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Making and Managing a Feature FIlm

So you want to make a movie...

Introduction: Hollywood; Film school
Making a Movie: Film; Filmmaking; Feature film; Feature length; Creative director; Documentary film techniques
Financing and getting off the ground: Film and television financing in Australia
Project Development: Hook (filmmaking); Act structure; Beat (filmmaking); Distancing effect; Film treatment
Pre-Production: Film crew
Production: Cinematography; Cinematic techniques; Camera angle; Dutch angle; 180 degree rule; 30 degree rule; Establishing shot; American shot; Close-up; Crane shot; Dolly zoom; Bird's-eye shot; Aerial shot; Audio engineering
Post-Production: Film editing; Found footage; Creative geography; Cut (filmmaking); Cutaway (filmmaking); Cutting on action; Cross-cutting; Eyeline match; Fast cutting; Axial cut; Freeze frame shot; Dissolve (filmmaking); Fade (filmmaking); Fxguide; Film transition; Digital video effect; Day for night; Dry for wet; Digital compositing; Compositing; Audiography; Director of audiography; Acousmatic sound
Delivery: Bleach bypass; DVD; High-definition video; Film producer; Blu-ray Disc; High-angle shot; Hardcore insert; Film director; Homage; Image editing; Go motion; Direct-to-video
Distribution: Film distribution; First Independent Pictures; Film distributor; Action International Pictures; Cinema International Corporation; Celluloid Dreams; IFC Films; Ayngaran International; Anchor Bay Entertainment; Film Ventures International; Filmverlag der Autoren; Eternal Pictures; Eagle-Lion Films; IM Global; Icon Productions; Janus Films; HanWay Films; Diffusion Pictures; Lucasfilm; Compass International Pictures; Lions Gate Entertainment; List of film distributors by country; Hannover House; List of motion picture terminology; Howco; IFEX; Improvisation; Independent film; Insert (filmmaking); Jump cut; Kuleshov Effect; L cut; Leica reel; Location shooting; Long shot; Long take; Low-angle shot; Magnolia Pictures; Maple Pictures; Master shot; Match cut; Medium shot; Metro-Goldwyn-Mayer; Mexican standoff; Mickey Mousing; Miniature effect; Money shot; Montage (filmmaking); Movie projector; Movie studio; Multiple-camera setup; Narrativity; Nordisk Film; Outline (summary); Outline of film; Over the shoulder shot; Pace (speed); Pan-Européenne; Pathé; Photoanimation; PIAS Entertainment Group; Piece to camera; Pitch (filmmaking); Point of view shot; Polybona Films; PolyGram Filmed Entertainment; Post-production; POV Videography and VholdR; Pre-production; Production assistant; Reaction shot; Redress; Robert L. Lippert; Rogue (company); Scenario; Screen direction; Screenplay; Screenwriter; Scriptment; Seamlessly loopable; Selznick International Pictures; Setpiece; Shaky camera; Shooting in the round; Shooting script; Shot reverse shot; Single-camera setup; Slow cutting; Slow motion; Smash cut; Sodium vapor process; Solar Entertainment Corporation; Sony Pictures Entertainment; Sound design; Sound editor; Sound effect; Soviet montage theory; Spec script; Split screen (filmmaking); Step outline; Stereographer; Stock footage; Stop trick; Storyboard; StudioCanal; Stunt; Sugar glass; Technical director; Television; Television director; The Weinstein Company; Time-lapse; Tracking shot; Trunk shot; United Artists; Venus effect; Visual effects; Walk and talk; Walla; Walt Disney Studios Motion Pictures; Warner Bros.; Wipe (transition); Above the line (filmmaking); Abstract film; All-star; Alternate ending; Alternative title; Animated cartoon; Art department; Atmospheric theatre; B movie; Beatscript; Below the line (filmmaking); Billing (filmmaking); Black hat; Black hat (film); Blackout gag; Blockbuster (entertainment); Blooper; Bouncing ball; Box office; Box office bomb; Breakthrough role; Breathing (lens); Butterfly (lighting); Cameo appearance; Cameo lighting; Camera coverage; Car chase; Cartoon; Casting couch; Cine film; Cinéma pur; Closing credits; Cold open; Composite film; Credit (creative arts); Daybill; Deleted scene; Desktop video; Digital copy; Director's cut; Directorial debut; Dogme 95; Double feature; Dub localization; Editor's cut; Ensemble cast; Event movie; Experimental film; Extreme cinema; Fake Shemp; False ending; Fan edit; Fernseh; Fig Rig; Film adaptation; Film canon; Film