User:Ippantekina

Before 2021, this user had operated under another account, HĐ, which is no longer being used to edit Wikipedia. For more information, please refer to Wikipedia:Sockpuppet investigations/HĐ.

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This user has been awarded an Imperial Napoleonic Triple Crown.

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political censorship.

This user respects copyright, but sometimes it can be a major pain.

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This user has written or significantly contributed to 20 Featured articles on Wikipedia.

10 of this user's featured articles have appeared on Today's featured article.

This user is a participant in WikiProject Taylor Swift.

Why I'm here

I was initially on Wikipedia to read, mostly for school stuff. Then came the edit stuff. I mostly edited articles about the music I listened to. Then I became a Swiftie, so now I mostly edit Taylor Swift-related articles. My Spotify is very diverse, but Swift remains a cornerstone. You might as well see me in some cleanup/minor edits for other music articles.

But why Taylor Swift?

Like anyone growing up in the internet age, I grew up on pop songs: the painful realisations of the disconnect between fantasy and reality, the incessant self-doubt and self-interrogation of where you truly belong, the transient nature of relationships and friendships, and most importantly: the euphoria and destruction of falling in and out of love. This is where Ms. Swift entered. Let's forget about the critical praise (which I find guaranteed but quite over-the-top), the many awards (I don't care), the #1 hits (I don't fucking care), the overwhelming fanfare (spare me the details, Swifties!). Strip all of that, we have Ms. Swift the singer-songwriter. What I admire most about her is her ability to distill real-time emotions into resonant songs that are both Disney Radio-level accessible and emotionally resonant. But there is a plethora of musicians with the same caveat, why Swift specifically? I would argue that her consistent artistic output and media blitz both amplify my admiration of her musicianship. It does sound paradoxical, but the gossip cycle surrounding her personal life somehow both amplifies her celebrity and keeps her status down-to-earth. Nowhere has this been truer with her latest album cycles, Midnights and THE TORTURED POETS DEPARTMENT. We have a singer-songwriter trying to process everything at once: a long-term relationship that took you so long to realise you're not the one, a rebound that was once hopeful but ended as if it were an illusion, the raging battle cries that demand you to act and believe in certain ways. And in her very personal journey of processing pain and healing wounds, Ms. Swift never shies away from laying her soul bare for an audience that scrambles to look for clues in her lyrics like vultures. She basically said, "Fuck it," and gave herself grace to scream out whatever she wanted. This is my reading of her artistic and personal journey as autofiction: The once-precocious small-town, good-mannered Christian girl dreamed about her wedding with a Romeo. Ever a romantic, she loved each and every man that entered her life with her whole heart, until she was gaslit, manipulated, lied to by all of them. She buried all her fairy tale visions in a drawer to step in to the real world. More pragmatic, she fell for a green-eyed Briton but things turned out just as hellish as all of her previous flings. She realized love wasn't what she had dreamt of and told herself she could live well enough alone. Until another Briton came and kept her for a year or so, until she could not bare the loveless affair. A string of rebounds led her to a (supposedly) newfound wisdom of what real-life love was. She convinced herself that a blue-eyed Briton was the love of her life until she realized she was in denial and bargaining and resentment for quite some time. Fresh off the slammer, she clung onto another bad-boy Briton: they had such compatible chemistry and cringeworthy artistic tendencies. But all at once, her life fucking crumbled right in front of her eyes again. How many fucking times does she have to endure this abusive cycle of falling in and out of love, when everything just fucking spins out of control every fucking time? Now she seems content in her American Dream, but the journey continues. Will it? This is why Ms. Swift's music will always remain fascinating: it documents each and every step of her journey with frank confessionalism sparing no details out of the page. Her lyrics never shy away from sneaking in the most intimate details that made her believe love is real. The way her friends and parents warned her about bad boys but she fell for them anyways. What happened on July 9th, on April 29th, that September night, that December when she let the roses die. The red scarf that she left at an ex's house. The necklace hanging from her neck and the paper planes she folded. The wine splashing in hotel bathtubs, the buzzcut that cut her hands, the beers in plastic cups with her school boy crush. The depression that slowly eats away her hopes and dreams. The dresses, the cars, the late night rendezvouses in bars. The sinful thoughts of touching another man's skin. The self-rationalization that she deserves a loving man and not a dying one. The self-hatred and the self-resentment of, "How the fuck did I end up here?" In the spirit of all the tortured poets, or even the sane ones, that came before her, Shakespeare, Plath, Sexton, Rimbaud, Wordsworth, Neruda, whoever you can name them, Swift's vast catalog is a reminder that the crux of human existence is love. She transformed this very poetic yet humanly notion beautifully in her songs that are equally accessible and resonant. And while her words are not exactly poetic, fit-for-the-pages, she is a singer after all. And when she sings, we listen.

