User:Jeriblank/New media art/Bibliography

Bibliography

As you gather the sources for your Wikipedia contribution, think about the following:

Is the source from a reliable publication?
- Reliable publications include established newspapers, academic journals and books, textbooks, and other published sources with reputations for accuracy and fact-checking.
- Unreliable sources include blog posts and other self-published works, press releases, and social media posts.
Is the source verifiable?
- In order for a source to be considered verifiable, other editors should be able to consult the source.
Is the source independent of the subject?
- Is the source connected in any way to the subject? This is especially important when writing biographies or about organizations.
- For example, if you were writing a biography, sources like the person's webpage or personal blog would not be considered independent.
Is the source primary or secondary?
- Primary sources include first-hand accounts, autobiographies, and other original content.
- Wikipedia allows limited use of primary sources, but typically only for straightforward, descriptive statements of facts, and only if they are published and verifiable without requiring specialized knowledge.
- Secondary sources should be the main basis for a biography on Wikipedia.
If you're working on a topic related to medicine or psychology, ensure that your sources follow these special guidelines.
If you're creating a new article, consider the following:
- Ensure that your topic meets Wikipedia's notability guidelines.
- In order for a topic to meet the notability requirement, you must be able to identify 2-3 sources that are reliable, verifiable, and independent of the subject you're writing about.
- Finding sufficient sources to establish notability can be especially hard when writing about people or organizations.
- Sources that are not independent of the subject might be useful additions, but don't count towards the notability requirement.
- Wikipedia has developed special guidelines for writing about living persons. Please follow these carefully.
- Wikipedia has a series of guidelines for writing about different categories of people, such as academics and artists. If you're trying to create a new entry about a living person, please look at these carefully.

If you're not sure whether a source is reliable, ask a librarian! If you have questions about Wikipedia's sourcing rules, you can use the Get Help button below to contact your Wikipedia Expert.

Get Help

Potential Content

From 2004-2014 George Legrady's piece "Making Visible the Invisible" displayed the unseen library metadata of items recently checked out at the Seattle Public Library on six LCD behind the library's circulation desk.^[1]

Bibliography

This is where you will compile the bibliography for your Wikipedia assignment.

Books

New media futures [electronic resource] : the rise of women in the digital arts / edited by Donna J. Cox, Ellen Sandor, and Janine Fron ; forewords by Lisa Wainwright, Anne Balsamo, and Judy Malloy. ^[2]
New collecting : exhibiting and audiences after new media art / edited by Beryl Graham ; foreword, Barbara London.^[3]
Coded territories [electronic resource] : tracing Indigenous pathways in new media art / Steven Loft, Archer Pechawis, Jackson 2bears, Jason Edward Lewis, Steven Foster, Candice Hopkins, and Cheryl
A capsule aesthetic : feminist materialisms in new media art / Kate Mondloch.
Digital Arts : challenges and opportunities at the intersections between arts, society and technology / edited by Marisa Gómez ^[4]

Articles

L'Hirondelle ; edited by Steven Loft and Kerry Swanson^[5]
Decolonial Interventions in Performance and New Media Art:In Conversation with Cheryl L’Hirondelle and Kent Monkman ^[6]
Art In-Formation: American Art under the Impact of New Media Culture^[7]
A Strong Couple: New Media and Socially Engaged Art ^[1]
Investigate the misusage of technology as a gesture of freedom”: Glitch Dysfunction in New Media Art and Art Education.^[8]
The myth of immateriality - presenting new media art.^[9]
Preservation practices of new media artists Challenges, strategies, and attitudes in the personal management of artworks Colin Post^[10]
From the artwork to the “demo” artwork. Case Study on the conservation and degradation of new media artworks^[11]
Cultural Heritage Preservation of Traditional Indian Art through Virtual New-media ^[12]
Dismantling the Monolith: Post-Media Art and the Culture of Instability^[13]
Piracy Is the Future of Culture Speculating about Media Preservation after Collapse^[14]