grammar; Film modification; Film poster; Film promotion; Film rights; Film title design; Trailer (film); Film-out; Filmography; Final cut privilege; First run (film); Footage; Four wall distribution; Frame line; Full frame; International co-production; Gamine; Goof; Graphic violence; Guerrilla filmmaking; Guest appearance; High concept; Hollywood blacklist; Horse opera; Hyperlink cinema; Intertitle; Iris shot; Key light; Keykode; Kill off; List of anamorphic format trade names; Live action; Low-budget film; MacGuffin; Making-of; Marriage plot; Matinee idol; Midnight movie; Mobile cinema; Monologue; Motion graphics; Motion picture credits; Movie packaging; Movie star; Movieoke; Multimedia; Negative cost; Nichebuster; Night-for-night; No budget film; Non-diegetic insert; Official film and television co-production in Australia; Oneiric (film theory); Open matte; Outtake; Physical effects; Pick-up (filmmaking); Picture lock; Post-credits scene; Poverty Row; List of biggest box office bombs; Prelap; Premiere; Prequel; Private screening; Product displacement; Product placement; Production budget; Message picture; Pre-credit; Production sets; Projectionist; Prop replica; Re-edited film; Reboot (fiction); Redux (literary term); Reframing (filmmaking); Reissue; Release print; Remake; Reverse chronology; Runaway production; Scream queen; Screen quotas; Screenplay slug line; Screenwriting; Sequel; Sequence (filmmaking); Shooting ratio; Shooting sequences; Shot-for-shot; Skypan; Sleeper hit; Slug name; Snipe (theatrical); Soundtrack; Spinning newspaper; Spiritual successor; Spit-take; Start date; Film still; Stock sound effect; Story canon; Script breakdown; Titular line; Theatrical property; Structural film; Stunt casting; Superstar; Tally light; Tent-pole programming; Videodance; Web film; Z movie; CinemaScope; Box Office Mojo; Film industry; The Walt Disney Company; Academy Award; Film finance; Hollywood accounting; WGA screenwriting credit system; Film budgeting; Production board; Delayed release; Breaking down the script; Special effect; Optical printer; Matte (filmmaking); Computer-generated imagery; Aerial image; Audio-Animatronics; Chroma key; AFI Conservatory; Closet screenplay; Photographic processing; Green-light; Daily production report; Production report; Shooting schedule; Daily editor log; Sync sound; Film score; Re-recording (filmmaking); Videography; Production strip; Day Out of Days; Production schedule; One liner schedule; Roadshow theatrical release
The Good, The Bad and when it gets ugly: List of biggest opening weekends; List of film sequels by box-office improvement; List of highest-grossing films in Canada and the United States; List of highest-grossing animated films; List of highest-grossing films; List of highest-grossing films in Canada; Lists of box office number-one films; Lists of highest-grossing films; ShowBIZ Data; Acting; Acting age; Acting and accents; Acting instructor; Presentational acting and Representational acting; Actor; An Actor Prepares; Bit part; Blocking (improv); Blocking (stage); Cast member; Character actor; Child actor; Cross-gender acting; Dance Double; Dramatic convention; Dual role; Equity Card; Extra (actor); Fabel; Film debut; Leading actor; Leading lady; Leading man; Mummerset; My Life in Art; Off-book; On Acting; Overacting; Phonetic pillow; Process of embodiment (physical theatre); Scene study; Scenic bios; Screen test; Adventures in the Screen Trade; Artistic control; First look deal; Gary Spatz; Speak the speech; Spear carrier; Stage name; Daily call sheet; 3D LUT; Apple box; Screenwriting software; Strolling players; Stunt double; Supernumerary actor; Supporting actor; Title role; True and False: Heresy and Common Sense for the Actor; Typecasting (acting); Under-Five; Understudy; Voice acting; Voice Foley; Telecine; 1080p; 16:9; Anamorphic format; Letterbox; Pan and scan; DTS; Dolby Laboratories; 2-pop; Synchronization; Principal photography; Answer print; In-camera editing; B-roll; Baby plate; Backlot; Bailin bracket; Bar clamp adapter pin; Basso block; Boom shot; Broadcast Television Systems Inc.; C-Stand; Camera dolly; Production diary; Intellectual property; Legal release; Trademark; Copyright; Stand-in; Follow shot; PV mount
Introduction
Making a Movie: Film; Feature film; Documentary film techniques