Taylor Swift albums ranked by Ippantekina

each album's best tracks mentioned in parentheses Midnights — the songs are immaculately constructed, and what's more relatable than a racing mind in the wee hours? ("Lavender Haze", "Anti-Hero", "You're on Your Own, Kid", "Midnight Rain", "Question...?", "Labyrinth", "The Great War", "High Infidelity", "You're Losing Me") evermore — sometimes we all want to indulge in tragic fantasies ("gold rush", "'tis the damn season", "tolerate it", "happiness", "cowboy like me", "evermore", "right where you left me") THE TORTURED POETS DEPARTMENT — each and every pain takes time to process without rush, and it's completely OK to let yourself go feral ("Down Bad", "But Daddy I Love Him", "Fresh Out the Slammer", "loml", "The Smallest Man Who Ever Lived", "The Black Dog", "Chloe or Sam or Sophia or Marcus", "Peter") Red — where Ms. Swift finally grew out of her idealized fairytale outlook to explore real-world aches ("State of Grace", "Treacherous", "I Knew You Were Trouble.", "All Too Well", "22", "Holy Ground", "Starlight", "Begin Again", "Forever Winter", "The Very First Night") 1989 — sad stories swirled into sleek pop melodies, y'all need to dance and sob at the same time. But hey, can you identify the sadness under those sparkling synths? ("Style", "Out of the Woods", "I Wish You Would", "Clean", "New Romantics", "Is It Over Now?") folklore — perfect for summertime hallucinations ("cardigan", "mirrorball", "seven", "august", "this is me trying", "betty") Speak Now — can we please have a solo-written album from Ms. Swift again? ("Sparks Fly", "Back to December", "Dear John", "The Story of Us", "Last Kiss") Lover — heart-on-her-sleeves, business as usual ("Cruel Summer", "Lover", "I Think He Knows", "False God", "Afterglow") reputation — the best Drake album by Ms. Swift, with more heart ("Delicate", "Getaway Car", "King of My Heart", "New Year's Day") Fearless — everything comes out teenage petulance ("Love Story", "Hey Stephen", "You Belong with Me") Taylor Swift — yeehaw ladies ("Tim McGraw", "Our Song")

Taylor Swift top 25 songs (unranked) by Ippantekina

"Love Story" — who doesn't love a tragic tale of star-crossed lovers? But hey, this has a happy ending. And that majestic key change? *chef's kiss* "You Belong with Me" — teenage petulance, but make it catchy. "Last Kiss" — that exasperated sigh of the bridge and final refrain hits different. I'm not talking about Taylor's Version. "Dear John" — I would like to quote Hermione Lee on this one: "A great writer can be a dangerous creature, however gentle and nice in person." "State of Grace" — Taylor the Rocker? Yes please! "Holy Ground" — Taylor the Rocker part 2? Fuck yes! When will she release a full-on U2 album? Alas, time does heal everything, and acceptance is the sign that you have healed, or at least are healing "All Too Well" — do I need to explain this one? Do you remember it all too well? Did the love affair maim you too? "Style" — the best pop song in the history of pop songs, I said what I said. And, dare I say, it is never worth it to rekindle an old flame. "Out of the Woods" — an anthem for situationships, iykyk. This song sounds equally majestic on synth beats and piano. "I Wish You Would" — that pining for an ex who you know is no good for you is so real. At least give yourself grace to feel it, folks! "Delicate" — as grand a celebrity as Ms. Swift is, she can't help but feel anxious when she likes someone so much that self-sabotage creeps in. Forever relatable! "New Year's Day" — true love, is it? "I'll be there if you're the toast of the town, babe/ Or if you strike out and you're crawlin' home." Fuck it, got me sobbing! "Lover" — such a talented songwriter, Ms. Swift can turn a fucking cringeworthy word into a heartfelt, timeless love song. Too bad, forever is indeed the sweetest con. Got me sobbing again! "False God" — long-distance relationships are never easy. Indeed, we all cling onto our false hopes of forever, of things working out in the end. But hey, isn't it cinematic that such an affair involves some danger? "mirrorball" — an anthem for the people pleasers who give too many fucks about what others think. "betty" — teenage love is an endless creative source, and the storytelling here is so cinematic! "gold rush" — have you ever thought to yourself, "Oh my, they are so majestic, I wonder what it feels like to date them!" and then you snap back to reality? Idolatry is never the answer. "cowboy like me" — they say love comes when you least expect it, and here you find yourself getting fucked over by it. "evermore" — holding onto the past gives you a false sense of peace, but when it becomes your lifeline, you crash and shatter and crumble. Safe yourself y'all, this pain wouldn't be for evermore. "You're on Your Own, Kid" — it is scary to think how we came into this world alone and we will leave this world alone. But along the way, please please please be open to people and experiences that you cherish. Go make the friendship bracelets and live in the moment! "Labyrinth" — Ms. Swift made a Chvrches-meets-M83-meets-Bon Iver song? Just when you thought the last heartbreak shattered you into pieces and you could never love again, your heart gently reminds you otherwise: that it always has the capacity to love, as long as it feels right. And then, like a fucking chill down your spine, your chemicals send you into an abrupt and violent trance. For once, her music speaks as loudly as her words: "Uh oh... Oh no... Oh... I'm falling in love!" "Question...?" — have you ever had an ex that you desperately want them to answer: "Why the fuck did you do that?", but then you just can't confront them anymore? If yes, this is the song for you. "loml" — oh dear, let me go grab some tissues real quick. "But Daddy I Love Him" — the older you get, the more you realise your excruciating desire to live on your own terms. Fuck societal expectations, fuck others' perceptions, go live the life that you want! "The Black Dog" — Ms. Swift can make a song out of a trivial detail that was a red scarf, so she can definitely make a song out of a random indie song that plays on a jukebox at a London bar. And make it heartbreaking.

Special thanks

To y'all on Wikipedia. I learned a lot from y'all, even if we encountered in arguments and fights and I nearly got involved in edit wars just to prove my point.

This is cool
Never in my wildest dreams did I think I'd ever award an Imperial Napoleonic Triple Crown to someone for 15 articles related to Taylor Swift. Congratulations Ippantekina; I can't remember the last time I saw such dedication. Damien Linnane (talk) 14:17, 10 March 2023 (UTC)