References

^ ^a ^b van der Meulen, Sjoukje (2017-04-01). "A Strong Couple: New Media and Socially Engaged Art". Leonardo. 50 (2): 170–176. doi:10.1162/LEON_a_00963. ISSN 0024-094X.
^ New media futures : the rise of women in the digital arts. Donna J. Cox, Ellen Sandor, Janine Fron. Champaign, IL. 2018. ISBN 978-0-252-05018-3. OCLC 1032708552.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
^ New collecting : exhibiting and audiences after new media art. Beryl Graham. Farnham, Surrey, England. 2014. ISBN 978-1-4094-4895-2. OCLC 874029393.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
^ Gómez, Marisa (2019). Digital Arts. Boston: BRILL. ISBN 978-1-84888-427-4. OCLC 1243536154.
^ Coded territories : tracing indigenous pathways in new media art. Steve Loft, Kerry Swanson. Calgary, Alberta. 2014. ISBN 978-1-55238-742-9. OCLC 889649792.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
^ Nagam, Julie; Swanson, Kerry; L’Hirondelle, Cheryl; Monkman, Kent (2014). "Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L'Hirondelle and Kent Monkman". Canadian Theatre Review. 159 (159): 30–37. ISSN 1920-941X.
^ Frohne, Ursula Anna (2013-06). "Art In-Formation: American Art under the Impact of New Media Culture". American Art. 27 (2): 38–43. doi:10.1086/673108. ISSN 1073-9300. {{cite journal}}: Check date values in: |date= (help)
^ ""Investigate the misusage of technology as a gesture of freedom": Glitch Dysfunction in New Media Art and Art Education on JSTOR". www.jstor.org. doi:10.5406/visuartsrese.46.2.0015. Retrieved 2021-10-07.
^ Paul, Christiane (2012-12-01). "The myth of immateriality – presenting new media art". Technoetic Arts. 10 (2): 167–172. doi:10.1386/tear.10.2-3.167_7. ISSN 1477-965X.
^ Post, Colin (2017-07-10). "Preservation practices of new media artists: Challenges, strategies, and attitudes in the personal management of artworks". Journal of Documentation. 73 (4): 716–732. doi:10.1108/JD-09-2016-0116. ISSN 0022-0418.
^ Mellado Martínez, Diego; García Morales, Lino (2017-07-03). "From the artwork to the "demo" artwork. Case Study on the conservation and degradation of new media artworks". Ge-conservacion. 11: 272–277. doi:10.37558/gec.v11i0.505. ISSN 1989-8568.
^ Kolay, Saptarshi (2016-07). "Cultural Heritage Preservation of Traditional Indian Art through Virtual New-media". Procedia - Social and Behavioral Sciences. 225: 309–320. doi:10.1016/j.sbspro.2016.06.030. {{cite journal}}: Check date values in: |date= (help)
^ Almeida, Nora (2012-05). "Dismantling the Monolith:: Post-Media Art and the Culture of Instability". Art Documentation: Journal of the Art Libraries Society of North America. 31 (1): 2–11. doi:10.1086/664932. ISSN 0730-7187. {{cite journal}}: Check date values in: |date= (help)
^ De Kosnik, Abigail (2020-01-02). "Piracy Is the Future of Culture: Speculating about Media Preservation after Collapse". Third Text. 34 (1): 62–70. doi:10.1080/09528822.2019.1663687. ISSN 0952-8822.

[:0-1] van der Meulen, Sjoukje (2017-04-01). "A Strong Couple: New Media and Socially Engaged Art". Leonardo. 50 (2): 170–176. doi:10.1162/LEON_a_00963. ISSN 0024-094X.

[2] New media futures : the rise of women in the digital arts. Donna J. Cox, Ellen Sandor, Janine Fron. Champaign, IL. 2018. ISBN 978-0-252-05018-3. OCLC 1032708552.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)

[3] New collecting : exhibiting and audiences after new media art. Beryl Graham. Farnham, Surrey, England. 2014. ISBN 978-1-4094-4895-2. OCLC 874029393.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)

[4] Gómez, Marisa (2019). Digital Arts. Boston: BRILL. ISBN 978-1-84888-427-4. OCLC 1243536154.

[5] Coded territories : tracing indigenous pathways in new media art. Steve Loft, Kerry Swanson. Calgary, Alberta. 2014. ISBN 978-1-55238-742-9. OCLC 889649792.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)

[6] Nagam, Julie; Swanson, Kerry; L’Hirondelle, Cheryl; Monkman, Kent (2014). "Decolonial Interventions in Performance and New Media Art: In Conversation with Cheryl L'Hirondelle and Kent Monkman". Canadian Theatre Review. 159 (159): 30–37. ISSN 1920-941X.

[7] Frohne, Ursula Anna (2013-06). "Art In-Formation: American Art under the Impact of New Media Culture". American Art. 27 (2): 38–43. doi:10.1086/673108. ISSN 1073-9300. {{cite journal}}: Check date values in: |date= (help)

[8] ""Investigate the misusage of technology as a gesture of freedom": Glitch Dysfunction in New Media Art and Art Education on JSTOR". www.jstor.org. doi:10.5406/visuartsrese.46.2.0015. Retrieved 2021-10-07.

[9] Paul, Christiane (2012-12-01). "The myth of immateriality – presenting new media art". Technoetic Arts. 10 (2): 167–172. doi:10.1386/tear.10.2-3.167_7. ISSN 1477-965X.

[10] Post, Colin (2017-07-10). "Preservation practices of new media artists: Challenges, strategies, and attitudes in the personal management of artworks". Journal of Documentation. 73 (4): 716–732. doi:10.1108/JD-09-2016-0116. ISSN 0022-0418.

[11] Mellado Martínez, Diego; García Morales, Lino (2017-07-03). "From the artwork to the "demo" artwork. Case Study on the conservation and degradation of new media artworks". Ge-conservacion. 11: 272–277. doi:10.37558/gec.v11i0.505. ISSN 1989-8568.

[12] Kolay, Saptarshi (2016-07). "Cultural Heritage Preservation of Traditional Indian Art through Virtual New-media". Procedia - Social and Behavioral Sciences. 225: 309–320. doi:10.1016/j.sbspro.2016.06.030. {{cite journal}}: Check date values in: |date= (help)

[13] Almeida, Nora (2012-05). "Dismantling the Monolith:: Post-Media Art and the Culture of Instability". Art Documentation: Journal of the Art Libraries Society of North America. 31 (1): 2–11. doi:10.1086/664932. ISSN 0730-7187. {{cite journal}}: Check date values in: |date= (help)

[14] De Kosnik, Abigail (2020-01-02). "Piracy Is the Future of Culture: Speculating about Media Preservation after Collapse". Third Text. 34 (1): 62–70. doi:10.1080/09528822.2019.1663687. ISSN 0952-8822.

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]