Financing and getting off the ground: Film and television financing in Australia; Act structure; Beat (filmmaking); Distancing effect; Film treatment
Production: Cinematography; Cinematic techniques; Camera angle; Establishing shot; Close-up; Dolly zoom; Dutch angle; 30 degree rule; 180 degree rule; Bird's-eye shot; Aerial shot; Audio engineering; Air ram
Pre-Production
Post-Production: Creative geography; Cut (filmmaking); Cutaway (filmmaking); Cutting on action; Cross-cutting; Eyeline match; Fast cutting; First Independent Pictures; Axial cut; Dissolve (filmmaking); IFC Films; Audiography; Director of audiography; Acousmatic sound; Digital video effect; Day for night; Dry for wet; Digital compositing; Compositing
Delivery: Bleach bypass; Fade (filmmaking); DVD; Blu-ray Disc; Direct-to-video
Distribution: Film distribution; Film distributor; Action International Pictures; Cinema International Corporation; Crane shot; American shot; Celluloid Dreams; Ayngaran International; Anchor Bay Entertainment; Film Ventures International; Filmverlag der Autoren; Eternal Pictures; Eagle-Lion Films; Icon Productions; Diffusion Pictures; Compass International Pictures; Feature length; Film crew; Film director; Film editing; Film producer; Film school; Film transition; Filmmaking; Found footage; Freeze frame shot; Fxguide; Go motion; Hand-held camera; Hannover House; HanWay Films; Hardcore insert; High-angle shot; High-definition video; Homage; Hook (filmmaking); Howco; IFEX; IM Global; Image editing; Improvisation; Independent film; Insert (filmmaking); Janus Films; Jump cut; KDK Factory; Ken Burns effect; Kuleshov Effect; L cut; Leica reel; Lions Gate Entertainment; List of film distributors by country; List of motion picture terminology; Location shooting; Long shot; Long take; Low-angle shot; Lucasfilm; Magnolia Pictures; Maple Pictures; Master shot; Match cut; Medium shot; Metro-Goldwyn-Mayer; Mexican standoff; Mickey Mousing; Miniature effect; Money shot; Montage (filmmaking); Movie projector; Movie studio; Multiple-camera setup; Narrativity; Nordisk Film; Outline (summary); Outline of film; Over the shoulder shot; Pace (speed); Pan-Européenne; Pathé; Photoanimation; PIAS Entertainment Group; Piece to camera; Pitch (filmmaking); Point of view shot; Polybona Films; PolyGram Filmed Entertainment; Post-production; POV Videography and VholdR; Pre-production; Production assistant; Reaction shot; Redress; Robert L. Lippert; Rogue (company); Scenario; Screen direction; Screenplay; Screenwriter; Scriptment; Seamlessly loopable; Selznick International Pictures; Setpiece; Shaky camera; Shooting in the round; Shooting script; Shot reverse shot; Single-camera setup; Slow cutting; Slow motion; Smash cut; Sodium vapor process; Solar Entertainment Corporation; Sony Pictures Entertainment; Sound design; Sound editor; Sound effect; Soviet montage theory; Spec script; Split screen (filmmaking); Step outline; Stereographer; Stock footage; Stop trick; Storyboard; StudioCanal; Stunt; Sugar glass; Technical director; Television; Television director; The Weinstein Company; Time-lapse; Tracking shot; Trunk shot; United Artists; Venus effect; Visual effects; Walk and talk; Walla; Walt Disney Studios Motion Pictures; Warner Bros.; Wipe (transition); Above the line (filmmaking); Abstract film; All-star; Alternate ending; Alternative title; Animated cartoon; Art department; Atmospheric theatre; B movie; Beatscript; Below the line (filmmaking); Billing (filmmaking); Black hat; Black hat (film); Blackout gag; Blockbuster (entertainment); Blooper; Bouncing ball; Box office; Box office bomb; Breakthrough role; Breathing (lens); Butterfly (lighting); Cameo appearance; Cameo lighting; Camera coverage; Car chase; Cartoon; Casting couch; Cine film; Cinéma pur; Closing credits; Cold open; Composite film; Credit (creative arts); Daybill; Deleted scene; Desktop video; Digital copy; Director's cut; Directorial debut; Dogme 95; Double feature; Dub localization; Editor's cut; Ensemble cast; Event movie; Experimental film; Extreme cinema; Fake Shemp; False ending; Fan edit; Fernseh; Fig Rig; Film adaptation; Film canon; Film grammar; Film modification; Film poster; Film promotion; Film rights; Film title design; Trailer (film); Film-out; Filmography; Final cut privilege; First run (film); Footage; Four wall distribution; Frame