [lost] |Fête bacchique (1835) [lost] |Jeanne d'Arc (1853) [lost]
1794 : Hüttenbrenner, Anselm Die französische Einquartierung (1819) [lost] |Der Rekrut () [lost] |Die Drachenhöhle zu Röthelstein () [lost]
1796 : Berwald, Franz (Adolf) Cecilia (1829 inc) [lost] |Der Verräter (1830; 19.5.1842* Stockholm) [lost] |Donna Isabella (1830 inc) [lost] |Slottet Lochleven (1863 inc) [lost]
1798 : Gassner, Ferdinand Simon Der Schiffbruch (1816 Karlsruhe) [lost?] |+1 [lost?]
1798 : Griesbach, John Henry Belshazzar's Feast (1835; np) [lost]
1800 : Stefani, Józef Lekcja botanik (15.3.1829 Warszawa) [lost] |Zyd wieczny tulacz (1.1.1850 Warszawa) [lost]
1806 : Kittl, Jan Bedrich [Johann Friedrich] Daphnis' Grab (1825) [lost]
1810 : Nicolai, (Carl) Otto (Ehrenfried) Gildippe ed Odoardo (26.12.1840 Genova) [lost]
1811 : Arnold, Yuri (Karlovich) [Jurig von] Treasure Trove (1.2.1853 St Peterburg) [lost] |Noch pod Ivana Kupala (1853 Moskva) [lost]
1813 : Puccini, Michele Antonio Foscarini () [lost?]
1813 : Fry, William Henry Cristiani e pagani (c.1838 inc) [lost]
1816 : Poniatowski, Józef (Michal Xsawery Franciszek Jan), Giovanni da Procida (25.11.1838 Firenze) [lost] |Ruy Blas (2.9.1843 Lucca) [lost] |Malek Adel (20.6.1846 Genova) [lost] |Esmeralda (26.6.1847 Firenze) [lost]
1819 : Moniuszko, Stanislaw Sielanka (1848?) [lost] |Biuralisci () [lost] |Cudowna woda () [lost] |Sen wieszcza () [lost]
1820 : Serov, Alexander (Nikolayevich) Mayskaya noch' (1853) [lost]
1823 : Flechtenmacher, Alexandru (Adolf) Fata de la Cozia (1870) [lost]
1825 : Gutiérrez (y) Espinosa, Felipe Guarionex () [lost] |El Bearnés () [lost] |El amor de un pescador () [lost]
1826 : Bott, Jean Joseph Der Unbekannte (20.8.1854 Kassel) [lost]
1829 : Gottschalk, Louis Moreau ? (1856) [lost] | Isaura di Salerno (1859) [lost] |Charles IX (1860) [lost] |Final d'opéra (1860) [lost; =? Charles IX]
1829 : Karrer [Karreres], Paul [Paulos] Dante e Bice (1852 Milano) [lost] |Rediviva (1854 Milano) [lost] |Marcos Botsaris (1857; 1861 Patras) [lost] |Fior di Maria (1868 Corfu) [lost] |Conte-Spourghitis (np) [lost] |Lambros (np) [lost] |Don Pigna (np) [lost]
1834 : Blodek, Vilém [Wilhelm] Chorista (22.3.1862 Praha) [lost]
1841 : Pedrell, Felipe L'ultimo Abenzeraggio (1870) [rev. El último Abencerraje ] [lost]
1842 : Lavallée, Calixa Lou-lou (1872; np) [lost]
1842 : Massenet, Jules-Émile-Frédéric Les Deux boursiers (c.1859; np) [lost] |Esmerelda 1865 inc; np) [lost] |Le Florentin (1868; np) [lost?] |Méduse (c.1870; np) [lost] |Les Templiers (1873 inc; np) [lost] |L'Adorable bel'-boul' (17.4.1874 Paris: Cercle des Mirlitons) [lost] |Bérangère et Anatole (2.1876 Paris: Cercle de l'Union Artistique) [lost] |Robert de France (c.1880) [lost] |Les Girondins (1881) [lost] |L'Écureuil du deshonneur () [lost] |Montalte () [?] [lost]
1846 : Visetti, Alberto Antonio Les Trois mousquetaires (< 1872) [lost]
1848 : Duparc [Fouqyes Duparc], (Marie Eugène) Henri Roussalka (inc) [lost]
1850 : Fibich, Zdenek [Zdenko] (Antonin Václav) Kapellmeister in Venedig (6.1.1868 Libuse) [lost] |Gutta von Guttenfels (1867?) [lost]
1854 : Smareglia, Antonio Re Nala (9.2.1887 Venezia F) [lost]
1856 : Stewart, Humphrey John His Majesty (1890 San Francisco) [lost] |The Conspirators (1900 San Francisco) [lost]
1857 : Dluski, Erazm Romano (1895) [lost]
1859 : Ippolitov-Ivanov [Ivanov], Mikhail (Mikhailovich) Azra (28.11.1890 Tbilisi) [lost]
1860 : Lavrangas, Dionyssios Elda di Vorn (1886?; 1890 Napoli) [lost] |Galatea (1887?) [lost] |La vita è un sogno (c.1890) [lost] |Sporting Club (4.8.1917 Athinai) [lost?] |Dipli fotia (10.1.1918 Athinai) [lost?]
