User:Fæ/Sources/John Phillip Backus
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 | The content of this article has been derived in whole or part from http://hunterafterthefall.com/author.php (archive version), with the scope of this release being limited to all text and one photograph of John Phillip Backus (see File:John Phillip Backus.png). Permission has been received from the copyright holder to release this material under both the Creative Commons Attribution-ShareAlike 3.0 Unported license and the GNU Free Documentation License. You may use either or both licenses. Evidence of this has been confirmed and stored by VRT volunteers, under ticket number 2010082010007252. This template is used by approved volunteers dealing with the Wikimedia volunteer response team system (VRTS) after receipt of a clear statement of permission at permissions-en  wikimedia.org. Do not use this template to claim permission. |
- Note, the same public profile from the publisher has been used at: http://www.bookdaily.com/author/1150063/john-phillip-backus
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John Phillip Backus (December 30th, 1952 – ) American science fiction, adventure fiction, and children’s fiction writer and storyteller. Author of the After The Fall post-apocalyptic series, Jen of Earth – The Dorian Chronicles; Spirit of the Rainforest, The Wilderness Chronicles; Fireside Tales of High Adventure in the Far North Country, and creator of the Happy Hippo, Mean Wigglin, and It’s Everybody’s Wire children’s tales. Born in Ann Arbor, Michigan on December 30th, 1952 to Donald Eugene Backus and Mary Aideena (Lee) Backus, as the second of six children of Scotch-English and Native American descent. In the Author’s Forward in Hunter – After The Fall, Backus states:
“Throughout my lifetime, many individuals have influenced my love of the language and of books, not least of whom were my parents. My father, Donald, was a voracious sci-fi and adventure fiction reader. On weekend afternoons, he could often be found relaxing on the couch with his nose in a dog-eared pulp paperback, perhaps by Ray Bradbury, Edgar Rice Burroughs, Robert A. Heinlein, Louis L’amour, or H. G. Wells, and boasting some sort of heroic cover art––likely by Frank Frazetta, or one of his counterparts––depicting John Carter of Mars, one of the Sacketts, or Tarzan, smashing his way through hordes of enemies, blade, blaster, or six shooter in one hand and damsel in distress in the other.
My mother, Mary, cherished the more civilized, classic fiction, instilling in me a great love for such books at an early age––books she considered as doorways to a wide variety of experiences, adventures, and ideas––and which I accessed through the offerings of Lewis Carroll, James Clavell, James Fenimore Cooper, Charles Dickens, Sir Arthur Conan Doyle, Rudyard Kipling, Jack London, Robert Louis Stevenson, J. R. R. Tolkien, Mark Twain and Jules Verne to name a few. She introduced me to the wonder of libraries, bookmobiles, and natural history museums, and taught me to respect, nurture, and appreciate the magic of the written word, as well as the beauty and grandeur of our natural world. To my parents, who, by example, imparted their varied literary passions to an impressionable young mind growing up in the American Midwest in the 1950’s, I am truly grateful.”