line; Full frame; Gamine; Goof; Graphic violence; Guerrilla filmmaking; Guest appearance; High concept; Hollywood blacklist; Horse opera; Hyperlink cinema; International co-production; Intertitle; Iris shot; Key light; Keykode; Kill off; List of anamorphic format trade names; List of biggest box office bombs; Live action; Low-budget film; MacGuffin; Making-of; Marriage plot; Matinee idol; Message picture; Midnight movie; Mobile cinema; Monologue; Motion graphics; Motion picture credits; Movie packaging; Movie star; Movieoke; Multimedia; Negative cost; Nichebuster; Night-for-night; No budget film; Non-diegetic insert; Official film and television co-production in Australia; Oneiric (film theory); Open matte; Outtake; Physical effects; Pick-up (filmmaking); Picture lock; Post-credits scene; Poverty Row; Pre-credit; Prelap; Premiere; Prequel; Private screening; Product displacement; Product placement; Production budget; Production sets; Projectionist; Prop replica; Re-edited film; Reboot (fiction); Redux (literary term); Reframing (filmmaking); Reissue; Release print; Remake; Reverse chronology; Runaway production; Scream queen; Screen quotas; Screenplay slug line; Screenwriting; Sequel; Sequence (filmmaking); Shooting ratio; Shooting sequences; Shot-for-shot; Skypan; Sleeper hit; Slug name; Snipe (theatrical); Soundtrack; Spinning newspaper; Spiritual successor; Spit-take; Start date; Film still; Stock sound effect; Story canon; Script breakdown; Titular line; Theatrical property; Box Office Mojo; Structural film; Stunt casting; Superstar; Tally light; Tent-pole programming; Videodance; Web film; Z movie; CinemaScope; Film industry; The Walt Disney Company; Academy Award; Film finance; Hollywood accounting; WGA screenwriting credit system; Film budgeting; Production board; Delayed release; Breaking down the script; Special effect; Optical printer; Matte (filmmaking); Computer-generated imagery; Aerial image; Audio-Animatronics; Chroma key; AFI Conservatory; Closet screenplay; Photographic processing; Green-light; Daily production report; Production report; Shooting schedule; Daily editor log; Sync sound; Film score; Re-recording (filmmaking); Videography; Production strip; Day Out of Days; Production schedule; One liner schedule; Roadshow theatrical release; List of biggest opening weekends; Crystal Film; Diamond Film; List of film sequels by box-office improvement; Golden Film; List of highest-grossing films in Canada and the United States; List of highest-grossing animated films; List of highest-grossing films; List of highest-grossing films in Canada; List of highest-grossing films in the Philippines; List of films that received the Golden Film; List of films that received the Platinum Film; Lists of box office number-one films; Lists of highest-grossing films; List of top grossing Malayalam films; Platinum Film; ShowBIZ Data; Acting; Acting age; Acting and accents; Acting instructor; Presentational acting and Representational acting; Actor; An Actor Prepares; Bit part; Blocking (improv); Blocking (stage); Cast member; Character actor; Child actor; Cross-gender acting; Dance Double; Dramatic convention; Dual role; Equity Card; Esau Wood; Extra (actor); Fabel; Film debut; Lamitta Frangieh; Leading actor; Leading lady; Leading man; Mummerset; My Life in Art; Off-book; On Acting; Overacting; Phonetic pillow; Process of embodiment (physical theatre); Scene study; Scenic bios; Screen test; Gary Spatz; Speak the speech; Spear carrier; Stage name; Strolling players; Stunt double; Supernumerary actor; Supporting actor; Title role; True and False: Heresy and Common Sense for the Actor; Typecasting (acting); Under-Five; Understudy; Voice acting; Voice Foley; Telecine; 1080p; 16:9; Anamorphic format; Letterbox; Pan and scan; DTS; Dolby Laboratories; 2-pop; Synchronization; Daily call sheet; Principal photography; 3D LUT; Adventures in the Screen Trade; All Mobile Video; American Humane Association; Answer print; Apple box; Artistic control; In-camera editing; B-roll; Baby plate; Backlot; Bailin bracket; Bar clamp adapter pin; Basso block; The Black List (survey); Boom shot; Broadcast Television Systems Inc.; C-Stand; Camera dolly; Production diary; Screenwriting software; First look deal; Intellectual property; Legal release; Copyright; Stand-in; Follow shot; PV mount