1860 : Mahler, Gustav Herzog Ernst von Schwaben (c.1872 inc) [lost] |Die Argonauten (inc) [lost]
1860 : Albéniz, Isaac (Manuel Francisco) Cuanto más viejo () [lost] |Catalanes de gracia () [lost] |El canto de salvación () [lost]
1865 : Dukas, Paul (Abraham) Horn et Rimenhild (1892 inc) [lost] |L'Arbre de science (1899 inc) [lost] |Le Nouveau monde (c.1910) [lost]
1866 : Satie, Erik [Eric] (Alfred-Leslie) Pousse l'amour (c.1905; 1913 Monte Carlo) [Coco cherie] [lost]
1866 : Kalinnikov, Vasily Sergeyevich ? (1889) [lost]
1867 : Terrasse, Claude (Antoine) L'Heure du Berger (23.5.1900 Paris: Bodinière) [lost] |On demande des Chanteuses (6.7.1901 Royan) [lost] |Manon en voyage (1917) [lost] |Cabinet à vendre (np) [lost] |Léda (np) [lost] |Les Maîtres Chansonniers de Montmartre (np) [lost]
1868 : Joplin, Scott A Guest of Honor (1903 St Louis?) [lost]
1870 : Lekeu, Guillaume (Jean Joseph Nicolas) Les Burgraves (1887 inc) [lost]
1876 : Brian, Havergal ? (c.1914) [lost]
1876 : Falla (y Matheu), Manuel (Maria) de El conde de Villamediana (1887) [lost] |La casa de Tócame Roque (1900; np) [lost] |El cornetin de órdenes (1903; np) [lost] |La cruz de Malta (1903; np) [lost]
1880 : Willan, (James) Healey Maureen () [lost] |Indian Christmas Play () [lost]
1880 : Foulds, John (Herbert) Cleopatra (1909) [lost] |Avatara (1930) [lost]
1882 : Malipiero, Gian Francesco Schiavona (np) [lost?] |Canossa (24.1.1914 Roma C) [lost] |La bella e il mostro (1930; np) [lost?]
1883 : Varèse, Edgard [Edgar] (Victor Achille Charles) Martin Pas (c.1895) [lost]
1883 : Bastianelli, Giannotto La scala (> 1918, inc) [lost?]
1884 : Ferrari-Trecate, Luigi Pierozzo (15.9.1922 Alessandria) [lost?] |La fantasia tragica () [lost?] |Lo spaventapasseri (1963) [lost?] |+2 [lost]
1885 : Weiner, Léo A gondolás (np) [+ A. Szirmai ] [lost]
1887 : Toch, Ernst Wegwende (1925 inc) [lost]
1888 : Frazzi, Vito +2 (np) [lost]
1899 : Auric, Georges La Reine de coeur (1919) [lost]
1900 : Mosolov, Alexander (Vasilievich) Signal (1941) [lost]
1900 : Halffter (Escriche), Rodolfo Clavileño (1936; np) [lost]
1901 : Bautista, Julián Interior (1920) [lost]
1902 : Kondracki, Michal Popieliny (3.5.1934 Warszawa) [lost]
1903 : Blacher, Boris Habemeajaja (1929) [lost]
1912 : Marttinen, Tauno Neiti Gamardin talo () [lost]|Apotti ja ikäneito (1965) [lost]
1925 : Berio, Luciano Esposizione (1963 venezia) [lost]
1926 : Christou, Jani La ruota della vita (1957) [lost] |The Breakdown (1964) [lost]
1936 : Finko, David The Lodger from the Garret (1978) <I=>[lost]
^ John von Rhein, "Kreizberg Makes A Flourishing Debut," Chicago Tribute , August 9, 1992.
^ "Conductor's fearless passion for complexity," The Australian , March 29, 2011. ^ Robert McColley, "Classical Recordings." Fanfare 29 no. 2 (November-December 2005), p. 148.
^ James Schmidt Reel, "Symphony No. 4 in C. Notre Dame: Introduction, Intermezzo, and Carnival Music," Fanfare 27 no. 1 (September-October 2003), p. 214.
