User:Km79358n/Cyrus Kabiru
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| This is the sandbox page where you will draft your initial Wikipedia contribution.
If you're starting a new article, you can develop it here until it's ready to go live. If you're working on improvements to an existing article, copy only one section at a time of the article to this sandbox to work on, and be sure to use an edit summary linking to the article you copied from. Do not copy over the entire article. You can find additional instructions here. Remember to save your work regularly using the "Publish page" button. (It just means 'save'; it will still be in the sandbox.) You can add bold formatting to your additions to differentiate them from existing content. |
| This is the sandbox page where you will draft your initial Wikipedia contribution.
If you're starting a new article, you can develop it here until it's ready to go live. If you're working on improvements to an existing article, copy only one section at a time of the article to this sandbox to work on, and be sure to use an edit summary linking to the article you copied from. Do not copy over the entire article. You can find additional instructions here. Remember to save your work regularly using the "Publish page" button. (It just means 'save'; it will still be in the sandbox.) You can add bold formatting to your additions to differentiate them from existing content. |
Article Draft
[edit]Cyrus Kabiru=(born 1984) is a Kenyan artist known for his sculptural eyewear made of found objects, and is part of the Afrofuturism cultural movement.
Lead
[edit]Kabiru's artwork is made from recycled rubbish and brings focus to contemporary issues of consumerism and waste.|Early Life=In 1984, in the vibrant landscape of Kenya, a remarkable individual named Kabiru came into existence. Amidst the challenges of being one of six siblings and residing in a modest two-bedroom dwelling adjacent to a rubbish dump, Kabiru's formative years were enriched by the narratives his father shared about their family's history.
One particular anecdote left an indelible mark on Kabiru's imagination – a tale recounting his father's childhood mishap involving a pair of glasses. The consequences were severe, as his grandmother reprimanded him for the accidental breakage. Intriguingly, Kabiru's father imparted a valuable lesson, suggesting that if Kabiru aspired to wear glasses, perhaps he should craft his own.
This kernel of wisdom sparked a creative flame within Kabiru. Drawing inspiration from his surroundings, including the adjacent rubbish dump, he embarked on a transformative journey of crafting eyewear from discarded materials such as old bottle caps and broken cutlery. This ingenuity, born from familial stories and the resourceful environment outside his home, evolved into a unique form of artistic expression.
Kabiru's creative fervor took precedence over conventional pursuits like homework and formal lessons, as he passionately began crafting eyeglasses for his school friends. In doing so, he not only showcased his burgeoning artistic talents but also ventured into a realm of self-discovery that set him on a path to redefine conventional perceptions of creativity and resourcefulness.